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Hijratur Rahmi
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Scoring: Journal of Film Music
Published by Institut Seni Indonesia Padang Panjang
ISSN : -     EISSN : 30218764     DOI : http://dx.doi.org/10.26887/scoring
Core Subject : Art,
Arts
Scoring: Journal of Film Music, an academic journal published by the Department of Film Music, Faculty of Performing Arts, Institut Seni Indonesia Padangpanjang twice a year. This journal publishes original articles focusing on the results of studies in the field of film music. The coverage of topics in this journal includes: Music in moving picture Composition or Arrangement for film music History of film music Theory of Film Music or Analysis Music Technology Music Studies
Arjuna Subject : Seni dan Humaniora - Musik
Articles 6 Documents
 1 
Search results for , issue "Vol 3, No 1 (2025): Scoring Jurnal of Film Music" : 6 Documents clear
Musical Illustration in the Film Silogui: A Cinematic Study of Mentawai Children Martiano, Vereki; Zaidi, Ahmad; Askhan, Asifa; Putra, Andika Bayu
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5654

Abstract

ABSTRACT  The film "Silogui" offers an authentic portrayal of children's lives on Siberut Island, Mentawai, West Sumatra, highlighting noble cultural values, reverence for nature, and the strong presence of ancestral spirits. The main narrative follows Kumey, who ventures to find Arenga palm wood with his friend, Aduy. Conflict arises when Kumey is disturbed by a great forest guardian spirit for failing to perform the Panki ritual. This incident leads Kumey to regret and promise to respect nature and ancestral customs. This journal specifically examines how musical illustration serves as the backbone of the narrative in "Silogui," analyzing how every note and rhythm not only accompanies but also actively shapes the cinematic experience, strengthening cultural themes, and deepening the emotions of the Mentawai child characters. Using a qualitative approach with semiotic analysis of music and film narrative, this research finds that music plays a crucial role in building atmosphere, representing spiritual values, and reinforcing messages of preservation.Keywords: Silogui, Kumey, Aduy,  Siberut, Mentawai, Panki   
Interpretation and Expression of Violin Soloist in Playing: Concerto In E Major, My Heart Will Go On, and Laila Canggung Nasrullah, M.; Sidik, Hadaci; Wijaksana, Bambang; Enida, Delfi; Dary, Mohammad
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5551

Abstract

Performances of musical repertoire from various eras, such as classical, modern, Malay, and popular, are wrapped into a solo violin performance in the form of interpretation and expression of works using musical performance techniques that contain conventional rules. This performance consists of several repertoires from different eras. The first repertoire is a repertoire that originates from the baroque era or the 16th century, entitled Concerto in E Major No. 1 Spring, with a combination of Antonio Vivaldi, which was created in 1725. The second repertoire is My Heart Will Go On, which is popular. The third repertoire is Laila Awkward, which Hamid and Amardi Raga created. Presenters interpret and express their repertoire by applying techniques such as arpeggios, trills, legato, and slurs to create a perfect performance.
Tanoh Kamoe: Tarek Pukat In The Form Of A Two-Part Musical Composition Aqilah, Fatin; Surayya, Yade; Sina, Ibnu; Syaputra, Weldi
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5544

Abstract

This composition raises the tradition of Tarek Pukat, an art and culture from the coastal communities of Aceh, as the basis for creating a musical composition entitled Tanoh Kamoe. This tradition, which reflects the spirit of cooperation and the life of fishermen, is adapted into a two-part musical composition using the Acehnese Fusion Ensemble format. The original melody of Tarek Pukat, which is simple and repetitive, is developed through musical processing techniques such as augmentation, diminution, imitation, and sequence. This composition consists of two parts: Part I emphasizes traditional musical instruments such as serune kale, rapa’i, vocals, and flutes, while Part II presents a modern nuance with orchestral instruments and a combo band. With a total duration of 15 minutes, this work describes the journey of fishermen from preparation, fishing, to sharing the catch. The creation method involves exploring music theory, interviews, and using software such as Sibelius. Through this work, it is hoped that local traditions can be preserved and recognized by the wider community while providing innovation in the processing of tradition-based musical art. Ensemble
Babunyi: Recomposition of Materak Art in Minimalist Music Concept Al Mubaraq, M. Habib; Panggabean, Della Rosa; Anggraini, Nora; Putra, Vindo Alhamda
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5547

Abstract

The musical composition “Babunyi” (a recomposition of Materak art in the minimalist music concept) is inspired by one of the kompang patterns found in Materak art, specifically the Kurang 1 pattern, which consists of the Induk (parent), Anak 2 (second child), and Anak 3 (third child) patterns. The concept of "Babunyi" utilizes a minimalist music approach, processed using the harmonic minor scale, and will be realized in a mixed ensemble format. The creation method for this work consists of three stages: exploration, experimentation, and realization. There are three structural processes in this composition: I (restricted pitch and rhythm materials), II (phasing), and III (long duration). The conclusion drawn is the use of minimal patterns followed by gradual changes until a complete musical composition is achieved.  Keywords : Materak, Kompang, Kurang 1, Minimalist Music, Mixed Ensamble.
Sound Design Composition Of ISI Padangpanjang with Studio one 5 Application Gulo, Yogi; Zaidi, Ahmad; Rahmadinata, Melisa Fitri; Munafri, Sastra; Hendri, Yon
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5549

Abstract

The sound composition of the Indonesian Institute of the Arts Padang Panjang with the Studio One 5 Application is a process of creating musical works using digital technology. This musical composition originates from the activities of the academic community that took place in the environment of the Indonesian Institute of the Arts Padang Panjang. The Studio One 5 application is used as a tool to process sounds taken from art education activities, then processed in a demicrophone manner to become a new sound composition. This composition was created with the aim of describing the atmosphere in the environment of the Indonesian Institute of the Arts Padang Panjang which is presented through audio sound. The method of creating the sound composition of the Indonesian Institute of the Arts Padang Panjang involves modern music production techniques. The stages of creation are by recording audio samples which are then processed through the Studio One 5 application, and given additions such as the use of sound effects, mixing, and digital mastering. After the entire music work is complete, the musical composition that originates from the sounds in the environment of the Indonesian Institute of the Arts Padang Panjang then becomes a new musical composition entitled sound design isi padangpanjang.
Application of Superman Songs In the Pop Rock Genre Goes to Reggae with Ensemble Format at SMAN 3 Padangpanjang rizki, azkia ghaniya; Yonhendri, Yonhendri -; Emridawati, Emridawati -; Awerman, Awerman -; Anggara, Rama
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5548

Abstract

The research entitled "The Application of Superman Songs in the Pop Rock Goes to Reggae Genre with Ensemble Format at SMA N 3 Padangpanjang" aims to determine the ability of researchers in providing learning in the field of music to students of SMA N 3 Padangpanjang. Lagu Superman is arranged into a musical ensemble format with instruments such as bellyra, pianica, bass guitar, electric guitar, drumset, and vocals. The research method used is qualitative in the form of action research, where the researcher goes directly to the research site. In the research process, the researcher applied several supporting methods: demonstration, imitation, exercise, and evaluation. This research aims to show students' progress and knowledge in playing musical instruments and understanding music's tempo and dynamics. The results of the research and teaching were performed by the students of SMA N 3 Padang Panjang at the Hoeridjah Adam Performance Building, Indonesian Institute of the Arts, Padangpanjang. 

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