Article Per Year (5 Year)
p-Index From 2021 - 2026
3.312
P-Index
This Author published in this journals
All Journal Humaniora PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Mozaik Humaniora ATAVISME JURNAL ILMIAH KAJIAN SASTRA Jurnal Studi Komunikasi MetaCommunication; Journal Of Communication Studies ELS Journal on Interdisciplinary Studies in Humanities English Language and Literature International Conference (ELLiC) Proceedings PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Jurnal Masyarakat dan Budaya Al-Qalam Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya JSM (Jurnal Seni Musik) Metahumaniora Airlangga Development Journal Jurnal Sosiologi Dialektika Medium : Jurnal Ilmiah Fakultas Ilmu Komunikasi Jurnal Impresi Indonesia Siwayang Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi Arif: Jurnal Sastra dan Kearifan Lokal RESLAJ: Religion Education Social Laa Roiba Journal (JSM) Jurnal Seni Musik
Johny Alfian Khusyairi
Departemen Ilmu Sejarah, Fakultas Ilmu Budaya, Universitas Airlangga Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

Published : 26 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 26 Documents
Search

 1   2   3 
Pemaknaan Penonton Perempuan Terhadap Beauty Influencer Laki-Laki di TikTok Nur Rizky Dewi Angelita; Johny Alfian Khusyairi
Medium: Jurnal Ilmiah Fakultas Ilmu Komunikasi Vol 12 No 1 (2024): Medium (Jurnal Ilmiah Fakultas Ilmu Komunikasi Universitas Islam Riau)
Publisher : Fakultas Ilmu Komunikasi Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/medium.v12i1.16137

Abstract

This study aims to discuss the female audience's reception of the existence of male beauty influencers in the TikTok application. The aspect of beauty in Indonesia has always been synonymous with women, but in its development, male beauty influencers have emerged who have similar goals, namely educating women and men regarding aspects of beauty. The research used qualitative methods with in-depth interviews and observation instruments. The six informants consisted of women who often watch beauty content and are active in the TikTok application. Data analysis used Stuart Hall's reception analysis theory. The results of the study show that the majority of informants are in the negotiated position category, which is accepting and agreeing with the information conveyed by male beauty influencers, but there are some things that are still being considered.
CITAYAM FASHION WEEK: EKSPRESI REMAJA DI RUANG PUBLIK PADA MEDIA SOSIAL TIKTOK DI ERA DIGITAL Sulissya Nur Syafa'ati; Johny Alfian Khusyairi
Metacommunication Journal of Communication Studies
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/mc.v8i1.15523

Abstract

Citayam Fashion Week atau CFW merupakan fenomena masyarakat yang ramai pada tahun 2022 di DKI Jakarta. Dalam penelitian ini, penulis bertujuan untuk memaparkan fenomena CFW yang terjadi di kawasan Sudirman Central Business District atau SCBD yang merupakan bentuk ekspresi remaja. Penelitian ini menggunakan metode deskriptif kualitatif. Sumber data penelitian ini adalah konten video pada media sosial TikTok dan berita online terkait CFW. Data yang ada disajikan dengan menggunakan teori ruang publik Jürgen Habermas yang merepresentasikan kawasan SCBD. Hasil kajian menunjukkan bahwa fenomena CFW merupakan bentuk demokratisasi Jalan Sudirman sebagai ruang ketiga, melahirkan beberapa remaja populer yang mengusung identitas Citayam, Bogor dan Depok, serta menciptakan penonton yang mendukung dan menikmati fenomena tersebut. Hal ini berdampak positif bagi perekonomian masyarakat khususnya di bidang fashion seperti aplikasi belanja online: Shopee. Berdasarkan hasil tersebut dapat disimpulkan bahwa kawasan SCBD merupakan ruang publik yang dapat dinikmati dan dikunjungi oleh semua kalangan tanpa memandang pangkat dan status karena ruang publik tersebut merupakan milik bersama. Masyarakat juga bebas melakukan aktivitas yang mereka inginkan tanpa mengganggu pengunjung lain dan ikut menjaga ketertiban dan kenyamanan ruang publik.Kata Kunci: Remaja, Citayam Fashion Week, Ruang Publik, Sudirman.
Standardisasi pengukuran dan registrasi tanah di Besuki, 1813-1826 Khusyairi, Johny Alfian
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 2 (2024)
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.468

