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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

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Bentuk Penyajian Tari Hari Langsung Sebagai Tari Kreasi Masyarakat Kota Pekanbaru Rahayu Febri Armi; Herlinda Mansyur
SENDRATASIK UNP Vol 11, No 2 (2022)
Publisher : FBS Universitas Negeri Padang

This research aims to describe and reveal the form of presentation of Tari Hari Lansung as a Dance Creation of Pekanbaru City Community. This type of research is qualitative using descriptive methods. Research instruments are researchers themselves and are assisted by supporting instruments such as stationery, cameras and mobile phones. This type of data uses primary data and secondary data. Data collection techniques are carried out by means of literature studies, observations, interviews and documentation. The steps of analyzing data are collecting data, describing data and inferring data. The results showed that Hari Langsung dance is a creation dance that tells the traditional procession of Riau Malay marriage, although this dance has to do with the traditional procession of marriage, but does not show the marriage in general. This Tari Hari Lansung there are 5 procession, namely arak-arak an, silat, doorstop, reciprocated pantun and side by side. This Tari Hari Lansung is danced in groups with 12 male dancers. The properties used in The Direct Day dance are kompang, turmeric rice, umbrella, uncang, selayar, wedding edit, doorstop cloth. Costume dancers of Hari Langsung Dance using the caged bay brackets, the head uses kopiah given a brooch as an accecoris, and uses malay songket cloth. Musical instruments used are compang, acordion, violin, gambus, long drum and vocals.

Pelaksanaan Pembelajaran Musik Ansambel Di Kelas X-2 SMA Negeri 1 Tilatang Kamang Saidul Ihsan; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 11, No 2 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to determine how the implementation of learning in class X-2 SMA Negeri 1 Tilatang Kamang in arts and culture subjects using ensemble music material with Minangkabau songs. The type of research is qualitative research with a descriptive analysis approach and makes the researcher the main instrument in this research. To analyze the data, data collection, data reduction, data display and conclusion were drawn. The results showed that the process of implementing ensemble music learning in class X-2 SMA Negeri 1 Tialatang Kamang, was considered quite efficient due to complete facilities and students' willingness to learn well and try new things. In the implementation of learning is divided into 3 parts, namely, planning the teacher before carrying out learning activities, implementing practical learning activities, and evaluating the results of student training. The introduction of Minangkabau songs is done by using sheet music and with the direction of the teacher using the demonstration method.

Pengaruh Kontribusi Kemandirian Belajar Terhadap Hasil Belajar Seni Tari Siswa Kelas X SMA Negeri 2 Padang Husnul Khotimah; Fuji Astuti
SENDRATASIK UNP Vol 11, No 2 (2022)
Publisher : FBS Universitas Negeri Padang

This study tries to find out what the contribution of students' independence in learning to dance is. This type of research is quantitative research, data is collected and processed using statistical formulas. The population of this quantitative research is class X SMA Negeri 2 Padang students who are registered for the 2020-2021 school year. Data were collected using a learning independence questionnaire and an (objective) test of dance learning outcomes. Before the data was analyzed, the data analysis requirements for normality and homogeneity were first tested. Further testing of the determinants was carried out to determine the contribution of independence in dance learning. The results showed that learning independence contributed 39.69% to the dance learning outcomes of class X 2 high school students and the rest (60.31%) was influenced by other factors. Based on the results of data analysis, it can be concluded that the independence of learning dance has a significant effect on the learning outcomes of dance.

Analisis Tingkat Kesukaran Soal Ujian Tengah Semester Genap Seni Budaya Kelas X Di SMA Negeri 1 Kecamatan Guguak Kabupaten Lima Puluh Kota Siti Yulia Amona; Yos Sudarman
SENDRATASIK UNP Vol 11, No 2 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to describe the quality of the questions according to the level of difficulty in the even mid-semester examinations for class X Arts and Culture at SMAN 1, Guguak Lima Puluh Kota District. This type of research is descriptive quantitative research. Subjects in the study were taken as many as 50 student answer sheets. In this study, the results of the analysis of the difficulty level of the even mid-semester test for class X Arts and Culture, Guguak 1 District, which consisted of 11 questions were questions number 2, 8, 11, 12, 13, 20, 24, 27, 28, 30, 33, with a percentage 27.5% is expressed by the difficulty index. While 29 questions on numbers 1, 3, 4, 5, 6, 7, 9, 10, 14, 15, 16, 17, 18, 19, 21, 22, 23, 25, 26, 29, 31, 32, 34 , 35, 36, 37, 38, 39, 40, with a percentage of 72.5%. And it was concluded that the difficulty level of the mid-semester test of class X Arts and Culture of SMA Negeri 1 Guguak was not of good quality.

Sistem Manajemen Seni Pertunjukan Sanggar Seni Sabai Nan Aluih Di Kurao Pagang Kota Padang Ledy Sintia; Afifah Asriati
SENDRATASIK UNP Vol 11, No 2 (2022)
Publisher : FBS Universitas Negeri Padang

This research aims to explain and describe the Art Galeri Sabai Nan Aluih Performing Arts Management System in Kurao Pagang Kota Padang. This type of research is qualitative research using descriptive methods. The instruments in this study were researchers themselves using supporting instruments such as stationery and cameras. The types of data used are primary data and secondary data. The data collection techniques used in this study are literature studies, observations, interviews and documentation. The data analysis techniques used in this study use data reduction activities, presentation of data and concluding/verification. The results of this study show that Sanggar Seni Sabai Nan Aluih has a single leadership management system. Its implementation is assisted by the sovereignty of the core dancers. Art Galeri Sabai Nan Aluih's performance arts management system rests on project management, marketing management and financial management. The project management of Art Galeri Sabai Nan Aluih adjusts to the demand for performances from consumers, in addition to Art Galeri also having dance provisions displayed at each event. To produce dance works includes factors of production such as material materials, capital, labour, equipment and information.

Musik Gendang Lima Sendalanen Dulu Dan Sekarang Dalam Konteks Upacara Kematian Obet Julpriadi Perangin Angin; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 11, No 2 (2022)
Publisher : FBS Universitas Negeri Padang

This study discusses the changes in the music of the Gendang Lima Sendalanen, and the role and function of the Gendang Lima Sendalanen itself in the death ceremony. This study aims to find out how Gendang Lima Sendalanen was and is now in the death ceremony. This type of research is qualitative research using qualitative descriptive methods. Data collection techniques were carried out using observation, interviews, documentation and literature study. Data analysis was carried out by collecting data, identifying, classifying, describing, analyzing and concluding the data. The results of this study indicate that there is a change in the presentation of the Sendalanen Five Drums which used to use five sandalwood drums, now uses a keyboard, which occurs and cannot be avoided in this modern era. Change does not change the culture itself because it is flexible, which changes only small things so that it does not change the culture.

Praktik Ketubuhan Silek Dalam Silek Galombang Binuang Sati Dan Tari Pasambahan Syofyani Shindi Lara Sati; Rustim Rustim; Ediwar Ediwar
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal the practice of silek in the formation of the performing arts of Silek Galombang Binuang Sati and Syofyani's Pasambahan Dance as well as the silek body that is presented in the two performing arts. This research is expected to add references and knowledge about traditional dances that grow and develop in the archipelago, and can find the role of Silek in a performance. The discussion is focused on embodiment analysis which emphasizes on performance or often known as a performance-centered approach. Embodiment includes the body of the performer involved in the performing arts. The results of the study show that overall the two performances have different bodily experiences, even though they come from the same body (embodiment).

