cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Harpang Yudha Karyawanto
Contact Email
harpangkaryawanto@unesa.ac.id
Phone
+628563651865
Journal Mail Official
virtuososendratasik@unesa.ac.id
Editorial Address
Gedung T14 Lantai 2 Program Studi Seni Musik Fakultas Bahasa dan Seni Universitas Negeri Surabaya Kampus Lidah Wetan, Surabaya 60213
Location
Kota surabaya,
Jawa timur
INDONESIA
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 26220407     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
VIRTUOSO is a scholarly journal that presents music analysis and music composition articles. The expert editors receive articles on music and music studies from various groups of students, lecturers, musicians, teachers, and other elements of society. This journal encompasses original research articles, review articles, and performance analysis, including: Classic Music Traditional Music Contemporary Music Music Performance Musicology Music Education Musical Theatre Ethnomusicology Music Therapy World Music Film Music Digital Music Modern Music This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 175 Documents
 14   15   16   17   18 
A Review of The Chord Progression and Presentation Format of The Song "Masih Ada" 2D Arranged By Oni and Friends Budiyono, Abednego Ziposa Sabatnissan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p213-225

Abstract

The song “Masih Ada” tells the story of someone who misses his lover, which is expressed through poetry and turned into a song. This research aims to (1) Analyze the Chord Progression of the song “Masih Ada” arranged by Oni and Friends. (2) Analyzing the Presentation Format of “Masih Ada” performed by Oni and Friends. The method used is descriptive qualitative analysis. The data used in this method is pure data obtained directly from Oni Krisnerwinto as the arranger. This research uses the research techniques of Observation, Interview, Documentation, and Literature Study. The findings show that Oni and Friends' arrangements provide a new interpretation, with the use of more complex and innovative chord progressions. Complex means that the chords and notes played are interconnected with the next chord. Innovative means changing the chord progression style with reharmonize. Based on the results of this research, it can be concluded that the chord progression used has many reharmonized changes. The presentation format used is a mixed large ensemble.
Management of Learning Environment in Studio Class at Seraphim Music Studio Mahendra, Marda Putra
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p200-212

Abstract

Seraphim Music Studio is a professional non-formal music school specializing in arts education, particularly music education. Undoubtedly, Seraphim Music Studio boasts internationally certified and professional instructors in their respective fields. The cornerstone of effective learning lies in adequate classroom spaces. The management of a conducive learning environment significantly influences the learning process in the classroom. As one of the non-formal music schools in Surabaya, Seraphim Music Studio has designed all its classrooms as studio spaces. Several challenges arise in the development of these studio classrooms, including spatial limitations, diversity in musical instruments, and studio class management. This research employs a qualitative research method, focusing on data collection through interviews, observations, and document analysis to understand complex and contextual phenomena. The findings of this article reveal that Seraphim Music Studio identifies 7 standards for studio classroom facilities and service management that must be met. These standards include service speed, information accuracy, and courtesy in communication. Keywords for this abstract include Seraphim Music Studio, non-formal music education, internationally certified instructors, studio classrooms, learning environment management, and service standards.
Mozart's Sonata in C Minor K. 457: Classic Gems Analytical Journey Works of Wolfgang Amadeus Mozart Thomas, Nathan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p47-63

Abstract

Wolfgang Amadeus Mozart is a very well-known classical music composer. It doesn't matter whether you are a classical music enthusiast or just a casual listener. You would have heard about Mozart. This research delves into the intricate musical landscape of Mozart's Sonata in C Minor, employing a descriptive qualitative analysis to unravel the underlying structural form within the composition. Focusing on the examination of the sonata's score, the study aims to elucidate the organization and interplay of musical elements made by Mozart in shaping this enduring masterpiece. In conclusion, this research aspires to contribute valuable insights into the formal architecture of Mozart's Sonata in C Minor, unraveling the intricacies that define its structural integrity. The qualitative descriptive analysis offers a nuanced exploration of the musical score, providing a foundation for future scholarly discussions and fostering a heightened appreciation for the timeless artistry of Mozart. The findings of the research showed the musical intrigues of Mozart's Sonata in C Minor. In conclusion, the analysis not only enriches the existing literature but also presents implications for both theoretical and practical applications in musicology and performance practice.
Creativity Products of the Calung Al-Khoir Pagongan Tegal Music Group in the Song Arrangement Process Nurjanah, Putri Eka; Rizki Harmono Sejati, Irfanda
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p179-199

