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Yoga Sudarisman
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Saksama: Jurnal Sastra
Published by UIN Sunan Gunung Djati Bandung
ISSN : -     EISSN : 29864550     DOI : https://doi.org/10.15575/sksm
Core Subject : Humanities, Art,
Arts Humanities
Saksama: Jurnal Sastra is a twice-yearly open access journal starts on the structural, post-structural, post-modern, comparative and post-colonial approaches to the critical analysis and interpretation of literature, with a special preference given to underrepresented works. Articles submitted should offer a critical viewpoint on modern works and contribute to ongoing literary discussions.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 74 Documents
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ACTION OF ADVENTURE FORMULA IN MULAN 2020 Zulfa Nur Azizah; Siti Awalia Maryani; Siti Hotimah Afriani
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v1i2.27823

Abstract

Films that have action and adventure genres appeal to the audience by displaying scenes that have a sense of tension due to murders, resistance, and extreme actions played by the characters.  This research focuses on the narrative and analysis formula fiction. The analysis conducted on the film Mulan 2020 aims to understand the fiction of action and adventure formula, as well as what the action functions in the adventure formula. The research data is in the form of information about film units related to the formulation of the problem which includes John G. Cawelti’s four formulaic fictions, namely storylines, characters, settings, and situations contained in the animated film Mulan 2020. The data collection technique used in this study is the method of observation and literature study. The film Mulan 2020 is an adaptation of one of Disney’s animated live-action films of the same name. Overall, this film presents action and adventure that amazes and attracts the audience by displaying the martial arts skills of the main character. In each of her struggles, this film gives us a deep understanding of how the character Mulan fights for truth and freedom. And more interestingly, Mulan is a strong woman.
RELIGIOUS DOGMA IN SEBASTIÁN LELIO’S THE WONDER (2022) Anisa Hanifah; Mahi M. Hkikmat; Nurholis Nurholis
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.26975

Abstract

Religious issues that are no longer relevant to modern living are represented in The Wonder (2022) film by Sebastián Lelio. This research aims to unravel the Religious Dogma in the film by focusing on examining the religious situation of Irish society in the nineteenth century. Tracing the religious life of the Irish community in the nineteenth century, where the majority adhered to Roman Catholicism, this research uses the sociology of literature method. In more detail, this research applies Max Weber's theory of the sociology of religion approach. The Wonder film entirely is the research data, but specifically, the writer takes the socio-religious context, screenshots from several scenes, and film dialogues as the secondary data. So it can be said that data collection in this research used documentation and literature study techniques. Analysis of the sociology of religion in The Wonder (2022) film by Sebastián Lelio is still rare to find, so this research is essential so that it can add to criticism resources of the sociology of literature. Aside from that, the results of this research are that the modernization and logicalization of religion can occur along with times of development and the relevance of public interest. 
THE WOMAN’S EXISTENCE IN WALTER TEVIS’S THE QUEEN’S GAMBIT Rima Sarah; Tenny Sudjatnika; Agry Pramita
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.25911

Abstract

This study examines the existence of women from the main character in novel using the feminism theory from Simone de Beauvoir. This study aims to identify the depiction of the main character and analyze the existence of women in the novel The Queen's Gambit by Walter Tevis. The data used is documentation using note-taking techniques and content analysis. The results of this study: (1) Women's representation in chess was often underestimated in the 1950-1960s era. (2) Discrimination against women cannot be avoided so that they do not get equal opportunities in the world of sports. (3) Beth, as the main character, is one of the pioneers in rejecting discriminatory treatment in sports, especially chess. (4) The main character describes women's existence through tenacity, belief, intelligence, attitude, and expressions of their defense. This research suggests that the existence of women can be fought for in sports, especially chess.
“BREAD & ROSES”: SOCIOLOGICAL ANALYSIS OF LITERATURE AND ITS RELEVANCE TO THE PRESENT IN THE CONTEXT OF THE WORKING CLASS Faza Fauziyyah
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.27226

Abstract

The article "Bread & Roses": An Analysis of the Sociology of Literature and Its Relevance to the Present in the Context of the Working Class" was created with the intention of explaining how working class people express their grievances in the form of literary works, called working class literature. Working class literature refers to a type of literature or literary work that raises issues, experiences, and realities of working class or working class life in society. Working class literature often describes the lives, struggles, and challenges faced by social groups working in industry, factories, agriculture, or other occupational sectors associated with manual or labor work. This article aims to deepen the understanding of how the working class expresses their grievances and protests through literary works, especially in the context of working class literature. Working class literature refers to a type of literature that specifically raises the issues, experiences, and realities of working class or working class life in society. The focus is often on the daily lives, challenges, and struggles faced by social groups working in industry, factories, agriculture, and manual labor or other labor. In this article, research is conducted by analyzing the text of the poem "Bread &; Roses" by Hakim Bellamy as a relevant example. The analysis is complemented by searching data through journals, websites, and books to support findings and broader understanding. Through an analysis of the content of this poem, we can gain insight into how workers convey their grievances and grievances through literary form, as well as their relevance to the situation and conditions of the working class today. In this study, data were obtained through textual analysis methods and search for diverse sources of information, as well as using a literary sociology approach, namely by paying attention to social phenomena that occur both when in the time setting in the poem (1787), when the poem was written (2011) and what its relevance is to the present (2023). The theory relevant to this research according to the author is the theory of Marxism, regarding the working class. By deepening the understanding of working-class literature and seeing concretization in the poem "Bread &; Roses", this article contributes to broadening the horizons of the way working class grievances and protests are expressed through literary form. The results of this study can provide a deeper understanding of the relevance of poetry to today's social and economic context, especially in relation to the struggles and aspirations of the working class. By analyzing the content of Hakim Bellamy's poem "Bread &; Roses", we can find out how the protests and grievances of workers are channeled into literary works and what their relevance is to the present.
NARRATIVES OF AFFECTION IN FIVE FEET APARTWRITTEN BY RACHEL LIPPINCOTT, TOBIAS IACONIS, AND MIKKI DAUGHTRY Mutmainah, Siti Faudziana; Priyawan, Pepen; Sariyati, Ice
Saksama: Jurnal Sastra Vol 2, No 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.28888

Abstract

Five Feet Apart is a romance novel written by Rachel Lippincott, Tobias Iaconis, and Mikki Daughtry about the love of two teenagers who are unable to be close to each other due to illness. This study aims to describe and explain the various types of love language and figurative love language found in the novel Five Feet Apart. This research is based on library resources. This research takes a qualitative approach. The issue in this study is the novel Five Feet Apart's various types of love languages and figurative language of love language. This investigation is divided into three stages. The first step is to gather information. Reading notes is the technique employed. Data analysis is the stage that comes after data collection. The data is analyzed descriptively. The results of the data analysis are then presented in the form of a presentation that includes an explanation of the novel Five Feet Apart. The theoretical triangulation validation method was used, which included document reading, recording, and analysis stages. According to the findings of this study, the expressions in the novel Five Feet Apart use a variety of love languages, including words of affirmation, quality time, physical touch, receiving gifts, and acts of service. Furthermore, in the novel Five Feet Apart, hyperbole, metaphor, simile, and personification are examples of figurative language of love language. 
RESPRESENTATIONS OF MASCULINITY IN BARBIE FILM 2023 Ramdhan, Mochamad Akmal; Yatmikasari, Ika; Sudarisman, Yoga
Saksama: Jurnal Sastra Vol 3, No 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37780

Abstract

Masculinity is the characteristics that are traditionally thought to be typical of or suitable for men. This research attempts to discuss a character's masculinity in The Barbie 2023 Film. To specify the research, the researcher divided this analysis into two research questions, they are: 1) What are the elements of masculinity depicted in The 2023 Barbie Film? 2) How is the depiction of stereotypical masculinity in The 2023 Barbie Film? Masculinity in Barbie 2023 is very interesting to discuss because it can be identified from various elements contained in the film, in this case the identification of masculinity can be seen from how the characters in this film behave, the instrinsic elements implied in the film, the setting, and also other things that illustrate how the elements of masculinity are contained in the film. The results of this study found two findings, namely the first is what elements of masculinity are found in this film in the form of how the character Ken has an athletic posture that strongly shows elements of masculinity and in several scenes in the film shows masculinity, then the findings of other stereotypes of masculinity that the author managed to identify from the dialog, character acting, setting, or atmosphere that is contained in this film.
CULTURAL INFLUENCES ON ROMANCE: A STUDY OF EXTERNAL FACTORS IN MAKOTO SHINKAI’S YOUR NAME Ikhsan, Raka Muhammad; Azis, Safrudin; Rohmana, Wahyu Indah mala
Saksama: Jurnal Sastra Vol 2, No 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.31579

Abstract

The novel ‘Your Name’ by Makoto Shinkai is a popular Japanese romance story that revolves around the body swap phenomenon between two high school students, Taki and Mitsuha, who live in different places and have different backgrounds. The novel explores the psychological aspects of their relationship, such as their identity, personality, emotions, and communication, as well as the external factors that affect their romance, such as their culture, environment, and destiny. This research paper aims to analyze the romantic conflicts that arise from the psychological and external factors in the novel, and to examine their relevance in the lives of contemporary college students who may face similar challenges in their romantic relationships. The research method used is a qualitative approach, using Freud’s theory of personality The data sources are the novel itself and some related literature. The data analysis is done by identifying, categorizing, and interpreting the data based on the research questions and the theoretical framework. The results of the analysis show that the romantic conflicts in the novel are caused by the following factors: the id-ego-superego dynamics, the identity crisis, and the communication barriers. The research also finds that these factors are relevant in the lives of contemporary college students, who may experience similar conflicts in their romantic relationships due to the influence of globalization, technology, social media, and individualism. The research concludes that the novel ‘Your Name’ provides a realistic and relatable portrayal of the romantic conflicts that may occur in modern society, and that the novel can be used as a source of inspiration and guidance for college students who want to overcome their romantic problems and achieve a harmonious and fulfilling relationship.
HOPE AND SACRIFICE IN THE SHORT STORY 'THE LAST LEAF’ BY O. HENRY Aisha, Shazfa Q.; Mahi M. Hkikmat, Mahi M.
Saksama: Jurnal Sastra Vol 3, No 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.36228

Abstract

This research explores the themes of hope and sacrifice using William Wordsworth's romanticism theory to analyse the themes of hope and sacrifice in O. Henry's short story "The Last Leaf." An ill young woman named Johnsy believes she will die when the last leaf on the ivy vine outside her window falls in this short story. The main characters of the story are her close friend Sue and their elderly neighbour Behrman, an artist who eventually sacrifices his life to keep Johnsy from losing hope by painting a realistic leaf. This research looks at Romanticism, which emphasizes emotion and nature, shaped the story's structure and development of characters in "The Last Leaf." This research examines how the characters' emotional experiences connect with Romantic ideals through a textual analysis of the short story. Based on the findings, it can be considered that Wordsworth's Romanticism is reflected in "The Last Leaf," which portrays the remarkable act of creating art, the strength of hope, and human sacrifice. Behrman's last act of kindness, painting the leaf, is seen as a romantic gesture that exceeds reality and captures the hope that is present in the hopelessness of winter. The research concludes that O. Henry's short story represents Romantic ideals and emphasizes the capacity for selflessness in the human spirit.
FROM WARRIORS TO UNITY: ANALYSING FANTASY FORMULA IN RAYA AND THE LAST DRAGON (2011) Tasari, Putri Devi; Assiddiqi, Hasbi
Saksama: Jurnal Sastra Vol 2, No 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.27767

Abstract

This research aims to analyze the conflict formula in Raya and The Last Dragon, directed by Carlos López Estrada and Don Hall. The film portrays the story of Raya, a female warrior in a country abundant with animals and a unique mode of transportation called Tuktuk, before it turns dystopian. The scenes from the film represent the cultural diversity of Southeast Asia. The research method employs a descriptive quantitative approach, analysing data and sources through the intrinsic elements of the film. Data collection techniques include documentation techniques, such as films and literary observations, and interactive techniques, such as data reduction, data presentation, and data collection. The writer applies literary theory to comprehend the literary systematics in films. The findings of this study reveal that Raya and The Last Dragon presents Kumandra as a country that exemplifies Southeast Asian civilization, aiming to demonstrate tolerance, resilience, acceptance, and unity.
RESISTANCE TO THE PATRIARCHAL CULTURE IN WHY WOMEN KILL (2019) BY MARC CHERRY Kamil, Syahrianu Syahidatul; Nurrachman, Dian; Ardiansyah, Erlan Aditya
Saksama: Jurnal Sastra Vol 3, No 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.37999

Abstract

This research aims to contribute to the analysis of feminism related to patriarchal culture and its resistance in the Why Women Kill television series that was released in 2019 and directed by Marc Cherry. The television series Why Women Kill (2019) illustrates that patriarchal culture grows and develops in people's lives as shown by the dominance of men over women in various aspects of society which causes women to experience underdevelopment and limited access to many fields in life. The analysis in this study includes the depiction of patriarchal culture in Why Women Kill (2019) and the resistance to patriarchal culture by female characters in Why Women Kill (2019). In conducting the analysis, the researcher used literary criticism method by using the theory of feminism from the thoughts of Mary Wollstonecraft and Helene Cixous to analyze feminism related to patriarchal culture and its resistance. This research found data analysis of 70 scenes in the film in the form of screenshots and dialogues. This research depicted patriarchy as a culture that is limiting women which makes women backward and disadvantaged, that patriarchy is depicting women as good mothers and wives, depending on men superiority, and as objects to satisfy men desires. In its resistance, women reject the traditional norms by being educated and having dreams and jobs. Women also resist to patriarchy by being independent from role of men, independent in defending themselves, and independent in making life decisions. Women also depicted to rebel against control of men. This research makes an answer to the title of this television series that “why women kill” because they wanted to “kill” norms and cultures that limit and harm women themselves and only fellow women understand how to be in that position. Keyword: Feminism, Film, Patriarchal Culture, Why Women Kill, Women

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