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THE REFLECTION OF TRANSITIONAL SOCIETY OF MYTILENE AT THE END OF THE ARCHAIC PERIOD (8TH – 5TH CENTURY B.C.) A STUDY ON SAPPHO’S “ODE TO ANAKTORIA” Kokkaliari, Lydia Kanelli Kyvelou; Sudardi, Bani
Analisa: Journal of Social Science and Religion Vol 2, No 1 (2017): Analisa: Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v2i01.414

Abstract

This article discusses Sappho’s “Ode to Anaktoria” (fragment 16) poem as a ‘marginal’ product of an aristocratic intellectual in the transitional society of Mytilene at the end of the Archaic Period (8th-5th century B.C.). The research method is a kind of media analysis. The mean of “media” in this paper related to “A means by which something is communicated or expressed” It is laso relate to the intervening substance through which sensory impressions are conveyed or physical forces are transmitted. Media also means as a substance in which an organism lives or is cultured. On the other hand, media is a material or form used by an artist, composer, or writer; We interpreted Ode to Anaktoria  in the means as the terms of media above. Sappho (born 610, died 570 B.C.) is a renowned Greek lyric poetess and musician and is greatly admired in all ages for the beauty of her writing style. Plato’s 16th epigram dedicated to her reads “Some say there are nine Muses; but they should stop to think. Look at Sappho of Lesbos; she makes a tenth”. Sappho is additionally ranked among the Nine Lyric Poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. “Ode to Anaktoria” is read through the historic-political concept of hegemony as suggested by Gramsci. In this view, the moment of “hegemony” or of cultural leadership is systematically upgraded precisely in opposition to the mechanistic and fatalistic concepts of economism. Sappho’s fragment 16 does not only indicate defiance to androcentric (epic) categories; she suggests nonnormative, thus new, ways of contemplating life (lyric).
The Symbolism of The Ruwat Banyu Panguripan Tradition: Culture and Religion Integration Perspective Ilafi, Afiliasi; Sudardi, Bani; Subiyantoro, Slamet; Pitana, Titis Srimuda
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 22 No. 2 (2024): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v22i2.12267

Abstract

This study aims to explore the symbols in the tradition of Ruwat Banyu Panguripan in the integration of culture and religion in commemorating the Islamic New Year in Pemalang Regency. Banyu panguripan literally means water of life. This tradition reflects a harmonious combination of cultural values and community beliefs correlated with the Islam adhered to. The Ruwat Banyu Panguripan ruwat tradition exists in the Pulosari District, especially at the Manunggal Jati Utama College. This study uses a qualitative approach with a qualitative descriptive method in collecting data through observation, interviews, and literature related to the tradition of Ruwat Banyu Panguripan. This research shows that the tradition of Ruwat Banyu Panguripan in Pulosari is not exclusively organized by the Wong Gunung Festival but also by the Manunggal Jati Utama College, which was formerly a member of the Prabasari Padepokan. The Ruwat Banyu Panguripan tradition aims to deliver each individual's wishes to God. In the process of Ruwat Banyu Panguripan, water intake comes from four directions of the compass (the west, west, south, and north). For several months, verses of the Qur'an were chanted by members of the College until, at the time of this unification, the Prophet's prayer was recited. It shows that preserving local culture is integrated with the routine of the Muslim community, specifically reading the Qur'an and praying to the Prophet in a clean and holy state.
A.S Pushkin Influence in Russian Literary Literature Naini, Margarita Olegovna; Sudardi, Bani; Wibowo, Prasetyo Adi Wisnu
Jurnal Sosial, Politik dan Budaya (SOSPOLBUD) Vol. 3 No. 1 (2024): January, 2024
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/sospolbud.v3i1.6517

Abstract

This paper discusses the influence of Alexander Sergeevich Pushkin in the development of Russian Classical Literature. A.S. Pushkin, a great Russian writer in the 1800s. His contribution to the development of Russian literature cannot be seen as an eye. A.S. Pushkin was not only a poet, but also the greatest Russian writer. Alexander Pushkin's work is not only favored by literary activists, but his works are able to make changes to Russian literature. The development of Russian language literature until now has never fallen away from a Pushkin. Great Russian writer who has been recognized all over the world until now.
Strategi Transliterasi pada Serat Ngelmu Bumi Asia untuk Mengoptimalkan Kemahiran Membaca Aksara Jawa Pawestri, Wening; Sumarlina, Elis Suryani Nani; Darsa, Ahmad Undang; Sudardi, Bani
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 2 (2025): Juni
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i2.29942

