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GETER : Jurnal Seni Drama, Tari dan Musik
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 26552205     DOI : -
Core Subject : Art,
Arts
Jurnal Gétér adalah Jurnal Seni Pertunjukan yang mewadahi pikiran kritis dan akademis melalui berbagai pendekatan maupun perspektif.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 189 Documents
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Sedulur Papat as the Source of the Creation of the Dance Work "DEG" Kinasih, Nadiya; Prihantoro, Wahyu; Wahyudianto; Windrowati, Trinil; Muzaqqi, Ahmad
GETER : Jurnal Seni Drama, Tari dan Musik Vol 7 No 2 (2024): Oktober 2024
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v7n2.p41-51

Abstract

This dance work explores the concept of deg, which metaphorically represents the human heartbeat as a response to surprising stimuli. The focus lies on external stimuli that evoke profound reactions, reflecting a broader interpretation of Javanese philosophy. The creation delves into the concept of "Let me go," which is transformed into the four human elements: supiyah, aluuwamah, mutmainah, and amarah. These elements embody human desires and are rooted in the philosophy of seddulur papat lima pancer. The choreography employs a creative method inspired by the creator's empirical experiences, blending principles of East Javanese, Malangan, and Surabayan dance movements. The work expresses the philosophical and existential values of human nature through the selection of movements, floor patterns, and the integration of artistic elements such as music, lighting, and props. The atmosphere is built intentionally to align with the underlying themes and to highlight the philosophical essence of the human experience. This creation aims to contribute to the evolution of dance performances by interpreting and modernizing traditional philosophies. It offers a fresh perspective on regional dance idioms, employing innovative movement choices and floor designs to inspire new dance compositions. By bridging traditional elements with contemporary interpretation, the work seeks to enrich the discourse on dance as a medium for reflecting human existence and cultural identity.
A Empirical Experience as an Idea of Creating Performing Arts Can Be Used as Self-Introspection, Self-Relaxation, and Self-Reflection for the Audience Iin, Iin Suminar
GETER : Jurnal Seni Drama, Tari dan Musik Vol 7 No 2 (2024): Oktober 2024
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v7n2.p75-84

Abstract

Life is filled with experiences that leave lasting impressions—joyful, sorrowful, or challenging moments that shape an individual’s perspective and are often worth sharing. These empirical experiences, derived from personal encounters, observations, or narratives, can serve as valuable principles for others. This study explores how such experiences can inspire the creation of performing arts, aiming to transform personal realities into engaging and meaningful artistic expressions. By drawing on empirical experiences, performing arts can become a medium for introspection, relaxation, and self-reflection, offering both creators and audiences opportunities for deeper emotional and intellectual engagement. Using a qualitative approach, this research gathers data through interviews and documentation of performance works that utilize empirical experiences as creative inspiration. The findings reveal that performances rooted in real-life experiences not only generate new knowledge but also provide therapeutic benefits for the artists, enabling them to process and release personal anxieties. This transformation of anxiety into knowledge highlights the dual role of performing arts as both a creative and an educational tool. Moreover, the study emphasizes the significance of empirical experiences in producing authentic and impactful performances that resonate with audiences, fostering shared understanding and emotional connections. This research underscores the importance of integrating empirical experiences into artistic creation, demonstrating their potential to enrich the performing arts with authenticity, introspection, and cultural relevance, while contributing to the artist’s personal growth and societal knowledge dissemination.
Ciblon: Media for Socialization of Children in Pengging Village Ismail S, Pramudito; Setyono, Budi
GETER : Jurnal Seni Drama, Tari dan Musik Vol 7 No 2 (2024): Oktober 2024
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v7n2.p63-74

Abstract

This research explores the unique cultural activity of ciblon, where children in Pengging Village produce rhythmic sounds by skillfully playing with water. This practice, deeply ingrained in their daily lives, serves as both a playful activity and a medium for cultural expression. The study aims to examine the process of children engaging in ciblon, identify the musical elements and techniques involved, and analyze how this activity facilitates socialization among participants. Using a qualitative approach with a social framework based on socialization theory, data were collected through observation, interviews, and documentation, followed by systematic analysis. The findings reveal that ciblon not only embodies intricate rhythmic structures created through water and hand movements but also serves as a dynamic space for fostering communication, collaboration, and the transmission of cultural values. By intertwining play, music, and social interaction, ciblon contributes to the development of social skills and strengthens community bonds, highlighting its significance as both a cultural heritage and an educational tool for shaping the social and cultural fabric of Pengging Village.
BUDMERGO: MUSIC VIBRATION CONDUCTING DEVICE FOR THE HEARING IMPAIRED Wrahatnala, Bondet; Aji Manggala, Bondan; Sri Kuncoro, Jonet; Kapri, Riana; Nurhadi, Muhamad; Arya Pradipta, Dana Adi; Budiyanto, Agus; El Java, Joi
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p89-98

