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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 426 Documents
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The philosophical values of Rejang Dayung as an ancient dance inherited from Pura Luhur Batukau, Tabanan, Bali Dana, I Wayan; Alfirafindra, Raja; Anggraeni, Agustin
Gelar: Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5355

Abstract

Rejang Dayung is an ancient dance inherited from the ancestors, serving a ritualistic function at Pura Luhur Batukau. It is exclusively performed in Jaba Tengah or the media mandala (living room) during the Sinineban (closing) ceremony at Pura Luhur Batukau. Noteworthy for its straightforward expressions in movements, floor patterns, costumes, and accompaniment, this dance merits scholarly investigation. The objectives of this study are to elucidate the philosophical value of Rejang Dayung performance as an ancient dance inherited from Pura Luhur Batukau, examine the correlation between the philosophical value of Rejang Dayung and the societal beliefs of Pura Luhur Batukau, and expound upon the significance of Rejang Dayung's philosophical value based on the concepts of Satyam (truth), Shivam (holiness), and Sundaram (beauty). The authors employed a qualitative method, incorporating field observation and interview techniques to gather data and ascertain the initial presentation of Rejang Dayung. The study's findings unequivocally reveal the philosophical values of Rejang Dayung and the embodiment of the Tri Hita Karana teachings (Balinese concepts for creating harmony), which encompass harmonious relationships between humans and God, humans and fellow humans, and humans and the universe. The philosophical value of Rejang Dayung signifies a profound surrender to the magnificence of Ida Sanghyang Widhi Wasa, God the Greatest, manifested through the collective choreography in pairs, symbolizing the convergence of Shiva-Parwati energy. This convergence, perceived by the people of Pura Luhur Batukau as the guardian of harmony in the universe and its constituents, underscores the dance's cultural and spiritual significance.
Exploration of motif patterns using the space-time-plane system and flat design stylization with La Galigo epic inspiration Muslikhani, Aghnia Fauzul; Rosandini, Morinta; Takao, Gina Shobiro
Gelar: Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5472

Abstract

The development of storytelling motifs is enhanced through the Space-Time-Plane (STP) system, a drawing technique that integrates Image Way and Grammar principles. This system adeptly represents spatial and temporal dimensions, facilitating the creation of illustrative storytelling. Its application extends to translating images into meaning and vice versa, showcasing its impact on the textile sector. Notably, it drives the evolution of non-repetitive motif compositions embodying story concepts presented with flat design styling. Despite its successes, applying the STP system to motif development poses challenges, particularly when incorporating motifs into product patterns, leading to story truncation. Conversely, the non-repetitive motif composition using the STP system ensures the entire narrative is encapsulated in a single image, preventing any intersection of motifs. Motif development with the STP system draws inspiration mainly from modern sources despite its closer connection to traditional Indonesian art, particularly heroic stories like the epic La Galigo. While developments inspired by heroic narratives, including La Galigo, exist, their visualization remains confined to single-image models. The primary aim of this research is to generate an inspirational motif rooted in Indonesian traditional art, specifically the La Galigo epic. This is achieved through the utilization of the STP system, flat design styling, and repetitive composition or repeated illustration models. Employing an exploratory method, the research culminates in a repetitive motif composition, providing an alternative resolution to the issue of truncated motifs in non-repetitive composition models. The study aspires to contribute significantly to research focused on enriching the application of the STP system in visualizing stories through the manipulation of textile motif compositions.
Analysis photo of the year 2006 Indonesian press photo award based on the three visual layers theory Prasetyo, Andry; Guntur, Guntur; Ajidarma, Seno Gumira; Soewarlan, Santosa
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5521

Abstract

This article aims to analyze the work of the 2016 Indonesian Press Photo Award Photo of the Year entitled "Tinjau Titik Api," using the "Three Visual Layers" theory. Photo of the Year 2016 was chosen because it has the advantage of good visual value and high news value, especially for people in the news. The three visual layers analysis includes optical, cultural, and photographic meaning. The optical aspect is for the non-blind eyes, the cultural aspect includes known visual appearances and unknown visual appearances, and the photographic aspect has a functional appearance, personal appearance, and subjective appearance. The research method is qualitative analysis because its implementation is based on visual analysis to find meaning from photos depicting three figures who are symbols of the strength of the Indonesian state, namely, the President of the Republic of Indonesia, Joko Widodo, TNI Commander General Gatot Nurmantyo, and Chief of the Indonesian National Police General Badarudin Haiti, who is inspecting the location of forest and land fires, in Geronggong Village, Ogan Komering Ilir Regency, South Sumatra. Data analysis involves: Scrutinizing relevant and irrelevant information, reducing data, compiling codes against findings data, and verifying codes as a reference for discussion and conclusion. The research results show that the 2016 Photo of the Year contains meaning that shows the Indonesian government's commitment to dealing with forest and land fires in Sumatra. The photo has advantages in terms of visual value which is reflected in the composition, depth of focus, and expression of the president, and in terms of news value, it is superior in terms of character value, as well as another advantage in the closeness of the photographer to the object of the event.
Unmasking Marlina: psychoanalytic perspectives on women's supremacy and subordination in Indonesian cinema Setiawan, Bayu; Wulandari, Sri; Ridlo, M. Harun Rosyid
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5540

