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Journal of Islamic Architecture
Published by Universitas Islam Negeri Maulana Malik Ibrahim Malang
ISSN : 20862636     EISSN : 23564644     DOI : -
Core Subject : Humanities, Art, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture
Journal of Islamic Architecture (JIA) is a scientific publication for widespread research and criticism topics in Islamic architecture studies. JIA is published twice a year in June and December since June 2010 by International Center for Islamic Architecture from the Sunnah (CIAS), Department of Architecture Universitas Islam Negeri Maulana Malik Ibrahim Malang, Indonesia. One volume of JIA is published in two-year calendar.
Arjuna Subject : -
Articles 322 Documents
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Turgut Cansever’s Beyazit Square in the Light of His Theoretical Constructions Civelek, Yusuf; Düzenli, Halil Ibrahim
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.26861

Abstract

This paper addresses the historical significance of Turgut Cansever’s project for the redesign of the Beyazıt Square in Istanbul owing to its effort to recreate the particularity of a place through the articulation of motion, orientation, and ornamentation. The paper argues that the Beyazıt Square project is crucial for Cansever’s construction of an aesthetic based on the Islamic ‘world-conception’ through the interpretation of texts, as well as historic and modern places and buildings. Therefore, this study aims to demonstrate that Cansever’s Beyazıt Square project, initiated in 1960, is one of the earliest and most notable manifestations of his theoretical concepts. The methodology of the study relies on investigating the correlation between the partially applied project and the architect’s theoretical ideas, which he developed through intertextual readings on architecture, philosophy, and religion, with a particular focus on Sufism. This concept has evolved. The sources of the investigation include texts written by the architect or others on his work since 1949, the original drawings of the project, and the physical changes that the square underwent between 1505 and the present day. Personal communications with the daughter and son-in-law of Cansever, who are also architects and have collaborated with him for a long time, are valuable sources for this investigation. This study demonstrates that the fundamentals of Cansever’s theoretical ideas predate 1960, with the majority emerging in a more articulate form through his writings, interviews, and speeches after 1980. It shows that Cansever made connections between the main precepts of Modernism and his interpretation of the Islamic principles of art and architecture around 1960. It also makes clear that the recent adaptation of the unfinished project in 2023 is due to the relevance of these theoretical ideas for the popular but relatively weak pursuits of discovering and reconnecting with the principles and values of the Islamic built environment. Perhaps the most important benefit of this text lies in its presentation of the application of spatial and phenomenological concepts by a non-Western, Muslim architect in a public space.
Islamic and Scientific Perspectives on Shading Coefficient, Carbon Dioxide Concentration Reduction, and Cooling Effect of Productive Facade Noraduola, Dwi Rinnarsuri; Mangkoedihardjo, Sarwoko; Santoso, R. Irwan Bagyo; Purwanti, Ipung Fitri; Jaya, Laode M. Golok; Cahyadi, Rusli
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.25911

Abstract

The concept of productive green space has been mentioned in Al-Qur’an, which was revealed several centuries ago. However, Productive Facade (PF), a Vertical Greening System (VGS) method, has only recently been seen as a viable solution to provide crops and a cooler atmosphere in densely populated residential areas. The purpose of this article is to examine, from both scientific and Islamic perspectives, how shading and CO2 concentration reduction from PF can help cool the outdoor air, as well as the implications of this cooling mechanism for the development of a PF system as a secondary building skin that is more responsive to increasing urban temperatures. Literature reviews and experimental studies have been conducted to provide evidence and arguments from both scientific knowledge and Islamic perspectives. It was found that PF was able to provide an outdoor cooling effect. In addition, plant shade and CO2 uptake in PF are strongly correlated with air temperature. These findings are mentioned in the Qur'an and Hadiths as a basis for constructing an Islamic perspective.
Ottoman Architecture: Spatial Planning and Ideal Geometric Proportions (Case Study: Sultan Bayezid II Mosque) Al-Mughrabi, Naser Thabet
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.26446

Abstract

One of the primary design tools Ottoman architects employed in the creation of their buildings and planning architectural spaces was geometric proportions. The Sultan Bayezid II Mosque in Istanbul, which was designed in a very distinctive geometric way but hasn't been thoroughly studied and discussed by researchers before, is a perfect example of how to apply geometric proportions. Thus, the primary objective of this study is to investigate the optimal geometric proportions that guided the construction of the mosque's plans and interior spaces. The architectural significance of the mosque in the history of Ottoman architecture is highlighted in this study, which employs a historical and analytical research method. After that, the architectural drawings were examined geometrically to demonstrate the proportions on which the mosque was constructed. The proportional shapes explored in the mosque's drawings confirmed that ideal geometric proportions were of great value in the minds of the engineers and architects who designed the mosque. The study's findings further support the mosque's architectural significance and geometric richness.
Exploring the Impact of the Metaphorical Concepts of As-Sirāt on the Architectural Structure of Allahverdi Khan Bridge Payandeh, Mehrsa; Hariri, Azadeh; Hakim, Negar
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.29277

Abstract

Some Islamic theological resources provide descriptions of the afterlife, with particular attention to architectural elements such as the As-Sirāt bridge. This bridge is a significant concept in Islamic theology, depicted as a pathway extending over Hell. Islamic hadiths and literature offer various interpretations of this bridge. During the Safavid era, architects frequently employed symbolism, especially through the use of numbers and strategic location choices, to embed Islamic concepts into their designs, thereby connecting form and meaning in their architectural works. Similarly, the architecture of bridges in Iran reflects the integration of form and meaning, as well as the expression of Islamic ideas. Utilizing a descriptive-analytical approach and drawing on field and library research, this study examines how the metaphorical concepts associated with the As-Sirāt Bridge influenced both the design and location of the Allahverdi Khan Bridge. The findings indicate that the metaphorical concepts of the As-Sirāt Bridge significantly impacted the placement of the Allahverdi Khan Bridge and its use of numerical symbolism in the design of its gates.
Uncovering the Influence of Mosque Openness on Speech Intelligibility: A Simulation Study Heruputra, Muhammad Harish; Widyarko, Widyarko; Susanto, Dalhar
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.23828

Abstract

Mosques, serving as places of worship for Muslims, require a high level of speech intelligibility to achieve the solemnity of worship. Due to rising urban temperatures, many mosques in tropical urban areas are transitioning from their previously open-designed condition, relying more on natural ventilation, to enclosed ones by leaning more on artificial ventilation. This study aims to understand the influence of space openness on speech intelligibility in mosques. Speech intelligibility measures how clear a voice is in a room and is measured by the speech transmission index (STI) method. This research utilizes the quantitative approach, integrating site observations, on-site measurements, and computational simulations. Focused on Masjid UI as the case study, the study simulates open and enclosed design configurations across three scenarios: full, half-full, and empty rooms. The results show that a mosque with an open design has a higher STI than a mosque with an enclosed design. However, the difference is insignificant due to several supporting factors in the existing condition, such as the square-shaped plan design with a pyramid dome, equal loudspeaker sound distribution, and a crowded worshippers’ condition.
The Architecture of Sunan Bonang's Tomb: Commodification of Sacred Zones in Religious Tourism Ghozi, Ahmad; Purwasito, Andrik; Warto, Warto; Rais, Wakit Abdullah
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.26328

Abstract

The significant number of visitors visiting the Sunan Bonang Tomb in Indonesia is believed to contribute to the commodification of sacred zones for religious tourism at the tomb. This study focused on exploring how sacred zones are transformed into religious tourism destinations at the Sunan Bonang tomb in Tuban, Indonesia. Qualitative research involved gathering field data through participant observation, in-depth interviews, and documentation studies. Researchers conducted data triangulation to confirm the accuracy of the gathered data. The research results were examined using Foucault's perspectives through archaeological and genealogical approaches. This study identified key factors contributing to the commodification of Sunan Bonang's tomb for religious tourism, including: 1) the established religious tradition within Islamic communities that influence the occurrence of commodification, 2) government support aimed at enhancing the attraction of cultural products for religious tourism, and 3) the role of the foundation as the holder of management authority managing the commodification of Sunan Bonang's tomb for religious tourism. Commodification focuses more on creating sacred zones at the Sunan Bonang’s Tomb.
Islamic Housing Projects and Environmental Awareness: Investigating the Concepts and Implementations Behind the Notion of ‘Islamic Environment’ Rahmah, Sukmayati; Putrie, Yulia Eka; Handryant, Aisyah Nur; Maslucha, Luluk
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.26985

Abstract

Islamic housing developments have been more popular in recent years, driven by a wide range of contributing factors, including religious, economic, and socio-cultural considerations. The widespread availability of Islamic mortgages from Islamic banks and finance institutions also contributed to the rise of the Islamic housing market for people looking to buy a house while complying with Islamic principles. One of the key selling aspects of Islamic housing projects is their notion of an ‘Islamic Environment,’ which implies sustainability in the social and natural environments. However, mass housing projects’ emphasis on market demands and financial viability often sets aside broader social and ecological considerations in their implementations. These phenomena have raised a question of how the Islamic housing projects conceptualized and implemented this notion of an ‘Islamic Environment.’ An exploratory study was conducted by analyzing qualitatively and quantitatively visual and text data from interviews, field observations, architectural drawings, and marketing materials. The findings showed that at the conceptual level, a partial understanding of Islamic values of environmental awareness is still the main issue that also impacted the implementations at the practical level. The understanding of the Islamic environment is limited to the socio-religious environment in the form of providing places of worship and religious activities. At the practical level, the selling point of the green atmosphere is still limited to the visual pleasures of the distant mountains and gardens outside the residential area. Hence, efforts to rethink the concept and application of the Islamic environment are imperative to ensure genuine environmental sustainability, and ‘nature’ transcends being merely a marketing strategy for Islamic housing projects. Keywords:housing projects, Islamic environment, sustainability, concept, implementation
The Visual Impact of Colors in Ottoman Inscriptions: A Case Study of the Sultan Bayezid II Mosque in Didymóteichon, Greece Ameen, Ahmed; Kasem, Yassmin Youssef
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.27523

