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Abdi Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 20871759     EISSN : 27232468     DOI : 10.33153
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
urnal Abdi Seni memiliki fokus pada hasil pengabdian dan pemberdayaan kepada masyarakat, baik itu pengabdian dosen maupun KKN yang dilakukan oleh mahasiswa dalam bidang seni. Cakupan jurnal Abdi Seni memiliki ranah keilmuan di bidang seni rupa dan desain ataupun seni pertunjukan (Tari, Karawitan, Pedalangan, Teater, Etnomusikologi, dll), yang mampu memberikan banyak manfaat untuk masyarakat serta menambah literasi dalam berkesenian.
Arjuna Subject : -
Articles 286 Documents
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Revitalisasi Wayang Beber sebagai Upaya Mempersiapkan Regenerasi Pelukis dan Dalang di Sanggar Naladerma Baluwarti Surakarta Sri Marwati; Neni Nurul Rosalina; Halintar Cakra Padnobo
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7180

Abstract

Naladerma Studio as the only place to learn wayang beber in the Surakarta Palace complex is not well managed. The study schedule, teaching materials, modules, members/students, and collections are not well organized. Meanwhile, the existence of Naladerma Studio also supports Surakarta Palace as a center of Javanese traditional culture, although its contribution is not well exposed. Joko Sriyono as the owner of Naladerma Studio has long been known as a Wayang Beber sungging artist and local residents already know him as a wayang beber sungging artist. Joko Sriyono's condition is not like it used to be, due to his increasing age and illness. This has caused his painting activities to be no longer productive and even the 21-meter wayang beber project he designed has not been completed. Currently, there is no longer a successor to manage Naladerma Studio, even though Joko previously founded the studio driven by his concern for the preservation of wayang beber in Solo. Moreover, in the midst of the increasingly modern era. He is worried that in the future the wayang beber culture will be destroyed. Through his studio, Joko can share knowledge about wayang beber to anyone, both visitors and students. For that, there needs to be revitalization to prepare the regeneration of both painters and puppeteers of wayang beber itself as a form and effort to preserve wayang beber so that it does not become extinct.  Keywords: revitalization; Wayang Beber, regeneration
Penguatan Media Promosi Andi Rattan Furniture melalui Fotografi Priaji Iman; Pratita Rara Raina; M. Harun Rosyid Ridlo
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7186

Abstract

Community service or PKM aims to create a catalogue of Andi Rattan Furniture products as promotion media through product photography. Trangsan Village, as one of the rattan industry centers in Sukoharjo, faces challenges in expanding its market reach, especially for small to medium craftsmen who rely on third parties for access to product export, including Andi Rattan Furniture. The main problems faced were the lack of marketing staff and the minimal use of digital media for product promotion. The participatory action research (PAR) approach is used in this activity to empower partners with solutions in aspects of business management and digital marketing, including product photography training and e-commerce usage. The results of the activity show that through improving business management, creating product catalogs, and activating social media, Andi Rattan Furniture can expand its market reach and increase product competitiveness at local and international levels. Continuous assistance and the implementation of digital marketing strategies are expected to support Andi Rattan Furniture sustainable businesses. Keywords: Creative Economy, Rattan, PAR, Community Service
Pelatihan Melukis Pot Dekorasi Taman Bagi Anak Binaan Pondok Yatim dan Dhuafa Elda Franzia Jasjfi; Layla Nurina Kartika Iskandar; RA Heryani Wahyuningrum; Erlina Novianti; Edria Putrinda Sofyan; Erin Valencia; Rhomina Hestiningtyas
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7451

