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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

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DESKRIPSI POLA RITEM TAGANING PENGIRING LAGU-LAGU POP BATAK TOBA DI LAPO TUAK DI KECAMATAN KOTO TANGAH KOTA PADANG Atmadi Simanullang; Jagar Lumban Toruan; Tulus Handra Kadir
SENDRATASIK UNP Vol 1, No 1 (2012): Seri A
Publisher : FBS Universitas Negeri Padang

The proposes of this research to (1) describe pattern Rythme Taganing as follower as as pop Batak Toba in tuak shop in sub district koto tangah in padang. The problem of this research is to describe pattern Rhythm Taganing as follow as song in tuak shop. (2) the type of this research is qualitative that used descriptive the technique of collecting data are taken from library research, transerpt, observasion, interview, taking picture, recording data in field research. (3) the result of this research is Taganing as instrument that used in tuak shop in pasir parupuk tabing. The other instrument were guitar, hasapi. The song played are Anak Medan, Boru Pangoaran, Patik Palimaon. The pattern is Taganing is followed with song Rythme that played. The function of rhythm to crea nice condition at playing song in tuak shop. Keywords: Rhythm Pattern, Toba Batak people, taganing, Lapo Tuak

Bentuk Penyajian Gordang Sambilan Pada Upacara Pesta Pernikahan Di Kelurahan Kota Siantar Kecamatan Panyabungan Kota Kabupaten Mandailing Natal Rafsanjani Rafsanjani; Marzam Marzam
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to describe the presentation form of Gordang Sambilan at wedding ceremony in the village of Kota Siantar, Panyabungan Kota district, Mandailing Natal Regency. This research belongs to a qualitative research using descriptive method. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as stationery and cameras. The data were collected through literature study, observation, interview, and documentation. The data were analyzed by describing and concluding the data. The results show that Gordang Sambilan is a traditional art from Mandailing land, North Sumatra, in the form of a mixed tradition ansamble band played by twelve to fourteen male players. Gordang Sambilan is performed on the arena stage where people watching the show surround the group of Gordang Sambilan who are performing. The main musical instrument of this art is Gordang Sambilan which is nine large drums played by being hit by using sticks. In addition, there are other supporting instruments namely ogung, salempong, tali sasayap, saleot, and flute. Gordang Sambilan was once believed to have supernatural or magical power and was used as a medium to ask for help to the spirits of ancestors and jinn on various problems faced by society. In the past, gordang art performances could only be played at Horja Bolon wedding(traditional ceremonies of massive wedding parties). However, nowdays it is freely performed or played serving as entertainment for the People of Mandailing. It can be openly witnessed and performed aiming solely to preserve Mandailing's original culture or art and to keep Gordang Sambilan alive. It is still played and not extinct in the middle of increasingly modern era.

PELAKSANAAN EKSTRAKURIKULER DI SMP N 1 PAYAKUMBUH Wina Priyanti; Jagar Lumban Toruan; Yos Sudarman
SENDRATASIK UNP Vol 3, No 2 (2014): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract The research was about the implementation of extracurricular activities at SMP N 1 Payakumbuh. The problem in the research was the fact thet students’ achievements in their curricular and in their extracurricular activities were unbalance. The research aimed at describing the implementation of extracurricular activities at SMP N 1 Payakumbuh. The design of the research was qualitative using descriptive analysis method. Students’ achievement in extracurricular activities was an efford done to maintain the good reputation of the school. Yet, there were problem faced by the students such as the decreasing of the result in few subjects. Thus, it was concluded that extracurricular activities at SMP N 1 Payakumbuh was demanded as one school with a good reputation. Keyword: implementation, extracurricular, reputation, Payakumbuh

PENGGUNAAN METODE DRILL DALAM PELAKSANAAN PEMBELAJARAN MUSIK DAERAH DI SMP N 18 PADANG Silvia Merlin; Syeilendra Syeilendra; Erfan Erfan
SENDRATASIK UNP Vol 6, No 1 (2017)
Publisher : FBS Universitas Negeri Padang