Abstract

Artikel ini bertujuan untuk mengetahui sistem registrasi tanah di kawasan ujung timur pulau Jawa, Besuki. Letnan Gubernur Jenderal Thomas Stamford Raffles adalah yang pertama kali melakukan pendataan melalui penerapan standar pengukuran dan registrasi tanah di wilayah ini. Artikel ini menggunakan metode sejarah dalam melacak rujukan yang menginspirasi Raffles dalam melakukan standar pengukuran tanah di Besuki. Sebagai pejabat baru, Raffles cepat memahami wilayah kekuasaannya. Standardisasi dan registrasi tanah di Besuki mendesak dilakukan karena isu ini menimbulkan masalah serius di sebelah barat Besuki, Probolinggo. Raffles melakukan pendataan tanah di Besuki sebagaimana Inggris melakukannya di India. Semula Raffles menerapkan menerapkan model Bengal (zamindari), pajak tanah dipungut secara kolektif oleh kepala desa. Lima bulan kemudian di menggantinya dengan sistem India lainnya, ryotwari,  pemungutan pajak secara perorangan dengan mendasarkan kepemilikan secara perorangan. Pemberlakukan peraturan ini tetap digunakan hingga dua pemerintahan setelahnya. 
THRIFT FASHION TRENDS AS A NEW CULTURE OF CONSUMERISM Sulissya Nur Syafa'ati; Johny Alfian Khusyairi
Airlangga Development Journal Vol. 8 No. 2 (2024): AIRLANGGA DEVELOPMENT JOURNAL
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/adj.v8i2.44267

Abstract

The mushrooming phenomenon of fashion thrift in Indonesia has resulted in a new culture. The new culture is the consumption of young people on thrift fashion products. This research uses the qualitative descriptive method. The data was taken by filling out an open questionnaire to 10 respondents obtained through Instagram social media. The data obtained were then analyzed using the theory of the consumption society by Jean P. Baudrillard where the consumption of fashion thrift products not only pays attention to the value of the function of a garment but also the value of symbols in purchasing fashion thrift products. The results of this study show that the reasons respondents consume fashion thrift are because they accidentally found suitable products, complete collections, low product prices, products that are sold well and even some are products with well-known brands, and pride factors.
Konstruksi Makna Budaya Ngopi Kopag (Kopi Pagi) Masyarakat Kota Malang Faizin, Ahmad; Khusyairi, Johny Alfian; Afdholy, Nadya
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 4 No. 2 (2025): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.042.01

Abstract

Budaya ngopi di Kota Malang telah menjadi bagian dari identitas masyarakat lokal didorong dengan banyaknya coffee shop berdiri di penjuru kota. KOPAG merupakan salah satu kegiatan ngopi yang bertransformasi menjadi budaya ngopi baru. KOPAG terbentuk menjadi sebuah istilah tersendiri yang diucapkan, digunakan, dan disebarluaskan oleh Masyarakat di Malang semenjak tahun 2023, terutama pemuda-pemudi Malang. Penelitian ini bertujuan menelaah makna budaya ngopi KOPAG di Malang. Penelitian menggunakan teori representasi yang termasuk dalam penelitian kualitatif dengan pendekatan studi kasus. Koleksi data melalui wawancara terhadap pelaku budaya dari pihak konsumen dan produsen. Hasil penelitian  menunjukkan bahwa istilah KOPAG telah diserap oleh masyarakat dan membentuk makna tersendiri dan merepresentasikan “tombol” untuk mengawali hari bagi para pelaku budaya. KOPAG memberikan alternatif budaya ngopi menyesuaikan kehidupan para pelaku budaya. Di sisi lain, budaya KOPAG juga merepresentasikan media pemasaran yang inovatif bagi pelaku usaha coffee shop.
Mass-produced romance: BookTok society and the homogenisation of literary culture Anggie Ayu Isra Tristanty; Johny Alfian Khusyairi
Jurnal Studi Komunikasi Vol. 9 No. 1 (2025)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v9i1.9576

Abstract

This study examined how BookTok reinforces literary homogenisation through algorithm-driven virality, applying Adorno's concept of the culture industry. Analysis of survey data shows that 78% of users frequently encounter repetitive tropes, such as ‘Enemies to Lovers’ and ‘Fake Dating’, while 66% report that these patterns influence their reading choices. Additionally, over 70% of viral BookTok recommendations promote mass-market romance novels, mainly works by bestselling authors such as Colleen Hoover and Emily Henry. In contrast, books with experimental narratives or by underrepresented authors remain marginalised. BookTok's algorithm amplifies high-engagement content, creating a self-perpetuating cycle of popularity that aligns with Adorno's critique of cultural standardisation. This study highlights how BookTok prioritises commercial viability over literary diversity, narrowing reader exposure. However, this trend could be reversed by intentional interventions like influencer-led book marketing and algorithmic changes. This study highlights BookTok's significance in influencing reading habits and highlighting ways to promote literary diversity by connecting the platform's influence to more extensive discussions on digital literary consumption.
ANALISIS SEMIOTIK ROLAND BARTHES TERHADAP SIMBOL BUDAYA PALESTINA DI RUANG PUBLIK DIGITAL: SEMANGKA, POHON ZAITUN, DAN KUNCI Haqi, Annisa Maulidina; Khusyairi, Johny Alfian
Metahumaniora Vol 15, No 1 (2025): METAHUMANIORA, APRIL 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i1.61767

