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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

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BENTUK PENYAJIAN TALEMPONG DUDUAKDALAM ACARA BAGARAK DI NAGARI AMPALU, KECAMATAN LAREH SAGO HALABAN, KABUPATEN LIMA PULUH KOTA Nila Suryati Anggini; Marzam Marzam; Syahrel Syahrel
SENDRATASIK UNP Vol 5, No 1 (2016)
Publisher : FBS Universitas Negeri Padang

This article aims to describe the form of presentation talempong duduak event in the village bagarak Ampalu, District Lareh Sago Halaban, Regency Lima Puluh Kota. This type of research is qualitative descriptive approach. The data were collected by library research techniques, observation, interviews and documentationTalempong duduak Ampalu village named talempong malayu nan panjang by Art community consists of 6 pieces talempong tone, oguang and gondang .. As for the songs played that pararakan, gang loban timbang baju Muaro paneh and more varied in its presentation such as rhythm, melody and poetry. Talempong duduak Ampalu village is a traditional music ensemble in which an exchange of position players, the addition and subtraction of players every exchange songs. Songs Muaro paneh presented strophic but at certain moments of melodic chant connect talempong. Songs pararakan and gang loban timbang baju presented with interlocking technique with the pattern of the game each bar is the same and repetitive.

UPAYA MENINGKATKAN MINAT BELAJAR SISWA DALAM PEMBELAJARAN SENI TARI MELALUI MEDIA AUDIO VISUAL PADA KELAS VII/2 SMP NEGERI 1 PAINAN Eggy Hennike Putri; Zora Iriani; Fuji Astuti
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to reveal the increasing interest in student learning towards the learning dance arts through the use of audio-visual media in 7th-grade students SMP Negeri 1 Painan. This type of research was classroom action research. This research was conducted using two cycles; each cycle consisted of planning, implementing, observing, and reflecting. Techniques of data collection were carried out by observation, documentation and test techniques. The data obtained in the study were analyzed using qualitative and quantitative data analysis. Based on the results of the study, it can be concluded that the learning of dance art in 7th-grade students SMP Negeri 1 Painan with Tari Piring (Dance by using glass plate) materials previously experienced a decrease in the value of KKM and learning interest from students. Recommendations from the results of the study where there was an increase in student interest per cycle as much as in the first cycle there was an increase of 28.13% and in the second cycle, there was an increase in interest by 27.03%. Overall, the effect of the teacher's actions using the audiovisual media has been quantitatively increasing at 55.16%. It can be seen that from 21 students who did not achieve the KKM score from the dance activity now there are only 4 students who have not achieved the KKM score, but the value continues to increase from its initial value. The impact of the actions of cultural arts teachers using audio-visual media has increased the attention, desire, and participation of students in participating in learning dance art in 7th-grade students SMP Negeri 1 Painan. Keywords: The Effort, Interest In Learning The Art, Dance, Audio Visual

Penggunaan Kurikulum 2013 Pembelajaran Seni Budaya (Musik) Di SMP Negeri 10 Kerinci Provinsi Jambi Fadel Muhammad Iqbal; Harisnal Hadi
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

This research aims to describe the implementation of the 2013 curriculum on Music Art learning in the 10 Kerinci Junior high school, including soft-skill and hard-skill learning. The study uses theories related to the 2013 curriculum. The type of research used is qualitative research with descriptive methods of analysis. The object of this study was the study of musical art in class VIII SMP Negeri 10 kerinches on the Semetereven school year 2019/2020. Research instruments are self-research, namely in AIDS with the instruments of notebooks and observations with the technique of collecting observation data, interviews and library studies. The results showed that the teachers were able to music art of junior high School 10 Kerinci has been able to spread the concept of soft-skills and hard-skills well in the learning of music art in class VIII. As a BETUK application of the 2013 curriculum that succeeded characters, but does not overlook the purpose of learning knowledge and skills. Based on the results of the study, explained that whether or not the use of the curriculum 2013 and accompanying teaching devices, depends on the teacher's personal, especially in good faith and its codifying in explaining a curriculum. The 2013 curriculum which is based on soft-skill and hard-skill, will be successful or not, not because the curriculum are less precise or great, to the extent that the teacher understands with the intent of the 2013 curriculum that is involved in learning in the classroom.

