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Eva Solina Gultom
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ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 141 Documents
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Analysis of Conversational Implicature in Burnt Movie Directed by John Wells Silvana Hamsah; La Aso; Ela Martisa
ELITE: Journal of English Language and Literature Vol 7 No 2 (2022): Vol. 7 No. 2 December 2022
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v7i2.1807

Abstract

The objective of this research is to identify and describe the use of conversational implicature in the Burnt movie. The researcher used the implicature theory by Paul Grice to analyze the conversational implicature. The research methodology used in this research is a qualitative descriptive method. The source of this research is the data from the Burnt movie. To collect data, the researcher used several steps: watching the movie, pausing the movie that has conversational implicature, annotating the data, screenshotting the data, coding the data, and lastly reducing the data to present the needed data only. The result shows that both generalized and particularized conversational implicature is identified with the flouting maxim and the utterance that flouts the maxim has speech function. The use of conversational implicature in the character's utterances is such as useful for conducting good communication in the workplace. The characters use conversational implicature to convey the intention conveyed politely and quickly.
Greek Myth and Fantasy as Portrayed in Black Swan Movie Script by Andrez Heinz Wanda Firanci; Muarifuddin Muarifuddin; Nurisrafyan Sofian
ELITE: Journal of English Language and Literature Vol 7 No 2 (2022): Vol. 7 No. 2 December 2022
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v7i2.1854

Abstract

This study aimed to analyze racism in The Man Who Knew Infinity movie using Paradies, Harris, and Anderson's theory. The Man Who Knew Infinity released in 2016 is a film directed by Matthew Brown that features the character of a genius mathematician from India named Srinivasa Ramanujan who wants to publish his formula about mathematics at Trinity College. As an Indian, Ramanujan experienced various acts of racism committed by the British, both mentally and physically. This study used a descriptive qualitative method. The data was collected through four steps, such as watching, screenshotting, note-taking, and identifying the data. The result of this study showed that the main character experienced racism because of his race and nationality. The kinds of racism that the main character experienced namely stereotypes, prejudice, and discrimination.
The Eternals Become Eternals Parodying of Jack Kirby’s The Eternals Comic in Chloe Zhao Eternals Movie S. Filemon Vandits Sidupa; Muarifuddin Muarifuddin; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol 9 No 2 (2024): Vol. 9 No. 2 December 2024
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/bf69vm85

Abstract

Parody is one of the intertextual artistic statements with a certain character that has been recognized for a long time not only for witty satire but also for criticism. The object of this research was the Eternals movie (2021) and the Eternals comic(1967-1977). Using a qualitative method, this research is intended to identify the parody. There are two main sources of data collection: film and comic. Then, a series of data collection consists of watching films and taking scenes, dialog, and film visuals, juxtaposing the comic data taken using the reading method, and recording the results of the data found. This study uses Linda Hutcheon's theory of political parody. The result shows that (1) there are forms of parody in the Eternals film, which are described from two perspectives, namely the existence of subversion and legitimacy in several elements such as character function, character gender, storytelling structure, and cultural dilution. (2) There are parodied representations of God in movies and comics. (3) Parody not only changes but also creates incongruity in the placement of women as superior, the portrayal of superheroes, and the portrayal of villains in movies.
The Opposition Bourgeoisie Ideology in Titanic Movie Waode Nurhandi; Nur Israfyan Sofian
ELITE: Journal of English Language and Literature Vol 9 No 1 (2024): Vol. 9 No. 1 June 2024
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2189

Abstract

This study aims to analyze the opposition as reflected in the Titanic movie. The research used the descriptive qualitative method. The source of data in this research was taken from Titanic movie by James Cameron as data as primary data and a journal, literature, books, and some articles as secondary data. This research uses the theory of Marxism from Karl Marx which is used as a tool to analyze the finding and the opposition against bourgeoisie ideology in Titanic movie. The result of the research shows that there are two types of social class in the Titanic movies. Based on the findings and discussion, the research found 14 data on the relations between the bourgeoisie and the proletariat, 9 data on the class consciousness, 10 data on the opposition, and 8 data on The Paradox of Jack and Rose. The researcher concluded based on the result of the research that has been done and found 41 data that included the opposition against bourgeoisie ideology in Titanic movie.
Register in The Good Doctor Movie Muhammad Fadli Hasan; Ansor Putra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol 8 No 2 (2023): Vol. 8 No. 2, December 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2216

Abstract

This study aims to describe the types and functions of register used in The Good Doctor (season 5 episode 18). This research is qualitative and descriptive with The Good Doctor movie as the data source. The data were collected by watching, annotating, and coding. Analysis by presenting, describing, analyzing, and concluding the data. This research found there are 60 utterances of type of registers used in the movie such as Frozen, Formal, Consultative, Casual, and Intimate. Then, the researcher also found that there are sixty-six data on the function of the register including Emotive (13), Directive (21), Referential (26), Peotic (1), and Phatic (5). In this movie, the researcher found all types of registers used by characters. For the function of the register, the researcher only found five of six functions in the movie. The most used type of register is the casual register with twenty-eight data and referential is most used by characters in the movie with twenty-six data. The use of a casual register can reflect a more relaxed speaking style, not overly formal, and closer to everyday conversation. The metalinguistic function was not found because there are no situations where characters have a conversation that refers to the metalinguistic function in the movie.
Multiple Identities and Trauma Discourse in Shutter Island Movie Anggi Listiawati
ELITE: Journal of English Language and Literature Vol 8 No 2 (2023): Vol. 8 No. 2, December 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2261

Abstract

This study aims to describe multiple identities and trauma discourse in Shutter Island movies. To get answers to the research questions, this study uses two theories. First is the theory of multiple identities by Caldas Coulthard and Ladema (2008). Secondly theories of trauma discourse by Indradjaja and Zaumzeil (2014). This research uses the qualitative descriptive method. The source of data in this study was collected from the Shutter Island movie. The results show that the aspects of multiple identities and trauma discourse dominate each other because when the main character performs multiple identities then he will always experience strange dreams and hallucinations related to his past trauma and otherwise the main character performs multiple identities due to trauma. Second, the researcher found a relation between multiple identities and trauma discourse is something that affects each other because in each condition the main character performs multiple identities, and the trauma aspect will always appear and affect the main character's mental state, and otherwise the trauma aspect that makes the main character perform multiple identities.
Sign Description on Sausage Party Movie Directed by Greg Tiernan and Conrad Vernon Andika Andika; Ansor Putra; Arman Arman
ELITE: Journal of English Language and Literature Vol 8 No 1 (2023): Vol. 8 No. 1, June 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2265

Abstract

This study analyzes the signs that exist within the scope of cultural representation in the Sausage Party movie using Charles Sanders Peirce's semiotic theoretical approach. The purpose of this study is to analyze how culture is represented in the form of signs in the Sausage Party movie using Charles Sanders Peirce's Semiotic theory approach. The data source is taken from the film Sosis Party. This research uses a descriptive qualitative method. Data collection is done by searching and downloading, watching movies, classifying, and coding data. based on the analysis the researcher managed to find fifteen signs which were divided into several types of signs including, icon, index, symbol, qualisign, legsign, sinsign, rheme, dicent, and argument. Every sign that appears on the characters in this film has a very precise placement and cannot be separated from the rules of the culture that is being represented.
Discourse and Racism in Hidden Figures Nur Rachmatiya Rosa Zahra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol 8 No 1 (2023): Vol. 8 No. 1, June 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2268

Abstract

This research aims to describe discourse and racism in the Hidden Figures movie using discourse and racism theory based on Dijk's approach. The results showed that the ten aspects of Dijk's theory of discourse and racism could be found in several characters such as speech, expressions, and actions that refer to the use of discourse and racism in the Hidden Figures movie. Two aspects of discourse and racism are most dominantly depicted in this movie, namely aspects of nonverbal structure and aspects of syntax. In the nonverbal structure aspect, the visible form of racism is the depiction of facial expressions such as anger, annoyance, and dislike as well as body movements refusing to interact for a long time with black people. Discourse and racism in the Hidden Figures movie also display racist behavior towards black people as a reflection of a system of prejudice, namely negative emotional reactions and stereotypes, namely judgments or assumptions based on groups and people's characteristics. This is illustrated by the experiences of Katherine, Dorothy, and Mary regarding the separation of public facilities such as toilets, libraries, and education.  
Deontic Modality in The Invisible Man Movie (A Systemic Functional Linguistics Perspective) Dian Arnhy Muhtar; Neil Amstrong
ELITE: Journal of English Language and Literature Vol 8 No 1 (2023): Vol. 8 No. 1, June 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2271

Abstract

This research discusses the aspects of action and speech that are contained in The Invisible Man movie based on the theory of Jespersen and Palmer (2007) in the sub-categories commissive, directive, and volitive. The objective of this research is to describe deontic modality in three sub-categories commissive, directive, and volitive in The Invisible Man movie. This research used the descriptive qualitative method. The sources of data of this research are audio visual as primary data and written utterances from screenshotting and transcribing as secondary data. The data is from The Invisible Man movie. Data collection was carried out by searching and downloading movies, watching movies, screenshotting, classifying, and coding. Data were analyzed by presenting, describing, interpreting, and concluding data to answer research questions from this research. The results show that 18 data are included in the sub-categories commissive, directive, and volitive. Deontic modality appears because it is made by several characters in the movie that make promises and threats (commissive), make requests, order others to do something, give suggestions, carry out obligations (directive), and hope for something (volitive). The researcher found that the characters in The Invisible Man movie adopt deontic modality aspects that focus on the sub-categories commissive, directive, and volitive modality because many scenes show how aspects of the three sub-categories are used by characters to overcome existing problems. These three sub-categories are related to each other, the existence of a commissive that will lead to the directive to volitive.  
Account in Death on the Nile Movie (A Discourse Analysis) Sri Wulandari; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol 8 No 1 (2023): Vol. 8 No. 1, June 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2272

Abstract

This research discusses the aspects of action that contain accounts in Death on the Nile movie, based on the theory of Scott and Lyman (1968) on the aspect of excuses and justification. The objective of this research is to describe the types of accounts in Death on the Nile movie. The researcher used a descriptive qualitative research method. The data sources in this research are divided into two categories, namely movies as primary data and audiovisual as secondary data. Data collection was carried out by downloading movies, watching movies, reading intensively, and selecting data based on the communicative action model. The data was analyzed by presenting, describing, interpreting, and concluding data to answer the research question from this research. The result of the research shows that there are 14 data accounts in Death on the Nile movie. This account occurs because it was created by several characters in the movie who provide excuses and justifications to avoid being accused of the murder incident of a wealthy woman named Linnet. Findings, the researcher found that all justifications are excuses, but not all excuses are justifications. In addition, the justification aspect is more dominant used to justify bad behavior, in the excuses aspect the type of appeal to defeasibility can be used to kill the victim, the appeal to accident aspect is used to make unexpected events, and the appeal to biological aspect is the last aspect that causes behavior. There is no scapegoating aspect in this movie.

Page 12 of 15 | Total Record : 141

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