Abstract

Environmental awareness education needs to be carried out continuously starting from childhood. Various ways can be done to increase awareness of the environment, by interacting directly with the environment and increasing the beauty of the environment through artistic activities. The location of the training activities is the Pondok Yatim dan Dhuafa Tomang managed by Yayasan Amal Sholeh Sejahtera, which is inhabited by 10 children aged 5-12 years, located on Jl. Gelong Baru No. 8, Tomang, Grogol Petamburan, West Jakarta. To build environmental awareness, environmental-themed drawing training has been carried out for underprivileged children at Pondok Yatim dan Dhuafa Tomang. In this activity, it was found that children have many interests in drawing activities. For this reason, this program was continued with training in painting pots as garden decorations at Pondok Yatim dan Dhuafa Tomang. The pondok has a front yard area, which contains several green plants but has not been processed by involving the assisted children in cultivating the front yard area of ​​the cottage. The activity of decorating plant pots in your yard is a form of interaction with the surrounding environment and can also improve the aesthetics of the environment so that it is more attractive. The training method is carried out directly by a team consisting of lecturers and students from the Visual Communication Design, Interior Design and Photography study programs. The training material includes insight into the garden environment around your home, tools and media for planting and painting, procedures for painting pots, and creativity in painting garden decoration pots. The results of the training were 10 (ten) individual works of the training participants to paint aesthetic garden decoration pots to be used in the Pondok Yatim dan Dhuafa Tomang environment. Keywords: garden decoration; children creativity; painting pots; environment
Optimalisasi Mixed Light dalam Fotografi Produk: Workshop untuk Teman Tuli Surakarta Ayuningtias BP; Wahyu Sukma Nada; Kristina Novi Susanti
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7504

Abstract

Product photography training is one of the relevant empowerment efforts to support the potential of the deaf community in the era of the creative economy. Deaf individuals have advantages in the visual field; however, limited access to practical training often becomes an obstacle to selfdevelopment. This activity aims to optimize the use of mixed light techniques, which combine natural light and artificial light, in product photography practices through an inclusive workshop. The method used was direct practice at the DPC Gerkatin Surakarta location with a visual approach and the use of sign language to ensure full accessibility for the participants. The workshop was held on May 24, 2025, with a total of 15 participants. The training materials included basic product photography, lighting principles, and hands-on practice using mixed light techniques. The results of this activity showed an increase in participants' understanding of lighting techniques and their ability to produce product photos suitable for promotional purposes. This workshop also improved participants' self-confidence and opened opportunities for skill development in the creative economy sector. The activity proved that an inclusive and practicebased photography approach can be an effective means of empowerment for the deaf community. Keywords: deaf community, product photography, mixed light
Pelatihan Menjahit Vest dan Obi Sebagai Bentuk Penguatan Vokasi Bagi Siswa SLB Fransiska Intan Permata Sari; Agiska Shinta Safiyana; Yulianto
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7512

Abstract

This community service activity was carried out at SLB Negeri Sragen as part of the implementation of the Merdeka Belajar Kampus Merdeka (MBKM) program. The main challenge faced by the partner was the lack of instructors with specific skills in sewing, which resulted in students not receiving adequate vocational training, especially in making vests and obi belts. The aim of this activity was to improve the vocational skills of students with special needs through hands-on sewing training using a non-exclusive and adaptive method. The approach used was a participatory method, where students were actively involved in the learning process, from the introduction of sewing tools and pattern cutting to the completion of wearable products. University students acted as facilitators in an interactive and systematic knowledge-sharing process. The outcomes of this program included wearable vest and obi products, as well as the creation of a digital catalog showcasing the students’ work. This activity demonstrated that an appropriate vocational approach can significantly enhance the independence and capabilities of SLB students. Keywords: MBKM, vocational education, students with special needs, participatory method, transfer of knowledge.
Pengembangan Strategi Pemasaran Digital untuk Meningkatkan Visibilitas Bagi Komunitas Relawan Gemar Sedekah Aditya Eko Adrianto; Wahid Tuftazani Rizqi; Yohanes De Britto Wirajati
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.7627