AbstractThis research aims to describe the use of drilling method in teaching local music for 7th grade studens at SMP 8 Padang. Each learning activity consists of three meetings. The instruments of this research were the researcher herself as the observer, interview guidance and documents. The type of this research is qualitative research. The object were all students in class VII-1. The data were collected and analyzed based on the problem of the research. The research result shows that drilling method used in Cakdindin song has a significant effect toward improving the student’s ability. The learning activities were done in several phases in order to train the students and show a good learning result. Drilling method can give a new learning experience and can improve the student’s ability. Keywords: Drilling Method, Talempong Pacik, Cakdindin

Analisis Musik Musette In D Major Karya Johann Sebastian Bach Febriyan, Tyo; Sudarman, Yos
SENDRATASIK UNP Vol 8, No 2 (2019): Seri B Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106753

AbstractThis study aims to determine the musical structure of the Musette song in D Major by Johann Bach. This type of research was analysis content (content analysis) that displayed three conditions, namely: objectivity, systematic, and generalization. Objectivity was efforts to capture the nature (empirical) of an object that was being studied in a way that did not depend on any facilities from the subject that investigated it. The main instrument in this study was the researcher. Techniques of Data collection were carried out by taking literature study and observation. The steps in analyzing data were identifying the rhythm, melody and counter, as well as presenting data. The result of this study reveals the work of Musette in D Major by Johann Sebastian Bach that has a ternary part song form which is consisting of three periods. In each period, there are two phrases namely, the antecedent and the consequent phrases. In this work art, there is tonal counterparts element. Johann Sebastian Bach's Musette in D Major is a simple form of work art.Keywords: Musette In D Major, Analysis, Johann Sebastian Bach

Meningkatkan Hasil Belajar Siswa Dengan Menggunakan Model Pembelajaran Cooperative Learning Tipe Make A Match Dalam Pembelajaran Tari Di SMK Negeri 3 Padang Pebrina Sapitri; Indrayuda Indrayuda; Fuji Astuti
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

This article aims to describe and explain about the learning outcomes of students in class X of SMK 3 Padang by using Cooperative Learning model, Type Make a Match. This type of research is Classroom Action Resarch. This research was conducted in 2 cycles, three meetings for first cycle and two meetings for second cycle. At the end of the cycle the students were given a test. For collecting the data, the witer used field notes, documentation and written tests. The analysis of learning activities calculated by percentage. Learning activities for students involved during the learning. The result of the study shows that using the Make a Match type with Cooperative Learning model can be used to help students in learning activities in Cultural Arts subject, especially dancing at SMK 3 Padang. Student learning outcomes in cycle II are more increase than the learning outcomes of cycle I. The first cycle was proved that the learning outcomes of class X BDP students in the first cycle got an average score of 65.71 with the criteria "Enough". The second cycle with an average score of 86.16 can be categorized as "Good". It can be concluded that there was an improvement in using The learning outcomes used the Make A Match type with Cooperative Learning model and the target was reached successfully.

MENINGKATKAN MINAT SISWA MELALUI PEMILIHAN MATERI GERAK TARI SMA NEGERI 4 PADANG Melisa Maya Sari; Yuliasma Yuliasma; Fuji Astuti
SENDRATASIK UNP Vol 2, No 2 (2013): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract Purpose of this research was to reveal the relation of movement selection as intructional materials in accordance with the student’s character with the interest of male students in learning to dance. Data were collected by using qualitative methods, in which the research produced written or oral information from the people, and observing their behavior. Research finding showed that suffle dance moves as material selection which has assertive, strong, and firmly can increase the interest of male students. It can be proved that at the last meeting the students’ want achieved 68.2 %, students’ attention 27.3 % and students’ participation 77.3 %. It can be said that whenever the material selection is in accordance with the learners’ characteristics, therefore, it will give good achievement.

