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Muhammad Shidiq
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INDONESIA
Atrat: Jurnal Seni Rupa
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 23391642     EISSN : 27227200     DOI : http://dx.doi.org/10.26742
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Atrat is a Journal of Visual Arts containing scientific papers which includes Fine Art and Design, publisher by Jurusan Seni Rupa STSI Bandung (p-ISSN 2339-1642 & e-issn 2722-7200). Jurnal Atrat also embodies the results of various forms of scientific research as well as the creation of artworks, which can become new knowledge published in scientific articles, so it is worthy to be read and understood by readers. Atrat aims to give land to Artists, Designers, Art Students, Teachers/ Lecturers, and Fine Arts Society to exchange insights.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 404 Documents
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Futatsu No Bunka: Penciptaan Ready To Wear Deluxe Bergaya Kimono Kurotomesode Dengan Aplikasi Motif Wayang Rama Shinta Fatma Delaneirabudy, Giazkha; Budiono, Nadia Rachmaya Ningrum; Fitra, Annisa
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3567

Abstract

This research discusses the development of new clothing by combining two different cultural icons, namely the Kurotomesode Kimono from Japan and the Rama Shinta Wayang from Indonesia. This design is based on the desire to create a fashion work that combines the essence of the two cultures, namely a ready to wear deluxe work with a kurotomesode kimono style and the application of the Wayang Rama Shinta motif, this also shows a unique combination of traditional Japanese beauty and the richness of Indonesian culture. The method used is exploration, design, and realization, with a focus on embroidery techniques on the Wayang Rama Shinta motif. The result is six fashion works that will be exhibited at the 2024 Jogja Fashion Parade.
Citra Tradisi Sunda Dalam Persimpangan Budaya Kontemporer Sebagai Ide Penciptaan Seni Lukis Solihah, Anggi; Setiadi, Gabriel Aries; Wahyudi, Nandang Gumelar
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3787

Abstract

Sundanese traditions, which are rich in cultural and aesthetic values, are now at a cultural crossroads due to the influence of modernization and globalization. This creates challenges and opportunities for writers to maintain cultural identity while responding to changing times. The author observes and analyzes the current situation, this becomes the basic idea for the author to then express it into a painting. The author exploits cultural intersections to create work that not only maintains traditional values but is also relevant to contemporary issues. The process of creating paintings that combine traditional Sundanese imagery with contemporary cultural elements produces a meaningful form of artistic expression. In this way, it is hoped that this work can contribute to understanding cultural dynamics in painting and encourage more artists to explore and integrate traditional cultural heritage in their work.
Representasi Karya Instalasi Nia Gautama “The Raped Love” Dalam Seni Rupa Kontemporer Ramadhani, Novia Dwi; Sujana, Anis; Nagara, Martien Roos
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3796

Abstract

This study examines the installation artwork “The Raped Love” by Nia Gautama, which addresses issues of women, trauma, and recovery. With a background in contemporary art as a medium for conveying social messages, this research employs a qualitative method with Roland Barthes’ semiotic approach to analyze signs and symbols within the artwork. The research questions encompass how Nia Gautama represents women’s issues, the meanings of symbols and visual elements in this work, as well as the exploration of themes of female identity, courage, and resilience. The research aims to analyze the visual and narrative aspects of the artwork, understand the symbolism in the context of women’s representation and feminism, and explore themes of female identity, courage, and trauma recovery. The findings indicate that “The Raped Love” effectively utilizes symbolism to convey the complexity of women’s experiences and offers a new discourse on courage and recovery.
Sub Urban : Perubahan Lingkungan Sebagai Inspirasi Pada Karya Seni Lukis Putri, Malena Wati; Ramli, Zaenudin; Avianto, Joko Dwi
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3797