Abstract

In the rapidly evolving digital era, the use of digital marketing strategies has become an urgent necessity for social institutions such as Relawan Gemar Sedekah to enhance visibility and donation support. By employing an approach that integrates fine art elements, this community engagement initiative aims to implement effective digital marketing strategies to improve public understanding of the institution's mission and values, as well as to motivate society to participate in charitable activities. By analyzing public perception and responses toward fine art-based content presented in digital marketing campaigns, this initiative can develop more impactful and measurable strategies. The targeted outcomes include the development of a practical guide for digital marketing using a fine art approach, increased online visibility for Relawan Gemar Sedekah, and a rise in the number and frequency of donations received. Therefore, it is expected that this initiative will contribute significantly to strengthening the position of social institutions in an increasingly complex and competitive digital landscape, while also amplifying their positive impact in aiding those in need of assistance. Keywords: Digital marketing, fine arts, strategy, contribution, visibility
Strategi Pemberdayaan Ekonomi Kreatif melalui Fotografi Bagi Siswa SLB Negeri Sragen Faizah Nurcholish; Ardhian Nova Pratama; Yulianto Pratama
Abdi Seni Vol. 17 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Penyandang disabilitas di Indonesia masih menghadapi hambatan dalam mengakses pendidikan dan peluang ekonomi secara inklusif. Artikel ini membahas strategi pemberdayaan ekonomi kreatif melalui pelatihan fotografi bagi siswa tunarungu di SLB Negeri Sragen. Kegiatan ini merupakan bagian dari program Merdeka Belajar Kampus Merdeka (MBKM) FSRD ISI Surakarta dengan skema Proyek Kemanusiaan, yang dirancang menggunakan metode kualitatif, pendekatan partisipatif, transfer knowledge, serta Focus Group Discussion (FGD). Selama tiga bulan pelatihan, siswa memperoleh keterampilan dasar fotografi, mempraktikkan pemotretan produk hasil karya mereka, dan menghasilkan output berupa e‑katalog sebagai media promosi. Hasil menunjukkan peningkatan kepercayaan diri, partisipasi sosial, serta munculnya minat untuk melanjutkan pendidikan di bidang fotografi. Temuan ini memperkuat relevansi fotografi tidak hanya sebagai media ekspresi seni, tetapi juga sebagai sarana pemberdayaan ekonomi yang inklusif dan berkelanjutan. Kegiatan ini sekaligus mencerminkan pelaksanaan Tri Dharma Perguruan Tinggi dalam konteks pendidikan seni yang berorientasi pada pengabdian masyarakat dan transformasi sosial. Kata kunci: fotografi, pemberdayaan, disabilitas, ekonomi kreatif, SLB
Teknik Batik Ciprat sebagai Pendekatan Inklusif dalam Pelatihan Pembuatan Totebag Batik Bagi Teman Tuli Alya Putri Rachmanda; Scolastika Vani Purnamadewi; Kristina Novi Susanti
Abdi Seni Vol. 17 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Pelatihan “Pembuatan Totebag Batik dengan Teknik Batik Ciprat Memudahkan bagi Teman Tuli untuk Berkarya dan Meningkatkan Kreativitas Seni”.Teknik batik ciprat merupakan salah satu metode kreatif dalam seni batik yang dapat diadaptasi untuk berbagai media, termasuk totebag. Pelatihan ini bertujuan untuk mengeksplorasi penerapan teknik batik ciprat sebagai pendekatan inklusif dalam Pelatihan pembuatan totebag bagi teman-teman tuli. Dilaksanakan sebagai program pengabdian seni untuk menciptakan ruang kreatif yang inklusif. Melalui pelatihan ini, teman tuli tidak hanya belajar keterampilan seni, tetapi juga berkesempatan untuk berinteraksi dan berkolaborasi dalam lingkungan yang mendukung. Metodologi yang digunakan meliputi pengenalan alat dan bahan, pelatihan teknik dasar, serta praktik langsung dalam menciptakan batik dalam media totebag. Hasil pelatihan menunjukkan peningkatan keterampilan, kepercayaan diri, dan keterlibatan sosial di antara peserta. Selain itu, totebag yang dihasilkan dapat menjadi produk yang dipasarkan, memberikan nilai ekonomi bagi teman-teman tuli. Pelatihan ini menekankan pentingnya seni sebagai alat pemberdayaan dan inklusi sosial, serta potensi teknik batik ciprat dalam menciptakan ruang kreatif bagi individu dengan kebutuhan khusus. Diharapkan, hasil dari Pelatihan ini dapat menciptakan ruang bagi teman-teman tuli untuk berinteraksi dan berkolaborasi dengan teman dengar, membangun jaringan sosial yang positif, serta mendapatkan keterampilan baru yang dapat digunakan dalam kehidupan sehari-hari atau sebagai peluang usaha. Kata Kunci: Batik Ciprat, Batik pada Media Totebag, Teman Tuli, Kreativitas Seni, Inklusif.
Gending Identitas Desa Waru, Kecamatan Kebakkramat, Kabupaten Karanganyar sebagai Desa Seni Budaya Suyoto Suyoto; Nanang Bayu Aji
Abdi Seni Vol. 17 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Penelitian Pengabdian Kepada Masyarakat Karya Seni yang berjudul “Gending Identitas Desa Waru, Kecamatan Kebakkramat, Kabupaten Karanganyar Sebagai Desa Seni Budaya”, adalah bentuk kegiatan yang menghasilkan gending identitas Desa Waru yang selama ini belum dimiliki oleh Desa Waru. Hal ini merupakan sebuah inovasi dalam penggarapan gending identitas Desa Waru. Setelah menganalisis situasi dan permasalahan mitra, maka peneliti menggarap gending identitas Desa Waru. Kegiatan ini menjelaskan tentang pentingnya gending identitas. Peneliti menyusun materi, melatih yang berkaitan dengan gending identitas, sekaligus memberikan wawasan kepada Desa Waru agar ilmu yang diberikan dan gending yang telah dibuat dapat diimplementasikan, serta bermanfaat untuk Desa Waru khususnya, masyarakat pada umumnya. Dalam kegiatan pelatihan ini digunakan metode drill, yakni dengan melakukan latihan secara rutin sesuai dengan yang direncanakan. Tidak kalah pentingnya adalah pembuatan karya musik identitas Desa Waru sebagai gending tetap. Hasil dari pelatihan ini adalah wujud rekaman gending identitas Desa Waru, sehingga Desa Waru yang dinobatkan sebagai Desa Seni Budaya oleh Bupati Karanganyar telah memiliki gending sebagai identitas Desa. Kata Kunci: gending, identitas, seni budaya
Pelatihan Pengembangan Seni Lukis Wayang Kamasan pada Media Pot Gerabah dan Plexiglas di Sanggar Sinar Pande Kamasan Klungkung I Wayan Setem; Gede Yosef Tjokropramono; I Wayan Gulendra
Abdi Seni Vol. 17 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