Abstract

This research aims to explore the unconscious motivations and character development portrayed in the film "Marlina, the Murderer in Four Acts" through a psychoanalytic point of view. The objectives include analyzing the visual attributes and emotional states of the character Marlina, categorizing them into complex emotions, and examining the relation between supremacy and subordination along the film storyline. By conducting a detailed visual psychoanalytic approach, integrating psychological theories and visual analysis techniques. Data collection was conducted by observing and interpreting visual attributes such as shot types, camera angles, character actions, and environmental situations in all scenes Marlina portrayed. The findings reveal how Marlina's unconscious emotional states are intricately reciprocal interactions with the male characters. Also about how supremacy and subordination are signified by her resistance against patriarchal oppression in more complex emotional states. The research highlights the method to do psychoanalytic analysis in understanding character emotion and narrative construction in cinematic works, while also focusing on approaches to explore the complexities of human emotion and behavior in film work.
Development of lurik Bayat fabric design for interior elements Purnomo, Agung
Gelar: Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5549

Abstract

This scientific article investigates the evolution of Lurik Bayat fabric, traditionally confined to the clothing industry, aiming to expand its role in the creative industry and enhance community well-being. The research commences with a thorough examination of the current state of Lurik fabric in the Bayat Sub District, encompassing analysis of its design, production processes, and community utilization. In response to the demand for interior applications, a comprehensive mapping of new functions is executed. Data is collected through a multifaceted approach involving observation, literature study, interviews, and documentation, encompassing artifacts and informant perspectives. The design experiment employs a structured approach to formulate and compose Lurik Bayat fabric designs for diverse interior elements, including drapes (curtains), lampshades, table fabrics, pillowcases, and bed covers. The outcomes of this study unveil innovative designs geared towards benefiting Lurik fabric craftspersons and facilitating the integration of the fabric into diverse creative applications beyond its traditional role in clothing. The findings emphasize the potential of Lurik Bayat fabric to contribute to the broader creative industry and improve the overall well-being of the community. The comprehensive exploration of design, production, and application provides valuable insights for practitioners, researchers, and stakeholders interested in advancing the role of traditional fabrics in contemporary creative contexts.
Tri Hita Karana as the foundation for digital game development Saskara, I Putu Adi
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5591

Abstract

This research aims to develop a digital game based on the Tri Hita Karana concept to introduce and instill Balinese cultural values in children. Tri Hita Karana, which includes the harmonious relationship between humans and God (Parahyangan), humans and fellow humans (Pawongan), and humans and nature (Palemahan), is integrated into digital games to teach ethical and moral values. This research uses a qualitative approach with Husserl's phenomenological method, which is designed to explore in-depth information about the feasibility of the Tri Hita Karana concept as a basis for digital game development. Data collection was carried out through in-depth interviews, observation and documentation determined by the purposive sampling method. The research results show that the Tri Hita Karana concept is very relevant and effective as a basis for developing educational digital games. The values contained in Tri Hita Karana can be implemented into game features that encourage players to work together, protect the environment, and develop morality. The game "See Sungai," developed in this research, reflects the three dimensions of Tri Hita Karana, namely Parahyangan, Pawongan, and Palemahan, through various educational and interactive gameplay and narrative elements. It is hoped that the implementation of Tri Hita Karana values in this game can strengthen children's character and increase their awareness of Balinese culture. This research concludes that the development of digital games based on the Tri Hita Karana concept is an innovative solution that can help introduce and preserve Balinese cultural values to the younger generation. These games are not only entertaining but also provide significant educational benefits, making them an effective tool in education and cultural preservation.
Exploring the interplay of psychoacoustic parameters and microphone selection in soundscape recording: a comprehensive review and practical guide Satya, Royys Bagja Rizky; Sukmayadi, Yudi; Narawati, Tati
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5833

