PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA
Prosiding Seminar Nasional dan Internasional Himpunan Sarjana-Kesusastaan Indonesia terbit satu kali setahun sejak November 2020 merupakan forum bagi dosen, peneliti, dan mahasiswa dalam bidang ilmu pendidikan bahasa, sastra, seni, dan budaya. Redaksi menerima artikel dan laporan penelitian mengenai inovasi dan perkembangan dalam pendidikan bahasa, sastra, seni, dan budaya termasuk: 1. Analisis sastra. 2. Hasil Penelitian Sastra Indonesia. 3. Hasil Penelitian Pembelajaran Bahasa dan Sastra Indonesia.
Articles
192 Documents
<![CDATA[COVER PROCEEDING INTERNATIONAL CONFERENCE ON LITERATURE ]]>
<![CDATA[COVER PROCEEDING HISKI]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2021: PROCEEDING INTERNATIONAL CONFERENCE ON LITERATURE HISKI (NOVEMBER 2021) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v0i0.2
<![CDATA[PROCEEDING INTERNATIONAL CONFERENCE ON LITERATURE HISKI]]>
<![CDATA[STUDY OF SOCIOLOGY OF LITERATURE IN THE COLLECTION OF SHORT STORIES KANG MAKSUM BY A. MUSTOFA BISRI ]]>
<![CDATA[Surastina Surastina]]>;
<![CDATA[Effrina Yuricki]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2021: PROCEEDING INTERNATIONAL CONFERENCE ON LITERATURE HISKI (NOVEMBER 2021) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v0i0.34
<![CDATA[This research aims to understand and describe the sociology of literature is a collection of short stories Kang Maksum work of A. Mustofa Bisri starting from the content, themes, and goals. This qualitative research used a description model. The author used A. Mustofa Bisri's collection of Kang Maksum short stories to be subjected to the study. The data collection technique used is a documentation technique. Data analysis in this study is carried out in a qualitative descriptive manner, namely by way of interpretation, analysis, and evaluation. Studied from the point of view of literary sociology, the content of Kang Maksum short story by A. Mustofa Bisri shows a picture of social life that is experienced by the author of his own short story, namely A. Mustofa Bisri. Broadly speaking, the short stories are written want to convey some advice to readers that simplicity in life should be upheld as a principle of life. Each short story is themed on simplicity, social care, concern for the environment, luxury behind simplicity, ambitious attitudes in socio-political life to realize the nation's dream, and the need for values of obedience to God in life. Social topics raised by A. Mustofa Bisri in short stories also play a role in learning for readers as well as a picture of the social life of every community in an area.]]>
<![CDATA[CINTA TANAH AIR SEBAGAI MANIFESTASI NILAI KEBANGSAAN PADA NOVEL LINGKAR TANAH LINGKAR AIR KARYA AHMAD TOHARI ]]>
<![CDATA[Teguh Prakoso]]>;
<![CDATA[Venus Khasanah]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2023: THE 31st HISKI INTERNATIONAL CONFERENCE ON LITERARY LITERACY AND LOCAL WISDOM (JUNI 2023) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v3i0.71
<![CDATA[Saat ini, diskusi tentang nilai kebangsaan menjadi penting. Kondisi ini dipicu munculnya paham intoleransi oleh kelompok yang menganggap dirinya eksklusif dan paling benar. Dalam konteks yang demikian, cinta tanah air sebagai manisfestasi nilai kebangsaan pada novel Lingkar Tanah Lingkar Air (selanjutnya disebut LTLA) adalah hal yang penting untuk disampaikan. Dalam novel tersebut, Ahmad Tohari berhasil mengemas pesan nasionalisme yang harus selalu dirajut dalam perspektif Islam. Metode yang digunakan dalam penyusunan artikel ini adalah strukturalisme genetik. Sementara itu, pendekatan yang digunakan adalah sosiologi sastra. Hasil penelitian menunjukkan bahwa terdapat pesan yang ingin disampaikan dalam kontekstualisasi Islam sebagai perwujudan cinta tanah air. Pesan ini diwujudnyatakan pada pemikiran-pemikiran Kyai Ngumar tentang toleransi. Selain hal tersebut, pandangan dunia pengarang yang terbangun menunjukkan bahwa harmonisasi dan keselarasan hidup menjadi pondasi pemikiran yang harusnya menjadi tuntunan kehidupan di Indonesia hingga saat ini. Inilah nilai kebangsaan yang menjadi kunci tatanan hidup dalam bingkai Negara Kesatuan Republik Indonesia.]]>
