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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Mebang Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Alamtana

Agus Kastama Putra

Fakultas Ilmu Budaya Universitas Mulawarman

Author-ID : 3553086

Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 13 Documents Claim Missing Document

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Kontemplasi Musik Tradisi di IKN Kalimantan Timur dalam Kontinuitas dan Perubahan Asril Gunawan; Yofi Irvan Vivian; Agus Kastama Putra
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 2 No. 2 (2022)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

East Kalimantan is a province rich in natural resources and the diversity of its traditional arts. The diversity of traditional art forms, particularly traditional music, can be observed in the Outback, Coastal, and Palace Music (Kedaton Kutai)—which is still being maintained—of course, cannot be separated from the continuity and changes that accompany it. This study aims to form a collective awareness of the community through a space of contemplation on the sustainable preservation of traditional music with the importance of involving practitioners, artists, communities, cultural observers, academics, and the government as a strengthening of the sustainable literacy movement. Strengthening literacy in traditional music includes documentation, archiving, and recording of WBTB, cultural dissemination, and regeneration processes. This research uses a qualitative approach through case studies. The study results indicate that literacy strengthening in IKN East Kalimantan related to development policies and culture must go hand in hand so that the continuity and change of arts and culture are more dynamic. Kalimantan Timur merupakan provinsi yang kaya akan sumber daya alam maupun keragaman seni tradisinya. Keragaman bentuk kesenian tradisi, khususnya musik tradisi, dapat diamati pada musik Pedalaman, Pesisir, dan musik Istana (Kedaton Kutai)—yang hingga kini masih terus dipertahankan—tentu tidak terlepas dengan adanya kontinuitas dan perubahan yang menyertainya. Penelitian ini bertujuan membentuk kesadaran kolektif masyarakat melalui ruang kontemplasi terhadap pelestarian musik tradisi yang berkelanjutan dengan pentingnya melibatkan praktisi, seniman, masyarakat, budayawan, akademisi dan pemerintah, sebagai penguatan gerakan literasi berkelanjutan. Penguatan literasi pada musik tradisi di antaranya: pendokumentasian, pengarsipan, dan pencatatan WBTB, diseminasi budaya dan proses regenerasi. Penelitian ini menggunakan pendekatan kualitatif melalui studi kasus. Hasil penelitian menunjukkan bahwa penguatan literasi di IKN Kalimantan Timur terkait kebijakan pembangunan dan kebudayaan harus berjalan seiring, agar kontinuitas dan perubahan seni dan budaya di IKN lebih dinamis.

Deskripsi Upacara Odalan di Pura Payogan Agung Kutai Kalimantan Timur Putra, Agus Kastama; Surya, Satyawati
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 1 No. 1 (2021)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

The Odalan ceremony can be found in Hindu places of worship or temples in Bali, Java and Kalimantan. However, each region has its characteristics or specificities that are not found in other regions. It is an attraction for researchers to find out, explore, and discover the Odalan ceremony's uniqueness outside Bali, namely onKalimnantan. This study aims to describe the procedure or sequence of Odalan ceremonial activities, the cultural elements found in the Odalan ceremony, and the meaning of the Odalan ceremony's implementation. This research is descriptive qualitative research. The approach used is the ethnographic approach. The research object is the Odalan ceremony held at Pura Payogan Agung Kutai, East Kalimantan. This study's results indicate that the Odalan ceremony, which took place at Payogan Agung Kutai Temple, lasted for 71 days from 3 November 2019 to 12 January 2020. The sequence of activities started from the committee's formation, installing the attributes, cleaning the place for the ceremony until the Odalan Ceremony by carrying out prayers, Nyineb, until the committee's dissolution. The community was very enthusiastic in celebrating this ceremony, as evidenced by various parties' participation, both from Hindus themselves and the community around the temple. The Odalan ceremony was attended by Hindus from East Kalimantan, Bali, Java and Lombok. The Odalan or Piodalan ceremony is the anniversary of the birth of a Hindu holy place. In this case, the birthday of Pura Payogan Agung Kutai, East Kalimantan. Elements of Bali, Java, and Kalimantan (especially Dayak) culture, color the Odalan Ceremony at Pura Payogan Agung Kutai. The Odalan ceremony in each area is carried out according to local culture. Balinese, Javanese and Dayak cultural elements are reflected when presenting arts, offerings, tetabuhan, and dance.

Representasi Kesetaraan Gender dalam Kesenian Gong Waning Masyarakat Sikka Tanjung Labu Provinsi Kalimantan Timur Arafik, Abdul Rahman; Putra, Bayu Arsiadhi; Putra, Agus Kastama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.69

In the Sikka community in Tanjung Labu Village, curently women have the same role as men in socio-cultural life. Inversely proportional to the social conditions in the area of origin which is closely related to patriarchal culture. This situation is even more confusing when the appointment of a woman as head of the Gong Waning art association illustrates the absence of inequality in the social life of the Sikka community in Tanjung Labu. This study uses qualitative methods with observation techniques, data collection techniques and data analysis. Observation techniques include the object of research and the determination of informants. Data collection techniques include literature study, interviews, and documentation. Lastly, the data analysis technique by utilizing field data. The results show that the form of adjustment in Gong Waning art and the social order of the Sikka people is due to adaptation and good communication between individuals in discussions that lead to the values of equality. Discussion of private issues of every individual in society is managed to become a public issue in order to find a solution. Finally, women and men are free to express their opinions explicitly without any pressure from any party. This situation ultimately forms a society that respects each other in social life.

Co-Authors Arafik, Abdul Rahman Aries Utomo, Aries Asril Gunawan Bayu Aji Nugroho, Bayu Aji Chris Asanti, Chris Gunawan, Indras Kiftiawati Masrur, Masrur Pratama, Zamrud Whidas Pratiwi, Mardliya Purwanti Rahayu Supanggah Rifaneo, Diva Farnita Saferi Yohana Satria, Ridho Pratama Satyawati Surya, Satyawati Setiawati, Lisa Singgih Daru Kuncara Yofi Irvan Vivian Yofi Irvan Vivian Zamrud Whidas Pratama

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