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INDONESIA
Pangkaja: Jurnal Agama Hindu
Published by Institut Hindu Dharma Negeri Denpasar
ISSN : 14127474     EISSN : 26232510     DOI : -
Core Subject : Religion, Education, Social,
Religion Education Social Sciences
Pangkaja: Jurnal Agama Hindu dengan No ISSN 1412-7474 dan e-ISSN 2623-2510 yang dikeluarkan oleh LIPI dikelola oleh Pascasarjana Institut Hindu Dharma Negeri Denpasar dan diterbitkan oleh IHDN Denpasar Jurnal Pangkaja adalah media untuk mempublikasikan hasil penelitian yang berkaitan dengan berbagai masalah Agama, Sosial dan Budaya Hindu yang semakin kompleks dewasa ini seiring perkembangan globalisasi. Jurnal ini terbit dua kali dalam setahun yakni pada bulan Maret dan September. Fokus Jurnal Pangkaja : Agama Hindu, Sosial dan Budaya Hindu
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 153 Documents
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Sakralitas Pawiwahan Hindu: Analisis Teologi Seksual Suda, Gede
PANGKAJA: JURNAL AGAMA HINDU Vol 23, No 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v23i1.1908

Abstract

God is the creator of this world and its contents, he also regulates the system of life and death, he is the almighty, with the power of all living things can develop and have instincts to have offspring, as well as humans as one of His creatures, then, sexual relations are as a form of human activity that is natural has been embedded since birth. Naturally everything is created mutually in pairs, Rwa Bhineda, complementary, bivalence is God's will and sex constitutes the relationship between women and men, is the implementation of His will. Sex is the most foundational foundation of the continuity of human existence. With human sex it will continue to exist. Therefore sex is a sacred dimension of human life. Apart from being sacred, sex is also a sacred act of mankind to give birth to offspring, a process of creation, which combines masculine and feminine cosmic principles. Sex that is said to be sacred and sacred must go through several stages, such as marriage, and practice the teachings of the holy vedas, so that later from the results of a sacred marriage and sacred sex rituals, undoubtedly can give birth to children who are supernatural, besides, sex is also a means ritual for as self-union with God. 
REFLEKSI DAN DEKONSTRUKSI TEORI OPOSISI BINER DALAM TRADISI HINDU MASYARAKAT BALI Sandiyasa, I Ketut
PANGKAJA: JURNAL AGAMA HINDU Vol 21, No 1 (2018)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v21i1.544

Abstract

The background of this paper is to see the reflection and deconstruction of binary opposition theory in socio-religious Balinese society, considering the Balinese is known as a religious, aesthetic, and creative. Aim of this paper is to see the application of critical theories such as binary opposition theory, the decontruction of binary opposition in society, especially the people of Bali. In the reli- gious terminology, the binary opposition is called rwa bhineda, sekala-niskala, purusa-pradana, and linga-yoni. The Balinese acknowledged the contradictory opposition but did not denial. But the Balinese deconstruct the opposition with the same degree of recognition and for the realization of harmony. This unification is reflected in various Hindu traditions such as Usabha Kaulu and Daa Malom dance in Ngis village. Such reflection and decontruction prove the Balinese with local action and global thinking.
UPACARA NGABEN WARGA PANYUWUNGAN DI DESA ABIANBASE KABUPATEN GIANYAR Ambarnuari, Mery
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 2 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i2.1685

Abstract

Ngaben ceremony is the cremation for return the physical, soul, and the atman to the initially. Bali has many tradition, and the tradition not always same at the diverent village. The diverent make some tradition so unique, one of the unique tradition is the Ngaben ceremony of Panyuwungan clan at the Abianbase village in Gianyar regency. Based on the data analysis, can be found a fact that Ngaben ceremony are share by three part, the first part is preceremony (determine the best day for doing the ngaben ceremony, prepare the medium, ritual offerings, and pabersihan procession); the second part is the realization of Ngaben ceremony (ngaskara ceremony, ngupadesa ceremony, the cremation, and pengiriman ceremony); The third part is post Ngaben ceremony (pecaruan ceremony).The fungsion of the Ngaben ceremony Panyuwungan clan at Abianbase village is the cultural Fungsion, consist of: social fungtion, economy fungtion, language fungtion, the art fungtion, and religion fungtion.The meaning of the Ngaben ceremony Panyuwungan clan at Abianbase village was teology meaning, eskatology meaning, and soteriology meaning.
KONSEP VIRAT VIDYÄ€ DALAM TEKS TUTUR BHUWANA MAREKA Adnyana, Ida Bagus Putu; Redi, I Wayan; Sena, I Gusti Made Widya
PANGKAJA: JURNAL AGAMA HINDU Vol 24, No 2 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v24i2.2598

