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All Journal JURNAL PENDIDIKAN TAMBUSAI Gesture: Jurnal Seni Tari Boting Langi: Jurnal Seni Pertunjukan Matra
Hadiyatno Hadiyatno, Hadiyatno
FKIP Universitas Sultan Ageng Tirtayasa
Arts Humanities Education Social Sciences Other

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Journal : Matra

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Proses Pembuatan Alat Musik Gesek Tehyan Di Sanggar Putra Ula Kota Tangerang Kawistara, Muhammad Galih; Hadiyatno, Hadiyatno; Permana, Rian
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 3, No 1 (2024)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v3i1.23347

Abstract

This research aims to find out and study the process of making tehyan as a Betawi traditional musical instrument at Tangerang. This study used a descriptive qualitative method. The research data was obtained through tehyan craftsmen. Data collection techniques were carried out by observing documentation and in-depth interviews, the collected data were described and analyzed about the process of making tehyan by the craftsmen. This research is limited to the media selection, tools and materials used in making, and the process and stages of making tehyan. The researcher’s interest in this research is due to the lack of public interest and appreciation of tehyan as a cultural heritage, which needs attention so tehyan sustainability is maintained, and hopes to motivate other researchers to continue this research that author has done. So tehyan sustainability is maintaned.Keywords: the making of, media, material, Tehyan
Marhabanan Structure Study in Cikatapis Village, Keong Village, Rangkasbitung District, Lebak, Banten Aditya, Dimas; Hadiyatno, Hadiyatno; Septian, Dadang Dwi; Rizal, Syamsul
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 2 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v2i2.20587

Abstract

Banten is a province that has arts in the same family as West Java. Bsnten people have one type of Islamic art that focuses more on sound. The Islamic art found in Banten is Marhabanan art, an Islamic art that will show the characteristics and identity of art among communities in other regions. This research uses qualitative research methods with a Case Study approach which is used to investigate and understand an event or problem that occurs by collecting various kinds of information which are then processed to get a solution so that the problem that occurs can be resolved. This research will also describe the results of the research in a narrative manner, and the data collection uses 3 stages, namely: (1) observation, (2) interview and (3) documentation. From the results of the study it can be concluded that Marhabanan has important structures contained in it, namely: (1) Outer Structure and (2) Inner Structure, as well as knowing the functions in reading Marhabanan. in this case, the Marhabanan art in Banten can be categorized as one type of Islamic art and performing arts owned by the people of Banten and makes it a distinctive Islamic art owned by the people of Banten.
Proses Pembelajaran Rebana Qasidah di Sanggar Abi Aggi Kota Cilegon Indrawan, Indrawan; Suhaya, Suhaya; Hadiyatno, Hadiyatno
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 2 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v2i2.20128

Abstract

This study aims to describe how the learning process of tambourine qasidah in the Abi Aggi Studio, Cilegon City. The subjects of this study were the trainers and members of the Abi Aggi studio, Cilegon City. This research use desciptive qualitative approach. Data collection techniques used are interviews, observation and documentation. The results of the study found that the learning process of rabana qasidah in the Abi Aggi studio, Cilegon City was marked by the existence of educational interactions that occurred. This interaction is rooted in the teaching staff and learning does not occur suddenly, but proceeds through certain stages. The stages of learning activities are arranged systematically through the stages of design, implementation and evaluation. The results of learning the percussion pattern of the tambourine qasidah at the Abi Aggi studio, Cilegon City, can be concluded that the trainers and members of the studio at the Abi Aggi Studio, Cilegon City agree with the learning process implemented in the studio which can improve the ability to play the rabana qasidah instrument and is able to increase self-confidence.  
PENGGUNAAN SOFTWARE FL STUDIO DALAM PROSES REKAMAN MUSIK DI SANGGAR WANDA BANTEN Ramdhani, Afwan Muhamad; Hadiyatno, Hadiyatno; Rizal, Syamsul
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 3, No 2 (2024)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v3i2.20821