Pemusik Jalanan Studi Deskriptif Pemusik Jalanan Di Daerah Pulai Lubuk Minturun Kota Padang Wirvan Andika; Esy Maestro
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to find and describe Rian's activities as one of the street musicians in Padang City. This type of research is Qualitative Research. The main instruments in the study were researchers themselves and assisted with supporting instruments such as stationery, recording devices and cameras. Data collection techniques are carried out by observation, interview, library study and documentation. The steps to analyze the data are to collect data and describe the data and draw conclusions. The results showed that there are still many lay people who think street musicians or worshippers are interfering with comfort and even being indifferent to them. Street musicians or performers are a profession run by art actors or art workers who display and sell their talents to the public. They're not beggars or anything like that. They are the perpetrators of art who are on the streets, they are arguably disadvantaged because of weak economic factors and forcing them to express themselves on the streets. They should get better treatment and apresization from society in general, because there are still many people who have talent and are very much worthy of our appreciation, because with the appreciation that we give can support their lives

Keberadaan Tari Satai di Pulau Tengah Kecamatan Keliling Danau Kabupaten Kerinci Dini Noviza; Darmawati Darmawati; Susmiarti Susmiarti
SENDRATASIK UNP Vol 4, No 1 (2015)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal and describe the Satai dance presence in Pulau Tengah, Sub-Regency Keliling Danau, Kerinci Regency. The research is a qualitative research by used analysis descriptive method. The object of research is the Satai dance on Pulau Tengah society. Instrument in this study is the researchers themselves. The type of data used are primary data and secondary data. The data collection techniques performed through the study of literature, direct observation and interviews. Data were analyzed using analysis model of Miles and Huberman. Results of the study found that the Satai dance still encountered in society of Pulau Tengah. Pulau Tengah Society have a high attention to the growth and development of the Satai dance, after is not shown in the ritual of starting reinforcements, in the early 2000s the artists of Pulau Tengah raised Satai dance be welcoming guests. In 2014 the Satai dance changes such as the addition of motion, musical instruments, increasing the number of properties (Carano) and dancers. After changing the function of a means of treatment in the ritual of starting reinforcements become a means of entertainment or spectacle, Satai dance still exist and this proved that Satai dance is always performed in a welcoming ceremony important guests who come to the village of Pulau Tengah in certain events, such as in the race village , appointment depati ninik Mamak, library race, religious gatherings, inauguration of the village head and others. Each year Satai dance is always performed, at least 2 times a year. In the years 2011 to 2015 Satai dance has been shown 10 times. Keyword: Keberadaan, Tari, Satai

TARI PIRIANG BATOGHANG DI NAGARI KOTO BARU KECAMATAN KOTO BARU KABUPATEN DHARMASRAYA DITINJAU DARI ASPEK KOREOGRAFI Indah Fajar Wati; Herlinda Mansyur; Nerosti Nerosti
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article aims to reveal and describe the choreography of Piriang Batoghang dance in the dance class of Kajang Lako, Nagari Koto Baru Dharmasraya regency. This research was qualitative research with descriptive method. The object of this research was Piriang Batoghang dance in the dance class of Kajang Lako, Nagari Koto Baru, Dharmasraya regency. The instrument in this study was the researcher itself, and the types of data were primary and secondary data. The technique of data collection was done by documents study, observation, interview and documentation. The results showed that the form of the choreography of Piriang Batoghang dance was in the form of group choreography pattern and it used composition of large groups. This was a kind of dance that prioritized cooperation and raised the idea of Koto Baru’s community who generally work as farmers and solid when they work. Piriang Batoghang dance used floor patterns, the design of straight and curved lines. Piriang Batoghang dance has 10 top designs namely flat, within, vertical, horizontal, contrast, pure, static, straight, curved, and angles designs. The dance costumes were inspired from daily costume of society who goes to rice fields to harvest rice which have been modified. Keywords: Piriang Batoghang Dance

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Hengki Armez Hidayat

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Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

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Sumatera barat

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

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Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

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Abstract

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA