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All Journal Humaniora Politika: Jurnal Ilmu Politik Hexagone KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Analisa Jurnal Pendidikan Ilmu Sosial Kajian Linguistik dan Sastra Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan ProTVF ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Aksara Madaniyah: Terciptanya Insan Akademis Berkualitas Dan Berakhlak Mulia Proceeding of International Conference on Art, Language, and Culture Ranah: Jurnal Kajian Bahasa Kandai Jurnal Madah Jurnal Bahtera - Jurnal Pendidikan Bahasa Sastra dan Budaya Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan SCAFFOLDING: Jurnal Pendidikan Islam dan Multikulturalisme LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Pembelajaran Sastra IBDA': Jurnal Kajian Islam dan Budaya Arif: Jurnal Sastra dan Kearifan Lokal Analisa: Journal of Social Science and Religion Jurnal SMART (Studi Masyarakat, Religi, dan Tradisi) Javanologi: International Journal of Javanese Studies Jurnal Sosial, Politik dan Budaya (SOSPOLBUD) Proceeding of International Conference on Humanity Education and Society Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Aksara Indonesian Language Education and Literature Ranah: Jurnal Kajian Bahasa

Bani Sudardi

Universitas Negeri Sebelas Maret

Author-ID : 387560

Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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HARGA DIRI DAN STATUS SOSIAL: MOTIF MERANTAU ORANG MINANGKABAU DALAM FILM (Pride and Social Status: The Migrating Motive Minangkabau People in Cinema) Herry Nur Hidayat; Bani Sudardi; Sahid Teguh Widodo; Sri Kusumo Habsari
Kandai Vol 17, No 2 (2021): KANDAI
Publisher : Kantor Bahasa Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v17i2.2805

Merantau has known as the Minangkabau ethnic identity. As a social behavior, merantau shows a change in concepts and motives. Technological developments, especially in transportation, are slowly shifting the concept of merantau to broaden its reach, followed by changes in motives. Merantau is no longer seen as a learning behavior and process, but is more economical, looking for a better life. This article explores and describes the merantau in the film with merantau from the Minangkabau community through a semiotic study. As a result, the change in the concept and motive for merantau in the film represents the merantau Minangkabau society. Through the movie characters, the motive for merantau, who seems to have an educational background in the film driveby personal motivation, namely self-esteem and social status, which in directly indicates economic motives.Merantau telah dikenal sebagai identitas etnik Minangkabau. Sebagai sebuah perilaku sosial, merantau menunjukkan perubahan konsep dan motifnya. Perkembangan teknologi, terutama transportasi, secara perlahan menggeser konsep merantau menjadi meluas jangkauannya yang diiringi pula dengan perubahan motifnya. Merantau tidak lagi dipandang sebagai perilaku dan proses pembelajaran melainkan lebih bersifat ekonomis, yaitu mencari kehidupan yang lebih baik. Melalui kajian tekstual, artikel ini menggali dan menguraikan perilaku merantau yang ditampilkan dalam film dalam hubungannya dengan perilaku merantau masyarakat Minangkabau. Hasilnya, perubahan konsep dan motif merantau dalam film adalah bentuk representasi merantau masyarakat Minangkabau. Melalui tokoh-tokohnya, motif merantau yang tampaknya berlatar belakang pendidikan dalam film didorong oleh motivasi personal, yaitu harga diri dan status sosial yang secara tidak langsung menunjukkan motif ekonomis.

The Javanese War: Prince Diponegoro and the Legendary Rebellion Movement against the Dutch Colonial Regime Bani Sudardi; Istadiyantha Istadiyantha
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 4 (2020): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i4.1350

In the Kasunanan of Yogyakarta, the Diponegoro War took place from 1825 to 1830. A central figure in the incident, namely, Prince Diponegoro, took the name of this war. Unlike the life of royal princes in general, Prince Diponegoro did not spend his time in various pleasant and luxurious forms of life. The Prince of Diponegoro had been living outside the palace since a young age and was busy deepening various understandings, including deepening the Islamic teachings. His personal life reflects a type of life filled with piety and misticism, due to this way of life and a lot of contact with Ulama. Even the prince was known as Ksatria-ulama by the observers. As someone overflowing with piety and modesty in practice. Then when he led the revolution against the Dutch colonial government, there were many expectations and perceptions associated with the movement. There were a number of hopes raised on the shoulders of Prince Diponegoro, in accordance with the circumstances at that time when the group was in a difficult position, oppressed both in the social, political and economic fields due to various colonialism. From this dream, then, Prince Diponegoro adhered to the character of Mahdism, that is to say, the dream of a future full of prosperity, stability and tranquility, both in social, political and economic life. From this, the meaning emerged that the Diponegoro War was a movement known as mahdism.

