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All Journal Humaniora HUMANIKA PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA Jurnal Studi Komunikasi MetaCommunication; Journal Of Communication Studies ELS Journal on Interdisciplinary Studies in Humanities English Language and Literature International Conference (ELLiC) Proceedings PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Jurnal Masyarakat dan Budaya Al-Qalam Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya JSM (Jurnal Seni Musik) Metahumaniora Airlangga Development Journal Jurnal Sosiologi Dialektika Medium : Jurnal Ilmiah Fakultas Ilmu Komunikasi Jurnal Impresi Indonesia Siwayang Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi Arif: Jurnal Sastra dan Kearifan Lokal Jurnal Penelitian RESLAJ: Religion Education Social Laa Roiba Journal (JSM) Jurnal Seni Musik
Johny Alfian Khusyairi
Departemen Ilmu Sejarah, Fakultas Ilmu Budaya, Universitas Airlangga Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

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Musical Hyperreality in Kampung Jelita: A Case Study of Thematic Tourism in Surabaya Fadhillah, Rifdah; Meyrasyawati, Dewi; Khusyairi, Johny Alfian
PROMUSIKA Vol 13, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v13i2.15945

Abstract

This study analyzes music's role in shaping visitors' hyperreal experiences in Kampung Jelita, Surabaya. Using a qualitative case study approach, the research focuses on the Japanese and Balinese thematic zones and applies Jean Baudrillard's theory of hyperreality. Data were collected through in-depth interviews, direct observation, literature review, and documentation conducted in the Kampung Jelita area, Manukan Lor IV E Street, RT 05/RW 01, Banjar Sugihan Subdistrict, Tandes District, Surabaya. The findings reveal that instrumental music is a cultural simulator that evokes illusion and fantasy, supporting Baudrillard's view that simulation can substitute reality. The soundscapes in each thematic zone, Japanese and Balinese, enhance the immersive experience by harmonizing with visual ornaments, prompting visitors to engage emotionally, experience nostalgia, and participate in performative acts such as renting traditional costumes. However, some visitors noted inconsistencies between the music and the intended cultural themes. Theoretically, this study contributes to hyperreality discourse by emphasizing the role of music in reinforcing sensory simulation within thematic tourism village contexts. Practically, the findings suggest that curating culturally coherent soundscapes can strengthen visitors' emotional attachment and enhance destination branding. Thus, music should be regarded as a strategic medium in constructing cultural identity and tourist experience.Hiperrealitas Musik di Kampung Jelita: Studi Kasus Tematik Wisata di SurabayaAbstrakPenelitian ini menganalisis peran musik dalam membentuk pengalaman hiperreal pengunjung di Kampung Jelita, Surabaya. Dengan menggunakan pendekatan studi kasus kualitatif, penelitian ini berfokus pada zona tematik Jepang dan Bali serta menerapkan teori hiperrealitas Jean Baudrillard. Data dikumpulkan melalui wawancara mendalam, observasi langsung, studi pustaka, dan dokumentasi yang dilakukan di kawasan Kampung Jelita, Jalan Manukan Lor IV E, RT 05/RW 01, Kelurahan Banjar Sugihan, Kecamatan Tandes, Surabaya. Hasil penelitian menunjukkan bahwa musik instrumental berfungsi sebagai simulator budaya yang membangkitkan ilusi dan fantasi, mendukung pandangan Baudrillard bahwa simulasi dapat menggantikan realitas. Lanskap bunyi (soundscape) di setiap zona tematik Jepang dan Bali memperkuat pengalaman imersif dengan menciptakan keselarasan antara elemen audio dan visual, sehingga mendorong pengunjung untuk terlibat secara emosional, merasakan nostalgia, serta berpartisipasi dalam tindakan performatif seperti menyewa kostum tradisional. Namun, beberapa pengunjung mencatat adanya ketidaksesuaian antara musik yang diputar dengan tema budaya yang dimaksudkan. Secara teoretis, penelitian ini memberikan kontribusi terhadap wacana hiperrealitas dengan menekankan peran musik dalam memperkuat simulasi sensorik dalam konteks kampung tematik wisata. Secara praktis, temuan ini menyarankan bahwa pengelolaan lanskap bunyi yang selaras secara budaya dapat memperkuat keterikatan emosional pengunjung dan meningkatkan citra destinasi wisata. Dengan demikian, musik perlu dipandang sebagai media strategis dalam membangun identitas budaya dan pengalaman wisata.Kata kunci: hiperrealitas musik; Kampung Jelita; musik instrumental tradisional; simulakra
Pelatihan Kesenian Tradisional Pabitte Pasappu Untuk Pemertahanan Budaya Masyarakat Kajang di Desa Tanah Toa, Bulukumba, Sulawesi Selatan: The Traditional Performance of Pabitte Pasappu Training for Preservation of the Kajang Community Culture in Tanah Toa Village, Bulukumba, South Sulawesi Rabani, La Ode; Husain, Sarkawi B.; Samidi, Samidi; Khusyairi, Johny Alfian
PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Vol. 9 No. 7 (2024): PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat
Publisher : Institute for Research and Community Services Universitas Muhammadiyah Palangkaraya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33084/pengabdianmu.v9i7.6990

