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Hasta Wiyata
Published by Universitas Brawijaya
ISSN : 26151200     EISSN : -     DOI : -
Core Subject : Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Social Sciences Other
Hasta Wiyata adalah nama jurnal yang diterbitkan oleh program studi Pendidikan Bahasa dan Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Brawijaya. Kedua istilah tersebut berasal dari bahasa Sanskerta, “hasta” berarti tangan dan “wiyata” berarti pengajaran. Jurnal ini bergerak dalam bidang bahasa, sastra, dan pendidikan. Jurnal Hasta Wiyata memuat hasil penelitian yang inovatif, tulisan ilmiah yang orisinil, refleksi kritis-teoretis, studi literatur, gagasan tertulis, dan artikel konseptual dari berbagai cabang ilmu yang fokus pada kajian bahasa, sastra, dan pendidikan. Jurnal ini terbit dua kali dalam satu tahun, yaitu pada bulan Januari dan Juli.
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Articles 147 Documents
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Exploitation in Angela Carter's The Nights at the Circus: An Ecofeminism Study Honey Cahyono, Helga; Suryani, Suci
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

Exploitation remains a pressing issue today, particularly affecting women, who are often treated as objects of violence and subjected to various forms of exploitation. This phenomenon is also depicted in the character of Fevvers, the female protagonist in Nights at the Circus by Angela Carter, who is portrayed as a half-swan woman enduring exploitation. The aim of this study is to analyze the types of exploitation experienced by the protagonist in the novel. Utilizing qualitative research methods, the study involved data collection and analysis from the text, which included refining and organizing relevant information. The findings reveal that the protagonist has been subjected to exploitation since her adolescence. This underscores how Nights at the Circus not only mirrors the real-world exploitation of women but also highlights its presence in fictional narratives.
The Existence of Personal Values in the Adventure of Dinoko and Dinoki 2022 by Imron W Haris: Child Literary Work Review ALFADLILAH, MUNA; Maftukhan, Muhammad
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

Children understand and respond psychologically to child literary work. In 2022, the researcher scrutinized Imron W. Harits' children's storybook, The Adventure of Dinoko and Dinoki. This English-language storybook has intriguing intrinsic and extrinsic elements, complemented by illustrations of the characters Dinoko and Dinoki. The researcher examines the personal values of each character in this book, which has seven subheadings. The researcher employs a descriptive qualitative research method, utilizing data collection techniques of reading and noting. This process entails reading and observing each subheading, noting the data, classifying the data, and finally entering the data into a data table to streamline data analysis. The research results depict personal values, such as emotions, struggles, friendships, or social and intellectual feelings, thereby serving as a reflection of education for children
Sastra Perjalanan dan Patronase Politik Priayi Jawa: Pembacaan Semiotika Barthes dalam Cariyos Lelampahanipun Purwalelana Rokhim, Mukhammad Nur; Zustiyantoro, Dhoni
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

The Javanese nobility, including regents and non-palace officials, had privileges to access certain colonial areas. In Cariyos Lelampahanipun Purwaelana, Purwaelana's journey through the residential areas of colonial officials and political offices, from Semarang to Batavia, implicitly depicts the lives of the priayi. Although implicit, this work reflects how the author, who received a Western-style education, also enjoyed the political safari facilities in various government offices. This article analyzes expressions that indicate Purwaelana's admiration and accessibility to symbols of political rights through Barthes' semiotic approach. The narratives and quotations reveal that Purwaelana managed to explore the elite residential areas and enter the Dutch colonial legal institutions. This admiration peaked when he visited Batavia and observed the splendour of the governor-general's palace. This experience contrasted with the restricted access experienced by Javanese kings and other regents under Dutch control.
Melintasi Ruang Perbatasan Identitas Chicano Melalui Perspektif Transnasional New Mestiza Consciousness Gloria Anzaldua Nurul Baeti, Sovian Nisa
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

