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All Journal Linguistika RETORIKA: Jurnal Ilmu Bahasa IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Kulturistik : Jurnal Bahasa dan Budaya Jurnal Abdi Dharma Masyarakat Elysian Journal : English Literature, Linguistics, and Translation Studies LOKATARA SARASWATI e-Journal of Linguistics
I Gusti Ayu Agung Sintha Satwika
Mahasaraswati University, Denpasar, Indonesia
Arts Humanities Dentistry Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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An Analysis of Politeness Used in the Red One Movie Clarissa Cyndi Rose Angelique Tumbol; I Gusti Ayu Agung Sintha Satwika
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 6 No. 1 (2026): Elysian Journal: English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/elysian.v6i1.12522

Abstract

Politeness in communication does not always mean being gentle and soft-spoken, but is a social strategy to maintain relationships with interlocutors who feel valued. This research analyses the types of politeness maxims in the movie Red One (2024) based on Leech’s theory (2014). The data source was obtained from the dialogue between characters in the movie, via the Prime Video platform. This study employs a qualitative method using observation and classification methods based on ten types of politeness maxims. The findings reveal that not all politeness maxims, according to Leech (2014), appear in the movie, but only four maxims with a total of 12 data as follows: generosity maxim 8%, tact maxim 42%, approbation maxim 33%, and sympathy maxim 17%. The tact maxim is the most dominant, which shows a strategy where the speaker minimizes the cost to the interlocutor and maximizes the benefit to the interlocutor.
Theme and Rheme Analysis in The Poem of Anne Finch Countess of Winchelsea: A Nocturnal Reverie Putri, I Gusti Ayu Vina Widiadnya; Satwika, I Gusti Ayu Agung Sintha; Raditya, I Made Kevin
RETORIKA: Jurnal Ilmu Bahasa 36-45
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.12.1.2026.36-45

Abstract

This study analyses the use of theme and rhyme in the poem A Nocturnal Reverie by Anne Finch, Countess of Winchelsea. Using Systemic Functional Linguistics as a framework, the research examines the themes employed and their functions in conveying the poem's meaning and narrative flow. The study utilizes qualitative methods, analyzing the thematic structures in each clause of the 50-line poem. Findings reveal the prevalence of marked themes (21.52% of clauses), with topical, textual, and interpersonal themes identified. Simple and multiple themes are observed, along with marked and unmarked themes. Topical themes include participants, processes, and circumstances. Textual themes, primarily conjunctive, create logical links between clauses. No interpersonal themes were found. The analysis demonstrates how theme choices contribute to the poem's abstract imagery and ambiguous effects. Marked themes emphasize temporal settings and create contrast. The thematic patterns highlight the poem's narrative progression and the author's stylistic choices. This research provides insights into thematic structures in classical poetry, allowing comparison with modern literary works. The findings enhance understanding of how theme-rheme patterns shape poetic meaning and flow. This study contributes to the broader field of discourse analysis in literature by illuminating thematic devices in historical poetry.
Co-Authors Arita Wastiana Konda Clarissa Cyndi Rose Angelique Tumbol I Dewa Ayu Devi Maharani Santika I Gusti Ayu Vina Widiadnya Putri I Ketut Artawa I Komang Sulatra I Made Yogi Marantika I Wayan Juniartha Jayanthi, Komang Ayu Manik Trisna Lidvina Mbembo Maharani, Putu Devi Ni Luh Ketut Mas Indrawati Ni Luh Sudiantari Ni Made Yulia Sari Ni Nyoman Deni Ariyaningsih Ni Putu Cahyani Putri Utami NI WAYAN SUASTINI Putu Desi Anggerina Hikmaharyanti Putu Dian Aprillia Maharani Putu Gede Budiartha Raditya, I Made Kevin Winarta, Ida Bagus Gde Nova Yohana Maya Sari