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Atrat: Jurnal Seni Rupa
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 23391642     EISSN : 27227200     DOI : http://dx.doi.org/10.26742
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Atrat is a Journal of Visual Arts containing scientific papers which includes Fine Art and Design, publisher by Jurusan Seni Rupa STSI Bandung (p-ISSN 2339-1642 & e-issn 2722-7200). Jurnal Atrat also embodies the results of various forms of scientific research as well as the creation of artworks, which can become new knowledge published in scientific articles, so it is worthy to be read and understood by readers. Atrat aims to give land to Artists, Designers, Art Students, Teachers/ Lecturers, and Fine Arts Society to exchange insights.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 410 Documents
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Perjalanan dan Proses Kreatif Seniman Rosid dalam Berkesenian Neng Ulfah Sierra; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4915

Abstract

This study describes the journey and creative process of an artist named Rosid in art using qualitative methods and the Graham Wallas approach. The purpose of this research is to understand how Rosid experiences and deals with the stages in his creative process, as explained by Graham Wallas’ theory. This study was conducted by conducting in-depth interviews and observations with Rosid, who focused on his experiences in creating and the creative processes he experienced. The results of the study show that Rosid’s creative process follows the stages described by Graham Wallas’ theory, namely preparation, incubation, illumination, and verification of reference sources to help form the concept of his artwork. Next. In the preparatory stage, Rosid gathers ideas, inspiration, and sources, in the incubation stage, he gives time for these ideas to “quietly” develop and interact subconsciously before being translated into concrete works. The illumination stage is the time when ideas that have “ripe” appear clearly in Rosid’s mind. This was the time when his creativity was at its peak, and he could clearly formulate concepts and visions for his work. The last stage, namely verification, involves checking and perfecting the work so that it is in accordance with Rosid’s initial vision. This research also reveals that Rosid’s life journey, including his personal experiences and interactions with his environment, played a role in shaping his creative process. The emotional and intellectual experiences Rosid has had in his life have contributed significantly to the richness and depth of his art.
Pengaruh Mata Pelajaran Seni Terhadap Apresiasi Seni di Kalangan Guru Homeschooling HSPG Bandung Afina Munzalina Fadlin; Agus Cahyana; Asep Miftahul Falah; Martien Roos Nagara
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4930

Abstract

Pada dekade ini, entitas seni tidak sekedar dipandang ekspresi estetis semata, melainkan telah masuk pula ke dalam tataran konsep keilmuan yang faktual. (Komala & Nugraha, 2022). Dalam dunia pendidikan, seni juga memberikan pengaruh penting terhadap perkembangan mental maupun kreativitas peserta didik. Proses pembelajaran tidak akan berjalan dengan baik jika dari salah satu komponen tersebut ditinggalkan. Dari komponen itu maka yang sangat berperan dalam proses pembelajaran adalah Guru, sebab guru sebagai narasumber, mediator, instruktur dalam suatu proses belajar mengajar (Hontong et al., 2020). Guru diharapkan memiliki apresiasi seni yang tinggi untuk dapat menginspirasi siswa dalam pemahaman dan menghargai seni. Terlebih pada guru yang ada di homeschooling. Guru homeschooling menjadi fasilitator utama yang bertanggung jawab untuk memotivasi siswa sekaligus menanamkan nilai-nilai pendidikan seni. Namun, apakah kegiatan mengajar seni pada homeschooling mempunyai kontribusi terhadap peningkatan apresiasi seni seorang guru. Berdasarkan uraian di atas, peneliti tertarik untuk meneliti sejauh mana pengalaman mengajar dapat berpengaruh terhadap peningkatan apresiasi seni seorang guru. Penelitian ini menggunakan metode penelitian kuantitatif dengan menggunakan pendekatan deskriptif dan korelasional. Penelitian ini menggunakan metode instrumen berupa kuesioner dengan beberapa pertanyaan tentang latar belakang dan pengalaman seni. Subjek penelitian ini adalah beberapa guru yang ada di sekolah HSPG Bandung, dikarenakan peneliti penasaran dengan bagaimana pendidikan seni yang ada di homeschooling. Hasil penelitian menunjukkan guru yang ada di homeschooling HSPG Bandung memiliki nilai rata-rata tingkat apresiasi seni yang tinggi. Namun, hal tersebut tidak berkaitan dengan pengalaman mengajar seni mereka.
Pengaruh Konser Blackpink “Bornpink World Tour In Jakarta 2023” Terhadap Gaya Busana Penonton Ratu Balqis; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4937