Abstract

Sub urban is an interaction zone between villages and cities on the outskirts of the city around the main urban center. This Sub urban area is a source of inspiration for the author in creating this work of art, because the increasing number of land clearing for commercial, industrial and residential buildings in Indonesia, especially in areas near the author’s residence, is also an inspiration for this painting. This painting is a form of the author’s concerns and hopes for the sub urban environment so that development can run in balance with environmental conservation. This painting consists of 3 canvases which are presented as one triptych canvas. Overall, it presents the sub urban environment with its elements, and also indirectly in the three canvases depicts changes in the sub urban environment. This painting uses the technique of broken color impressionism. Impressionism has the value of transition, change, momentaryness which is in line with the concept of this painting. Small streaks of color, side by side, pile up on the canvas that blend optically when viewed from afar. The colors used are also bright and contrasting colors. This work offers a new contribution in the context of contemporary painting by combining the classic style of Impressionism with modern themes about the changing sub urban environment.
Salamon Market Alternatif Pasar Malam Di Lingkungan Urban Winarno, Ari; Mustaqin, Khairul
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3798

Abstract

The following written presentation is a track record of Community Service (PKM) activities that took place at Taman Griya Mitra Desa Cinunuk Cileunyi Bandung. The activities carried out were to optimize the function and role of a park at the gate of the housing complex, which has existed for a long time but has not been well maintained and only one year ago received assistance from the government in its arrangement and development. Since being renovated and repaired with the addition of huts, swings, slides and scales as well as the arrangement of ornamental trees, this park has been widely visited and is a representative children's playground. Through the implementation of the night market in the park environment, it will be able to increase the utility value of the park which is not only for playing but also as a place for art and improving the economy of the surrounding community. Through cooperation between the Community, Entrepreneurs (UMKM) Universities (through PKM activities) Related Agencies, the Cultural Conservation Center can realize the assistance of the Salamon Market night market as a means of creativity and growing the community's economy. With the scientific approach of management and procedures in managing an exhibition as the basis for organizing a market, a representative market event will be realized. The result of organizing Salamon Market is the realization of collaboration from various elements in making the market event a success in a public park and urban environment. The public's response can be seen from the number of participants in filling the art performance event, participating in stalls, watching the Bioling film screening, participating in healthy gymnastics, practicing batik, coloring motifs for children, and a batik fashion show for residents.
Transformasi Motif Batik Bilik Garut dalam Pengembangan Tenun Tradisional Marlianti, Mira; Arafah, Naufal; Zakiyah, Zumrotu; Asyifa, Naila Ummu
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3800

Abstract

This study aims to analyze the transformation of the Bilik Garut batik motif in the context of traditional weaving development. Bilik Garut batik is known as one of the distinctive motifs from the Garut region, carrying significant historical and cultural value. Using a descriptive qualitative approach, this research explores the process of adapting and innovating the motif into traditional weaving products. Data were obtained through field observations, interviews with artisans, and literature reviews related to batik and traditional weaving. The findings show that the transformation of the Bilik Garut batik motif into weaving introduces a new aesthetic dimension that not only preserves local identity but also enhances the economic value of weaving products. This motif adaptation also plays an important role in preserving regional cultural heritage while creating more innovative products that appeal to both local and international markets. The study suggests the need for collaboration between designers, artisans, and local governments in promoting culturally-based products, while also strengthening the creative economy rooted in traditional heritage.
Estetika Motif Nyi Pohaci: Interpretasi Mitos Dewi Sri Dalam Desain Motif Kontemporer Albahi, Haidarsyah Dwi; Budiono, Nadia Rachmaya Ningrum; Kemala, Alya Bela
ATRAT: Jurnal Seni Rupa Vol 12 No 2 (2024): KREATIVITAS DAN INOVASI SENI VISUAL DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v12i2.3803