Abstract

Teks Tutur Bhuwana Mareka merupakan teks lontar yang bernuansa Siwaistik dan kental akan ajaran Tattwa. Pemilihan teks ini sebagai objek kajian penelitian didasarkan pada kenyataan bahwa teks ini memuat ajaran Virat Vidyā atau Kosmologi Hindu. Rumusan masalah yang dikemukakan dalam penelitian ini berkaitan dengan konsep Virat Vidyā yang terdapat dalam teks Tutur Bhuwana Mareka yang terdiri dari tiga konsep pembahasan yaitu proses penciptaan (uttpti), pemeliharaan (stiti), dan peleburan (pralina). Proses penciptaan (uttpti) alam semesta dalam teks Tutur Bhuwana Mareka berawal dalam keadaan alam semesta yang sangat sunyi dan hampa, tidak ada satu ciptaan pun yang tampak oleh mata, yang ada hanyalah alam sunyi yang disebut hning sunya nirbhana. Intisari atau esensi dari hning sunya nirbhana ini adalah Sang Hyang Nora. Setelah Sang Hyang Nora hadir maka mulailah transformasi atau evolusi penciptaan alam semesta. Dari Sang Hyang Nora lahir Sang Hyang Mareka Jati sebagai entitas tertinggi yang menjadi cikal-bakal terjadinya penciptaan alam semesta melalui evolusi yoga-Nya. Kemudian terjadilah proses pemeliharaan (stiti) alam semesta yang berlandaskan pada konsep dasar Tri Sakti yang meliputi pikiran (idep), nafas (bayu) dan suara (sabda). Serta yang terakhir adalah proses peleburan (pralina) alam semesta yang menganut konsep Śiwa Lingga. Konsep ini menghendaki adanya proses penciptaan alam semesta yang dilakukan oleh Sang Hyang Mareka Jati, pada hakikatnya akan kembali lagi kepada Beliau sebagai entitas tertinggi yang menciptakan alam semesta. 
ESKATOLOGI DALAM FILSAFAT HINDU: EKSPOSISI DAN RELEVANSINYA BAGI PEMIKIRAN KONTEMPORER Fungky, Widiana
PANGKAJA: JURNAL AGAMA HINDU Vol 23, No 2 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v23i2.2078

Abstract

Manusia memiliki pikiran yang digunakan untuk memikirkan kehidupannya, entah itu tentang dirinya, alam semesta, ataupun tentang Tuhan. Mereka memiliki pikiran sangat liar yang menyebabkan ia memiliki pandangan bahwa seluruh dunia adalah seluas pikirannya. Karena pikirannya yang selalu berkeliaran sehingga ia tidak mampu untuk berkonsentrasi. Mereka memandang bahwa ada kehidupan lain selain dunia yang jadi tempat ia berpijak atau biasa disebut dengan dunia spiritual. Hal ini terjadi karena adanya keyakinan bahwa manusia mengakui akan keberadaan jiwa yang substan. Jiwa bersifat kekal dan abadi, sedangkan tubuh hanya sebagai perantara sementara. Manusia menganggap bahwa jiwa yang telah meninggalkan tubuhnya akan menempati dunia yang baru dengan kehidupan yang baru, sering disebut dengan surga dan neraka. Manusia lainnya menganggap surga dan neraka adalah suatu kondisi dimana jiwa-jiwa menempati ruang-ruang yang berbeda. Dengan demikian terdapat banyak pemahaman yang berbeda mengenai surga dan neraka ini, maka penulis berusaha memberikan pemahaman mengenai surga dan neraka dalam filsafat Hindu dan relevansinya bagi pemikiran kontemporer. 
Perayaan Sarasvati sebagai Pemuliaan Pengetahuan Surada, I Made
PANGKAJA: JURNAL AGAMA HINDU Vol 22, No 1 (2019)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v22i1.1667

Abstract

Sarasvati is the name one of the personifications Ida Sang Hyang Widhi Wasa as ruler of science. Sarasvati as a symbol of awareness and enlightenment has taken root and entrenched in Indonesian, manifested in various forms of religious activities, including ceremonies and ceremonies. The worship of Dewi Sarasvat means to worship and support the knowledge of high values and knowledge. Science and understanding are the most powerful weapons to drive away ignorance. Sarasvatī is like a torchbearer for Hindus, freeing Hindus from the darkness of mind, grief, anger which is the cause of misery. The meaning of the celebration of Sarasvatī, the worship of Ida Sang Hyang Widhi Wasa as Goddess Sarasvatī, as symbol of awareness and enlightenment, and shows that people who are Hindus are eager for science. Worshiping Dewi Sarasvatī means worshiping and upholding the value of science and wisdom.
EDUKASI TRI HITA KARANA DALAM PERTUNJUKAN DRAMA GONG PENOPANG KEBERLANJUTAN BUDAYA BALI Sugita, I Wayan
PANGKAJA: JURNAL AGAMA HINDU Vol 24, No 2 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v24i2.2505