Makna Tari Inai Dalam Prosesi Malam Berinai Pada Adat Perkawinan Masyarakat Desa Teluk Majelis Kecamatan Kuala Jambi Nurul Annisa Syafwan; Indrayuda Indrayuda
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This research is viewed from the meaning of dance about Tari Inai in the Malam berinai procession at the marriage custom of the Teluk Majelis village community, Kuala Jambi district. This type of research is qualitative and uses descriptive methods. The research instrument is the researcher himself and is assisted by supporting tools such as stationery and camera. By using literature study, observation, interviews and documentation is expected to collect the required information. Technique Source triangulation technique is a technique used to ensure the validity of this data. To analyze the data requires steps such as data collection, data presentation and drawing conclusions. The results showed that the Tari Inai is one of the traditional wedding ceremony processions of the East Malay ethnic group in Tanjung Jabung Timur. The meaning of the Tari Inai is as a night of giving blessings to the bride and groom who will lead a new life, as a night for a large family gathering, as a night to introduce the groom to the entire big family of the bride, and as a night of expressing welcome to the groom. who has entered the ranks of the bride's extended family. Tari Inai is also interpreted as a symbol of the willingness of both parents and family members to let go of the bachelors of their sons and daughters.

Teknik Bowing dalam Pembelajaran Praktek Instrumen Mayor (Gesek) di Prodi Pendidikan Musik Departemen Sendratasik UNP Fela Vio Mimanda; Yensharti Yensharti
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

This study aims to explain the benefits orof thetechnique usesbowing in the practice course of major stringed instruments in the Music Education Study Program, Department of Drama, Faculty of Language and Arts, Padang State University. This type of research is qualitative with descriptive analysis method. The research instrument is the researcher himself. The object of research istechnique bowing in learning major string instruments 1 and 3 in music education study program FBS UNP. The research subjects were students of major string instruments 1 and 3, lecturers of major stringed instruments. Data collection techniques through literature study, observation, interviews and documentation. Data analysis techniques are data reduction, data presentation, and drawing conclusions. The results showed that the use of the Whole Bow (WB) had not been maximized because the strength of the index finger was not strong enough to push the swipe straighter or not controlled. The use of legato has not maximized the results because it has not been able to share the swipe as much because the strength on the index finger is not strong enough to control the swipe. The use of staccato has not maximized the results because a weak index finger in pushing the swipe and a stiff wrist cause friction to be less balanced. The use of spiccato has not maximized the results because the strength of the index finger that is not strong enough to push the friction causes the short length of friction to be less controlled to produce a shorter friction than the staccato. The use of legato staccato has not maximized the results because weak index strength and stiff wrists make friction not evenly distributed and staccato friction is less than optimal. The use of legato spiccato has not maximized the results because it is less able to produce a friction sound that is shorter than staccato due to the weak force on the index finger pushing the bow both up (Up Bow) and down (Down Bow).

Serdam Sebagai Alat Musik Tiup Bambu Lampung Barat: Kajian Organologi Uswatul Hakim; Ayuthia Mayang Sari; Hengki Armez Hidayat
SENDRATASIK UNP Vol 11, No 3 (2022)
Publisher : FBS Universitas Negeri Padang

Serdam is an artistic product in the form of a wind instrument, the only one in West Lampung and made of bamboo. Serdam is usually used to accompany oral literary vocals such as muayak, hahadoh, hahiwang and dance music along with other traditional Lampung musical instruments. The bamboo used for the manufacture of Serdam is bamboo of the type of bamban and is often found in the plantations of the people of West Lampung. The purpose of this study is to describe the physical form, tools and materials, the process of making Serdam, sound source and tone system and how to play the Serdam. Serdam has many physical similarities to bamboo wind instruments from other regions, but Serdam has a distinctive blowing technique and tone. The research method used is the descriptive qualitative research method. The data obtained from this study with data collection methods by observation, interviews and documentation studies. The results of this study indicate that the Serdam wind instrument is made of bamboo bamban which is often found in the plantations of the people of West Lampung. Serdam has a shape like a long tube that has four melody holes and one blow hole. This musical instrument still uses a traditional manufacturing process to this day. Serdam as the only wind instrument originating from West Lampung has many organological peculiarities that are not yet known by the supporting community.

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Hengki Armez Hidayat

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Sumatera barat

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA