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All Journal Corak : Jurnal Seni Kriya ANDHARUPA Batoboh : Jurnal Pengabdian Pada Masyarakat Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Studi Budaya Nusantara Warta Pengabdian Andalas: Jurnal Ilmiah Pengembangan Dan Penerapan Ipteks ARTCHIVE: Indonesia Journal of Visual Art and Design Jurnal Abdi Masyarakat Indonesia Style : Journal of Fashion Design Aurelia: Jurnal Penelitian dan Pengabdian Masyarakat Indonesia Ezra Science Bulletin Runtas: Journal of Arts and Culture VisArt: Jurnal Seni Rupa dan Design Aksara
Dini Yanuarmi
Fakultas Seni Rupa Dan Disain Institut Seni Indonesia Padang Panjang
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences Other

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Busana Pesta dan Kasual Terinspirasi dari Buah Sawit Aini, Nur; Kencana, Mega; Yanuarmi, Dini
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4216

Abstract

The work report entitled "Party and Casual Clothing Inspired by Palm Fruit Colors" is in the form of party and casual clothing. This work is sourced from the colors found in palm fruit and combined with palm oil batik motifs. The creation of clothing with a combination of palm-oil batik motifs and unique creativity aims to introduce to the public that anything around us can be a source of ideas for making clothing designs. The shape and color of the palm fruit are unique, featuring color gradations such as yellow, tiger, cherry, crimson, and wine. In creating this work, the craftsman went through three stages: the exploration stage, which involved seeking information about palm oil in West Pasaman; the design stage, which included viewing reference images, compiling the creation concept, mood boards, and making designs; and the embodiment stage, which involved cutting patterns, sewing, and finally presenting the clothing in a fashion show. The works produced include party and casual clothing, namely ready-to-wear clothing 1, ready-to-wear clothing 2, ready-to-wear clothing 3, ready-to-wear deluxe 1 clothing, ready-to-wear deluxe 2 clothing, and haute couture.
Representasi Nilai Multikultural dalam Desain Ornamen Songket “Kambang Cino” Koto Gadang Akbar, Taufik; Imelda, Desra; Rahmanita, Nofi; Yanuarmi, Dini; Qomarats, Izan
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 9 No. 03 (2023): September 2023
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v9i03.6996

Abstract

Abstrak Visualisasi suatu karya seni dapat dipengaruhi oleh kondisi zaman yang terkait dengan seniman dan gejala sosio-kultural suatu masyarakat, termasuk seni ragam hias atau ornamen. Ornamen songket “Kambang Cino” Koto Gadang secara tidak langsung dapat mengungkapkan pandangan hidup masyarakat perajin sekaligus gejala sosio-kultural yang diduga kuat merefleksikan keberadaan nilai multikultural. Tujuan penelitian ini adalah untuk menjelaskan bentuk visual, gaya seni, makna sekunder, tema karya, makna intrinsik dan nilai simbolik dari ornamen songket “Kambang Cino” Koto Gadang. Penelitian dilakukan dengan metode kualitatif dengan pendekatan sejarah melalui teori ikonografi Erwin Panofsky. Hasil penelitian menunjukan bahwa visualisasi songket ini menggabungkan ornamen Minangkabau dengan ornamen khas budaya Cina yang bergaya fantasi. Ornamen pada songket ini bertemakan tentang manusia dan alam semesta (makrokosmos) yang bermakna tentang nilai toleransi, perdamaian dan kemakmuran. Ornamen songket “Kambang Cino” merupakan representasi simbolik dari nilai keberagaman dan keterbukaan atas keberadaan etnis sosio kultural yang multietnis dalam masyarakat Koto Gadang sebagai bagian dari masyarakat Minangkabau dan Indonesia. Kata Kunci: desain, Koto Gadang, multikulturalisme, nilai, tenun songket AbstractThe visualization of an artwork can be influenced by the conditions of the times, the ideology of the artist, and the socio-cultural phenomena of society, including ornaments. Koto Gadang's "Kambang Cino" songket weaving ornament can indirectly express the view of the craftsman, as well as socio-cultural phenomena that reflect multicultural values. This study aims to explain the visual form, style, secondary meaning, theme, intrinsic meaning, and symbolic meaning of the songket weaving ornament "Kambang Cino" from Koto Gadang. The research was conducted using a qualitative method with a historical approach through Erwin Panofsky's iconographic theory. The results indicated that the visualization of this songket weaving combines Minangkabau ornaments with typical Chinese culture ornaments in a fantasy style. This songket weaving ornaments have the theme of humans and the universe (macrocosm) with tolerance, peace, and prosperity values. The songket weaving ornament "Kambang Cino" is a symbolic representation of the diversity and open mind values of the multi-ethnic socio-cultural life in Koto Gadang society as part of the Minangkabau and Indonesian society. Keywords: design, Koto Gadang, multi-culturalism, songket weaving, values
Building Student Academic Achievement in the Post-Covid-19 Pandemic Era by Maximizing Student Satisfaction in Using the E-Learning Platform and Student Achievement Motivation Novesar, Muhammad Refki; Yanuarmi, Dini; Putri, Geby Mareta
AURELIA: Jurnal Penelitian dan Pengabdian Masyarakat Indonesia Vol 3, No 2 (2024): July 2024
Publisher : CV. Rayyan Dwi Bharata