<![CDATA[MEMBANGUN PEMBELAJARAN SASTRA LISAN YANG BERBASIS KEARIFAN LOKAL MELALUI MODEL PEMBELAJARAN ARIAS SEBAGAI UPAYA KREATIF DAN INOVATIF MENGEMBANGKAN KEMAMPUAN MENULISMAHASISWA DI ERA GLOBALISASI ]]>
<![CDATA[Sakdiah Wati]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2023: THE 31st HISKI INTERNATIONAL CONFERENCE ON LITERARY LITERACY AND LOCAL WISDOM (JUNI 2023) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v3i0.93
<![CDATA[Model pembelajaran ARIAS merupakan strategi yang dikembangkan dengan mengacu pada berbagai pendekatan pembelajaran yang diasumsikan mampu meningkatkan kualitas proses belajar mengajar. Pengembangan ini diharapkan dapat menantang para mahasiswa untuk menghasilkan sesuatu yang kreatif dan inovatif. Karenanya, disana-sini diperlukan gerilya pengajaran sastra dan perjuangan mati-matian untuk merombak model yang telah lekat dibenak para mahasiswa. Paling tidak, di ikhwal yang perlu ditanamkan pada mereka bahwa melalui model pembelajaran ARIAS ini, baik pengajar maupun mahasiswa, akan terusik untuk, menentukan informasi, mendialogkan, dan menciptakan karya sastra yang kreatif dan inovatif. Penelitian ini merupakan penelitian ranah kuantitatif yang bertujuan untuk menguji cobakan keefektifan sebuah model pembelajaran. Manfaat penelitian ini untuk menciptakan model pembelajaran ARIAS dalam menulis sastra yang kreatif dan inovatif. Untuk mencapai tujuan itu, metode yang digunakan dalam penelitian ini adalah metode pengembangan atau Research and Development (RD) dari Gall danBorg(2003).Rancangan penelitian ini sangat tepat digunakan di bidang pengetahuan sosial dan bahasa karena bidang-bidang tersebut beradaptasi dengan berbagai tingkah laku manusia, pembelajaran bahasa, dan perilaku bahasa. Target khusus yang ingin dicapai dalam penelitian ini adalah terciptanya model pembelajaran ARIAS bagi mahasiswa Program Studi Bahasa Indonesia di berbagai universitas di kota Palembang dengan spesifikasi sebagai berikut: (1) tujuan pembelajaran sesuai dengan Kurikulum; (2) dapat dilakukan dengan atau tanpa dosen; dan (3) dapat mengembangkan keterampilan menulis yang kreatif dan inovatif bagi mahasiswa.]]>
<![CDATA[KONSEP AGURUWAKTRA: SEBUAH METODE BELAJAR SECARA TRADISIONAL DALAM SASTRA USADA ]]>
<![CDATA[Jirnaya, I Ketut]]>;
<![CDATA[Paramartha, Komang]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2024: Konferensi Internasional Kesusastraan XXXII HISKI (Maret 2024) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v1i0.133
<![CDATA[Di dalam proses pengajaran diperlukan metode mengajar yang tepat sehingga keberhasilan pendidikan itu akan lebih optimal. Salah satu karya sastra usada, yaitu Usada Budha Kacapi memuat tentang pendekatan aguruwaktra ketika mendidik siswanya untuk mencapai target sebagai dukun yang sakti (sidhi wak bajra). Sebagai sebuah karya sastra sangat berdampak pada pembaca atau masyarakat terkait dengan pola sistem pengajaran. Untuk mengkaji lebih jauh dampak karya sastra terhadap pembaca, maka akan dipakai teori dampak dan juga estetika resepsi (Dwi Susanto, 2015). Setelah diadakan penelitian tentang konsep aguruwaktra dalam Usada Budha Kacapi, dapat diketahui bahwa aguruwaktra merupakan metode pembelajaran yang efektif. Dimulai dari wawancara dengan calon untuk mengetahui keseriusannya. proses belajar dengan proses pendampingan karena akan bermanfaat bagi pengajar. Guru dapat mengetahui siswanya secara mendetail, termasuk aspek kejiwaan. Guru berposisi sebagai orang tua dan siswa sebagai anak. Ada keterjalinan emosional, Situasi belajar tidak tegang karena diselipi guyonan. Siswa lebih leluasa menyampaikan semua permasalahannya, terutama pada tahap diskusi dan praktek (Jirnaya, dkk. 2022).]]>
<![CDATA[BANYUWANGI SONG: THE USING CULTURE IN SECONDARY ORALITY ]]>