Nilai Humanisme dalam Serat Saptastha Afiliasi Ilafi; Bani Sudardi; nfn Supana
Madah: Jurnal Bahasa dan Sastra Vol. 9 No. 1 (2018): Jurnal Madah
Publisher : Balai Bahasa Provinsi Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31503/madah.v9i1.145

The king is a leader as divine manifestation. Every command and decision must be obeyed and executed as evidence of devotion. The king who was still obeyed by his people despite experiencing uncommon events among the king is Hamengku Buwana VII. The story of Hamengku Buwana VII setback from the king’s chair is described in the contents of Serat Saptastha manuscript and stored in the museum Sonobudoyo Yogyakarta. Serat Saptastha manuscript belongs to the historical manuscript because it contains the history of the transition of power from Hamengku Buwana VII to his son named Pangeran Adipati Anom who then was crowned as Hamengku Buwana VIII after Hamengku Buwana VII chose to leave his kingdom and settle in Ambarukma. The method used in this paper is content analysis with literature sociology approach. This paper shows that the manuscript of Serat Saptastha can depict the figure of Hamengku Buwana VII as the king of courageous and authoritative despite the lengser keprabon experience. The image of humanism displayed by Hamengku Buwana VII in the Serat Saptastha shows the attitude of kawicaksanaan, courage, and dignity

THE MEANING OF PRACIMAYASA BUILDINGS PURA MANGKUNEGARAN SURAKARTA Sunarmi Sunarmi; Bani Sudardi; Pande Made Sukerta; Titis Srimuda Pitana
Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar

The Meaning of Pracimayasa Building Pura Mangkunegaran Surakarta is a study of cultural studies. The problem of research, how the significance signs of Pracimayasa building Pura Mangkunegaran Surakarta. Globalization moves on the spirit and morality in favor of the interests of material activity. Pracimayasa building as a cultural heritage building used as a commodity in the global era. Research using critical approach with theory of deconstruction supported the theory of visual communication semiotics. The study is expected to give an opportunity to develop the creativity of interpreting the text, the interior of the cultural heritage building. Data collection with observation techniques, interviews, document studies and literature.The results showed that Pracimayasa building is the residence of the palace family especially for keputren. The reality of the building's private sign Pracimayasa seen from the location of buildings that are protected from other buildings and adjacent to the core building. The reality of keputren can be seen from the type of space and visual form Pracimayasa building. As a family residence, Pracimayasa buildings included in territorial areas that are not easily accessible physically and etiquette, not all ethical people enter. Therefore Pracimayasa building as a family residence is a symbol of ethics and manners within the life of Java.

Language Diversity in Syair Nasihat: An Alternative Effort to Strengthen National Identity through Literature Learning Asep Yudha Wirajaya; Bani Sudardi; Istadiyantha Istadiyantha; Warto Warto
Ranah: Jurnal Kajian Bahasa Vol 10, No 2 (2021): Ranah: Jurnal Kajian Bahasa
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/rnh.v10i2.4052

Syair Nasihat (hereinafter abbreviated as SN) is an old literary work written in Arabic letters and utilizing the diversity of languages that exist in the archipelago. Therefore, a study of the SN manuscript needs to be carried out comprehensively and holistically so that the diversity of languages used to instill the values of local wisdom can be used as a source of inspiration for literary learning in the future. The method used in this study is the text editing method, namely the critical edition method. The use of this method is expected to provide good and correct SN text edits. The text study method used is a literary research method, especially semiotic studies. Thus, the use of language and its symbols contained in the SN text can be fully disclosed so that the results of the study can be useful for the world of education in welcoming the Industrial Revolution 4.0 and Society 5.0. AbstrakSyair Nasihat (selanjutnya disingkat SN) merupakan karya sastra lama yang ditulis dengan huruf Arab dan memanfaatkan keragaman bahasa yang ada di Nusantara. Oleh karena itu, kajian terhadap naskah SN perlu dilakukan secara komprehensif dan holistik sehingga keragaman bahasa yang dimanfaatkan untuk menanamkan nilai-nilai kearifan lokal tersebut dapat dijadikan sumber inspirasi bagi pembelajaran sastra di masa yang akan datang. Adapun metode yang digunakan dalam kajian ini adalah metode penyuntingan teks, yaitu metode edisi kritis. Penggunaan metode ini diharapkan dapat menghadirkan suntingan teks SN yang baik dan benar. Adapun metode pengkajian teks yang digunakan adalah metode penelitian sastra, khususnya kajian semiotik. Dengan demikian, penggunaan bahasa beserta simbol-simbolnya yang terdapat dalam teks SN dapat diungkap secara tuntas sehingga hasil kajiannya dapat bermanfaat bagi dunia pendidikan dalam menyambut Revolusi Industri 4.0 dan Society 5.0.