Abstract

This article examines performing arts technology in the form of a musical vibration delivery device called Budmergo for deaf people. This activity optimizes the work of the Budmergo tool as an expression tool in the context of intermedia performance art activities. As a result, it hopes to involve deaf people in art performances according to their characteristics and realize a creative space for art that favors their unique abilities and needs. This activity is based on the mindset that each individual can absorb and internalize the phenomena around them through different means and media while also expressing them independently in art. The general objective of this activity is to conduct an art technology study of the Budmergo tool to (1) find knowledge, methods, and art media that can optimize the art activities of deaf people, (2) evaluate the technology of the Budmergo tool (3) socio-psychologically be able to raise the dignity of deaf people, considering that the participatory art creation model is full of human values with participant involvement,  and (4) get recommendations for the development of unique art performance technology for deaf people.  
Keroncong Ambyaran”: Inovasi dalam Pembawaan Keroncong oleh Keroncong Syahdu di Semarang Khoiruddin, Nur Faqih Imam; Abdul Rachman, S.Pd, M.Pd
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p56-67

Abstract

Keroncong music, as one of Indonesia's cultural heritages, is often considered outdated by the younger generation. However, the development of contemporary music presents opportunities to revitalize this genre. This article explores the innovation of "Keroncong Tapi Ambyaran," a new approach to presenting keroncong that blends traditional musical elements with the theme of heartbreak (ambyar) characteristic of today's youth. This study employs a qualitative method through in-depth interviews with modern keroncong musicians and analysis of musical works. The findings indicate that this approach successfully captures the interest of young people through the use of relatable lyrics, fresh arrangements, and collaborations with musicians across genres. Furthermore, social media plays a significant role in disseminating and popularizing this concept. The study concludes that "Keroncong Tapi Ambyaran" not only preserves the traditional values of keroncong but also makes it relevant to the younger generation, paving the way for the sustainability of keroncong music in the modern era.
INTERPRETASI SIMBOLIK APAY SEBAGAI PROSES INISIASI MASYARAKAT TUBABA MELALUI PERTUNJUKAN TIKEW: CIRCLE OF LIFE Zefanya, Arsya Putri; Isa Ansari, Isa Ansari
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p27-45

Abstract

Tikew is one of plants that gorws on swampy areas, in Tulang Bawang Barat, Tiyuh Gedung Ratu. One of the products made form Tikew is Apay, which is part of the local wisdom of the Tubaba community and is used in daily life. The implementation of Apay as an initiation maker of daily life in the Tubaba community is directly related to the philosophy they call "Hidup Tikew Mati Tikew". This research aims to explain the symbolic interpretation of Apay as an initiation process in the lives of Tubaba community through the performance art titled of "Tikew: Circle of Life". This leads to several research questions; Why Tikew considered to philosophy of Tubaba's community life that is implemented through Apay? How is Tikew and Apay implemented as symbols in the performance art? And, what is the relationship between Apay and the performance in the initiation process of Tubaba community's life?. The research method employed is descriptive qualitative, who aims to participant observation and interviews. The approach underlying this research is the Symbolic Interpretivism Theory of Clifford Geertz. The finding of this study reveal the symbolic meaning of Apay as a marker of social change and as an initiatory sign of the life processes of the Tubaba community.
Proses Kreatif Klaras Reggae band dalam mencipta lagu KAmpung Rawa pradityatama, ega
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p16-26