Abstract

In Indonesia, K-Pop music concerts have become highly anticipated and sought-after events by fans of South Korean idols. Blackpink is a popular K-Pop group that has successfully captured the attention of audiences from various backgrounds. This study aims to investigate the influence of the Blackpink concert “Bornpink World Tour Jakarta 2023” on the fashion style of the audience. This research employs a qualitative method with a phenomenological approach, and data collection is conducted through interviews with two respondents who attended the Blackpink concert in Jakarta and analysis through social media regarding public reactions to the concert. The results of the interviews indicate that the Blackpink concert has a significant impact on changes in the audience’s fashion style. Blackpink fans who attended the concert were inspired by the fashion style of the Blackpink members and thus chose fashionable and daring outfits when attending the concert. The fashion style of the Blackpink members serves as inspiration for the audience to experiment with significantly different and unique fashion styles compared to their usual choices. This is influenced by factors such as idol identification, fashion trends, and self-expression. The study concludes that the Blackpink concert has a positive impact on the fashion style of the audience, allowing them to express themselves more freely. The findings of this research can be referenced to understand that K-Pop music events influence fashion trends and clothing culture in Indonesia.
Peran Seni Visual Terhadap Komunitas Musik Underground ISBI Bandung Sagara Mata Dewa; Agus Cahyana; Asep Miftahul Falah; Martien Roos Nagara
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4938

Abstract

This research aims to understand the role of visual art in shaping identity, strengthening communication, and supporting the existence of a new generation of underground music communities in Bandung, with a focus on communities within the ISBI Bandung environment. The study highlights how visual elements such as posters, logos, album covers, and merchandise designs function as mediums of expression, promotion, and representation of the community’s collective values-including the spirit of inclusivity, resistance, and D.I.Y. (Do It Yourself). The research employs a qualitative analytical approach, using data collection techniques such as interviews, participatory observation, and documentation study. Data were gathered from community members and visual artists directly involved in the ISBI Bandung ecosystem. The findings show that collaboration between musicians and visual artists occurs organically, based on friendships, yet maintains a level of professionalism. Visual art plays a crucial role in reinforcing the musical message and expanding the community’s reach into digital spaces, particularly through social media platforms like Instagram. Beyond its aesthetic function, visual art serves as an effective communication tool that bridges artistic and social experiences between the community and the public. This research affirms that visual art is a fundamental element in shaping an alternative cultural ecosystem amid the currents of globalization and the dominance of popular culture.
Eksplorasi Eksplorasi Elemen Visual Rumah Adat Citalang dalam Perancangan Motif Ready To Wear. Khansa Anwar; Haidarsyah Dwi Albahi; Annisa Fitra
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.4978

Abstract

Traditional houses, as a vital component of cultural heritage, preserve conceptual historical values and identities that reflect the character of a specific locale. However, in the face of modern developments, the Citalang Traditional House encounters challenges regarding its preservation and public recognition, particularly among the younger generation. This situation necessitates creative innovations capable of revitalizing cultural values within a more relevant and applicable context. One such effort is through the design of fashion motifs that adapt visual elements from the architecture of the Citalang Traditional House into ready-to-wear fashion products. This research aims to explore the forms, structures, and philosophical meanings of the Citalang Traditional House's architecture to be interpreted into motifs that maintain cultural identity. The methodology employed is divided into four stages: pre-design, design, embodiment, and presentation. The final result consists of three ready to wear looks featuring motifs that represent the visual character and philosophical values of the Citalang Traditional House, showcased in a fashion show at the JFP (Jogja Fashion Parade) event.
Analisis Semantik Visual Pada Iklan Yamaha 2016 Zaki Sudiyono
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.5023

Abstract

Ads require a well-planned creative strategy to capture attention while effectively conveying the message to the audience. In ads that use a hyperbolic approach, the message conveyed is generally overpackaged to build a certain impression in the viewer's mind. Each individual will then interpret the message differently, depending on their own experience, background, and point of view. This study applies a perception approach with a descriptive analysis method to understand how the audience interprets the message in hyperbolic advertising. The findings of the study show that differences in perception between individuals are influenced by the sensation process as the initial stage of receiving stimuli, which then develops through various factors that affect the way a person understands the message. Despite the differences, in general, audiences have a similar tendency to capture the main meaning of automotive advertising that carries the concept of hyperbole. This is supported by the use of strong and expressive visual and audio elements, so that the message is well received and understood. In general, the dominant meaning that emerges from the audience's perception of the ad is related to the concept of 'speed' as the main message. Thus, it can be concluded that the effectiveness of message delivery in hyperbolic advertising is largely determined by how the creative concept is designed and visualized through the communication medium used.
Kaligrafi Islam sebagai Arena Negosiasi Politik dan Budaya: Relasi Seni, Kekuasaan, dan Identitas Islam di Indonesia Ridwan Septiawan Nugraha; Agus Cahyana; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.5042