<![CDATA[Heru S.P. Saputra]]>;
<![CDATA[Titik Maslikatin]]>;
<![CDATA[Edy Hariyadi]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2021: PROCEEDING INTERNATIONAL CONFERENCE ON LITERATURE HISKI (NOVEMBER 2021) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v0i0.25
<![CDATA[This study aims to discuss the lyrics of the Basanan song by B.S. Nurdian, sung by Catur Arum and posted on the Youtube channel, interprets the Using (Banyuwangi) culture in the context of secondary orality. This study uses a qualitative method with an oral approach to analyze the formula and oral characteristics in the text of the Basanan song. The results showed that the text of the Basanan song contained the tautotes repetition formula, mesodiplosis repetition formula, anaphora repetition formula, and showed formulaic expressions. The language characteristics in the Basanan text are the characteristics of spoken language because they are additive and aggregative. The substance of the text of the Basanan song reflects the cultural condition of the Using community. In the development of media, many Using people use social media to express artistic expression and for financial gain. The significance of the dynamics of civilization for the Using people is that the primary oral language has now entered the secondary oral language and has become a popular cultural product for the Using people, Banyuwangi, reflecting the dynamics of their civilization.]]>
<![CDATA[RECOMMENDATION FOR DISASTER MITIGATION THROUGH THE ANALYSIS OF INDONESIAN NOVELS ]]>
<![CDATA[Eva Dwi Kurniawan]]>;
<![CDATA[Septi Riana Dewi]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2020: 29TH INTERNATIONAL CONFERENCE ON LITERATURE AND HISKI 36TH ANNIVERSARY IN GORONTALO 2020 (Lite ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v0i0.59
<![CDATA[Disaster becomes a phenomenon that cannot be separated from human life. The increasing intensity of disasters recently signaled that readiness to face the impact of disasters must be increased. Many Indonesian novels provide implied and explicit recommendations regarding disaster mitigation. This study analyzes the recommendations presented in Indonesian novels. The method used in this research is structural. The findings obtained from this study are the recommendation for disaster mitigation in the fields of technology, social, religion and transportation.]]>
<![CDATA[HEGEMONI KEKUASAAN DALAM LIRIK LAGU RAP “PANOPTIKANUBIS” KARYA HOMICIDE ]]>
<![CDATA[Yakobus M. Langkelang Niron]]>;
<![CDATA[Karolus Budiman Jama]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2023: THE 31st HISKI INTERNATIONAL CONFERENCE ON LITERARY LITERACY AND LOCAL WISDOM (JUNI 2023) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v3i0.117
<![CDATA[Lyrics in the flow of rap songs have a major role as a producer of meaning and aesthetics of a rap song. The concept of rap song lyrics has similarities with poetry and prose so that it can be said to be a literary text type. This study aims to examine the meaning comprehensively and described the forms of hegemony of power expressed in the lyrics of the rap song entitled "Panopticanubis" by Homicide. This study used a qualitative method with a content analysis approach. The data that is the focus of this research are words and phrases and clauses. Gadamer's hermeneutical theory is used as the main analytical knife to dissect the text and Gramsci's perspective on hegemony theory is used as a supporting theory. The results of the study prove that there are language variants or stylistics to produced meaning, including figurative language, scientific terms, and loan words. This song is interpreted as a concern about the formation of ideology and the hegemony of power that appears in the lyric text. The ideological formations contained in the text include imperialism, authoritarianism, feudalism, capitalism, neoliberalism, socialism. The forms of hegemony of power stated in the text include the power of the political community covering economic, political, social, technological and information aspects as well as defense. Meanwhile, the hegemony of civil society only occurs in the social aspect.]]>