Abstract

This study aims to examine the Dewi Sri myth’s aesthetic value as a source of inspiration for digital creations featuring Nyi Pohaci motifs. The myth of Dewi Sri, the deity of fertility and rice in Indonesian agrarian culture, plays a significant role in illustrating the spiritual and cultural traditions of the society. This study employs a contemporary aesthetic methodology created by Prof. Dharsono. It is a multifaceted methodology that examines how form, colour, symbolism, emotions, and personal expression are all analyzed in this procedure of creating art. There are four stages to the study process for developing motif designs: 1) exploration, 2) experimentation, 3) contemplation, and 4) realization. This research also examines the socio-cultural context in which the myth of Dewi Sri was developed, resulting in an interaction between tradition and modernity in the creative process of labour. According to the research findings, Nyi Pohaci’s contemporary design has the potential to facilitate a dialogue between the past and the present, as well as to reflect aesthetic attractiveness. The design’s visual structure is intended to convey messages of harmony, balance, and fecundity about nature, which are pertinent to the current environmental and social issues.
Ruang Interior sebagai Dasar Penciptaan Karya Seni Rupa: Studi Kasus Mata Kuliah Seni Monumental Safrina, Adinda
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4379

Abstract

This research examines the role of interior space as a basis for decision-making in the process of creating visual art, with a focus on a case study of the Monumental Art course. In the context of visual art education, interior space is not only understood as a physical element but also as a medium of artistic expression that influences imagination, creativity, and the concept of a work. The study aims to identify how interior space is applied in the learning process of the Monumental Art course and how it impacts the students’ artistic outcomes. A qualitative approach was used in this research through observations of the learning process and an analysis of the works produced. The findings show that interior space functions as an integral element in building artistic narratives, stimulating material exploration, and strengthening the spatial context within monumental art works. Furthermore, the project-based learning approach applied in this course proved effective in encouraging students to explore the potential of interior space as an environment for artistic creation. The conclusion of this study emphasizes the Monumental Art course, which focuses on interior space as a conceptual basis for visual art creation. The recommendations of this research include strengthening the exploration of space within the visual art curriculum and further utilizing interior space in visual art education.
Perancangan Media Publikasi Kampung Seni Jelekong Bandung Jawa Barat Kaniasari Rukmana, Nia
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4500

Abstract

Jelekong Art Village in Bandung Regency, West Java, is a cultural destination known as a center for painting and traditional art. However, the potential of art and potential of art and culture in this area has not been fully recognized by the wider community due to the limited effective promotional media. This research aims to design a publication media that can increase the visibility of Kampung Seni Jelekong Art Village, as well as supporting the promotion of local art and culture potential to the community. The method used is a visual communication design approach with qualitative data analysis through interviews and observations to local communities, artists, and tourists. The results showed the need for publication media that is interactive and informative publication media, such as catalogs, brochures, posters. The media is designed with an aesthetic concept that aesthetic concept that is in accordance with the artistic and cultural identity of Jelekong Village. implementation of this publication media, it is hoped that the Jelekong Art Village can be more widely known widely, attract more visitors, and support the sustainability of local art and culture. local arts and culture. This research also contributes to development of design-based promotional strategies for other cultural tourism destinations.
Praktek Latihan Kreativitas Menggambar Untuk Remaja Karang Taruna Komplek Bumi Pasundan – Arcamanik Kota Bandung dengan Metode Bahasa Rupa Haryotedjo, Tri; Endriawan, Didit; Trihanondo, Donny; Maulana, Teddy Ageng
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4501

Abstract

This drawing activity aims to improve the drawing skills of Karang Taruna youth in the Bumi Pasundan - Arcamanik Complex, Bandung City, through training based on the Visual Language Method. Visual Language is a method that prioritizes visual understanding as an effective means of communication in fine arts, so that participants can develop creativity and drawing skills in a systematic and structured manner. This activity was designed by a lecturer in Creative Industries, Telkom University, who has competence in the fields of art and design. The method used in this activity consists of theory and practice sessions that cover the basics of drawing, exploration of shape and color, and the application of Visual Language principles in visual works. In addition, participants are also encouraged to understand visual elements such as lines, planes, textures, and composition to improve the quality of their work. A participatory approach is applied in this training, where participants are actively involved in discussions and drawing exercises based on personal experiences and their surroundings. With this activity, it is hoped that Karang Taruna youth in the Bumi Pasundan-Arcamanik Complex will be more motivated to continue developing their drawing skills and utilizing them in various fields, such as illustration, graphic design, or other creative arts. This creative activity is also expected to become a model for similar training in other communities, to encourage the development of local arts and culture.

Page 30 of 41 | Total Record : 404

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