Abstract

This article aims to find out the product results of the creativity of the Calung Al-Khoir Pagongan Tegal music group in creating a new arrangement of an existing song as well as the process of practicing the Calung Al-Khoir Pagongan Tegal music group. This writing is qualitative writing with the writing location in Grogol Village, Dukuhturi District, Tegal Regency, namely the Al-khoir Pagongan calung music group. The Al-khoir Pagongan calung music group, located in Grogol Village, Dukuhturi District, Tegal Regency, is one of the calung music groups that actively performs in the city of Tegal. This music group, which was formed in 2018, operates through an agreement between young people to fill their free time which is then used as a means of earning a living besides their main job. The Al-Khoir music group is a Calung music group that performs songs with the characteristics of Calung Banyumasan. Data collection techniques were carried out using observation, interviews, and documentation with sources. Data analysis is obtained from reduction, data presentation, and concluding. This article was also written using a musicological approach. The focus of this writing problem is creativity in arranging songs and the process of practicing the Calung Al-Khoir music group. The results of this writing show that the creative product produced by the Al-khoir Pagongan calung music group is in the process of practicing, making arrangements, costumes during performances, and the concept of appearance at each different event. This writing concludes that the Calung Al-koir Pagongan Tegal Music Group produces creative products, namely song arrangements, costumes when performing, different formations of musicians at each different event, as well as their performance concept which carries the calung Banyumasan concept.
Johann Sebastian Bach’s Prelude Score Study-BWV 998 Works Hananto, Paulus Dwi; Soesila, Poedji
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p109-126

Abstract

Researchers compared the Prelude BWV 998 by Johann Sebastian Bach, the transcriptions of Andres Segovia and Frederick Zigante. The background is to increase the understanding of the general public, especially players and music students with major guitar instruments, about how to interpret Baroque music correctly, because this composition was originally not for the guitar instrument but the lute. The method that researchers use is a qualitative method because it does not use numbers in this research process. The object of this research is Prelude is the opening composition of Prelude-Fuga-Allegro BWV 998 which was transcribed into guitar score by Andres Segovia and Frederick Zigante. Data collection was carried out by means of documentation and observation. The results of this research show that there are several differences in transcription including; playing techniques, such as the use of legato, finger positions, especially the left hand, interpretation signs, and different strings for the same note. This difference in transcription will greatly influence the guitar player's playing because it is adapted to the transcription style, thereby changing the character of the original composition.
Transformation of Music Structure and Form in Marriage Ceremony of Simalungun Community in Jakarta Purba, Hebert Lasrohadin
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p91-107

Abstract

This paper is a study of the transformation of the structure and form of music in the marriage ceremony of the Simalungun community in Jakarta. With changes in the way of working and dynamic cultural thinking, the Simalungun community in Jakarta "negotiated" with the presence of Uning-uningan and wind music (keyboard), despite the impact of killing traditional music (Gonrang) which has become a musical identity so far. The focus of this research is to review the sound changes from the Gonrang Sidua-Dua music structure to uning-uningan or Batak toba music using Simon Waters's "Acoustic to Electroacoustic" theory as an analysis tool. The method of this research is qualitative, namely by field observation of Simalungun marriage places, interviews with Simalungun traditional leaders, and recording documentation. The use of keyboards in Simalungun wedding customs in Jakarta shows a change from traditional gondang sounds to gondang sounds in the keyboard and changes in the sound of uning-uningan which was previously gondang hasapi (traditional Toba Batak musical instrument) after being combined with brass bands or wind music and the use of sound systems resulting in changes in acoustic sound to electroacoustic. Besides the difficulty of the existence of gondang music from the traditional side, the value of modernization has benefits such as preservation and revitalization of traditional music, one of which is through the institution of marriage, namely by practicing editing technology and sampling styles or rhythms that are widely used today such as Gondang tor-tor, Rumba odak-odak, Patam- patam Karo, and Simalungun rayat on the Keyboard. The results of this research show that music technology using keyboards in the uning-uningan group through the process of editing styles and sounds is one way to preserve traditional Simalungun music which is gradually becoming extinct.
Utilizing Music Learning as Emotional Intelligence Therapy for Students with Intellectual Disabilities in Special Elementary Schools Sularso, Sularso; Putri, Dheria Febriana; Hanshi, Bao
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p64-76

Abstract

This research is motivated by the fact that students with disabilities often have limitations in their cognitive abilities, making it challenging for them to comprehend learning materials delivered by teachers. The purpose of this study was to investigate the use of music learning as therapy to enhance emotional intelligence in students with disabilities. This qualitative descriptive research utilized data collection techniques including observation, interviews, and documentation. Data analysis involved data collection, data reduction, data presentation, and conclusion. Data validity was ensured through source triangulation and technique triangulation. The research subjects included music teachers, classroom teachers, and five students with disabilities. The results revealed that singing was the primary form of music learning taught to students with disabilities at SDLB N 1 Yogyakarta. This approach had a positive impact on the emotional intelligence of these students, enabling them to better control their emotions during the learning process. Students with disabilities demonstrated improvements in various components of emotional intelligence. The study identified supportive factors such as facilities, infrastructure, and learning components, as well as inhibiting factors related to students' conditions during the learning process. This research contributes to the understanding of music learning as a form of emotional intelligence therapy for students with disabilities.
A Critical Review: The Implementation of Spectrogram and Sonic Visualizer on The Performance Review of Classical Music Djahwasi, Herry Rizal; bin Safian, Abdul Rahman; Sampurno, Muchammad Bayu Tejo; bin Saidon, Zaharul Lailiddin; Chantanakajornfun, Apichai
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p31-46