<![CDATA[DAMPELAS ORAL LITERATURE LEGACY BY LITERATURE STRATEGY ON LITERATURE REVITALIZATION ACTIVITIES ]]>
<![CDATA[M. Asri B.]]>;
<![CDATA[Tamrin Tamrin]]>;
<![CDATA[Nursyamsi Nursyamsi]]>;
<![CDATA[Sitti Harisah]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2021: PROCEEDING INTERNATIONAL CONFERENCE ON LITERATURE HISKI (NOVEMBER 2021) ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v0i0.16
<![CDATA[The results of the study stated that the Dampelas oral literature needs to be revitalized because it was only a matter of counting the fingers of the speakers who could use it and it was rarely displayed in traditional events. This oral literature also needed to be inherited because it contains many virtues and was very beneficial for the younger generation as the next generation. The target of this oral literature revitalization activity was a community of 100 junior high school (junior high) children, which was divided into 90 junior high school students and 10 accompanying teachers. There were three resource persons/maestros who passed on Dampelas oral literature through literacy strategies, namely reading, chanting or singing verses that had been prepared by the resource person (maestro). The types of Dampelas oral literature that were revitalized were (1) modade oral literature, namely the type of oral literature in the form of Dampelas language poetry, (2) mobabai oral literature, which was a type of Dampelas language folk song.]]>
<![CDATA[REPRESENTATION OF LITERARY TOURISM IN TEXT STUDY AND THE TOMB CAVE OF SITTI NURBAYA ]]>
<![CDATA[I Nyoman Suaka]]>
<![CDATA[ Prosiding Seminar Nasional dan Internasional HISKI 2020: 29TH INTERNATIONAL CONFERENCE ON LITERATURE AND HISKI 36TH ANNIVERSARY IN GORONTALO 2020 (Lite ]]>
Publisher : <![CDATA[Himpunan Sarjana-Kesusastraan Indonesia (HISKI) ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.37905/psni.v0i0.50
<![CDATA[The purpose of this paper is to describe the text of the novel Sitti Nurbaya by MarahRusli is associated with a grave and Sitti Nurbaya soap opera. The linkage of these three variables in the literary tourism frame (literary tourism) is a new approach in the study of literature. The literary tourism approach which is now looking for that form departs from the approach of literary sociology, literary psychology, literary anthropology and others that have been established as literary theories. In this analysis, an intertextuality approach will be used. Data were collected through observation of novel texts, SittiNurbaya soap operas and direct observations to the SittiNurbaya tomb cave located on the summit of Mount Padang, West Sumatra. Data was also obtained from interviews with officers and visitors of the SittiNurbaya Park attraction. Data analysis is intertext data analysis by juxtaposing novel texts, soap operas and the existence of SittiNurbaya’s grave cave. The results showed that the story of the Sitti Nurbaya novel became its own charm in the development of tourism in the city of Padang, West Sumatra. The SittiNurbaya tomb cave is part of Taman Sitti Nurbaya which is created with domestic and foreign tourists on certain days. As a legendary story, the Sitti Nurbaya story is believed by the local community to have occurred, even though Marah Rusli’s creation is fictional. The Sitti Nurbaya Park was used as the location for the Sitti Nurbaya soap opera played by Novia Kolopaking as Sitti Nurbaya, Gusti Randa as Samsul Bahri, HM Damsyik as Datuk Maringgih and other famous artists. Even the new bridge that was built towards the Mount Padang hill was named the Sitti Nurbaya Bridge. Thus the study of novel texts, grave caves and Sitti Nurbaya soap operas supports the concept and approach of literary tourism (literary tourism).]]>