Analisis Gerak Tari Ulu Ambek Di Nagari Sintuk Kecamatan Sintuk Toboh Gadang Kabupaten Padang Pariaman: Aspek Ruang, Waktu, Dan Tenaga Nilam Permata Sari; Darmawati Darmawati
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang

This article aims to reveal and describe the form of motion analysis of Ulu Ambek dance in Nagari Sintuk subdistrict Sintuk Toboh Gadang District Padang Pariaman Judging by aspects of space, time, and energy. This type of research is qualitative research with a descriptive method. The main instrument in this research is its own researchers and assisted with supporting instruments such as mobile stationery and digital cameras. The data types in this study are primary data and secondary data. Data collection techniques are conducted by means of interviews, observations and documentation. The steps in analyzing data are data collection, data reduction, data presentation and withdrawal of conclusions. The results showed that Tari Ulu Ambek is a tradition art that at present is only shown as a form of the sylladance of the community between Nagari in Pariaman. The motion of Tari Ulu Ambek is 1) The motion of the Harvest, (2) The motion of the past (attacking), (3) Motion of Ambek (repelling), (4) The motion of Tigo, (5) The motion of Anggua, (6) Movements of the Tari Ulu Ambek has motion analysis based on space, time, and energy aspects. Although the movement is not structured neatly, but it can still be seen the aspect of space, time, and energy from Ulu Ambek dance.

PERSEPSI MASYARAKAT TERHADAP PERTUNJUKAN ORGAN TUNGGAL MALAM HARI DALAM ACARA PERNIKAHAN DI TEBO Wulan Larasaty; Marzam Marzam; Syeilendra Syeilendra
SENDRATASIK UNP Vol 2, No 1 (2013): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract The purpose of thisd research is examine the perception of the society towards the evening keyboard show (organ tunggal) held at a wedding party. This research was a descriptive qualitative one. The data were collected through an observasion, interviews, a library based research, photographs, and reconrdings. The result of this research showed that the society in general had a positive perception towards the show including the keyboardist and the party hlder. Tha show is regarded as free and fun entertainment which provides a place for the youth to garher and a side job for the keyboardist or the singer to do however. Negative perception towards the show was raised among people enganged in religious parties and the society figures. For them, the evening keyboard show is not a goog deed to watch, it is an evil thing indeed. Kata kunci : persepsi, masyarakat, organ tunggal, pernikahan

MINAT SISWA TERHADAP SENI TARI DALAM KEGIATAN PENGEMBANGAN DIRI DI SMP N 1 TEMPULING DESA SUNGAI SALAK KECAMATAN TEMPULING RIAU Helfira Helfira; Fuji Astuti; Indrayuda Indrayuda
SENDRATASIK UNP Vol 6, No 1 (2017)
Publisher : FBS Universitas Negeri Padang

AbstractThis research aims at finding out and describing students interests in danding, one of the extracurricular activities offered at SMPN 1 Tempuling Desa Sungai Salak Kecamatan Tempuling Riau. Descriptive approach was applied in this qualitative study. The objects were 15 students of the dancing class. Data were obtained from documentation, interview, and observation. They were analyzed by using the presentation analysis technique as proposed by Sudjana.This research was conducted on November-Desember of 2016. From the observation of the students activity, 3 indicators were used. They were willingness, attention, and participation. The instrument included 6 statements about the students willingness, 9 statements related to their attention, and 5 statements about their participation. Whether they did or not do what was described in the statement was analyzed in this research. The research result shows that from meeting I to meeting VI, the students score was 51,9 %. It is the average category.Keywords: interest, dance, extracurricular

PEMBELAJARAN ANSAMBEL MUSIK DI SMA NEGERI 1 PAINAN Enggi Maihendra Ikhlas; Esy Maestro; Tulus Handra Kadir
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

