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Atrat: Jurnal Seni Rupa
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 23391642     EISSN : 27227200     DOI : http://dx.doi.org/10.26742
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Atrat is a Journal of Visual Arts containing scientific papers which includes Fine Art and Design, publisher by Jurusan Seni Rupa STSI Bandung (p-ISSN 2339-1642 & e-issn 2722-7200). Jurnal Atrat also embodies the results of various forms of scientific research as well as the creation of artworks, which can become new knowledge published in scientific articles, so it is worthy to be read and understood by readers. Atrat aims to give land to Artists, Designers, Art Students, Teachers/ Lecturers, and Fine Arts Society to exchange insights.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 404 Documents
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Penggambaran Kembang Tujuh Rupa dalam Seni Lukis Berbahan Dasar Natural Pigment Rohandi, Teten; Kusdiana, Hilman Cahya; Noor Zaman, Farid Kurniawan
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3629

Abstract

Flowers have been part of Indonesian tradition since ancient times. The tradition of using flowers as symbolization and funeral or traditional rituals in Indonesia is used in various regions of Indonesia, including in West Java, such as tingkeban, death ceremonies, nyekar, circumcision, grave pilgrimages, folk entertainment, and so on. In the field of modern art, flowers are used as objects in painting. In addition, school, studio and college curricula mostly use Western curricula with modern content, media and techniques. This research was carried out to create works of painting, especially on paper and glass media using natural dyes. The focus of the theme raised is the tradition of the 7 types of flowers in Sundanese culture in general. In this research, qualitative research methods were used. The creation steps can be divided into three main stages, namely; the first stage, in the form of searching for ideas or ideas; the second stage, in the form of deepening or maturation of the idea or ideas; The third stage, namely the final stage, is the realization of the work of art. It is hoped that the results of this research can add to the repertoire of Indonesian fine arts in terms of media, as well as provide an understanding to the wider audience regarding the 7 types flower tradition in West Java. 
ANALISIS IKON BAHASA DALAM LOGO OBJEK PEMAJUAN KEBUDAYAAN KOTA BANDUNG Matin, Sella Sabrina; Aji, Widianto Satrio; Nagara, Martien Roos
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3506

Abstract

Language is one of the key aspects of human life that plays a vital role in communication and social interaction. An in-depth study of the structure and function of language is important for understanding the complex dynamics in society. This research aims to explore and analyze the Language Icons in the Logos of Bandung City Cultural Advancement Objects. This research adopts a qualitative descriptive method involving researchers who use themselves as the main tool to examine the condition of natural objects. Data collection involves triangulation, which is the integration of many methodologies. The Bandung College of Technology student team has collaborated with the Bandung City Culture and Tourism Office in designing 10+1 OPK logos and icons in accordance with Law No. 5 of 2017 concerning Cultural Advancement, as an effort to preserve and maintain Bandung city culture in accordance with city regional regulations Bandung Number 7 of 2023. It is hoped that the design of the OPK Logo and Icon will make it easier for the public to understand and study all forms of culture in the city of Bandung.
PERANCANGAN DESAIN KEMASAN EKONOMI KREATIF KANG EME MENGGUNAKAN KARYA FOTOGRAFI DENGAN METODE AIDA DALAM MENINGKATKAN IDENTITAS PRODUK Riyadh, Achyar; Sumarna, Imam Budi; Djunjunan, Abdurahman
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3507

Abstract

The purpose of this research activity is to determine the results of the implementation of the use of packaging design using photographic media to increase product identity. The method used in the research uses qualitative methods. Coworking Space or coworking space was born in 1995 in Germany which was initiated by a company called C-Base which created a collaboration space between network members and even the general public based on technology that pays attention to technological developments making communication strategies more effective supported by the presence of social media that is not limited by space and time. Social media is a virtual place where everyone can do anything to showcase, sell, and even make electronic-based sales to get the attention (Attention) of consumers so as to present interest (Interest) not a few social media are filled with photo work, be it packaging photos or product photos as brand information. A great strength if creative economic actors utilize technology as a strengthening of the branding of their business consistently, but there are still many photographic visual works presented on social media that are not in accordance with the product packaging that is delivered indirectly will provide bad value, so in this study how to utilize photographic visual works owned by creative economic actors to be presented in packaging design in accordance with the products displayed on social media.The result of this study is that there is a positive impact of the application of packaging methods using photographic media on increasing product identity, although it has not had a significant effect, there are several other variables that influence the increase in product identity in Kang Eme Packaging.
DASAMUKA PEJAH SEBAGAI IDE PENCIPTAAN KARYA SENI LUKIS Junaedi, Yuda; Cahyana, Agus; Sujana, Anis
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3508

Abstract

This study highlights the importance of examining the tragic and romantic expressions of Dasamuka, the antagonist character in Ramayana paintings, as a reflection of Indonesian culture from a contemporary perspective. These artworks serve as a means to understand the complexity of human nature within the context of Indonesia’s rich historical and cultural heritage. The research employs an indirect method with specific stages, including material selection, visual sketches of Dasamuka, choosing object interactions, and selecting narrative backdrops with glimpses of tragic stage elements, expressive movements, lighting techniques, and finishing touches. The result is a painting that portrays the tragic and romantic expressions of Dasamuka, honing the artist’s ability to create unique and expressive works while preserving Indonesian cultural values. By placing the antagonist character at the center of discussion, this Ramayana painting offers a new dimension to the classic tale and invites the audience to realize that each character has their own story and reasons. Through this artwork, Indonesian society, especially the younger generation, is reminded of the importance of preserving cultural identity and local wisdom values. Moreover, this artwork serves as a means to strengthen and preserve Indonesia’s cultural identity amidst the rapid waves of globalization.
DUNIA SENI RUPA INDONESIA: KRITIK SENI PAMERAN LIKE/DISLIKE Putri, Malena Wati; Nagara, Martien Roos
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3509

Abstract

Art is one of the important aspects in various facets of human life, therefore art exhibitions serve as crucial platforms for artists to interact with art enthusiasts and convey their artistic messages. Art exhibitions play a significant role in the development of visual arts in Indonesia. In this study, the author will examine, elaborate, and critique a solo exhibition by Taat Joeda titled “Like/Dislike” held at the Bandung Center for Culture Gallery. This research method involves direct observation or visitation to the exhibition and an overall analysis using art critique methods and mechanisms. The findings of the study reveal that the “Like/Dislike” art exhibition presents a refreshing approach in its theme about the tangle of undergrowth and captivating painting techniques. In conclusion, this research highlights the overall depth of the “Like/Dislike” exhibition with its theme “The Beauty Hidden Within the Thicket.”
PERANCANGAN IKON CAGAR BUDAYA DAN MANUSKRIP DALAM LOGO OBJEK PEMAJUAN KEBUDAYAAN KOTA BANDUNG Ramdan, Muhamad Rafli; Nagara, Martien Roos; Hadianto, Hadianto
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3510

Abstract

Icons are one of the main elements in communicating and introducing visual identity to the outside world. The design of cultural heritage icons and manuscripts in the Bandung City Cultural Advancement Object logo is one of the programs created by the Bandung City Government which is also written in Bandung City Regional Regulation No. 7 of 2023 concerning the Advancement of Culture. The Bandung City Disbudpar collaborated with lecturers and students at the Bandung College of Technology majoring in Visual Communication Design in the process of forming a visual identity in the form of the Bandung City OPK logo and icon. The design of cultural heritage icons and manuscripts was created to create a visual identity to preserve the rich history and cultural heritage of the city of Bandung. This icon is designed to include elements typical of cultural heritage and manuscripts. The Cultural Heritage icon represented by the classic architectural form of the roof of Bank Mandiri (EX–nedhandel N.V) on Jalan Asia Afrika No. 01, while manuscript icons can be found in manuscripts, fibers, books and chronicles. It is hoped that the design of the Bandung City OPK icon can become an icon that arouses a sense of pride, increases public awareness of cultural riches, and has an interest in cultural development that attracts the outside world and strengthens the image of the City of Bandung.
PAMERAN "DARI AKAL TURUN KE HATI" SEBAGAI BENTUK EKSISTENSI KEKINIAN SENI RUPA ISLAM INDONESIA Endriawan, Didit
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3512

Abstract

Since Islam entered and spread in Indonesia, its influence has been felt in many places and many fields. One of them is the field of fine arts which to this day still exists and is even developing in Indonesia. 90% of Indonesia’s population is Muslim so this is normal. As India has a majority of Hindu citizens, it is natural that Hinduism influences the way of life in India. The Islamic art exhibition “From the Mind to the Heart” is important evidence regarding the existence of contemporary Indonesian Islamic Art. The exhibition was held in the holy month of Ramadhan 1445 H, at Loman Park Hotel Jogjakarta. The characteristic of the exhibition “From the Mind Down to the Heart” is the sterility of depictions of animate creatures such as humans, animals and others, in other words, in accordance with Islamic law, artistic jurisprudence. This characteristic differentiates it from other or previous exhibitions but has the same spirit, namely preserving and even developing Islamic fine arts in Indonesia.
PERANCANGAN TEKSTIL DENGAN TEKNIK MARBLING DAN BATIK TULIS UNTUK BUSANA CASUAL Amelia, Neneng Dela; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken; Kudiya, Komarudin
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3515

Abstract

This research presents an innovation in textile design for casual wear by combining marbling and batik techniques. The state of the art of the problem involves the need for unique and different casual wear, along with the increasing public interest in environmentally friendly and sustainable products. This research aims to produce interesting and unique textile designs and introduce traditional techniques such as batik tulis into casual wear. The method used is IDEO Method Cards, with the stages of Learn to learn marbling and batik tulis techniques, Look to see design inspiration, Ask to ask experts, and Try to try the techniques. The result is a casual fashion collection that is unique, artistic, and environmentally friendly. The recommendation of this research is to encourage further development in the use of traditional techniques in the modern fashion industry.
LAGU TURI PUTIH KARYA SUNAN KALIGAJA SEBAGAI INSPIRASI KARYA DENGAN TEKNIK LUKIS TIONGKOK Zaman, Farid Kurniawan Noor
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3516

Abstract

The song Turi Putih is a Javanese song that was written by Sunan Kalijaga, one of the figures who spread Islam in Java. Currently, the popularity of the song Turi Putih has declined and is no longer known, especially among children. In fact, the song has a deep spiritual meaning, especially for Indonesian Muslims. In this research, we will try to visualize the meaning of the song Turi Putih in the form of paintings using Chinese painting techniques. This research has several problem formulations, including: 1) How is the song Turi Putih interpreted? 2) How to visualize the result of Turi Putih song interpretation in Chinese painting? This research method uses qualitative descriptive analysis technique. This research uses a semiotic approach. The production method consists of several steps. The first stage is the search for ideas and ideas. The second stage is the deepening or maturation of ideas. The third or final stage is the realization of the artwork. The production technique is based on Chinese painting techniques. The result of this research is a work that represents the interpretation of the song “Turi Putih” by Sunan Kalijaga. The painting depicts several objects that symbolize death, including white Turi flowers, Kedasih birds, and Besrek batik. Turi putih symbolizes pocong, Kedasih bird is a bird that brings news of death, and Besrek batik is batik used to cover the corpse. The results of this creative research are expected to add insight to readers and contribute to expanding the treasures of global art diversity.
DAUR NAIK LIMBAH TEKSTIL UNTUK PRODUK FESYEN READY TO WEAR DELUXE DENGAN TEKNIK QUILTING Fajar, Elina Almara; Falah, Asep Miftahul; Atik, Saftiyaningsih Ken
ATRAT: Jurnal Seni Rupa Vol 12 No 1 (2024): TRADISI KARYA RUPA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i1.3517

Abstract

This research aims to explore the potential of textile waste recycling in the manufacture of deluxe ready-to-wear fashion products by applying quilting techniques. Against the background of the textile industry that generates huge waste and significant environmental impact, this research tries to provide a sustainable solution by utilizing textile waste as the main material. The Design Thinking method is used in five stages, namely Empathize to understand user needs and problems faced, Define to determine the problems to be solved, Ideate to generate creative ideas, Prototype to create initial products, and Test to test products with potential users. It is hoped that the results of this research can contribute to the development of environmentally friendly and innovative fashion products.

Page 29 of 41 | Total Record : 404

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