Abstract

Karya ilmiah ini bertujuan membahas edukasi Tri Hita Karana (THK) dalam pertunjukan drama gong era society 5.0 dan maknanya bagi keberlanjutan budaya Bali. Makalah ilmiah ini merupakan hasil penelitian kualitatif yang datanya dikumpulkan melalui observasi, studi dokumentasi dan wawancara mendalam terhadap pelaku seni dan wakil penonton drama gong, serta pemerhati seni-budaya Bali. Analisa deskriptif kualitatif dilakukan dengan menerapkan teori semiotika, teori interasionisme simbolik, dan teori tindakan sosial (Bourdeau). Hasil penelitian menunjukkan: Pertama, model drama gong inovatif, antara lain terwakili oleh kisah “Jayaprana” diyangkan Bali TV (2020/2021), serta “Ni Diah Tantri” dan “Cupak Madeg Ratu” ditayangkan TVRI Bali (2021). Drama gong dengan menyampaikan edukasi Tri Hita Karana (THK) dimaksudkan agar penggemarnya  menjadi masyarakat pintar sesuai era 5.0, mampu mewujudkan kehidupan yang harmonis: antara manusia dengan Tuhan (parahyangan), manusia dengan sesamanya (pawongan), dan manusia dengan alam (palemahan). Kedua, edukasi THK melalui pertunjukan drama gong memiliki makna dalam memperkuat tradisi dan menopang keberlanjutan budaya masyarakat Hindu Bali.
METANARASI SEKS DALAM MAHANIRWANA TANTRA Suda, Gede; Donder, I Ketut; Widiana, I Gusti Putu Gede
PANGKAJA: JURNAL AGAMA HINDU Vol 24, No 1 (2021)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v24i1.2178

Abstract

Sex is a part of life, and even becomes an important part of survival, so that sex is used as a symbol of the cosmos, apart from that, sex is also divided into two, first, the need for procreation, and second, for recreational needs, this is where the problem is when sex it is only used as a recreational need, for the sake of pleasure alone, and to indulge in excessive lust for lack of proper knowledge of sex itself. So, Mahanirwana Tantra is present as a middle way to provide metanarations, that sex is considered to be very extraordinary, more than just sexual intercourse or lust, but a union of energies from two different universal elements, purusha and prakerti. The view of sex in mahanirvana tantra is to be able to provide truth and straighten out general views on the narrative of sex itself, as well as the correct view of the real sexual relationship. Tantra connects sex with God to see the primal origin of humans, those who do not know their origins certainly do not know the way back, the existence of the phallus yoni symbol, or naked holy statues in intercourse is not pornographic, but to invite us to understand our origins. The origin of mankind is still an unfinished debate, all just hypotheses. As a religious person, one should believe that the true origin of life is not from material intercourse, even though the visible process is material.
Praktik Raja Yoga Dalam Rangkaian Pementasan Barong Brutuk Di Desa Terunyan, Kintamani, Bangli: Studi Teologi Hindu Dalam Terminologi Kearifan Lokal Sabda Jayendra, Putu
PANGKAJA: JURNAL AGAMA HINDU Vol 21, No 2 (2018)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v21i2.741

Abstract

Raja Yoga is a method to connect one’s self to the almighty God (Ida Sang Hyang Widhi Wasa) through the means of tapa, brata, yoga, semadhi. This method is conceptualized in Astangga Yoga passed down by Rsi Patanjali. Terminologically, the practice of Raja Yoga is covered in local genius existed in Terunyan village, Bangli regency. It is done by the so called Teruna (a group of teenagers) as a part of sacred procession of Barong Brutuk dance. Essentially, Raja yoga can be seen in the Makemit process for 42 days with a set of rules, prohibition, and ritu- al they call Tirtha Kayan Teruna. The success of the Raja Yoga according to local condition is when the teruna achieves niyasa, or a condition where the body and soul become one with God in its system, not overtaking the trance as other sacred dances do in Bali.
Penanggulangan Sampah Plastik Di Desa Tangkas Kabupaten Klungkung Perspektif Pendidikan Hindu Putri, Ida Ayu Nindia Brahmani; Arini, Ni Wayan; Dewi, Ni Wayan Sri Prabawati Kusuma
PANGKAJA: JURNAL AGAMA HINDU Vol 23, No 1 (2020)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pkj.v23i1.1904

Abstract

The problem of plastic waste, lately continues to be a concern by the government of Tangkas Village, Klungkung Regency. This is because disposable plastic waste that is discarded carelessly by the surrounding community has caused disruption to the palemahan system (environment) in Tangkas Village. Because of concern over the problem, the Desa Adat and the local Desa Dinas, established the Darma Winangun Community Self-help Group which concentrated on the conservation of education-based campuses, particularly in the prevention of disposable plastic waste. After five years of running its various programs, the Dharma Winangun Community Self-Help Group still exists today, although it faces several obstacles. Globally, the various programs above can overcome and change people's behavior to not be consumptive towards the use of plastic waste, especially those that are disposable and switch to the use of environmentally friendly products. However, in its implementation, these various programs encountered several obstacles namely, (1) internal obstacles; there are still some communities whose awareness has not yet been awakened to the danger of disposable plastic waste, limited human resources to process waste gradually, (2) external constraints; limited capacity of space and machinery in landfills (TPS), as well as in the ecotour program also face a shortage of implementation team staff.

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