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57235/aurelia.v3i2.2636

Abstract

The inevitable development of technology also affects the world of education. Supported by the emergence of the Covid-19 Pandemic in early 2020. Demanding change in all aspects. No exception to the world of education. Where this causes changes to still achieve learning, namely by using LMS, which aims to make active learning accessible from anywhere. This causes changes in student motivation and satisfaction, in utilizing every facility in the world of education. This research aims to see whether the motivation of achievement and satisfaction of students who use LMS as learning in creating academic achievements owned by students. Using multiple regression analysis conducted on students studying on campus who use LMS in their learning. The results of this study obtained the results that each variable has a positive and significant influence on the academic achievement of students. Thus the utilization of LMS can increase the achievements of students, which gives rise to the power for educational institutions to increase the use of technology, especially LMS in learning.
NIGHT PARTY PUCUAK RABUANG MOTIF INSPIRATION Anggara, Egi; Yanuarmi, Dini; Irja
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The work entitled “The Creation of Evening Party Dresses Inspired by the Pucuak Rabuang Motif” was inspired by evening party dresses and the pucuak raburan motif. Clothing is generally an expression or personal expression that is not always the same for everyone, the clothing created is an A-line silhouette evening party dress. Motif is a pattern that is formed in such a way as to produce a variety of shapes. The motif which is the source of the idea in this work is the pucuak raburan motif seen from the perspective of a mirror above the water. Everything that is visible above the water will be seen in two and upside down. Likewise, the pucuak raburan motif which is applied to this work resembles an inverted triangle motif as seen from above the water. The materials used are Silungkang songket, bridal sateen, brocade and velvet, consisting of ready to wear, ready to wear deluxe and houte couture clothing levels. In the embodiment using semi boutique techniques and boutique techniques. The method of creation that is carried out starts from preparation, namely looking for books or references related to the idea of ​​creation that is made, conducting a field survey to find the source of the idea or theme and the formulation of the idea of ​​creation to get to know more about the form of the work produced
THE POWER OF HERITAGE: INNOVATION OF KERANCANG EMBROIDERY IN KEBAYA FOR THE GLOBAL MARKET Yanuarmi, Dini; Sudiani, Yoni; Oktayanty, Yetty; Humaera, Ririn
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 2 (2024): ARTCHIVE: Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i2.4846

Abstract

Di era globalisasi, tantangan bagi industri fashion Indonesia adalah bagaimana menggabungkan kekayaan warisan budaya dengan tren kontemporer yang berkembang pesat di pasar global. Transformasi inovatif diperlukan untuk memastikan bahwa kerajinan tradisional seperti bordir kerancang tetap relevan dan menarik bagi konsumen modern di seluruh dunia. Dalam konteks ini, penelitian bertujuan untuk mengeksplorasi potensi inovasi dalam pengembangan kebaya dengan memanfaatkan seni bordir kerancang. Memadukan teknik tradisional bordir kerancang dengan desain yang sesuai dengan selera global, sehingga dapat tercipta produk fashion kebaya yang memikat hati pasar global dengan tetap mempertahankan nilai-nilai dan keindahan warisan budaya Minangkabau. Penelitian ini tidak hanya akan memberikan kontribusi pada pengembangan produk fashion lokal oleh UMKM, tetapi juga dapat membuka peluang baru bagi ekspor produk fashion Minangkabau ke pasar internasional, sehingga meningkatkan citra dan daya saing industri fashion nasional secara keseluruhan.
Busana Kontemporer Dengan Teknik Smock Jepang Salsabila Sephiani; Dini Yanuarmi
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1197