ABSTRACTThis study aims to describe the implementation of learning musical ensemble in 9th grade students of IIS 3 at SMA 1 Painan. This type of research is qualitative research that uses descriptive methods. The object of this study was the students of grade XI IIS 1, amount of students are 34 students who were attending cultural arts learning that contained music learning with music ensemble material at SMA 1 Painan.Based on the results of research, researcher found in the field, it can be explained that the learning of musical ensembles at SMA Negeri 1 Painan has an implementation process which is not in accordance with the lesson plan used by the teacher in the classroom. The incopability of the implementation in class room caused by several reasons expressed by the teacher, they are the Lesson Plan was made by other parties and lack of musical instruments at schools so students need to provide their own musical instruments. Even though, the result of learning in grade XI IIS 1 runs well. Students are taught to be able to arrange a simple musical ensembles independently. Students are also required to be able to work together and be active in groups to discuss and think creatively as the government's goals about character building for students. Keywords: Learning, Music ensemble

Analisis Gerak Dan Karakter Tari Kain Di Pauah V Kecamatan Pauah Kota Padang Mila Septiana Putri; Nerosti Nerosti
SENDRATASIK UNP Vol 9, No 4 (2020)
Publisher : FBS Universitas Negeri Padang

This study aims to analyze the variety of movements and characters of Kain Dance in Pauh V, Pauh district, Padang city. This isa qualitative research using a descriptive analysis method. The object of the research wasKain Dance in Pauh V, Pauh district, Padang city.This research focused on the analysis of movements and characters. The data were collected through observation, interview, and documentation. The data analysis was conducted in the form of description, and the data were validated by using triangulation technique by comparing the observation data to the data from interview and documentation. The results of the study generally show that Kain dance is a traditional art performed in batagak gala event in Pauh V, Pauh district, Padang City. Kain dance is danced by 2 men, who face to face perform eight kinds of movements: salam pembuka, sambah, gantuang sabalah, rantak tigo, malapia, mailak, kalatiak, mangepo. The floor pattern of Kain dance is a straight line pattern, and the dancers always face each other from the beginning to the end of the dance.The dominant movement is the silat movement in the form of a defensive attack with the characteristic of Rantak Tigomotion. The analysis found in the movement of Kain Dance can be seen from the elements of motion: energy, space, and time. The quality of strong motions with the use of powerful movement intensity is carried out at a fast tempo.This dance is accompanied by a large volume of movement depicting the character of a man who is dashing and temperament. The temperament character contained in Kain Dance is expressed in the attack and block movements. The music which accompanies Kain Dance is two mancak drums. Kain dance is performed at the groom's house in front of the aisle at night in a day before the wedding party. The dancers wear black shirt, endong pants, deta for a headband, and sasampiang attached to the dancer's waist.

STUDI TERHADAP ADANYA DUA VERSI RENTAK KUDO UNTUK ACARA PERNIKAHAN DI DESA RAWANG Boyke Bobbi Andreas; Tulus Handra Kadir; Marzam Marzam
SENDRATASIK UNP Vol 2, No 1 (2013): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract This research aimed to show the cause of the appearance two versions of art Rentak Kudo for wedding celebration in Rawang village. Method of research is qualitative. The collecting data : 1) Literature study 2) Observation 3) interview 4) Documentation 5) Photography. The analysis of data classified by using Primer Data and Sekunder Data, after separated then arranged sistematically. The result of research got that there are two versions of Rentak Kudo because the change os sense of community between each of Rentak Kudo versions have their own supporter. The appearance of the new Rentak Kudo because of the old Rentak kudo did not have standard entertain qualified of community nowadays. Kata Kunci: Studi, Rentak Kudo, Pesta Pernikahan,Rawang

KEBERADAAN TARI PISAU DI DESA SUNGAI BAUNG KECAMATAN RAWAS ULU KABUPATEN MUSI RAWAS UTARA Asih Elida Parastu; Desfiarni Desfiarni; Fuji Astuti
SENDRATASIK UNP Vol 6, No 2 (2017)
Publisher : FBS Universitas Negeri Padang

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Hengki Armez Hidayat

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Home Page

OAI Link

Editorial Team

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Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

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Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA