Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

Jurnal Sendratasik

sendratasik
Website

Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

67 68 69 70 71

Analisis Teknik Permainan Gitar Klasik Karya Frederich Chopin: Nocturne In E-Flat Major Op.9 No.2 Muhammad Ibrahim; Tulus Handra Kadir
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to determine how the song nocturne in e-flat major op 9 no 2 by Fredrich Chopin is technically expressed through the classical guitar playing by Francisco Tarrega. This research is descriptive analysis, which in this case describes, outlines and describes the technique of playing nocturne in e-flat major op 9 no 2 which is played for classical guitar instruments. The object of this research is the classical guitar playing technique in nocturne in e-flat major op 9 no 2 by Frederich Chopin. The research instrument is the researcher himself is assisted by several equipment to process the data. The type of data used is primary data and secondary data. The steps to analyze the data were done by using interview, observation and documentation techniques. The data are organized and interpreted as finding material to answer research problems. The results showed that the techniques used in the classical guitar song nocturne in e-flat major op 9 no 2, namely arpeggio, legato, slur, glissando, barre, harmonic, appoggiatura, and trill. Tarrega replaced techniques that can also be played on guitar such as upper mordent, group peto, and staccato with slur techniques, and glissando, then condensed the rhythmic tone with a 1/32 note. The substitution of this technique is due to organological reasons, where the piano has a soft pedal and a damper pedal that can maintain the tone, while this is not possible on a guitar. The difference in the use of playing techniques or more precisely the adjustment of the playing technique of this work using classical guitar gives different nuances to its expression, namely sharp, deep, sad, mellow, firm, fast, free, bright, broad nuances on the piano. While the guitar creates a soft, gentle, broad, crowded, fast feel.

Pelaksanaan Pembelajaran Band Di Kelas XI Jurusan Seni Musik Populer SMK Negeri 7 Padang Farlino Tanjung, Vadrick; Yensharti, Yensharti
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to describe the implementation of Band learning in class XI students of the Department of Art Popular Music at SMK Negeri 7 Padang. This type of research is a qualitative descriptive study, with the object of research namely Band learning in class XI students of the Department of Art Popular Music at SMK Negeri 7 Padang. The main instrument in this study was the researcher himself, assisted by supporting instruments in the form of notebooks and mobile phones. Data collection techniques were carried out through library research, observation, interviews, and documentation. The analysis technique is through the steps of data reduction, data presentation, analysis, and concluding. Based on the results of the study, it was found that Band learning in class XI of the Department of Art Popular Music was not running optimally, due to the lack of seriousness of students in carrying out the tasks given by the teacher, even though the implementation of learning carried out by the teacher was following the Learning Implementation Plan (RPP). Factors that cause Band learning are not optimal because students do not have personal instruments, limited lesson hours during the pandemic, and lack of student motivation.

Urgensi Penerapan Metode Long Tone Bagi Mahasiswa Mayor Instrumen Trombone Di Prodi Pendidikan Musik Universitas Negeri Padang Ario Susanto; Erfan Erfan; Ardipal Ardipal; Agung Dwi Putra
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

The purpose of this study was to describe the urgency of applying the long tone method in producing sound colour for trombone major students. The research method used is descriptive qualitative. Researchers found 7 categorizations, namely: the application of the long tone method is very influential for the trombonist, the benefits of the long tone method for the trombonist, the improvement of the ability to play the Trombone for the trombonist by applying the long tone method, the effect of the application of the long tone method on the ambasir, the facilities and infrastructure needed in the application of the long tone method, the allocation of time needed during practice to apply the long tone method well, and the obstacles to implementing long tone exercises. The application of the long tone method is an important part of the formation of a quality sound colour and must be carried out consistently, regularly, and with a commitment by the trombone students of Universitas Negeri Padang.

Pelatihan Talempong Kreasi Di Sanggar Saandiko Bukittinggi Demillah Diti Salsabil; Harisnal Hadi
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to determine and describe how the creation of talempong training at Sanggar Saandiko Bukittinggi. The type of research conducted is qualitative research, with the object of research being members of Sanggar Saandiko Bukittinggi. The data collected in this study were in the form of written data, interviews, and observations. The results showed that the target of talempong creation training was at Sanggar Saandiko, so it can be concluded that in the training process the trainers managed to provide good training using the lecture method, demonstration method, and practice method/ drill. To achieve the goal of producing and developing creative talent, of course, to be even better, the trainer continues to provide a training process for studio members so that the abilities obtained continue to increase.

Pengaruh Metode Penugasan Terhadap Hasil Belajar Tari Siswa Di Kelas VII SMPN 21 Batanghari Provinsi Jambi Rikeu Farhah; Susmiarti Susmiarti
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This research proposes a formulation of the problem that is "How does the effect of assignment methods on the results of dance learning in Class VII SMPN 21 Batanghari Jambi Province". So that the purpose of the research is to prove and explain that the use of assignment methods affects the results of dance learning in Class VII of SMPN 21 Batanghari Jambi Province. This type and approach of research is quantitatively short-shortening quasi-experiments, with research designs that only control the test results at the end (posttest only control of design). The research population was in all students of class VII of State Junior High School 21 Batanghari which amounted to 121 students. The sample was in two classes, in 30 class VII-B, called The Experiment Class and 30 VII-C students, called the Control class. A simple sample cluster sampling is the sampling technique. After the test was conducted, it was known that the average test score of the end test of the experimental class and the control class before being tested and the t-test was 84.00 versus 80.50. After these two average scores were tested again using the t-Test formula in SPPS v16 at a degree of freedom of 29 and alpha level of 0.05%, it was found that the t-count value = 3,672. If this t-count value is cooled by the t-table as listed in Table T, the t-table value is 1.69913. This means that the t-count value is greater than the t-table. Test results stated H1 was accepted, and H0 was rejected. The conclusion is that the application of assignment methods affects the difference in learning outcomes to be higher in dance learning in Class VII SMPN 21 Batanghari Jambi Province.

Keberadaan Tari Antan Bagonto Di Kecamatan Pulau Punjung Kabupaten Dharmasraya Eliza Permata Sary; Fuji Astuti
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This research aims to reveal and describe the Existence of the Antan Bagonto Dance in the Punjung Island District of Dharmasraya Regency. This type of research is a type of qualitative research with descriptive methods. The data collection techniques used are literature studies, observations, interviews and documentation. Data collection techniques are carried out by employing Library Studies, Observations, and Interviews. The steps of data analysis are data collection, analyzing data and making conclusions. The results of the study showed the Existence of Antan Bagonto Dance in Punjung Island Subdistrict as seen from the periodization per year. The study looked at 5 periodizations ranging from 1957-1982, 1983-2014, in 2015, 2016-2018 and 2019. The causative factors of the ups and downs of Antan Bagonto Dance are the entry of the development of science and technology, Band, and also pandemics.

Koreografi Tari Zapin Bertasbih Pada Sanggar Tasik Malay Art Di Pekanbaru Yose Fernando; Herlinda Mansyur
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This research aims to analyze Zapin Bertasbih Dance Choreography in Sanggar Tasik Malay Art Pekanbaru. This type of research is qualitative research with descriptive methods of analysis. The research instrument is the researchers own and is assisted by supporting instruments such as stationery and cameras. Primary data types and secondary data. Data collection techniques are carried out by employing library studies, observations, interviews and documentation. The steps to analyze the data are to describe, interpret and draw conclusions. The results showed that Zapin Bertasbih dance choreography performed by choreographer Tri Sisca Noviani is a new dance creation worked with a choreographic approach. Zapin Bertasbih Dance Choreography can be seen in Form and Content. In the form motion, there are 15 kinds of motion, floor patterns in the form of vertical, horizontal, diagonal and zigzag, the composition of groups in the form of simultaneous and split, dancers (6 people), wearing Malay costumes, dance accompaniment by wearing gambus, accordion, flute, darbuka, marwas and tambur, property using tasbih. In content, among them the idea that arises from taking things done by Muslims in performing worship practices to the creator by using tasbih as his property. The atmosphere that appears in Zapin Dance is peaceful, joyful and calm. Therefore, Zapin Bertasbih Dance is worked on with choreographic planning by his stylist. Because Zapin Bertasbih Dance begins with an idea that departs from Zapin Melayu itself where Zapin Melayu underlies the creation of Zapin Bertasbih. The source of Garapan from Zapin Bertasbih is some movements from Zapin Melayu, namely the movement of worship, Middle Dizziness, Broken Chicks and the Movement of Meniti batang. Then worked by the stylist and arranged movements that have been created into a new form of dance. In content, among them the idea that arises from taking things done by Muslims in performing worship practices to the creator by using tasbih as his property.

Perubahan Tari Makan Sirih Ke Tari Persembahan Melayu Riau Di Kota Pekanbaru Provinsi Riau Cut Bunga Maharani Nazlen; Darmawati Darmawati
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to analyze the changes in the Riau Makan Sirih Melayu Dance which are focused on changing the form of the dance. This type of research is qualitative research with a descriptive analysis method with the object of research namely Riau Malay dance. The main instrument of this research is the researcher himself making direct observations in the field and assisted by supporting instruments such as; stationery, digital cameras, tape recorders, CD cassettes, and flash drives. Data collection techniques were carried out through literature study, observation, interviews, and documentation. Data analysis techniques are carried out by reducing data, presenting data, and drawing conclusions. The results showed that the change of the Makan Sirih Dance into the Riau Persembahan Melayu Dance consisted of a change in the name and the form of presentation.

Bentuk Penyajian Tari Puti Bungo Api Sanggar Mandugo Ombak Di Kelurahan Ibuh, Kecamatan Payakumbuh Barat Kota Payakumbuh Sucy Zulmaiza; Nerosti Nerosti
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to analyze and describe the form of presentation of Puti Bungo Api Dance in the Mandugo Ombak Studio in Ibuh Village, Payakumbuh Barat District, and Payakumbuh City. This type of research is qualitative with a descriptive method. The object of research is Puti Bungo Api Dance, Mandugo Ombak Studio, Ibuh Village, West Payakumbuh District, Payakumbuh City with primary and secondary data types. Data collection techniques were carried out using library research, field observations, interviews, and documentation. All this data can be analyzed and accounted for. From the research conducted, it was found; that uniqueness; some conditions that must be owned by a dancer; the meaning of movement; floor pattern; the musical instrument used; makeup and costumes; property; the time and place of the performance.

Fungsi Musik Kalinong Dalam Kegiatan Memanen Padi Di Rantau Panjang Kelurahan Mampun Kabupaten Merangin Provinsi Jambi Romi Afriansah; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 11, No 1 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to determine and describe how the function of Kalinong music in rice harvesting activities in Rantau Panjang, Mampun Village, Merangin Regency, Jambi Province. This type of research is a qualitative research using descriptive analysis method. The research instrument is the researcher himself and uses several tools such as writing instruments and cellphones. Data collection techniques were carried out by means of observation, interviews, literature studies and documentation. The steps in analyzing the data are collecting data, describing the data and concluding the data. The results showed that kalinong music in rice harvesting activities had three functions, namely: (1) the function of emotional expression, (2) the function of aesthetic enjoyment and (3) the function of entertainment. In the rice harvesting activity, kalinong music is played by two women, one as vocals and the other playing kalinong. Kalinong music games are still used by the people in Rantau Panjang in traditional events and traditional activities there, such as silek/silat martial arts and rice harvesting activities accompanied by kalinong music. Kalinong music is also preserved and passed down to their children and grandchildren so that Kalinong music is not lost by the times.

Page 69 of 82 | Total Record : 820

67 68 69 70 71

Filter by Year

2012 2024

Filter By Issues

All Issue Vol 13, No 4 (2024): (in progress) Vol 13, No 3 (2024) Vol 13, No 2 (2024) Vol 13, No 1 (2024) Vol 12, No 4 (2023) Vol 12, No 3 (2023) Vol 12, No 2 (2023) Vol 12, No 1 (2023): (In Progress) Vol 12, No 1 (2023) Vol 11, No 4 (2022) Vol 11, No 3 (2022) Vol 11, No 2 (2022) Vol 11, No 1 (2022) Vol 10, No 4 (2021) Vol 10, No 3 (2021) Vol 10, No 2 (2021) Vol 10, No 1 (2021) Vol 8, No 4 (2020): Seri A Juni 2020 Vol 9, No 4 (2020) Vol 9, No 3 (2020) Vol 9, No 2 (2020) Vol 9, No 1 (2020) Vol 8, No 2 (2019): Seri B Desember 2019 Vol 8, No 2 (2019): Seri A Desember 2019 Vol 8, No 1 (2019): Seri D. September 2019 Vol 8, No 1 (2019): Seri E. September 2019 Vol 8, No 1 (2019): Seri A. September 2019 Vol 8, No 1 (2019): Seri C. September 2019 Vol 7, No 4 (2019): Seri A. Juni 2019 Vol 7, No 3 (2019): Seri D. Maret 2019 Vol 7, No 3 (2019): Seri E. Maret 2019 Vol 8, No 4 (2019) Vol 8, No 3 (2019) Vol 8, No 2 (2019) Vol 8, No 1 (2019) Vol 7, No 4 (2018) Vol 7, No 3 (2018) Vol 7, No 2 (2018) Vol 7, No 1 (2018) Vol 6, No 2 (2017) Vol 6, No 1 (2017) Vol 5, No 2 (2016) Vol 5, No 1 (2016) Vol 4, No 2 (2015) Vol 4, No 1 (2015) Vol 3, No 3 (2014): Seri A Vol 3, No 2 (2014): Seri B Vol 3, No 2 (2014): Seri A Vol 3, No 1 (2014): Seri A Vol 2, No 3 (2013): Seri B Vol 2, No 3 (2013): Seri A Vol 2, No 2 (2013): Seri A Vol 2, No 2 (2013): Seri B Vol 2, No 1 (2013): Seri E Vol 2, No 1 (2013): Seri C Vol 2, No 1 (2013): Seri D Vol 2, No 1 (2013): Seri A Vol 2, No 1 (2013): Seri B Vol 1, No 1 (2012): Seri C Vol 1, No 1 (2012): Seri B Vol 1, No 1 (2012): Seri A More Issue

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA