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Abdul Wachid BS
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Lembaga Penelitian dan Pengabdian kepada Masyarakat UIN Prof. K.H. Saifuddin Zuhri Purwokerto Jl. Jend. A. Yani No. 40A Purwokerto 53126 Jawa Tengah - Indonesia
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IBDA': Jurnal Kajian Islam dan Budaya
Published by Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto
ISSN : 16936736     EISSN : 24775517     DOI : https://doi.org/10.24090/ibda
Core Subject : Religion, Humanities, Art,
Religion Arts Humanities
IBDA`: Jurnal Kajian Islam dan Budaya focuses on the study of Islamic culture that developed in society, as well as the culture that developed in Muslim societies. The scope of the study includes: a) Beliefs system in Islam, b) Ideas of Muslim scholars, c) Ritual system in Islam, d) Islamic institutions and organizations, e) Traditions or customs in Islamic society, and f) Literature and Islamic arts. IBDA`: Jurnal Kajian Islam dan Budaya aims to build a comprehensive understanding of Islamic norms in religious texts and their realization in social life. If the author comes from Indonesia, please submit articles in Indonesian. After the article has accepted to publish by the Ibda Journal Editorial Board, the writer of the article must be willing to follow the rules for translating the article into English with the translator specified by the Ibda Journal.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 9 Documents
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Search results for , issue "Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya" : 9 Documents clear
Qur'anic Values in Sundanese Culture: A Study of Politeness Principles in Paribasa Hidayatullah, Asep; Anshori, Dadang S.; Sastromiharjo, Andoyo
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.12736

Abstract

This study investigates the principles of linguistic politeness in the Sundanese language as a reflection of Qur'anic values. The method employs a qualitative approach through content analysis. The research reveals that the politeness principles embedded in Sundanese paribasa align with Qur'anic teachings. These include the concepts of qaulan ma’rufa  (good words), qaulan sadida (truthful words), qaulan baligha (effective words), qaulan karima (noble words), qaulan layyina (gentle words), and qaulan maysura (clear words). These principles highlight the significance of respectful communication, consideration for others' feelings, and promoting harmony within social relationships. Consequently, the politeness observed in Sundanese paribasa serves as a manifestation of Qur'anic teachings in daily social interactions. The findings of this research also enhance the understanding of how local religious and cultural values can synergistically contribute to the development of polite and harmonious communication practices. The novelty of this study lies in its integration of linguistic politeness, rooted in cultural values and Qur'anic principles. It serves as a model for fostering ethical and courteous communication in contemporary society.
Religious Moderation in Puja Mandala: A Study of Inter-religious Dialogue Model in Peace Building Dwi Ratnasari; Luqyana Azmiya Putri; Abd Razak Zakaria; Nuzulia Febri Hidayati
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.12874

Abstract

Puja Mandala, a complex of places of worship in Bali, Indonesia, is a concrete example of religious moderation within a pluralistic society. Featuring five houses of worship representing five significant religions nearby, Puja Mandala is a site for worship and a space for interfaith dialogue that fosters social peace. This research examines how Puja Mandala has developed peace-building principles, such as enhancing inter-religious dialogue, and how it has become a landscape of religious moderation. This study uses a qualitative approach to explore interfaith interactions at Puja Mandala. Through the dialogue of life and action, the Puja Mandala contributes to establishing interfaith harmony. The findings indicate that Puja Mandala is an effective model for implementing religious moderation, mitigating potential conflicts, and strengthening social solidarity through open communication and mutual respect.
Tradition and Spirituality: Exploring the Motifs of Rifaiyah Batik in the Context of Islamic Values Choirunnisa Rezky Ramadhani; Fajar Ciptandi
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.12930

Abstract

Batik Rifaiyah is a cultural heritage of the Rifaiyah Community located in Kalipucang Wetan Village, Batang Regency, Central Java. It serves as an expression of Islamic spirituality. This type of Batik represents artistic craftsmanship and is a medium for teaching Islamic values through symbols and motifs. However, understanding the philosophical values and foundational aspects of Rifaiyah Batik is currently limited to the oral traditions passed down by batik makers and the Rifaiyah Community, with insufficient written documentation. This study aims to explore and comprehend the fundamental principles of Rifaiyah Batik as a manifestation of Islamic spiritual art, focusing on the Pelo Ati and Materos Satrio motifs. The research employs a qualitative method utilizing a social phenomenology approach. It includes observations of the batik motifs, in-depth interviews with batik makers, and a review of relevant literature. The analysis is guided by the Pyramid Base Guiding Craft Innovation theory, which identifies four crucial dimensions in the batik tradition: Traditional Artifacts, Traditional Ecology, Teaching of Tradition, and Non-Material Culture. The findings reveal that Rifaiyah Batik reflects Islamic values through theological, aesthetic, and artistic ethics. Theologically, it avoids depicting living beings, using arabesque to express Tawheed. Aesthetically, its colors are inspired by the Qur'an. Artistically, its meticulous craftmanship is an act of worship.
Cultural Syncretism and Religious Authority: Early Ramadan Determination Practices in Maluku Kilwakit, Marifat; Arif Zamhari
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.12973

Abstract

Identifying the commencement of Ramadan in Indonesia encompasses religious and socio-cultural dimensions, illustrating the intricate interplay between Islamic doctrine and local traditions. This study adopts a qualitative methodology and field research techniques to explore harmonizing these elements in establishing the onset of Ramadan in Maluku. Findings indicate that the Maluku community perceives local customs as an essential aspect that should be integrated into all religious rituals and practices, including the early declaration of Ramadan. The method employed annually to determine Ramadan's beginning is regarded as a legitimate cultural heritage with authenticity and alignment with Islamic principles. In Maluku, religious symbols and traditional practices in observing the new moon via natural indicators are frequently utilized concurrently to ascertain the start of Ramadan. This interplay fosters a symbolic dynamic that merges scientific methodologies with traditional practices, influenced by the roles of national religious bodies and local indigenous communities.
The Struggle of Sinden: Female Artists, Family Economy, and Religious Identity in Art Bayu Tri Cahya; Waluyo; Ratih Paramitasari; Sekar Rani Salsabila
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.13305

Abstract

This study aims to analyze the role, contribution, and convergence of the Sinden (traditional female singer) profession in strengthening the family economy while navigating the challenges of religious identity in Solo, Central Java. This study uses a qualitative approach with an interpretive paradigm and a phenomenological approach. The data collection technique uses in-depth interviews with active Sinden informants with dual roles as housewives and artists. The results of the study indicate that the economic contribution of the head of the family includes the role of an economic safety valve, household financial manager, and teamwork builder in the family. The study also reveals a convergence between religious beliefs and their profession, as Sinden. Despite the ambiguity of this profession in religious communities, primarily due to stage performances that do not strictly adhere to Islamic guidelines, Sinden consistently upholds standards of modesty, religious principles, and their dignity as Muslim women. This study contributes to providing an overview of the dualism of women's roles in the context of Javanese-Islamic culture, which adds insight into the complex interactions between gender, economy, art, and religion in the lives of contemporary traditional societies.
Negotiating Taboos and Tradition: Multicultural Wisdom in the Coastal Muslim Communities of Pangkalan Buton Village Hidayat, Samsul; Kurniawan, Syamsul; Nurhaliza, Feni; Maimunah
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.13490

Abstract

This article examines the reflection of the multicultural wisdom of coastal Muslim communities in Pangkalan Buton, West Kalimantan. This study adopts a phenomenological approach, utilizing data gathered through direct observation and in-depth interviews. The data analysis process encompasses collection, condensation, and presentation. The findings reveal that the taboos in Pangkalan Buton represent a fusion of Islamic teachings and local values. These taboos operate not exclusively as social norms but as a mechanism for preserving cultural identity in social changes. The community interprets Islam flexibly, adapting its principles to align with local culture and shaping behavioral patterns that foster social harmony. Consequently, taboos have become vital to daily life, striking a balance between religious beliefs and local traditions. The results indicate that many of these taboos correspond with Islamic teachings, illustrating a moderate approach to Islam that accommodates local wisdom. In Pangkalan Buton Village, Islam is accepted flexibly, integrating religious teachings with local customs to promote social harmony.
The Makkatte’ Tradition in The Bugis Muslim Community: A Gender and Cultural Analysis Naily, Nabiela; Rustriningsih
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.13015

