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Luluk Ulfa Hanasah
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Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas 17 Agustus 1945 Surabaya Jl. Semolowaru No. 45 Surabaya Phone 0315931800 (Ext 89)
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Mezurashii: Journal of Japanese Studies
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : 27220567     EISSN : 27220567     DOI : https://doi.org/10.30996/mezurashii
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other
Mezurashii: Journal of Japanese Studies is a biannual peer-reviewed, open-access journal published by the Faculty of Cultural Science, University of 17 Agustus 1945 Surabaya. The journal encourages original articles on various issues within Japanese Studies, which include but are not limited to linguistics, literature, and culture. Mezurashii: Journal of Japanese Studies accepts to publish a balanced composition of high-quality theoretical or empirical research articles, comparative studies, case studies, review papers, exploratory papers, and book reviews. All accepted manuscripts will be published either online and in printed journal.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 95 Documents
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Jejepangan Having Fun: Tren dan Event Komunitas Cosplay di Jember Hariyadi, Edy; Saputra, Heru SP; Suharijadi, Didik; Setyari, Agustina Dewi; Muhammad, Abu Bakar Ramadhan
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12583

Abstract

The development of interest in Japanese popular culture, especially cosplay and anime, among young people in Jember has shown a significant increase over time. This study aims to describe the development of cosplay culture in Jember and the factors that influence it. The research methods used are direct observation of cosplay events, interviews with cosplayers and event organizers, and analysis of cosplay community social media. Using Joseph Nye's soft power theory and Jean Baudrillard's hyperreality, this study found that the cosplay trend in Jember has become a medium for cultural expression and identity for young people, especially through various cosplay events and competitions held in shopping centers, tourist destinations, educational institutions, hotels, and cafes with events including Coswalk Competition, Cosplay Perform, JSong Competition, cover dance and sales of anime, manga, and game merchandise. The results of the study indicate the existence of hyperreality, namely cosplayers bringing to life the fictional characters they play, thus providing space for escapism and creativity. This study also found the role of cosplay as a form of Japanese cultural soft power that is accepted by the local community in Jember. Keywords: cosplay, Jember, Japanese popular culture, soft power, hiperreality
Representasi Budaya Patriarki berdasarkan Penggunaan Bahasa Danseigo dan Joseigo dalam Anime Kimi no Na wa Apriza, Indria; Syihabuddin, Syihabuddin
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12627

Abstract

Penelitian ini bertujuan untuk menganalisis penggunaan bahasa gender, yakni danseigo (bahasa laki-laki) dan joseigo (bahasa perempuan), dalam anime Kimi no Na wa serta kaitannya dengan budaya patriarki di Jepang. Anime ini merefleksikan peran gender tradisional melalui dialog karakter utama, Taki dan Mitsuha, yang menggunakan danseigo dan joseigo sesuai dengan norma-norma sosial di Jepang. Metode penelitian yang digunakan adalah pendekatan kualitatif dengan analisis isi, di mana data dikumpulkan melalui studi literatur dan analisis dialog karakter dalam anime. Hasil penelitian menunjukkan bahwa Taki, melalui penggunaan danseigo, merepresentasikan maskulinitas yang kuat dan peran laki-laki dalam masyarakat patriarki. Sementara itu, Mitsuha, melalui penggunaan joseigo, mencerminkan kelembutan dan kepatuhan yang diasosiasikan dengan peran feminin. Pertukaran tubuh antara kedua karakter mengungkapkan ketidaknyamanan yang muncul ketika mereka harus menggunakan bahasa yang tidak sesuai dengan gender biologis mereka, menunjukkan betapa kaku norma gender yang dipengaruhi oleh patriarki. Penelitian ini menyimpulkan bahwa Kimi no Na wa memperlihatkan bagaimana patriarki membentuk ekspektasi sosial mengenai peran gender dan penggunaan bahasa. Saran untuk penelitian selanjutnya adalah memperluas kajian pada berbagai anime lain serta melakukan studi komparatif lintas budaya guna mendapatkan pemahaman lebih dalam mengenai pengaruh patriarki dalam media populer.
Analisis Teknik Penerjemahan dalam Lirik Lagu "Arjuna" dan "Bento" Versi Jepang Jaharuddin, A. Alfandy; Kasmawati, Kasmawati; Taqdir, Taqdir
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12913