Abstract

This study undertakes a comprehensive examination of color as a distinctive and impactful feature in the artistic and architectural expressions of the Ottoman Empire, with a specific focus on its visual impact on historical inscriptions in Greece. By delving into the reasons and motivations underlying the Ottomans' extensive use of color, this research elucidates the effect it had on the viewer's perception and interpretation. Applying this analytical lens to the oldest extant Ottoman Mosque in Greece, the Sultan Bayezid II Mosque in Didymóteichon, the paper presents a nuanced exploration of the visual impact generated by color within the inscriptional elements of this significant edifice. The findings demonstrate how the Ottomans' strategic deployment of color, mainly through the skilful juxtaposition of contrasting hues and harmonious combinations, enhances the aesthetic appeal of the inscriptions, conveying a tangible sense of authority and captivating the viewer's attention. This research provides a novel perspective for understanding the sophisticated visual communication strategies employed in Ottoman epigraphy, underscoring the pivotal role of color as a crucial element in shaping the inscriptions' visual resonance and symbolic import. This study offers valuable insights into the cultural, aesthetic, and communicative dimensions of Ottoman visual culture by illuminating the multifaceted significance of chromatic expression within this artistic tradition.
Cultural Dynamics Revealed: Aesthetic Exploration of Symbols and Meanings in the Design of the Nine Gates of Astana Sunan Gunung Jati Cirebon Santosa, Imam; Hendryana, Husein
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.26924

Abstract

Astana Sunan Gunung Jati is a royal burial complex and religious leadership site located in Cirebon, West Java-Indonesia, representing a unique model of acculturation and adaptation from diverse cultures and traditions. This research aims to examine a masterpiece of 14th-century architecture to understand the adaptation processes involved in its construction and uncover the aesthetic contributions from various sources to the design of Astana Sunan Gunung Jati. The primary challenge lies in harmoniously integrating diverse cultural elements and the influences of various religions that shape its design and aesthetics. This study focuses on the representation of different cultural elements interacting and contributing to the Islamic cultural richness in Cirebon, particularly in the visualization of the nine symbolic gates of Astana Sunan Gunung Jati. Employing a qualitative approach, the research delves into cultural adaptation into visual forms, utilizing historical data, literature, and in-depth interviews with relevant parties knowledgeable about Astana Sunan Gunung Jati. The findings reveal that the design of Astana Sunan Gunung Jati adopts a pluralistic and multicultural approach, blending models of 'native cultural preservation' and 'cultural contact synergy'. This reflects the cultural convergence from sources including Sundanese, Javanese, Islamic, Buddhist, and Hindu traditions, contributing to the visual richness of the structure. Moreover, this research significantly shapes the cultural identity of Cirebon. The cultural adaptation process in the design of Astana Sunan Gunung Jati, which has endured for approximately 700 years, holds profound insights into the aspects of maintenance, preservation, and conservation, serving as a role model for cultural heritage. It offers valuable insights into how cultural identity forms and is preserved in complex and diverse environments, particularly concerning design and aesthetics.
Design Trends for the Mihrab Element in Contemporary Mosques Dhannoon, Ahmed Abdulwahid; Alchalabi, Oday Qusay Abdulqader
Journal of Islamic Architecture Vol 8, No 4 (2025): Journal of Islamic Architecture (ISSUE IN PROGRESS)
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i4.28823

Abstract

In the architecture of the mosque, the design of the Mihrab has received great attention from the Islamic builders. The Mihrab is the qibla of the mosque and its most important component. Previous studies highlighted the design characteristics of the Mihrab in ancient mosques. Moreover, the literature shows that there were specific forms and elements in the forming process that served as a formal reference for the design of the Mihrab in ancient mosques. With the contemporary development of mosque architecture and the diversity of design trends in modern mosques, the shapes of Mihrabs have varied in terms of form and elements to reflect these trends. The research problem is represented by “The lack of design trends of the Mihrab as an element in the contemporary mosques”. The study aims to identify the design trends of this important element in contemporary Mosque architecture in a scientific manner, measured through a quantitative and qualitative approach that was adopted to determine the design trends of each Mihrab concerning the historical formal reference. The methodology was applied in a practical study on a group of contemporary mosque Mihrabs to explore the design trends of each Mihrab separately. The results showed that contemporary mihrabs still rely heavily on heritage elements, adopting the forms of heritage plans while incorporating new building materials, such as iron structures, Bordeaux panels, and glass, as well as decorative calligraphic elements with low to medium density.

Page 32 of 33 | Total Record : 322

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