The United States of America roots its national identity to the ideals of the American Dream which admit inclusivity. This has driven a big wave of migration from Mexico which formed the Chicano community. On the other hand, the increasing wave of Mexican immigrants has caused anxiety for previous immigrants (referring to Europeans).  This anxiety encourages the government to form their collective identity based on American Exceptionalism ideology which excludes people of color like Chicano. Those ideas are seen as a form of new colonialism and has led to the formation of the Chicano Literary Movement. This movement aims to merge the Chicano into the national identity of the United States and oppose the partition of typical colonial identities that emerged through the discourse of American Exceptionalism. The efforts made are to reconstruct cultural identity and restore local knowledge of the Chicano community through literary works. Therefore, this study aims to look at the reconstruction of Chicano identity attempted by Chicano writers to escape the construction of colonial identity. Rudolfo Anaya's Bless Me, Ultima and Heart of Aztlan which are the most fundamental Chicano literary works were chosen as the material objects of this study. Meanwhile, the researcher uses Gloria Anzaldua's New Mestiza Consciousness theory to see the formation of transnational identities from both novels. New Mestiza Consciousness is rooted in plural consciousness that recognizes all kinds of contradictions, ambiguities, and deviations to form a hybrid identity by destroying the duality of colonial subjects and objects. The results of this study show that Anaya attempts to present various points of view that represent the Chicano perspective, indigenous communities, and white communities. However, in the actions of his characters, Anaya still sides with indigenous identities. As a result, the Chicano identity formed is exclusive and produces a new binary partition between native and foreign. Therefore, Anaya failed to achieve mestiza consciousness and failed to break away from western (colonial) identity and knowledge.
Penggunaan Cerita Jataka Melalui Platform Digital dalam Pembelajaran di  Sekolah Minggu Buddha Latifah, Latifah
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

In the digital era, the transmission of spiritual values through online platforms has become increasingly vital, particularly in religious education for Buddhist Sunday Schools. Jataka tales, which recount the past lives of the Buddha, hold significant potential for instilling Buddhist values in learners. However, the adaptation and effective delivery of these stories via digital platforms remain underexplored. This study aims to describe and analyze the use of Jataka tales through digital platforms—specifically the YouTube channels Dhamma Metta Jember, Guna Dharma, and SMB Sikkhadama Santibhumi—in the context of Buddhist Sunday School education. Employing a qualitative content analysis approach, the study investigates the types of Jataka tales utilized and the methods of their online delivery. The findings reveal that digital platforms have become instrumental in imparting Buddhist values to children and adolescents through creatively adapted Jataka tales. This research contributes to the development of more relevant religious education strategies in the digital age and highlights the role of literature in character education. In conclusion, classical tales such as the Jataka can serve as powerful tools for moral and ethical development through innovative digital approaches.
DIMENSI KEKUASAAN DALAM NOVEL NEGERI SENJA KARYA SENO GUMIRA AJIDARMA PERSPEKTIF MICHEL FOUCAULT Satriani, Irma
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

This study aims to describe the dimensions of power in the novel Negeri Senja by Seno Gumira Ajidarma. The method used is descriptive qualitative with the technique read, record, classify, and analyze. The Focus of research is the dynamics of power and the influence of this power in the novel Negeri Senja by Seno Gumira Ajidarma. The results research shows that in the novel power and knowledge have a relationship and relevance to each other. Power occurs through relationship and practise that produce knowledge, norms, and subjects so as to influence the dynamics of power in society. This novel depicts the narrative and identity in the Negeri Senja constructed by the rules. Who have power and operate in society. All data is he form of text narrates that power is everywhere, distributes, and manisfested in discourse, knowledge, and the regime of truth. 
KASIH TAK SAMPAI SITI NURBAYA (SITI NURBAYA) DAN LARASATI (BURUNG-BURUNG MANYAR) Saraswati, Ekarini
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

Situasi yang dibahas dalam artikel ini adalah cinta tidak berbalas yang dialami oleh Siti Nurbaya dari novel Siti Nurbayaoleh Marah Rusli dan Larasati dari novel Burung-burung Manyar oleh Y.B. Mangunwijaya. Kedua wanita ini berada dalam keadaan di mana cinta mereka tak bisa terwujud akibat tekanan dari masyarakat, situasi ekonomi-politik, serta faktor lain yang signifikan. Siti Nurbaya terpaksa menikah dengan Datuk Maringgih demi menyelamatkan ayahnya, sementara Larasati tidak bisa bersama dengan Setadewa (Teto) karena perbedaan ideologi politik yang memuncak selama revolusi kemerdekaan Indonesia. Studi ini bertujuan untuk menganalisis bagaimana kasih tak sampai mempengaruhi kehidupan emosional kedua tokoh tersebut serta memahami pengorbanan yang dilakukan karakter-karakter ini dalam menghadapi kenyataan hidup yang menjauhkan mereka dari cinta sejati. Metode yang digunakan dalam makalah ini adalah deskriptif-analitis kualitatif dengan pendekatan sastra. Analisis teks dilakukan terhadap kedua novel untuk mengeksplorasi karakter, konflik, dan perasaan mereka dalam konteks cinta tak berbalas. Secara umum, Siti Nurbaya dan Larasati sama-sama menghadapi ketegangan moral di mana mereka harus mengorbankan cinta demi kepentingan keluarga atau negara. Kegagalan cinta mereka menggambarkan situasi kompleks psikologis dan sosial yang dialami perempuan dalam konteks budaya dan sejarah tertentu.
PEMANFAATAN WAYANG KULIT SEBAGAI PEMBELAJARAN NILAI BUDDHIS DI ERA DIGITAL: LAKON BIMA SUCI OLEH KI PARWANTO lamirin, lamirin
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