IDEOLOGI KAWIRYAN HAMENGKU BUWANA VII DALAM SERAT SAPTASTHA Afiliasi Ilafi; Bani Sudardi; Supana Supana
p-ISSN 2356-0576
Publisher : Pendidikan Bahasa dan Sastra Universitas Muhammadiyah Purworejo

ABSTRACT: Hamengku Buwana VII is the King of Yogyakarta styled as Sinuwun Sugih. This title is awarded due to his leadership, which increases the revenue from establishment of sugar mills. His ideology in terms of leadership struck the sympathy of his subjects, especially that Hamengku Buwana VII implements the philosophy of Kawiryan in various ways, thus enhancing his image. There is one ancient manuscript that portrays this kawiryan nature of the king, whenever he faced events that haven't been seen before. The Kawiryan nature makes the people so sympathetic towards him. This writing aims to find out what is the content of Serat Saptastha and how the text portrays the Kawiryan nature of the King. This writing uses the methodology of qualitative research with content analysis and literature study for data collection techniques. This writing based its theory from the works Antonio Gramsci, the theory of hegemony. The results of this study indicate that the Serat Saptastha was written in 1921, the end of Hamengku Buwana VII's reign. Further, Kawiryan ideology shows that Hamengku Buwana VII succeeded in winning his people's hearts, even long after the end of his reign, his leadership quality is the one that people remember until now.Keywords: Ideology, Kawiryan, Serat SaptasthaABSTRAK: Hamengku Buwana VII merupakan raja Yogyakarta yang mendapatkan sebutan Sinuwun Sugih. Sebutan tersebut disematkan karena pada masa kepemimpinnya banyak mendapatkan pundi-pundi pendapatan dari pendirian pabrik gula. Ideologinya dalam hal kepemimpinannya menempatkan Hamengku Buwana VII mendapatkan tempat dihati rakyat banyak, terlebih bahwa Hamengku Buwana VII menerapkan sifat kawiryan dalam berbagai hal, sehingga menambah citra bagi Hamengku Buwana VII. Terdapat salah satu naskah kuno yang menceritakan bagaimana sikap kawiryan raja yakni Hamengku Buwana VII dalam mendapati beberapa peristiwa yang tidak dialami oleh raja sebelum-sebelumnya. Sikap kawiryantersebut membuat rakyatnya begitu simpatik terhadap dirinya. Penulisan ini bertujuan untuk mengetahui apa isi dari teks Serat Saptastha dan bagaimana sikap kawiryanHamengku Buwana VII yang tertuang dalam isi teks Serat Saptastha. Metode yang digunakan berupa metode kualitatifdengan analisis isi dan teknik pengumpulan data berupa studi kepustakaan. Serta teori yang digunakan berupa teori hegemoni dari Antonio Gramsci. Hasil Penelitian ini menunjukkan bahwa Serat Saptastha ditulis pada tahun 1921, tahun tersebut menunjukkan tahun berakhirnya masa kepemimpinan Hamengku Buwana VII. Selain itu, ideologi kawiryan menunjukkan bahwa Hamengku Buwana VII menempatkan dirinya di hati rakyatnya, bahkan berakhirnya masa kepemimpinan Hamengku Buwana VII, sosok kepemimpinannya terus saja terkenang hingga sekarang.Kata Kunci: Ideologi, Kawiryan, Serat Saptastha

KAJIAN NILAI-NILAI BUDAYA JAWA DALAM TRADISI BANCAAAN WETON DI KOTA SURAKARTA (Sebuah Kajian Simbolisme dalam Budaya Jawa) Sukmawan Wisnu Pradanta; Bani Sudardi; Slamet Subiyantoro
LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 12 No. 2 (2015): September 2015
Publisher : Center of Language and Cultural Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30957/lingua.v12i2.25

This study investigates symbols on tradition ritual to commemorate the day of birth or bancaan weton in Javanese tradition. Symbols are associated with daily practices for moral and social contexts. This study used ethnography with phenomenological setting for the data collection. Qualitative approach was used to analyze the data. The study assigned informants from Kasunanan Surakarta, Mangkunegaran, traditional chief, ulama, and culture practitioners. The study discovers that bancaan weton symbolizes harmony, tolerance, and implementation of moral, social, spiritual and religious valaues. In abstract form, values of bancaan weton originate from Javanese Moral Teaching and spiritual philosophy of conducting harmony and balance between the man and God the Almigthy. The tradition squarely undertakes genuine teaching values of Javanese, however, the existence may dilute as pride to prevent the tradition by Javanese themselves may lax.

KONSEP KETUHANAN ISLAM JAWA DIENG (Studi Terhadap Aliran Tunggul Sabda Amungraga) Bani Sudardi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 11 No 2 (2013): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

This research reveals the teaching of a religious sect in Diengwhich focuses on theological concept. Clifford Geerts' concept is used todiscuss the social and art area. There are some results on this research; abelief to the invisible nature, the Islamic teaching from Sunan Kalijaga,Mataram teaching with some enculturation, and a statement that Allah isthe only one who is worth to be worshipped.