Abstract

Islamic calligraphy is not only understood as an expression of spiritual beauty but also contains social, political, and cultural dimensions. This study aims to analyze Islamic calligraphy as a site of political and cultural negotiation in Indonesia. The research employs a qualitative approach using library research and discourse analysis of relevant academic literature. The findings show that calligraphy functions as a symbol of power legitimacy in both traditional sultanates and modern institutions, a medium of cultural resistance against colonialism and radicalism, and an instrument of cultural diplomacy in shaping a moderate Islamic identity in Indonesia. These findings emphasize that calligraphy serves as a space of meaning production that reflects the dynamic relationship between art, power, and identity in Indonesian Muslim society. .
Perancangan Busana Square Cut Dengan Sumber Ide Tari Cepetan Alas Kebumen Menggunakan Teknik Batik Tulis Pebrivana Sherly Parahita Seno; Ratna Endah Santoso
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.5049

Abstract

Perkembangan industri fesyen yang cenderung mengikuti tren fast fashion telah memberikan dampak signifikan terhadap peningkatan limbah tekstil. Hal ini mendorong perlunya pendekatan desain yang lebih berkelanjutan melalui konsep zero waste fashion. Penelitian ini bertujuan untuk merancang busana square cut menggunakan teknik batik tulis dengan sumber ide Tari Cepetan Alas Kebumen sebagai upaya pengurangan limbah tekstil sekaligus pelestarian budaya lokal. Metode yang digunakan adalah metode penciptaan seni kriya Tiga Tahap Enam Langkah menurut SP Gustami yang terdiri dari tahap eksplorasi, perancangan, dan perwujudan. Data diperoleh melalui wawancara dengan narasumber, observasi digital, serta studi literatur yang kemudian dianalisis untuk menghasilkan konsep desain motif dan busana. Hasil perancangan menghasilkan lima alternatif desain busana square cut yang menginterpretasikan alur Tari Cepetan Alas, yaitu Pambuka, Babadan, Gagahan Alas, Muryani Busana, dan Sulasih, dengan tiga desain direalisasikan menjadi karya busana. Visualisasi motif batik dikembangkan melalui stilasi unsur tari seperti tokoh, gerak, dan pola lantai yang diaplikasikan pada kain batik tulis. Penerapan teknik square cut mampu meminimalkan limbah kain sekaligus menjadi media efektif dalam mentransformasikan narasi budaya ke dalam busana.
Penerapan Teknik Manipulating Fabric Origami dengan Sumber Ide Tokyo Tower pada Busana Avant Garde Vika Faiddatul Ummah; Yulistiana Yulistiana
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.5067

Abstract

The development of the fashion industry has encouraged various innovations in the exploration of forms, materials, and techniques capable of producing garments with high artistic value. One of the emerging techniques in textile design is origami-based fabric manipulation, which creates three-dimensional textures and structures on fabric surfaces. This study aimed to describe the application process of origami fabric manipulation inspired by Tokyo Tower in avant-garde fashion design and to determine the final outcome of its implementation. The research employed a quantitative descriptive method using the Double Diamond Model approach consisting of the discover, define, develop, and deliver stages. Data were analyzed descriptively using mean scores. The results indicated that the geometric characteristics of Tokyo Tower were successfully translated into origami applications, resulting in garments with strong volume, texture, and architectural silhouettes. Expert evaluation yielded an average score of 4.56, categorized as very good, indicating that origami fabric manipulation is an effective and innovative approach for developing avant-garde fashion designs that integrate architecture, art, and textile technology.
Integrasi Tradisi dan Modernitas dalam Seni Rupa Indonesia pada Abad ke-20 Venna Alicia Wibowo; Farid Kurniawan Noor Zaman
ATRAT: Jurnal Seni Rupa Vol 14 No 1 (2026): ESTETIKA DAN BUDAYA KONTEMPORER DALAM PERSPEKTIF SENI RUPA, KRIYA, DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v14i1.5122

Abstract

This article examines how the development of Indonesian visual arts in the 20th century integrated traditional elements, including local values, cultural symbols, and distinctive regional aesthetics, with modern elements encompassing the use of technology, critical conceptual approaches, and contemporary artistic expression. Through a literature review and an analysis of the works of several prominent artists, including figures associated with the New Art Movement (Gerakan Seni Rupa Baru) and modern Balinese painters such as Nyoman Gunarsa, the study identifies three approaches through which this integration took place: (1) reinterpreting traditional forms as a medium for social criticism, (2) utilizing new media such as digital technology and installation art, and (3) creating new aesthetic forms that reflect local cultural identities within a global context. These approaches can be observed, for example, in the incorporation of Batak and Minangkabau motifs, as well as wayang imagery, into modern paintings and installation works. The study concludes that the integration of tradition and modernity has enriched the diversity of artistic expression and strengthened the position of Indonesian visual arts on the international stage.

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