Abstract

Female circumcision in the Bugis Muslim community is one of the processions in affirming one's Islamic faith. What makes female circumcision problematic is the gender, health and cultural issues involved. Religious interpretations of the legal status of female circumcision, traditions and the impact or health risks of the practice have many aspects to analyze in more depth. Therefore, this paper aims to show how the tradition of the practice of makkatte’ (female circumcision) has developed in the Bugis Muslim community in South Sulawesi and is examined using gender analysis. This paper shows that there are differences in the practice of makkatte’ tradition in the Bugis Muslim community. In addition, this paper also shows that the makkatte’ tradition is influenced by religious factors under the pretext of being a form of consecration of religious perfection and on the other hand, tradition factors as a form of cultural conservation. From a gender perspective, the practice of makkatte’ in Bugis society is found to have improved gender conditions. Despite experiencing an increase in gender conditions which in practice is not dangerous, the practice of makkatte’ can be risky for girls' psychology because it continues to infringe on women's privacy.
Breaking the Cycle of Divorce: Religious and Cultural Mediation by Kyai-Imams in Coastal Muslim Communities in Rembang and Melaka Zuhriah, Erfaniah; Rahmawati, Erik Sabti; Syuhadak , Faridatus; Arifah, Risma Nur; As-suvi, Ahmad Qiram
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.13658

Abstract

This research endeavours to critically examine the role of cultural mediation by Kyai and Imam in mitigating the incidence of divorce within coastal Muslim communities in Rembang and Melaka. It seeks to understand how these religious leaders influence social dynamics and foster community cohesion, stabilizing familial relationships in these regions. The research used a qualitative approach with interview methods with religious leaders, community members, and legal professionals to identify the social, religious, and legal roles of Kyai and Imam as mediators in family conflicts. The findings reveal that Kyai and Imam are crucial in guiding troubled couples through domestic conflict by integrating religious teachings and formal legal regulations. Kyai and Imams provide spiritual advice and authoritative figures capable of providing practical solutions to resolving family problems. However, challenges related to accessibility to formal mediation and the limitations of informal mediation point to the need for strengthened integration between religious patronage and the state legal system. The study concludes that Kyai and Imam patronage significantly reduces divorce rates. However, closer collaboration between the formal legal and faith-based mediation mechanisms is needed to increase effectiveness. This study offers a fresh perspective on the connections among religion, legal systems, and family mediation within Muslim communities.
Negotiating Identity: The Cultural and Religious Significance of Rifa'iyah Batik for Women Sigit Setyawan; Titis Srimuda Pitana; Prasetyo Adi Wisnu Wibowo
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 23 No. 1 (2025): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v23i1.13973

Abstract

This study examines how the Rifa'iyah batik tradition becomes a conveyance for self-actualization for Rifa'iyah women in public spaces, focusing on negotiating women's identity in existing social constructions. Located in Kalipucang Wetan, Batang, Jawa Tengah Indonesia. This study uses a descriptive qualitative method with a post-structuralist feminist approach to reveal the dynamics of Rifa'iyah women's identity. Data were obtained through interviews with batik artisans and cultural observers, observations, and literature studies. The study results show that Rifa'iyah women can negotiate sociocultural structures through the batik tradition, changing society's perception of the role of women in the public sphere. They are not merely economic actors who contribute to family income but also agents of social change and cultural preservers. The gender identity of Rifa'iyah women is proven to be dynamic and continues to be formed through repeated actions and negotiations with prevailing norms. The implications of this study enrich cultural and gender studies, especially in understanding the interaction between gender, spirituality, and culture in shaping women's identity. This study also provides a new perspective on how women can utilize creative spaces to participate in the public sphere without violating the values ​​​​adopted by society. Research findings are relevant to women's empowerment efforts in traditional societies, showing that traditions can empower when interpreted and practised creatively.

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