Abstract

Local Society make the preservation of local arts and culture. One of the local communities that is the focus of community service is the Kajang indigenous community in Bulukumba, South Sulawesi. The Kajang community carries out its activities separately between Inner and Outer Kajang. Both spaces of communities have different standards in preserving one cultural art. The Inner Kajang community focuses on sacred traditional arts, while in the Outer Kajang community, the inherent traditions are profane. This community service is directed towards the goal of preserving/sustainability of the local culture of the Kajang community, which is being threatened by the influence of globalization, the influence of digital technology that enters the community, and the orientation of the Kajang Society which likes the world of modernity. As a result, sacred and profane traditional arts not attention, especially from the local younger generation. The method of community service is through training the younger generation of the Kajang community who come from the local community. Pabitte Pasappu Art Trainers come from local traditional leaders. This dedication succeeded in training the young generation of Kajang in an effort to maintain their art Pabitte Pasappu. The successful performance as shown on the YouTube channel of Prodi Ilmu Sejarah Unair became a benchmark for the success of this community service program, although in the not too distant future. The effectivity, time efficiency and intensity during training are key to achieving training targets.
Jamet Stereotyping in Jedag-Jedug Music: An Analysis of Jedag-Jedug Music Stereotype Tiantini, Wendy Belinda; Khusyairi, Johny Alfian; Afdholy, Nadya; Puspita, Yulia Mega
Jurnal Seni Musik Vol 12 No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v12i2.75278

Abstract

Several music genres have stereotypes from the society, especially music that comes from low culture. One of the types of music that is stereotyped is jedag-jedug music, a music that is identical with fast beats and specific video editing. This type of music is widely known due to the influence of the TikTok application, which is a social media platform that offers audio-visual content. Jedag-Jedug music is often stereotyped as jamet music and also considered as tacky or alay. This research aims to find out how jamet stereotypes in Jedag-Jedug music can change and become a popular trend on social media. The approach used in this research is a qualitative approach using in-depth interviews with participants. The criteria for participants were participants aged 18 years and over and who had listened to jedag-jedug music with various economic and educational backgrounds. Primary data in this research are interview transcripts and secondary data used are journal articles, books and other supporting sources. To analyze the data, researchers used Dual-Process by Shelly Chaiken. There are three aspects that form a stereotype which are cognitive, affective, and behavioral aspects that will be used to see how stereotypes are changed in the jedag-jedug music. The result found in this study was that participants experienced a change in their views towards the stereotypes that exist in jedag-jedug music. The shifting of the stereotypes occurred because of the popularization of jedag-jedug music in social media which influence the participants’ cognitive, affective, and behavior.
TRADISI SELAMETAN DI MAKAM KAMPUNG KEDUNG MANGU, SURABAYA Tunurus Asholiha, Rohma; Alfian Khusyairi, Johny
SIWAYANG Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi Vol. 1 No. 3 (2022)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/siwayang.v1i3.247