Abstract

This Study examines the implementation of spectrogram and Sonic Visualizer tools in the performance analysis of classical music. Traditional methods of performance feedback often rely on subjective verbal criticism, which can be inconsistent and influenced by personal biases. This study highlights the limitations of these traditional approaches and the challenges posed by reliance on memory. Spectrograms and Sonic Visualizer provide objective, visual feedback that can reveal intricate patterns and details in musical performances not easily discernible through auditory perception alone. These tools offer precise feedback on pitch and timing, which is especially beneficial in educational settings. The study analyzes four key articles: Yasushi Ueda's investigation of tempo rubato in Chopin’s Nocturne Op.15-2, Cook & Leech-Wilkinson's guide to Sonic Visualizer, Garner's thesis on Schubert's Winterreise, and Gardiner and Latartara’s examination of Beethoven's "Hammerklavier" sonata. These studies demonstrate how features such as tempo and dynamic visualization, harmonic analysis, and beat detection aid performers in evaluating rhythmic accuracy, consistency, and interpretative choices. Moreover, the review identifies gaps in existing research, particularly the need for more comprehensive studies on the effectiveness of Sonic Visualizer across different classical instruments and its impact on performers' interpretative skills. The findings suggest that regular use of these tools can enhance performers' decision-making processes, creativity, and overall artistic growth. This study underscores the significant benefits of integrating advanced audio-visual tools into classical music performance analysis, providing a deeper understanding and more accurate assessment of musical interpretations.
The Meaning Significance of Kenclung Bamboo Art in Gerduren Banyumas Wijaya, Barkah Bangkit; Saputra, Dani Nur; Miyazawa, Naori
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p17-30

Abstract

Kerta Wijaya developed Kenclung bamboo art as a form of self-motivation in response to the dissatisfaction of farm laborers with agricultural products. The Gerduren Village community has implemented Kenclung art as a means of communication and entertainment while maintaining their rice fields. The researcher looks at the values in the Kenclung art based on the justifications. This study is qualitative. This study is being conducted in Gerduren, Banyumas Regency. Document studies, interviews, and observation were the methods used to obtain data. Triangulation is the data validity approach applied in this study. One method of data analysis was the Miles and Huberman model analysis. Axiological values were used to assess the Kenclung results. The activity reflects the divine value of many bamboo art values that are used in the study. Examples include the importance of religion in earthly alms, the reflection of a decent life in visiting family members, and the importance of truth in the community's traditional attire. The Banyumas community's ideals and customs are upheld by these garments, and beauty is judged by how people relate to one another, to God, and the natural world.
The Development of Sembilan Belas Tahun Song To Prevent Early Marriage In Adolescents Dariyo, Agoes; Tumanggor, Raja Oloan; Andrianputra, Ezra
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 2 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n2.p127-139

Abstract

A creative way to implement Law number 16 of 2019 is through developing the song Nineteen Years to prevent early marriage. This qualitative-descriptive research data was collected using a music quality questionnaire and an early marriage prevention questionnaire. The research respondents were 73 teenagers (17-21 years). Data analysis using the ADDIE (Analysis, Design, Development, Implementation and Evaluation) approach. The research results show that the process of creating the song Nineteen Years goes through ADDIE stages which fulfill the dimensions of musical quality (such as poetry, tempo, rhythm, melody, beat, instrument). The song lyrics are relatively simple, easy to understand and memorize. The tempo of the music is classified as medium (moderate). The rhythm of the music is regular and harmonious. Melody implies a message, idea or notion from the songwriter. Beat the music with the beat of the notes, and the right accent. The musical instruments are sufficient to support the song accompaniment. However, video viewing still has shortcomings and needs improvement to improve the quality of video viewing. It is recommended that the government adopt a policy of grounding marriage laws through creative songs so that teenagers can prevent early marriage.

Page 16 of 18 | Total Record : 175

 14   15   16   17   18 

Filter by Year

2018 2025


Reset
Filter By Issues
All Issue Vol. 8 No. 2 (2025) Vol. 8 No. 1 (2025) Vol. 7 No. 2 (2024) Vol. 7 No. 1 (2024) Vol. 6 No. 2 (2023) Vol. 6 No. 1 (2023) Vol. 5 No. 2 (2022) Vol. 5 No. 1 (2022) Vol. 4 No. 2 (2021) Vol 4, No 1 (2021) Vol. 4 No. 1 (2021) Vol. 3 No. 2 (2020) Vol 3, No 2 (2020) Vol 3, No 1 (2020) Vol. 3 No. 1 (2020) Vol 2, No 2 (2019) Vol. 2 No. 2 (2019) Vol. 2 No. 1 (2019) Vol 2, No 1 (2019) Vol. 1 No. 2 (2018) Vol 1, No 2 (2018) Vol 1, No 1 (2018) Vol. 1 No. 1 (2018) More Issue