Article Per Year (5 Year)
p-Index From 2021 - 2026
2.696
P-Index
This Author published in this journals
All Journal Corak : Jurnal Seni Kriya ANDHARUPA Batoboh : Jurnal Pengabdian Pada Masyarakat Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Studi Budaya Nusantara Warta Pengabdian Andalas: Jurnal Ilmiah Pengembangan Dan Penerapan Ipteks ARTCHIVE: Indonesia Journal of Visual Art and Design Jurnal Abdi Masyarakat Indonesia Style : Journal of Fashion Design Aurelia: Jurnal Penelitian dan Pengabdian Masyarakat Indonesia Ezra Science Bulletin Runtas: Journal of Arts and Culture VisArt: Jurnal Seni Rupa dan Design Aksara
Dini Yanuarmi
Fakultas Seni Rupa Dan Disain Institut Seni Indonesia Padang Panjang
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

Published : 24 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 24 Documents
Search

 1   2   3 
NIGHT PARTY PUCUAK RABUANG MOTIF INSPIRATION Anggara, Egi; Yanuarmi, Dini; Irja
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The work entitled “The Creation of Evening Party Dresses Inspired by the Pucuak Rabuang Motif” was inspired by evening party dresses and the pucuak raburan motif. Clothing is generally an expression or personal expression that is not always the same for everyone, the clothing created is an A-line silhouette evening party dress. Motif is a pattern that is formed in such a way as to produce a variety of shapes. The motif which is the source of the idea in this work is the pucuak raburan motif seen from the perspective of a mirror above the water. Everything that is visible above the water will be seen in two and upside down. Likewise, the pucuak raburan motif which is applied to this work resembles an inverted triangle motif as seen from above the water. The materials used are Silungkang songket, bridal sateen, brocade and velvet, consisting of ready to wear, ready to wear deluxe and houte couture clothing levels. In the embodiment using semi boutique techniques and boutique techniques. The method of creation that is carried out starts from preparation, namely looking for books or references related to the idea of ​​creation that is made, conducting a field survey to find the source of the idea or theme and the formulation of the idea of ​​creation to get to know more about the form of the work produced
CREATIVITY THROUGH SEAL BATIK OF USED CARTONS ON DISABILITIES STUDENTS Yanuarmi, Dini; Widdiyanti, Widdiyanti; Sundari, Sri
Batoboh Vol 4, No 2 (2019): BATOBOH : JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v4i2.899

Abstract

The purpose of this community service activity is to provide knowledge (knowledge) and skills (skills) to people with disabilities, especially in the State Extraordinary School 1 of Padangpanjang. This training is also an effort to maintain and preserve the existence of batik as a traditional art and cultural heritage. Making batik techniques from used cardboard is expected to equip students with abilities and expertise so that they have the provision of skills that will improve, develop attitudes, knowledge as a person and community members in conducting reciprocal relationships with the social, cultural and natural environment. The method consist of two stages, namely demonstration and practice. The practice begins with making a design motif that is applied to the canting cap, followed by making batik with the stamp technique. The results are made in the form of tablecloths and bags, with the motif designs from the creations of the students. Limitations do not become a barrier for them in creativity, instead they have the ability to work on taste, intention and creativity that can be seen from the canting cap produced with creative and innovative designs.
EKSTRAKURIKULER BATIK DI MAN 2 KOTA BUKITTINGGI Sundari, Sri; Widdiyanti, Widdiyanti; Yanuarmi, Dini; Ditto, Anin
Batoboh Vol 3, No 2 (2018): BATOBOH : JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v3i2.522