Abstract

Penelitian ini akan mengungkap secara etnografi tradisi selametan di kota Surabaya yang terkenal dengan modern. Tradisi yang dilaksanakan di pusaran makam yang biasa dikenal oleh warga kampung kedung mangu dengan julukan mbah buyut. Dengan menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data dengan beberapa tahap yakni Observasi, Wawancara, Dokumentasi dan Analisis Data. Hasil dari penelitian ini adalah dengan ditemukan tradisi selamatan dimakam yang tidak diketahui asal-usulnya. Hanya kepercayaan mistis yang diyakini warga kampung kedung mangu secara turun menurun tanpa di ketahui datanya.
Rasionalisasi Mistisisme dalam Tradisi Baberten Sebagai Bentuk Menangkal Penyakit di Desa Pinggir Papas Nadya Atika; Johny Alfian Khusyairi; Samidi
Reslaj: Religion Education Social Laa Roiba Journal Vol. 7 No. 3 (2025): RESLAJ: Religion Education Social Laa Roiba Journal
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/reslaj.v7i3.7346

Abstract

Pinggir Papas Village has attracted attention because it has succeeded in preventing COVID-19 cases while maintaining their local traditions. This happened during the COVID-19 pandemic which hit the whole world and amid globalization. To remain relevant within the framework of Islamic teachings and today's modern world, the baberten tradition, which is considered part of the local cultural heritage and beliefs, needs to be rationalized. This research aims to interpret the baberten tradition in Pinggir Papas Village, Kalianget District, as well as the rationalization of mysticism as a method of disease prevention. By using qualitative methods and an ethnographic approach, the data and research data sources come from the baberten tradition and sources as well as baberten tradition activities. The baberten ritual is performed twice a year, with three different processions. This ritual has certain goals and symbols. Three main components are involved in value rationalization, (1) offerings, (2) reading prayers, mantras and Surah At-Taubah, and (3) night journey. The research findings show that rationalizing the values ​​of the baberten tradition can give rise to a more reasonable understanding of the values ​​of mysticism and allow baberten to continue without eliminating the religious principles adhered to by the residents of Pinggir Papas Village. Thus, this research provides a foundation for the sustainability and maintenance of cultural heritage in Pinggir Papas Village and makes a significant contribution to our understanding of the dynamics between local traditions, Islamic religious teachings, and contemporary challenges such as the COVID-19 pandemic.
Ngajiblox Hyperreality: a Netnographic Study of Simulacra in Virtual Qur’anic Study Practices by Majelis Roblox Indonesia on the Roblox Platform Fadhillah, Rifdah; Ariani Arimbi, Diah; Alfian Khusyairi, Johny
JURNAL PENELITIAN Vol 23 No 1 (2026)
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/etd8wd79

Abstract

This study examines Ngajiblox, a virtual Qur’anic study initiative organized by Mario (Majelis Roblox Indonesia) on the Roblox platform, to analyze how digital environments produce religious simulacra and hyperreal experiences. As religious practices increasingly move online, the research explores how Islamic learning, ethical conduct, and communal interaction are reconfigured in virtual space. A descriptive qualitative method with a netnographic approach was employed. Data were gathered through online observation, in-depth interviews, and content analysis, and interpreted using Jean Baudrillard’s theory of simulacra and simulation. The findings reveal that the virtual mosque functions as a socio-religious arena where Islamic practices are reconstructed through digital symbols, avatars, spatial design, and virtual artifacts. Rather than simply imitating offline gatherings, the sessions generate an autonomous religious reality in which learning and spirituality are experienced as authentic. Elements such as mosque icons, gender-segregated areas, and live broadcasts from a physical mosque in Klaten strengthen the sense of hyperreal religiosity. Participants engage in study, ethical reflection, and social interaction in ways that parallel offline life, while remaining aware of limitations such as distraction and “instant” spirituality. Islamic subjectivity thus emerges through negotiation between digital simulation and embodied faith.
Mass-produced romance: BookTok society and the homogenisation of literary culture Tristanty, Anggie Ayu Isra; Khusyairi, Johny Alfian
Jurnal Studi Komunikasi Vol. 9 No. 1 (2025)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v9i1.9576