Abstract

Contemporary fashion is a style of dress that reflects the development of current or modern fashion, by combining various elements from the past, current trends, to global cultural influences. This clothing has characteristics that can combine traditional elements with modern, in this contemporary fashion makes experiments from forms, sewing techniques and leftover materials as a form of creativity and sustainability prioritizing comfort and practical function. In this work, Riau Malay Songket is used as a local element combined with modern materials. Creating an ethnic and relevant impression in today's fashion. Japanese Smock produces a raised texture from manual manipulation of the fabric applying a heart Smock motif that provides a visual dimension and high aesthetic value. The creation process is carried out through three stages of methods: exploration of ideas and references, design through sketches and moodboards and the embodiment of the work in physical form. The final result in the form of a ready to wear deluxe clothing entitled "Serasi" reflects the harmony between the elements of color and tradition in one design unit.
Exotic Dramatic Style Pada Busana Ready To Wear Dengan Aplikasi Ornamen Jagar-Jagar Mandailing Sumatera Utara Dinda Atthia Maharani Lubis; Dini Yanuarmi
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1209

Abstract

The work titled 'Exotic Dramatic Style with the Application of Jagar-jagar Ornaments from Mandailing, North Sumatra' is a creation of fashion that carries an exotic dramatic style. Exotic dramatic style is known for its unique, ethnic, and dramatic characteristics that highlight visual strength through contrasting colors such as red, black, and white. The jagar-jagar ornament is located on the peak of the traditional house (bagas godang). The jagar-jagar ornament from Mandailing has a shape resembling a cross or the letter X, arranged repeatedly. In this creation, a ready-to-wear type of clothing is presented. This clothing is realized through a combination of high-quality materials such as bridal satin, linen, and clara fabric. To showcase the raised jagar-jagar ornaments, a modification of the surface cording technique is used. The surface cording technique is a manipulation of fabric or material engineering technique that applies cords or edges on the surface of the fabric to create decorative patterns. The design process begins with field exploration and the creation of designs that refer to heritage trends in trend forecasting 2024/2025. The creation of this fashion is not only an art piece but also a medium for cultural preservation, enhancement of appreciation for traditional fabrics, and an effort to introduce cultural heritage to the modern realm. This work is expected to foster a sense of pride in cultural identity, broaden perspectives in the world of fashion, and inspire the younger generation to develop clothing based on local culture. The final result of the ready-to-wear collection is titled Saroha. This clothing represents the harmony between Mandailing culture and modern style, blended into a single fashion piece.
EXOTIC DRAMATIC STYLE INSPIRASI KEBAYA JANGGAN DENGAN BATIK MOTIF SIRIAH GADANG Fitri, Yulia; Yanuarmi, Dini
EZRA SCIENCE BULLETIN Vol. 3 No. 2 (2025): July-December 2025
Publisher : Kirana Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/ezrasciencebulletin.v3i2.404

Abstract

Laporan karya yang berjudul exotic dramatic style inspirasi kebaya janggan dengan batik motif siriah gadang menampilkan gaya busana eksotis dan dramatis sebagai konsep utama. Eksplorasi dilakukan melalui studi literatur, analisis visual, serta observasi langsung terhadap kebaya janggan dan filosofi motif siriah gadang. Perancangan dilanjutkan dengan sketsa alternatif, pemilihan bahan, teknik jahit dan sulam, serta tahap akhir berupa realisasi desain dalam bentuk busana lengkap. Penciptaan karya ini diwujudkan dalam tiga kategori busana: ready to wear berjudul Pure Bliss, ready to wear deluxe berjudul Just Purple, dan haute couture berjudul Rebel's Choice, yang masing-masing disesuaikan dengan tingkat kompleksitas desain, detail teknik, dan penyajian artistik. Karya ini diharapkan dapat menjadi bentuk apresiasi terhadap budaya lokal sekaligus memperkuat eksistensi mode etnik di tengah arus globalisasi fesyen.
APLIKASI MOTIF MANUSKRIP PADA BATIK: Pewarisan Budaya melalui Proses Pembelajaran terhadap Mahasiswa ISI Padangpanjang yanuarmi, dini
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper describes the motives found in manuscripts or ancient manuscripts are tangible cultural heritage, which can be categorized as visual culture. Its presence can be seen in plain view and all the time. A noble and monumental cultural heritage, can be threatened by extinction due to human activities and natural disasters. It is fitting for the cultural heritage of the heritage of the past to be preserved and maintained. To maintain the sustainability of these motifs can be revitalized and applied to various media and techniques, such as batik. Batik in the form of one technique in decorating the fabric surface with the application of motifs found in the manuscript. More than that, the existing motives can be developed by creating without changing the original shape. The Craft Art Study Program at the Indonesian Art Institute in Padangpanjang after collaborating with the Regional Literature Study Program of Andalas University, tried to maintain the historical heritage by applying manuscript motifs to batik. The motive that has been applied is the manuscript motif found in the Pakandangan area of Padangpariaman district and Lunang Silaut in the South Coast district. Some works designed by students interested in textiles are made using natural and synthetic coloring. So that batik illumination is born that is creative, innovative and competitive.
Aksara Mandailing sebagai Motif Batik pada Kemeja Harahap, Mai Yusnanda; Yanuarmi, Dini; Prastawa, Wisnu
Corak Vol 13, No 1 (2024): Mei 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v13i1.10612

Abstract

AbstractMandailing script is one of the cultural heritage relics of the Mandailing people handed down by ancestors in the form of ancient writing. Mandailing scriptas an idea of creation on batik shirts is a work to raise the local value of the Mandailing people’s wisdom. The concept of creating this work departs from the Mandailing script as a motif on batik shirts. The script that’s applied to the shirt inthe form of the introduction of the induk surat (ina ni surat) and anak surat of the will then be arranged vertically, horizontally and zigzag vertically as sentences in the form of advice in Mandailing. The theoretical basics used in realizing work is form, function, motive, color and aesthetics. The method of creation includes the stages of exploration, design and materialization. The materials used are mori primissima and remasol dyes. The techniques used in the creation of works are batiktulis and sewing. The result of this work is a longsleeved shirt that can be used at formal events such as weddings, meetings and other events. There were 3 shirts works and named, they are "Poda na Lima", " Martanggung Jawab ", and "Hatoguan"AbstrakAksara Mandailing merupakan salah satu peninggalan warisan budaya masyarakat Mandailing yang diturunkan oleh nenek moyang berupa tulisan kuno. Aksara Mandailing sebagai ide penciptaan pada kemeja batik merupakan sebuah usaha untuk mengangkat nilai kearifan lokal masyarakat Mandailing. Konsep penciptaan karya ini berangkat dari aksara Mandailing sebagai motif pada kemeja batik. Tulisan aksara diterapkan pada kemeja berupa pengenalan induk surat (ina ni surat) dan anak surat kemudian disusun secara vertikal, horizontal dan zig-zag vertikal berupa kalimat petatah-petitih berupa nasihat yang ada di Mandailing. Landasan teori yang digunakan dalam mewujudkan karya yaitu bentuk, fungsi, motif, warna dan estetis. Metode penciptaan meliputi tahap eksplorasi, perancangan dan perwujudan. Bahan yang digunakan adalah mori primissima dan pewarna remazol. Teknik yang digunakan pada penciptaan karya yaitu batik tulis dan jahit. Bentuk karya berupa kemeja berlengan panjang yang dapat digunakan pada acara formal. Karya yang diciptakan yaitu 3 kemeja dengan judul “Poda na Lima”, “Martanggung Jawab”, dan “Hatoguan”.
Co-Authors Anggara, Egi Anin Ditto Anisa Giantari Desra Imelda Desra Imelda Dinda Atthia Maharani Lubis Fadri Rahmat Harahap, Mai Yusnanda Hendratno Hendratno Humaera, Ririn Imelda, Desra Indah Erda Ningsih Irja Izan Qomarats Kencana, Mega Mega Kencana Mirda Aryadi Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Nofi Rahmanita Novesar, Muhammad Refki Nur Aini Prastawa, Wisnu Putri, Geby Mareta Rahmayani Rahmayani Rias Wita Suryani Salsabila Sephiani Selvi Kasman sudiani, yoni Sundari, Sri Tastail Amelia Taufik Akbar Washinton, Rahmad Widdiyanti Widdiyanti Widdiyanti, Widdiyanti Wirma Surya Yetty Oktayanty Yulia Fitri Yunis Muler