Abstract

The journal entitled "The Creative Process of Klaras Reggae band in creating the song Kampung Rawa" began with the author's interest that arose after watching the performance and listening to songs from Klaras Reggae. This interest arises because the music played by Klaras Reggae feels comfortable, the result of the combination of the Rock and Reggae genres. Music that attracts attention because it is different from other Reggae bands in Klaten. Klaras Reggae is a music group that has just started its career in Klaten Regency, but has managed to create its musical character. This musical character then became the identity of their creativity to this day. This study uses a qualitative method to reveal the results descriptively. The data used in this study consists of two types: primary data, which is data obtained directly from the original source, and secondary data, which is data obtained through indirect sources, such as through other people or documents. There are several studies using Rhodes' concept of the four "P's" contained in Utami Munandar in his book entitled Creativity and Talent. The values of Klaras Reggae's creativity in creating songs are analyzed by looking at elements (1) personal, (2) process, (3) driving factors (press), and (4) results. The results of this study show that Klaras Reggae has different ideas in creating the song Kampung Rawa. Through the Rocksteady genre, they want to highlight a strong musical character, which results from a mature musical concept. This musical character is the reason why Klaras Reggae always gets positive appreciation from its listeners.
Palang Yudho Dance in the Study of Symbolic Meanings Aristawati, Rahma; Dwi Sasanadjati, M.Hum., Jajuk
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p78-88

Abstract

This article aims to analyze the meaning of the symbols contained in several elements in a dance work that represents the wealth of local culture. Palang Yudho dance is based on Dongkrek art which also contains elements of pencak silat, so it can be said that this dance successfully collaborates two local arts inherent in Madiun Regency. The urgency of this research lies in the effort to preserve regional culture whose values can be a source of inspiration. However, in reality, many artists today are starting to forget this aspect. Thus, this research is expected to remind the importance of maintaining cultural values. This research uses qualitative methods with data collection techniques through observation, interviews, and document studies which are then analyzed using Sumandiyo's symbol theory which states that dance as a cultural product is a symbol system used by humans to understand themselves, their environment, and social interactions. The results showed that Palang Yudho Dance contains cultural symbols that reflect the values of protection, safety, and identity of the Madiun people expressed through movements, costumes, music, and properties used. This research emphasizes the importance of preserving local culture as part of regional identity. In addition to contributing to cultural studies, the results of this research are also expected to be a reference for artists and academics in efforts to preserve and develop traditional arts in Indonesia.
ESTETIKA TARI SANDUR RONGGO BUDOYO TUBAN PADA ACARA SEDEKAH BUMI OLEH SISWA SMP NEGERI 3 TUBAN saputra, joko; yanuartuti, Setyo; sabri, indar; Juwariyah, Anik
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p1-15

Abstract

This study discusses the aesthetics of the Sandur Ronggo Budoyo Tuban Dance in the performance of the earth alms event by students of SMPN 3 Tuban. The Sandur dance is one of the traditional dances of the intangible cultural heritage of Tuban regency which has aesthetic value, beauty of movement, and symbolic meaning. This research aims to analyze the aesthetic elements contained in the dance, including aspects of movement, accompanying music, costumes, and expression abilities that represent cultural identity by the santur dancers, providing added value in maintaining and introducing local culture to the younger generation. This study uses a qualitative method with direct observation and interviews with art actors, dance coaches, dancers and performance documentation. The performance of SMPN 3 Tuban students succeeded in displaying the beauty and uniqueness of the Sandur Ronggo Budoyo Dance. The values contained include the values of ethics, please help and tolerance
Proses Kreatif Mahasiswa dalam Menulis Naskah dan Mementaskan Drama di Unit Kegiatan Mahasiswa Teater Oksigen Universitas Muhammadiyah Jember: Proses Kreatif Mahasiswa dalam Menulis Naskah dan Mementaskan Drama di Unit Kegiatan Mahasiswa Teater Oksigen Universitas Muhammadiyah Jember Anita, giskameditaputri; anggraeni, Dr. Astri Widyaruli; Citraningrum, Dina Merdeka
GETER : Jurnal Seni Drama, Tari dan Musik Vol 8 No 1 (2025): April 2025
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/geter.v8n1.p46-55

Abstract

This study aims to analyze the creative process of students in writing scripts and performing dramas at the Oksigen Theater Student Activity Unit (UKM) of the Muhammadiyah University of Jember. This study highlights the process of writing scripts, drama practice, drama performance days and reflections. The research method used is descriptive qualitative. The data source comes from Oksigen Theater UKM students who are experienced in performing drama performances. The data analyzed is the creative process of Oksigen students in performing drama performances. The author collected data using structured interview techniques, selected observations and documentation. The results of the study indicate that the creative process of Oksigen Theater UKM involves two stages, namely scriptwriting and the performance process. The scriptwriting process begins with in-depth research, field surveys, and refinement through script analysis. In performing a performance, it is necessary to practice with several stages and preparation for the performance and end with reflection. The creative process carried out by Oksigen Theater UKM students is relevant to be a reference in the process of presenting drama performances.  

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