Abstract

Penelitian ini menganalisis representasi simbol-simbol budaya Palestina dalam ruang publik digital melalui pendekatan semiotika. Dengan fokus pada simbol semangka, pohon zaitun, dan kunci, penelitian ini mengungkap bagaimana simbol-simbol tersebut digunakan untuk mempertahankan identitas nasional Palestina dan melawan dominasi narasi kolonial. Data primer berupa tiga poster digital yang mewakili masing masing ketiga simbol yang dianalisis menggunakan konsep denotasi dan konotasi menurut Roland Barthes. Penelitian ini bertujuan untuk mengisi kesenjangan pengetahuan tentang representasi budaya Palestina dalam ranah digital dengan mengeksplorasi peran simbol-simbol budaya dalam membentuk identitas kolektif serta sebagai bentuk ekspresi perlawanan. Selain itu, Penelitian ini menegaskan pentingnya media sosial sebagai platform untuk menyuarakan perjuangan dan memperkuat narasi budaya di tengah konflik politik.
Evolving Metalcore: Music Standardization and Commodification in Bad Omens and Bring Me The Horizon Athaya Prita Belia; Johny Alfian Khusyairi
Jurnal Seni Musik Vol. 13 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v13i2.17685

Abstract

This research aims to analyse the musical characteristics and lyrical themes of Bring Me The Horizon (BMTH) and Bad Omens to explore the cultural values shaped through the commodification of metalcore music, drawing on Adorno’s theory of the culture industry. This research uses mixed-methods approach by examining the duration of unclean and clean vocals, as well as the lyrical themes from both bands' debut and latest albums, to identify forms of standardization. In addition, the commodification analysis incorporates audience reactions, concert ticket sales, and streaming data. The findings reveal a transition from the creative freedom of the early years to more standardized works, marked by a reduction in unclean vocal techniques, less frequent use of blast beats, and a greater emphasis on smoother melodies. This study also identifies elements of pseudo-individualization, where both bands create a sense of uniqueness while adhering to market trends to appeal to a broader audience. These findings highlight how standardization and pseudo-individualization function not only as marketing tools but also as bridges to integrate metalcore music into the mainstream market and attract new listeners.  
Consumption practices of thrifting: Cultural materialism analysis of consumer perspectives Adiyani, Lady Khairunnisa; Khusyairi, Johny Alfian
Jurnal Sosiologi Dialektika Vol. 20 No. 1 (2025): Jurnal Sosiologi Dialektika
Publisher : Department of Sociology, Faculty of Social and Political Sciences, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/jsd.v20i1.2025.87-100

Abstract

In the global era, people are looking for alternatives in fashion through the thrifting trend. This research aims to analyze the consumption practices of thrifting in Surabaya from a consumer perspective through Marvin Harris’ Cultural Materialism approach based on economic infrastructure, social structure, and cultural superstructure. This research uses a quantitative approach with descriptive methods. The data collection technique was a questionnaire with 110 respondents in Surabaya, with ages between 15-40 years. Based on the frequency and preference of thrift shopping, thrift consumption is influenced by affordable prices, ease of access, and the role of digital technology. Economic infrastructure, including thrift stores to online platforms, makes it easy for consumers to obtain high quality stuff at low prices. Based on cultural values and meanings, thrifting is a symbol of sustainability, creativity, and identity expression. The shift in cultural superstructure reflects that second-hand clothing is accepted as a fashionable alternative that reflects social responsibility and uniqueness. Based on economic relations and local culture, thrifting is an activity that increases the potential of the informal economy by creating business opportunities and strengthening social networks. This research concludes that thrifting is not only an economic alternative but also part of a lifestyle that refers to the value of sustainability and has an impact on local culture.
Representasi Cinta dalam Lirik Lagu Kupu-Kupu oleh Tiara Andini: Analisis Semiotika Roland Barthes Ratnaduhita, Cintya; Riyanto, Edi Dwi; Khusyairi, Johny Alfian
PROMUSIKA Vol 13, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v1i1.15213