Abstract

Song lyric translation is a complex process that involves not only linguistic aspects but also musicality and cultural acceptability in the target language. This study aims to analyze the translation techniques used in the Japanese versions of the songs Arjuna and Bento, based on Molina and Albir’s (2004) translation techniques. A qualitative descriptive method was employed, with textual analysis conducted on the original Indonesian lyrics and their Japanese translations. The findings reveal that 13 translation techniques were utilized in both songs, with different dominant techniques corresponding to the characteristics of each song. Arjuna, which has a romantic and poetic theme, predominantly employs established equivalence, amplification, and transposition to preserve the song’s aesthetics and emotional meaning. In contrast, Bento, which carries a strong social critique, primarily employs modulation, adaptation, reduction, and linguistic compression to align its meaning with Japanese expressive norms. These findings suggest that in song lyric translation, the choice of translation techniques is significantly influenced by the song’s theme, syntactic structure, rhythm, and cultural acceptability in the target language. This study is expected to contribute to research on song lyric translation and provide insight for translators in adapting songs across languages while maintaining their meaning, aesthetics, and musicality.
Verba Gakkari Suru dan Ki O Otosu sebagai Sinonim dalam Kalimat Bahasa Jepang (Kajian Semantik) Fauzah, Nunik Nur Rahmi; Setiabudi, Dyon Vilcy; Ayu, Septi
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.13112

Abstract

The Japanese language has many vocabulary words, verbs, and adjectives that have similar meanings. One of them is a verb. Examples of verbs that are synonymous in Japanese are gakkari suru and ki o otosu. Both words have the same meaning, namely 'disappointed.' This is sometimes confusing for learners who still don't understand the differences. This study aims to find out the meaning of the verbs gakkari suru and ki o otosu in Japanese sentences and to find out if the two verbs can be replaced by each other. We analyzed the meaning of the verbs gakkari suru and ki o otosu using Hirose's (1994) theory. The method in this study uses a qualitative descriptive method. The data source used in this study is the corpus nlb.ninjal.ac.jp, with data in the form of Japanese sentences that use the verbs gakkari suru and ki o otosu. We collected the data using the Simak method and the recording technique (Mahsun in Fauzah: 2022). Based on the results of the analysis, it was found that there are similarities and differences in the use of the verbs gakkari suru and ki o otosu in Japanese sentences. In general, the verbs gakkari suru and ki o otosu can replace each other, even though there will be sentences that change their meaning. For sentences that are subjective in nature, the pronouns ki o otosu cannot be applied, and for command sentences, the two verbs gakkari suru and ki o otosu can replace each other. Gakkari suru and ki o otosu have the same meaning of disappointment because something with negative nuances happens, such as disappointment due to regret or unwanted things.
Analisis Penggunaan Bikago dalam Anime Tearmoon Empire Karya Nozomu Mochitsuki Syahid, Abim Umar; Yuana, Cuk
Mezurashii: Journal of Japanese Studies Vol. 7 No. 2 (2025): OKTOBER (IN PROGRESS)
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i2.11699

Abstract

Anime Tearmoon Empire mengisahkan tentang kehidupan Mia sebagai seorang putri yang di pengggal oleh rakyatnya sendiri, setelah kematiannya akibat dihukum penggal oleh rakyatnya, Mia yang tiba-tiba mengulang kehidupannya sebagai anak kecil menjadi ketakutan dengan akhir hidupnya yang penuh kesengsaraan. Mia yang mulai sadar dengan keangkuhannya di masa itu kemudian berniat untuk menghindari hukuman matinya dengan cara memperbaiki segala perbuatannya di kehidupan sebelumnya yang mengakibatkan dijatuhkannya hukuman mati kepadanya. Tujuan dari penelitian ini adalah untuk mendeskripsikan bentuk dan fungsi bikago yang digunakan oleh para tokoh yang ada di Anime Tearmoon Empire. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan menggunakan pendekatan pragmatik. Adapun hasilnya terdapat 6 data dialog yang mengandung bikago di dalamnya, yaitu O-wago 6 data, O-kango 2 data; Go-kango 1 data. Fungsi bikago yang ditemukan dalam Anime Tearmoon Empire adalah fungsi menyatakan penghormatan 2 data, menyatakan perasaan formal 4 data, dan menyatakan sindiran dan celaan 1 data.

Page 10 of 10 | Total Record : 95

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