Abstract

This study examined how BookTok reinforces literary homogenisation through algorithm-driven virality, applying Adorno's concept of the culture industry. Analysis of survey data shows that 78% of users frequently encounter repetitive tropes, such as ‘Enemies to Lovers’ and ‘Fake Dating’, while 66% report that these patterns influence their reading choices. Additionally, over 70% of viral BookTok recommendations promote mass-market romance novels, mainly works by bestselling authors such as Colleen Hoover and Emily Henry. In contrast, books with experimental narratives or by underrepresented authors remain marginalised. BookTok's algorithm amplifies high-engagement content, creating a self-perpetuating cycle of popularity that aligns with Adorno's critique of cultural standardisation. This study highlights how BookTok prioritises commercial viability over literary diversity, narrowing reader exposure. However, this trend could be reversed by intentional interventions like influencer-led book marketing and algorithmic changes. This study highlights BookTok's significance in influencing reading habits and highlighting ways to promote literary diversity by connecting the platform's influence to more extensive discussions on digital literary consumption.
Dangdut Rakyat Melawan Hegemoni Keraton: Dekonstruksi Pertarungan Ideologis dalam Film Ambyar Mak Byar Ilham Baskoro; Dimas Septo Nugroho; Diah Ariani Arimbi; Johny Alfian Khusyairi
HUMANIKA Vol 33, No 1 (2026): April
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v33i1.83481

Abstract

This study critically examines Ambyar Mak Byar as ideological contestation between people’s dangdut culture and the hegemonic authority of the Javanese Keraton through Jacques Derrida’s deconstructive framework. Focusing on logosentrism, binary oppositions, différance, and narrative deconstruction, this research analyses how this movie represents commoner–aristocracy relationship as an unstable, continuously negotiated construction, albeit wrapped in comedic form. The findings indicate that dangdut is framed as a symbol of spontaneity and egalitarianism, while the keraton is portrayed as a fragile center of authority undergoing image modernization. The cross-class romance narrative functions to normalize Javanese noble–commoner relations while simultaneously concealing the keraton’s internal structural tensions in a manner reminiscent of cultural propaganda. The analysis demonstrates that this film deploys strategies of depoliticization and cultural soft-power to positioning keraton as a progressive institution, thereby destabilizing established symbolic hierarchies. This study contributes new perspectives to understanding cultural representation politics in contemporary Javanese society within Indonesian cinema.
Co-Authors Abd. Latif Adiyani, Lady Khairunnisa Ahmad Faizin, Ahmad Ariani Arimbi, Diah Athaya Prita Belia Azzah, Iftifaroh Dewi Meyrasyawati Diah Ariani Arimbi Dimas Septo Nugroho Edi Dwi Riyanto Fadhillah, Rifdah Haqi, Annisa Maulidina Ilham Baskoro La Ode Rabani Latif, Abd. Mahanani, Nimas Kharisma Mumtaz, Rafida Nadya Afdholy Nadya Atika Nafi'ah, Wirdatun Nur Rizky Dewi Angelita Puspita, Yulia Mega Ratnaduhita, Cintya Rohmawati, Yulia Samidi Samidi Samidi Samidi Samidi, Samidi Sarkawi B Husain Sulissya Nur Syafa'ati Sulissya Nur Syafa'ati Tiantini, Wendy Belinda Tristanty, Anggie Ayu Isra Tunurus Asholiha, Rohma Wahyuni, Retno Dwi Yuli Ika Lestari