Abstract

Penelitian ini bertujuan untuk menganalisis representasi cinta dalam lirik lagu Kupu-kupu oleh Tiara Andini melalui pendekatan semiotika Roland Barthes. Fokus utama penelitian ini adalah untuk mengidentifikasi makna denotatif, konotatif, dan mitos yang terkandung dalam simbol-simbol yang ada dalam lirik lagu tersebut. Metode penelitian yang digunakan adalah kualitatif dengan analisis semiotika, di mana data penelitian berupa lirik lagu yang diambil dari laman internet. Teknik pengumpulan data dilakukan melalui observasi terhadap lirik lagu Kupu-kupu yang kemudian dianalisis secara mendalam menggunakan teori semiotika Roland Barthes. Teknik analisis data melibatkan tiga tahap: pertama, analisis makna denotatif yang mengungkapkan arti harfiah dari setiap simbol; kedua, analisis konotatif untuk menggali makna yang lebih dalam terkait dengan perasaan cinta yang digambarkan; ketiga, identifikasi mitos-mitos yang terbentuk melalui simbol-simbol dalam lagu. Hasil penelitian menunjukkan bahwa lirik lagu ini menggambarkan cinta sebagai perasaan yang mempengaruhi fisik dan emosional, dengan simbol-simbol seperti pipi merona, jantung terpompa, dan kupu-kupu yang menggambarkan kebebasan cinta. Cinta digambarkan sebagai kekuatan yang memperkuat hubungan, memberikan ketulusan, dan menjaga kebahagiaan. Kesimpulannya, lirik lagu Kupu-kupu menciptakan representasi cinta yang mendalam, dinamis, dan bebas berkembang sesuai dengan mitos-mitos cinta dalam budaya populer. Temuan ini berkontribusi pada pengembangan kajian semiotika musik Indonesia dengan memperkaya pemahaman tentang bagaimana simbol-simbol dalam lirik lagu membentuk konstruksi makna sosial dan emosional dalam konteks budaya lokal.The Representation of Love in the Lyrics of the Butterfly Song: Barthes's Semiotic AnalysisAbstractThis study aims to analyze the representation of love in the lyrics of the song Kupu-kupu by Tiara Andini through Roland Barthes' semiotic approach. The primary focus of this research is to identify the denotative, connotative meanings, and myths contained in the symbols within the song's lyrics. The research method used is qualitative with a semiotic analysis, where the research data consists of song lyrics taken from an online source. Data is collected by observing the Kupu-kupu lyrics, which are then analyzed in depth using Roland Barthes' semiotic theory. The data analysis technique involves three stages: first, the analysis of denotative meaning, which reveals the literal meaning of each symbol; second, the connotative analysis to explore deeper meanings related to the feelings of love depicted; third, the identification of myths formed through the symbols in the song. The results show that the lyrics of this song depict love as a feeling that affects both the physical and emotional aspects, with symbols such as blushing cheeks, a pumping heart, and butterflies representing the freedom of love. Love is portrayed as a force that strengthens relationships, offers sincerity, and maintains happiness. In conclusion, the lyrics of Kupu-kupu create a profound, dynamic, and freely evolving representation of love in line with the myths of love in popular culture. This finding contributes to the development of semiotic studies of Indonesian music by enriching the understanding of how symbols in song lyrics construct social and emotional meanings within the context of local culture.Keywords: Barthes' semiotics; love in music; lyric symbolism; pop culture; Indonesian songs
Co-Authors Abd. Latif Adiyani, Lady Khairunnisa Ahmad Faizin, Ahmad Anggie Ayu Isra Tristanty Athaya Prita Belia Azzah, Iftifaroh Dewi Meyrasyawati Edi Dwi Riyanto Fadhillah, Rifdah Haqi, Annisa Maulidina La Ode Rabani Latif, Abd. Mahanani, Nimas Kharisma Mumtaz, Rafida Nadya Afdholy Nadya Atika Nafi'ah, Wirdatun Nur Rizky Dewi Angelita Puspita, Yulia Mega Ratnaduhita, Cintya Rohmawati, Yulia Samidi Samidi Samidi Samidi, Samidi Sarkawi B Husain Sulissya Nur Syafa'ati Sulissya Nur Syafa'ati Tiantini, Wendy Belinda Tunurus Asholiha, Rohma Wahyuni, Retno Dwi Yuli Ika Lestari