MIGRASI TRADISI PESANTREN JAWA KE MALAYSIA AWAL ABAD KE-20 Mohd Taufik Arridzo; Bani Sudardi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 12 No 2 (2014): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

This article reveals the Java pesantren tradition in Malaysia, especially ini the main areas where Javanese peole live, such as negeri Selangor, Perak and Johor. The discussion focuses on three kiai who come from Java and got education in Java pesantren and build pesantren in Semenanjung Tanah Melayu. They are a part of outstanding kiai who built pesantren in those three negeri. They represent the three negeri: Kyai Muhammad Ali Qaribun (from Bantul, Yogyakarta) in Selangor, Kyai Salleh(from Purworejo,Jawa Tengah) in Perak dan Datoâ€˜ Kyai Shamsuddin Ridhwan (from Madiun Jawa Timur) in Johor. The result of the research shows that in the end of 19 century until the beginning of 20 there were many Javanese migrated to Semenanjung Melayu. They came from various places in Java and migrated there for some reasons; spreading religion, hate the colonialism, and the need of survive. The kiai continued the Java pesantren tradition in Semenanjung Melayu. They still have good relationship with their ancestral land in Java so they still send their santri to Java to continue the study.

RITUAL DAN NILAI ISLAMI DALAM FOLKLOR JAWA Bani Sudardi
IBDA` : Jurnal Kajian Islam dan Budaya Vol 13 No 2 (2015): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

This research is about ritual and Islamic value in Javanese folklore. The research shows that Islamic values are found in many Javanese ritual and mixed with the former ritual. The former ritual is added with Islamic values e.g. reciting Holly Quran, pray, or appeared with Islamic characters such as Nabi Sulaiman, Nabi Khidir and Syaikh Karim. The method is qualitative research method along with observation, in-depth interview, and content analysis. The Islamic rituals have growth rapidly since Islam became the ideology of Mataram Kingdom/ Kasunanan. Islam is legitimated by the story of Brawijaya (latest Majapahitâ€™s king) who believe and convert to Islam and change his name to be Sunan Lawu. The forms of Islamic ritual are sadranan (ritual in cemetery), reciting Yaasin together, praying, marriage ritual, and grebeg in Kasunanan Palace.

Co-Authors Abdul Rasyad Abdullah, Wakid Afiliasi Ilafi Afiliasi Ilafi Afiliasi Ilafi Afiliasi Ilafi, Afiliasi Agus Efendi Ana Mulyono Andrik Purwanto, Andrik Andrik Purwasito Aris Aryanto Asep Yudha Wirajaya Asep Yudha Wirajaya Asep Yudha Wirajaya Betty Gama Dwi Listyorini Dwi Sulistyorini Dwi Susanto Elis Suryani Nani Sumarlina Endang Tri Irianingsih Handayani, Sri Herry Nur Hidayat Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istadiyantha Istandiyantha Istandiyantha Kokkaliari, Lydia Kanelli Kyvelou Lia Sukmawati Lydia Kanelli Kyvelou Kokkaliari Mahendra - Wijaya Mahendra Wijaya Mahendra Wijaya Mahendra Wijaya Mohd Balwi, Mohd Taufik Arridzo bin Mohd Taufik Arridzo Mohd Taufik Arridzo bin Mohd Balwi Mohd Taufik Arridzo, Mohd Taufik Mugiyatna Mugiyatna Mugiyatna, Mugiyatna Muhammad Halkis Mulyono, Ana Murtini Murtini Naini, Margarita Olegovna Nanang Rizali Niyoko - Niyoko Novi Setyowati Nuraini Isti Kusumah Nyoman Chaya Nyoman Chaya Nyoman Chaya, Nyoman Pande Made Sukerta Partini Partini Pawestri, Wening Pradanta, Sukmawan Wisnu Puji Darmoko Puput Puji Lestari Rangga Saptya Mohamad Permana Roch Aris Hidayat Saefullah, Muhammad Iqbal Sahid Teguh Widodo Sawitri Sawitri Sawitri Sawitri Sawitri Siti Rodliyah, Siti Situ Asih Slamet Subiyantoro Sri Kusumo Habsari Sukmawan Wisnu Pradanta Sunarmi Sunarmi Supana Supana Titik Wijanarti Titis Srimuda Pitana Titis Srimuda Pitana, Titis Srimuda Tri Indri Hardini Triatmo, Bambang Triguna, IBG Yudha Umi Amanah Undang Ahmad Darsa Wakid Abdullah Wakit Abdullah Rais Warto Warto Wening Pawestri Wibowo, Prasetyo Adi Wisnu

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