Abstract

Javanese language lessons have been implemented in schools since elementary school. The decline in the interest and ability of the younger generation in reading Javanese script is a major challenge in preserving the cultural heritage of Indonesian literacy. This study aims to examine the transliteration strategy of the Serat Ngelmu Bumi Asia text as a pedagogical effort to optimize Javanese script reading skills in educational environments. Therefore, a study was conducted on grade X students of SMK Kita Bojonegoro to optimize Javanese script reading skills. The study was conducted using sources from ancient manuscripts and utilizing learning media to achieve optimal results. The method used in this study was a classroom action trial divided into two stages consisting of planning, action, observation/interpretation, and reflection. The results showed a significant increase in student abilities after the implementation of the transliteration strategy using learning media, with an average score increasing from the pre-cycle to the second cycle. Students who initially had difficulty reading Javanese script showed good progress, achieving higher mastery.
Mengungkap Makna Sejarah Nama Tempat: Studi Toponimi dan Pengaruh Kolonial di Asia dalam Manuskrip Serat Ngelmu Bumi Asia 1860 Sumarlina, Elis Suryani Nani; Pawestri, Wening; Darsa, Undang Ahmad; Permana, Rangga Saptya Mohamad; Sudardi, Bani; Rasyad, Abdul
Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Vol 9 No 2 (2025): Agustus
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/fhs.v9i2.29934

Abstract

The study of toponymy and colonial influences in Asia in the SN manuscript is useful for making significant contributions to the understanding of toponymy, colonial influence, and historical context in Asia, especially through the lens of the Serat Ngelmu Bumi Asia 1860 manuscript. The purpose of this study is to analyze the history of place names that have been influenced by colonialism. Which places are written in the SNBA manuscript, namely a manuscript containing the geographical conditions of the Asian continent in 1860.  The methods used in this study are literature study, philological research methods, and toponymy studies. The results of this study indicate that place names in Asia, especially those recorded in the SNBA manuscript of 1860, reflect significant colonial influence. Many place names recorded in the SNBA manuscript, such as India Depan, India Belakang, and Ceylon, show changes that occurred due to decolonization and foreign cultural influences. Changes in place names often reflect the dominance and political interests of the colonizers. The colonizers used new names or changed place names to show their power. The use of foreign languages ​​in place naming, often derived from the language of the colonizer, influences the way place names are identified and used.
Nilai Pembelajaran dalam Motif Batik Sudardi, Bani
Jurnal Pembelajaran Sastra Vol 3 No 02 (2021): Jurnal Pembelajaran Sastra
Publisher : Hiski Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51543/hiskimalang.v3i02.50

Abstract

Batik motif is a form of design included in the study of fine arts. Batik motifs are inspired from various things around us, such as natural events, family and social events, and literary works, either written or oral literary works. Javanese batik is closely related to the stories of the chronicle of the royal family. Batik motifs are closely related to the literary works that exist in the society as the owner of the motive. In Jambi, for example, batik motifs sanggat ship is a very famous. This motif was inspired by the existence of a ship that failed (sanggat). The educational values inspired from this motif is that in life one must be careful in determining the direction of life in order not to run aground. Chinese Lasem community has a motif called the Hong bird motif. The appearance of the motive was inspired by the myth of the Hong bird in the Chinese tradition which is a lucky bird. The Hong Bird is the king of bird and its element of fire is strongest among all beings. This bird is a symbol of immortality because of its ability to live after death. There are four animals in important Chinese mythology: dragons, turtles, kilns, and Hong birds. Among them Hong bird and dragon are frequently appear in batik motifs. The education value of these Chinese motif is the God blessing in the creatures. The study shows that artworks, literature and batik motifs, are interrelated each other. The education values emerged from this batik motif is valuable for people’s life.