Penelitian bertujuan untuk mengeksplorasi integrasi media digital, khususnya YouTube, sebagai platform pertunjukan wayang kulit untuk mengkomunikasikan nilai-nilai Buddhis. Berfokus pada pertunjukan Bima Suci oleh Ki Parwanto, penelitian ini menggunakan pendekatan analisis konten kualitatif untuk memeriksa bagaimana narasi tradisional, pengembangan karakter, dan simbolisme visual menyampaikan ajaran tentang kesadaran, welas asih, dan pencerahan. Temuan penelitian ini mengungkapkan bahwa wayang kulit, sebagai bentuk sastra lisan, secara efektif beradaptasi dengan platform digital, sehingga memungkinkan pertunjukan ini menjangkau audiens yang lebih luas dan melek teknologi, terutama generasi muda. Melalui siaran YouTube, penonton dapat terlibat dalam pertunjukan tidak hanya sebagai penerima pasif, tetapi juga sebagai partisipan aktif melalui interaksi secara real-time. Terlepas dari tantangan seperti hilangnya atmosfer imersif dari pertunjukan langsung dan potensi ancaman terhadap keaslian, penelitian ini menyoroti potensi platform digital untuk melestarikan dan memperluas bentuk-bentuk seni tradisional, memastikan relevansinya dalam konteks pendidikan dan budaya modern. Penelitian ini berkontribusi dalam memahami bagaimana transformasi digital meningkatkan pelestarian budaya dan pendidikan agama melalui pertunjukan tradisional di era digital.
Meningkatkan Keterampilan Regulasi Diri Anak di Era Digital Melalui Pembelajaran Kisah Dabbhapuppha Jataka Merlin, Eka
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

In the digital age, children face great challenges in developing self-regulation skills, which are essential to help them manage their emotions, control impulses, and make wise decisions. Technology that offers instant gratification and pleasure is often an obstacle to the development of patience and self-control. However, on the other hand, the digital era also offers solutions through the delivery of moral stories more effectively and attractively using digital media. One approach that can be used to overcome this challenge is through learning moral stories such as Jataka, which is rich in educational values. The story of Dabbhapuppha Jataka highlights the importance of self-control and wisdom in facing challenges and changes in life. This research aims to identify the moral values in the story of Dabbhapuppha Jataka which can be developed as learning materials to improve self-regulation skills in children in the digital era. The research method used is library research, where various relevant literature is studied to explore the moral values contained in the story. In addition, digital media is also recognized as a potential means to convey the moral message of this story in a more interesting and easy-to-understand way for children. The results of this study show that the moral values of the Dabbhapuppha Jataka story can help children in developing self-regulation, including the ability to control emotions and actions in facing various life challenges in the digital era.
MISI POLITIK SASTRAWAN LEKRA DALAM PERJUANGAN KELAS PEKERJA DI INDONESIA: HISTORIOGRAFI SASTRA INDONESIA PERIODE 1960-AN Fikri, Moh. Fikri Zulfikar; Saryono, Djoko; Syahri, Moch.; Maulana, M. Abidzar
Jurnal Hasta Wiyata Vol. 7 No. III (2024): Jurnal Hasta Wiayata (Edisi Khusus-Seminar Nasional 3 HISKI)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/

Abstract

As a cultural institution that houses various arts and literature activities, the People's Cultural Institute (Lekra) has a strong political mission and ideals. Lekra fought to restore love for native culture and culture originating from the people who have high moral values. The people in question are farmers and laborers who are the source of the birth of Indonesian culture. From there, Lekra fought so that the culture carried by the people, especially farmers and laborers, could remain strong and not just as entertainment, but for the welfare of the working class. For Lekra, all efforts in art and literature are only for the people because art and literature are truly for the people. The purpose of this study is to write the historical discourse of Lekra literary works in carrying out political missions in the struggle of the working class in Indonesia. This study uses a qualitative research type with a historiographic approach. The research data refers to a group of information from reading texts. The data sources for this study are various information in the form of newspaper texts, books, articles, and videos that explain the historical discourse of Lekra's political literary mission. The data collection technique for this study was carried out using reading, note-taking, and document study techniques. The results of this research are that there are three things in the political mission of Lekra writers in the working class struggle in Indonesia: (1) unilateral action by farmers and workers as a source of inspiration, (2) the partisanship of Lekra writers in the working class resistance, and (3) the political mission of raising awareness for farmers and workers.

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