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Abstract

Tujuan pengabdian ini adalah menawarkan solusi atas persoalan kejenuhan peserta didik saat melukis dan mewarnai di Sanggar Sinar Pande Kamasan, Klungkung, dengan media alternatif berupa Plexiglas dan pot gerabah. Selain pemanfaatan media baru, peserta didik juga diberikan kebebasan untuk berekspresi/berkreasi, dan dibarengi dengan penyampaian materi yang menarik melalui storytelling. Metode yang digunakan yaitu demonstrasi praktik secara langsung. Sedangkan tahapan pelaksanaan pengabdian meliputi pengumpulan data permasalahan bersama pimpinan sanggar, merancang pelatihan, membuat modul, menyiapkan alat dan bahan, pelaksanaan pelatihan, monitoring, serta mendiseminasikan hasil pelatihan di Rumah BUMN Klungkung. Melalui pengembangan pembelajaran seni lukis wayang Kamasan dengan sinergi konsep diversifikasi teknik melukis dan revitalisasi tekstual dan kontekstual, dapat meningkatkan minat dan animo anak-anak untuk mengikuti pembelajaran melukis dan mewarnai. Revitalisasi atau pembaruan teknik proses melukis untuk memperkuat keterampilan lokal agar mampu mengaplikasikannya ke media yang lebih beragam. Revitalisasi tekstual dan kontekstual dilakukan melalui penerapan pada media baru yang unik dan artistik guna menghasilkan produk yang bervariasi serta lebih adaptif.   Kata kunci: Pembelajaran, wayang Kamasan, media alternatif, pot gerabah, Plexiglas

Page 28 of 29 | Total Record : 286

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