Abstract

This research explores the intricate relationship between psychoacoustic parameters and microphone selection for soundscape recording, drawing inspiration from foundational concepts introduced by Schafer and Cage. Motivated by the need to comprehend the influence of psychoacoustic dimensions—specifically frequency, sound intensity, and time—on the choice of microphones for capturing auditory environments, the study adopts Liu and Kang's systematic literature review method. This approach entails a comprehensive analysis of diverse sources to identify knowledge gaps and establish a robust theoretical foundation. The primary aim is to offer practical guidance to professionals and researchers in the field of soundscape recording. Findings underscore the efficacy of a cardioid condenser stereo microphone that aligns with the analyzed psychoacoustic parameters. This study not only contributes to advancing practices in soundscape recording but also deepens our understanding of the intricate dynamics between soundscape, psychoacoustics, and sound recording devices. By recognizing the significance of Liu and Kang's methodology, the research serves as a foundation for future experimental designs and field testing. Acknowledging Liu and Kang's contributions, the study highlights the pivotal role of their systematic literature review method in shaping the research landscape, underscoring the importance of methodological rigor in advancing our understanding of complex auditory phenomena. This research provides a comprehensive overview of the nuanced relationship between psychoacoustic parameters and microphone selection for soundscape recording, contributing to the broader discourse in the field of auditory research. The implications of this research extend to the field of sound environment recording and psychoacoustics, providing a deeper understanding, improving recording quality, developing practical guidelines, encouraging recording technology innovation, and contributing to the field of psychoacoustics.
Environmental graphics in strengthening the branding of Jepara carving city Setiawan, Agus; Khamadi, Khamadi
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5871

Abstract

Various decorative patterns from carving art have become part of Jepara's local culture and wisdom. Cultural identity and traditions are depicted in Jepara ornaments as socio-spatial constructions. By making carved motifs and placing them in various corners of the city, Jepara ornaments become the identity of the city. This research aims to explain the existence of Jepara ornaments as a form of local wisdom of the Jepara people. Creating ornaments to strengthen the identity landmarks of Jepara Carving City and creating a graphic environment based on ornaments to strengthen the city's branding. This research uses descriptive qualitative methods to explain Jepara carving art and a branding approach for environmental graphic analysis. This research produces an environmental graphic design model that uses a system of signs, advertising, typography and landmark ornaments to build the face of Jepara as a carving city.
Social solidarity and cultural preservation: the role of female sekaa gong in Ubud Suharta, I Wayan; In Diana Sari, Ni Luh Desi; Sadguna , I Gde Made Indra
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5913

Abstract

Female Sekaa Gong is a collective of women in Ubud Village who unite to perform Balinese music, transforming individual ideas into a collective vision. This group fosters social relationships and a sense of togetherness among its members. This article explores the intricacies of the Female Sekaa Gong, highlighting its role in preserving traditional Balinese music (Karawitan) and providing feminine aesthetic nuances. The research, conducted through a qualitative interpretive method within a cultural studies paradigm, examines the positionality of the Female Sekaa Gong in social and touristic contexts. Findings indicate a rise in the number of Female Sekaa Gong in Ubud Village, motivated by five key factors: religious emotion, a sense of humiliation, status improvement, actualization of beauty, and the desire to create tourist performances. The Female Sekaa Gong plays several roles in ritual and social activities, including: (1) serving as a ritual complement; (2) building social solidarity; (3) expanding traditional roles; and (4) preserving cultural values. Its presence marks a shift in the social paradigm regarding gender norms in gamelan performance, reflecting a dynamic interplay between tradition and modernity and adapting to contemporary circumstances.
Langke Bulawa Statue in the perspective of review Bada valley site culture Setyawan, Alfan; Yudhanto, Sigied Himawan
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5923

Abstract

This article proposes a model of interpretation of the Langke Bulawa statue based on a theoretical approach based on the cultural sociology theory of naturalism from the perspective of the place and location where the statue is located, namely in the Bada Valley. Cultural sociology can fill the cultural gap in the sociology of art and can provide a method for identifying the linguistic context that surrounds social institutions. The aim is to discuss classical readings of the object by constructing alternatives that do not attempt to decipher symbolic content or show naturalistic representations in the form of sculptural objects. Instead, in Langke Bulawa Statue, the author proposes a theoretical approach that goes beyond the descriptive approach that ultimately provides only a vague interpretation of the Langke Bulawa statue as stelae by considering the statue as an artistic expression of a people with aesthetic norms, conditioned by traditions, resulting in a kind of object form that must try to be found based on the representation of cultural views in Bada Valley, where the physical boundaries between humans and non-humans disappear, to show figures that have the same essence, but merge in one object form, namely the Langke Bulawa statue as a representation of a figure with the only female form where the implications of a sociocultural perspective in this study will contribute to interpreting the Langke Bulawa statue as a potential contribution of cultural sociology research related to megalithic relics in Central Sulawesi Province.

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