Abstract

Pengabdian ini bertujuan untuk mengembangkan dan meningkatkan keterampilan siswa MAN 2 Kota Bukittinggi dalam bidang kriya khususnya membatik. Pengembangan desain batik di laksanakan dalam bentuk pelatihan sebagai kelanjutan dari pelatihan teknik batik yang pernah dilakukan sebelumnya. Pengembangan desain ini dilakukan sebagai bentuk upaya bagi peningkatan pengetahuan dan kemampuan siswa dalam membuat dan menerapkan motif-motif batik, sesuai dengan tahapan desain. Eksplorasi corak dan penataan ragam hias, serta jeniswarna dan paduannya menjadi materi pokok dalam pelatihan ini. Materi pelatihan membatik disajikan dengan menggunakan pendekatan desain. Kegiatan ini dilaksanakan 1 x dalam seminggu setiap hari sabtu, setelah selesai jam pelajaran sekolah yang berlangsung selama 12 x tatap muka. Dengan jumlah peserta 15 orang yang keseluruhannya terdiri dari siswa perempuan. Setiap siswa telah dapat membuat batik dengan menerapkan ragam hias sesuai dengan kreativitas masing – masing, yang terwujud dalam bentuk karya individual maupun kelompok, seperti batik syal dan batik taplak meja
Loempo Batik Motifs: Visual Semiotics, Cultural Identity, and Heritage In-novation Dini Yanuarmi; Rias Wita Suryani; Nofi Rahmanita; Selvi Kasman
Aksara Vol 37, No 2 (2025): AKSARA, EDISI DESEMBER 2025
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v37i2.4914.392-404

Abstract

This study aims to analyze Loempo Batik motifs as cultural texts that reflect the intersection of Minangkabau tradition, local identity, and global visual culture. The research employs a qualitative case study approach with a triangulation technique combining interviews, visual documentation, and archival analysis. Data were collected through in-depth interviews with artisans, designers, community leaders, and consumers to obtain comprehensive perspectives. The data were then analyzed using semiotic and multimodal discourse analysis supported by Peirce’s sign theory and visual grammar. The results show that the Rumah Gadang motif serves as a cultural anchor symbolizing Minangkabau heritage; guardian figures such as dragons and Garuda illustrate curated hybridity; while exclusive motifs like Malereng represent forms of cultural resistance. The use of color also carries polysemous meanings that link adat, ecological awareness, and Islamic values. The study concludes that Loempo Batik embodies a model of heritage-based design innovation that balances identity preservation with creative economic development. AbstrakPenelitian ini bertujuan untuk menganalisis motif Loempo Batik sebagai teks budaya yang merepresentasikan persinggungan antara tradisi Minangkabau, identitas lokal, dan budaya visual global. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus dan teknik triangulasi yang memadukan wawancara, dokumentasi visual, serta analisis arsip. Data diperoleh melalui wawancara mendalam dengan perajin batik, desainer, tokoh masyarakat, dan konsumen untuk menggali persepsi dan makna budaya yang terkandung dalam motif Loempo Batik. Analisis data dilakukan dengan menggunakan pendekatan semiotika dan analisis wacana multimodal yang didukung oleh teori tanda Peirce dan tata bahasa visual. Hasil penelitian menunjukkan bahwa motif Rumah Gadang berfungsi sebagai jangkar budaya yang menegaskan identitas Minangkabau; figur penjaga seperti naga dan Garuda menggambarkan hibriditas terkurasi; sedangkan motif eksklusif seperti Malereng mencerminkan bentuk resistensi budaya. Simbolisme warna juga mengandung makna polisemi yang menghubungkan nilai-nilai adat, ekologi, dan Islam. Penelitian ini menyimpulkan bahwa Loempo Batik merupakan model inovasi desain berbasis warisan budaya yang mampu menyeimbangkan pelestarian identitas dengan pengembangan ekonomi kreatif.
Co-Authors Anggara, Egi Anin Ditto Anisa Giantari Desra Imelda Desra Imelda Dinda Atthia Maharani Lubis Fadri Rahmat Harahap, Mai Yusnanda Hendratno Hendratno Humaera, Ririn Imelda, Desra Indah Erda Ningsih Irja Izan Qomarats Kencana, Mega Mega Kencana Mirda Aryadi Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Novesar, Muhammad Refki Nur Aini Prastawa, Wisnu Putri, Geby Mareta Rahmayani Rahmayani Rias Wita Suryani Salsabila Sephiani Selvi Kasman sudiani, yoni Sundari, Sri Tastail Amelia Taufik Akbar Washinton, Rahmad Widdiyanti Widdiyanti Widdiyanti, Widdiyanti Wirma Surya Yetty Oktayanty Yulia Fitri Yunis Muler