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Journal : TELL - US JOURNAL

THE RELATION OF POWER IN FILM ‘THE JUDGE’: A CRITICAL DISCOURSE ANALYSIS Wahyuni, Sri; Setyowati, Yulis; Probowati, Yeni
TELL - US JOURNAL Vol 10, No 1 (2024): March 2024
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/tus.2024.v1i1.7835

Abstract

This research explores how discourse, actors, societal structures, power dynamics, and illocutionary acts play significant roles in shaping communication and influencing individuals' beliefs and attitudes. It emphasizes the importance of analyzing language and social interactions to gain a deeper understanding of how power and meaning are constructed and perpetuated in society. The researcher employed the concept of code-switching to interpret the film "The Judge" and derive insights into the dynamics of power within it. Social interaction and language were scrutinized through Communication Discourse Analysis (CDA), with van Dijk's Critical Discourse Analysis serving as the overarching theoretical framework, addressing core aspects such as grammar, metaphor, intonation, social cognition, and societal structures. A descriptive qualitative approach was utilized for data analysis. The film's script was referenced extensively. The researcher focused on the protagonist due to the significance of their remarks in shaping social relations and legal contexts. The investigation uncovered instances of power dynamics, including the manipulation and coercion employed by key figures. These protagonists exploited their authority within the community to dictate agendas.
Semiotic Analysis of Masculine Representation in “Padman”: Exploring Denotation, Connotation, and Myth Wahyuni, Sri; setyowati, Yulis; A.Y.P.S, Shanty Duwila
TELL - US JOURNAL Vol 10, No 2 (2024): Dynamics of Language Teaching and Literary Studies: Innovation, Technology, and
Publisher : Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/tus.2024.v10i2.8252

Abstract

This study employs a qualitative research design to examine the representation of masculinity in the film "Padman" through a semiotic analysis. Utilizing Barthes' semiotic framework, the research explores how denotative, connotative, and mythic elements construct the character of Lakshminkant, played by Akshay Kumar. The analysis reveals that Lakshminkant embodies a form of masculinity that diverges from traditional portrayals, emphasizing empathy, resilience, and innovation over physical strength and aggression. Visual cues such as his traditional attire and confident yet humble body language, alongside his engagement in physical labor, highlight his connection to rural roots and industrious nature. His focus on menstrual hygiene, a taboo subject in many parts of India, challenges patriarchal norms and promotes gender equality. The study finds that Lakshminkant's character redefines heroism by aligning it with perseverance, moral courage, and social innovation. This redefinition challenges hegemonic masculinity and offers a progressive model of manhood that values emotional and social intelligence. Additionally, the film's portrayal of Lakshminkant as a benevolent innovator underscores the potential of individuals to drive social change, suggesting that modernity can coexist with traditional values. Theoretical application of Barthes' semiotic framework proved effective in uncovering the layers of meaning within the film, providing a comprehensive understanding of its portrayal of masculinity. This research contributes to the discourse on gender roles in Indian cinema and highlights the importance of inclusive representations in promoting societal change.