Claim Missing Document
Check
Articles

Found 24 Documents
Search

Nilai Pembelajaran dalam Motif Batik Sudardi, Bani
Jurnal Pembelajaran Sastra Vol 3 No 02 (2021): Jurnal Pembelajaran Sastra
Publisher : Hiski Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51543/hiskimalang.v3i02.50

Abstract

Batik motif is a form of design included in the study of fine arts. Batik motifs are inspired from various things around us, such as natural events, family and social events, and literary works, either written or oral literary works. Javanese batik is closely related to the stories of the chronicle of the royal family. Batik motifs are closely related to the literary works that exist in the society as the owner of the motive. In Jambi, for example, batik motifs sanggat ship is a very famous. This motif was inspired by the existence of a ship that failed (sanggat). The educational values inspired from this motif is that in life one must be careful in determining the direction of life in order not to run aground. Chinese Lasem community has a motif called the Hong bird motif. The appearance of the motive was inspired by the myth of the Hong bird in the Chinese tradition which is a lucky bird. The Hong Bird is the king of bird and its element of fire is strongest among all beings. This bird is a symbol of immortality because of its ability to live after death. There are four animals in important Chinese mythology: dragons, turtles, kilns, and Hong birds. Among them Hong bird and dragon are frequently appear in batik motifs. The education value of these Chinese motif is the God blessing in the creatures. The study shows that artworks, literature and batik motifs, are interrelated each other. The education values emerged from this batik motif is valuable for people’s life.
Serat Wirid Hidayat Jati and the Development of Javanese Islam in the 19th-20th Century Triatmo, Bambang; Sudardi, Bani
Scaffolding: Jurnal Pendidikan Islam dan Multikulturalisme Vol. 7 No. 3 (2025): Pendidikan Islam dan Multikulturalisme
Publisher : Institut Agama Islam Sunan Giri (INSURI) Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/scaffolding.v7i3.7894

Abstract

This study explores Wirid Hidayat Jati, a composition by Raden Ngabehi Ranggawarsita finalized in 1862, and its role in shaping Javanese Islam during the 19th and early 20th centuries. The text incorporates Sufi doctrines, particularly the principle of manunggaling kawula Gusti (the union of humanity with the Divine), which is closely related to the concept of martabat tujuh (seven dignities) in Sufi tradition. Employing a historical research design and textual analysis, this study collected data from primary sources, namely the Wirid Hidayat Jati manuscript, as well as secondary sources such as historical records, pesantren archives, and scholarly works. The data were analyzed using content analysis and historical interpretation to identify core mystical and ethical themes and to examine their influence on the religious practices of Javanese Islam. The findings reveal that Wirid Hidayat Jati, through its reading, teaching, and interpretation by santri and Ranggawarsita’s followers, contributed to the dissemination of Sufism and reinforced practices that harmonized Islamic principles with Kejawen values. As a spiritual guide, the text not only influenced devout Muslims (santri) but also adherents of Kejawen, and its impact continued into the early 20th century. In conclusion, Wirid Hidayat Jati reflects Ranggawarsita’s Sufi philosophy and demonstrates the formation of a distinct Javanese Islamic identity characterized by adaptability and cultural syncretism.
Narratives in Javanese Farmer Batik Sudardi, Bani
Javanologi: International Journal of Javanese Studies Vol 5, No 2 (2022): Javanologi Volume 5 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v5i2.67950

Abstract

When batik grows in a rural environment, the batik is also colored by the values that exist in rural areas. Batik is never out of the nuances of the wearer. Although cursory the same, batik outside the palace still voiced his own dreams and hopes. Batik palace voiced legitimacy and power. Batik outside the palace, especially batik called as farmer's batik. Therefore, farmers' batik represents its own voice from the structure of Javanese society. There are any new narratives in the Javanese farmer batik. This research uses descriptive method. The subject of the study was described to find the value of ideologies’ and narrative in farmer's batik. Data sources include artifact, social facts, and interview results. It was then processed to get the perfect description. The farmer's batik expresses the hope of a glorious life. Therefore, although there is sido mukti batik, but sidomulya more popular in the countryside because of these expectations. The atmosphere of the forest gave rise to a motif of reason-the reason for the voices of the wooded countryside. The forest is a symbol of complete perfection of self-sufficient life. Batik farmers raised by removing the ban pattern so that there is no collision with batik kraton. Batik farmers are batik rural people who want to live peacefully with nature and the environment. Inside were typical village scenery like rice, algae, rustic plants, small birds, butterflies, and others. Often also raised snakes in the form of bonfires called "buketan naga wisikan" bouquet of dragons that are talking. Narrative contained in peasant batik is not a complete narrative. The message conveyed is a message of peace. A peaceful rural atmosphere is reflected in the emerging motives. This is in keeping with the cool rural conditions of peace and still many animals adorn life.
Quantum Recitation Therapy in Syair Nasihat as an Alternative to Strengthen Mental and Spiritual Efforts during and Post- Pandemic Covid 19 Wirajaya, Asep Yudha; Sudardi, Bani; Istadiyantha, Istadiyantha; Warto, Warto
Javanologi: International Journal of Javanese Studies Vol 4, No 2 (2021): Javanologi Volume 4 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v4i2.75564

Abstract

Syair Nasihat (SN) is a classic Malay literary work written using Arabic letters/characters and in Malay. This SN contains various kinds of advice for humans to be able to achieve the happiness of life, both in this world and in the hereafter. This teaching is still considered very relevant to human life in the postmodern era, which is even further away from religious values. As a result, it is difficult for humans to find true happiness in every episode of their life. Therefore, a study on SN needs to be done so that postmodern humans can at least get inspiration to be able to find true happiness in the process of life. The research method used is the philological method. This method is intended so that researchers can present good and correct text edits. Furthermore, the edits are studied with content analysis, particularly those related to the quantum concepts of dhikr. The concept of quantum dhikr therapy is contained in the SN text, namely (1) oral dhikr; (2) heart remembrance; (3) mind remembrance; and (4) deeds dhikr. This quantum dhikr study is expected to provide an overview and simultaneously convince readers/connoisseurs of SN about the potential of dhikr that can be used as an alternative to strengthen mentally and spiritually, both during the Covid 19 pandemic and post-pandemic.