Abstract

ABSTRAKPenelitian ini bertujuan untuk menyelidiki penggunaan software FL Studio dalam proses rekaman musik di Sanggar Wanda Banten, sebuah sanggar seni yang bergerak secara profesional di bidang tari, musik, dan rekaman musik. Metode penelitian yang digunakan adalah kualitatif dengan pendekatan studi kasus. Data penelitian dikumpulkan melalui observasi, wawancara, dan dokumentasi, yang kemudian dianalisis melalui reduksi data, penyajian data, dan interpretasi informasi yang terkumpul. Hasil penelitian menunjukkan bahwa penggunaan software FL Studio dalam proses rekaman musik di Sanggar Wanda Banten melibatkan beberapa tahapan, yaitu persiapan, tracking, editing, mixing, dan mastering. Software ini memungkinkan para musisi untuk mengatur, mengolah, dan memodifikasi suara sesuai dengan kebutuhan mereka. Selain itu, Sanggar Wanda Banten telah dilengkapi dengan peralatan yang memadai untuk mendukung proses rekaman musik. Penelitian ini memberikan pemahaman yang penting tentang penggunaan software FL Studio dalam rekaman musik, yang dapat menjadi referensi bagi musisi dan pihak terkait. Diharapkan penelitian ini memberikan kontribusi dan panduan bagi mereka yang tertarik dalam memanfaatkan teknologi software dalam proses rekaman musik. Kata Kunci: Software FL Studio, Rekaman Musik, kualitatif-studi kasus, Sanggar Wanda Banten.
Analisis Lagu Bendrong Lesung Ciptaan Heni Anita Susila Aransemen Amir Hakim Junior pada Perlombaan Bandung Choral Festival Varino, Ning Lidya; Hadiyatno, Hadiyatno; Septiyan, Dadang Dwi
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 3, No 2 (2024)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v3i2.20896

Abstract

Aransemen lagu Bendrong Lesung karya Amir Hakim Junior pada perlombaan Bandung Choral Festival menjadi acuan dalam perlombaan, aransemen tersebut terdengar lebih menarik dan variatif. Hal tersebut yang melatarbelakangi peneliti untuk melakukan penelitian dari segi bentuk lagu dan aransemen. Tujuan dalam penelitian ini untuk mengetahui, mendeskripsikan dan menganalisis bentuk lagu Bendrong Lesung ciptaan Heni Anita Susila Aransemen Amir Hakim Junior. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis isi teks. Lokasi penelitian terletak di Taman Puri Citraland. Teknik pengumpulan data diantaranya yakni: observasi, wawancara, dokumentasi. Proses Analisis data dilakukan dengan pendekatan analisi isi teks kemudian di deskripsikan dalam bentuk analisis yang berupa pernyataan, hasil penelitian menunjukan bahwa lagu Bendrong Lesung terbagi kedalam bentuk tiga bagian A – B – C dan terdapat unsur musik tambahan didalamnya. Aransemen Lagu Bendrong Lesung karya Amir Hakim Junior terbagi dari Introduksi, bagian A, bagian B, bagian C, Interlude dan Coda dengan variasi akor yang keluar dari beberapa aturan dalam susunan akor namun masih terdengar aman.Kata kunci: Bentuk Musik, Aransemen, Lagu Bendrong Lesung
Co-Authors Aditya, Dimas Alis Triena Permanasari Dadang Dwi Septiyan, Dadang Dwi Giri Mustika Roekmana Indrawan Indrawan Intan Permatasari Juliya, Juliya Kawistara, Muhammad Galih Lestari, Dwi Juliyanti Lestari, Dwi Junianti Nurseptiah, Siti Purwinarti, Wiwin Ramdhani, Afwan Muhamad Rian Permana Rumdhani, Faira Ajeng Sabrina, Nanda Septian, Dadang Dwi Suhaya Suhaya, Suhaya Syamsul Rizal Toyibah, Lala Halalan Varino, Ning Lidya Wulandari, Dinda Esti Yuliani Yuliani Yulianti, Dinda Sri