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Catharsis
Published by Universitas Negeri Semarang
ISSN : 22526900     EISSN : 25024531     DOI : -
Core Subject : Art,
Arts
Catharsis: Journal of Arts Education provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 37 Documents
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Visually Spreading the Message: Da'wah Through Illustration in Peduli Jilbab Community Septiana, Wilujeng Eky; Rahina Nugrahani; Tjetjep Rohendi Rohidi
Catharsis Vol. 13 No. 1 (2024): June 2024
Publisher : Universitas Negeri Semarang

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Abstract

This study explores the role of Muslim women in spreading Da'wah through visual illustrations within the Peduli Jilbab Community on social media. The research addresses the need to understand how religious values and visual arts intersect to promote Islamic teachings. Employing a qualitative approach guided by Rohidi (2011), the study aims to systematically describe and analyze the involvement of Muslim women in religious outreach via digital illustrations. Data were collected through participant observation, interviews, documentation, case studies, and Focus Group Discussions (FGDs). The interdisciplinary methodology integrates virtual ethnography, aesthetics, and Islamic values, examining digital illustrations when online interactions became crucial. The study involved 129 members selected through social media outreach and community gatherings. Results indicate that visual illustrations effectively convey religious messages, enhance personal faith, and engage a broader audience. The findings highlight the potential of combining art and Da'wah, offering insights into innovative methods of religious outreach in the digital age. These implications underscore the importance of supporting creative expressions of faith and fostering inclusive, virtual communities for religious education.
Transformation And Representation of Dolalak Dance in Purworejo District Nimas Agustin Purwaningtyas, Nimas Agustin Purwaningtyas; Agus Cahyono; Hartono Hartono
Catharsis Vol. 13 No. 1 (2024): June 2024
Publisher : Universitas Negeri Semarang

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Abstract

Dolalak Dance is a traditional dance originating from Purworejo Regency which was born in 1915 with male dancers. Over time, the Dolalak Dance has transformed in the form of performance and function of the Dolalak Dance performance. This is due to acculturation and cultural assimilation. Researchers are interested in the transformation and representation of Dolalak Dance in Purworejo Regency because it provides benefits including transformation as the identity of the Dolalak Dance group, transformation can increase interest in Dolalak Dance cultural art appreciators. Dolalak dance transformation can meet market demand, Dolalak Dance transformation can maintain the existence of the Dolalak dance itself, Dolalak dance transformation is expected to be able to attract the interest of new dance art appreciators. The formulation of the research problem is: 1. How is the transformation process that occurs in Dolalak Dance in Purworejo Regency 2. How is the representation in the Dolalak Dance performance in Purworejo Regency? The study aims to analyze the transformation of the form of the Dolalak Dance Performance and representation in the Dolalak Dance performance in Purworejo Regency. This study uses a qualitative research method with an interdisciplinary approach, namely sociology of art, ethnochoreology, and art education. Data collection techniques are carried out using observation, interview, and documentation techniques. Data validity techniques use data triangulation.The results of the study revealed that the form of Dolalak Dance in Purworejo Regency experienced 4 stages of transformation. (1) The first stage in 2003 Bedhol Dance (2) The second stage in 2012, Dolalak Lentera Jawa I Dance (3) The third stage in 2014 Dolalak Lentera Jawa II Dance, Dolalak Sri Lestari Dance. Representation in the Dolalak Dance is reflected in the transformation of the Dolalak Dance form, and the meaning contained in the Dolalak Dance. The suggestion in this study is that the Dolalak Sri Lestari Dance Group and the community are expected to continue to preserve the Dolalak Dance with innovations that are still by Javanese cultural traditions without eliminating the essence of the Dolalak Dance.
Analysis of Instagram Content Design for the Visual Promotion of Kopi Bengkong, a Micro, Small, and Medium Enterprise Coffee Product Afriliyani, Vika; Eko Sugiarto
Catharsis Vol. 13 No. 1 (2024): June 2024
Publisher : Universitas Negeri Semarang

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Abstract

The rapid advancement of technology, particularly in information and communication technology (ICT), has significantly impacted various aspects of human life, including economic development. This shift has influenced global marketing trends, transitioning from conventional (offline) to digital (online) marketing. Digital marketing empowers potential buyers to access product information and conduct transactions online. This study aims to analyze how visual content design on Instagram can be utilized as an effective promotional medium for Kopi Bengkong, a local coffee product. This research employs a qualitative content analysis approach, focusing on the visual content components posted on the Instagram account @bengkong_coffee. Data collection methods include document study, literature review, and virtual observation. The findings indicate that creative and engaging visual content on Instagram can enhance brand awareness and audience engagement, thereby expanding the market reach for local coffee products.
Gender-based Batik Education for Women Crafters Group in Papringan Batik Center, Banyumas Amira Afra, Yasnia
Catharsis Vol. 13 No. 1 (2024): June 2024
Publisher : Universitas Negeri Semarang

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Abstract

The development of Papringan batik in Banyumas was influenced by Diponegoro's troops, with crafters women playing a significant role in production and marketing. Nevertheless, there is a gap in the passing down of batik knowledge, as crafters women only have insufficient knowledge of the process and continue to serve as both time fillers and financial support for their families, despite batik being an integral aspect of their lives. The objective of this study is to analyze the learning process (knowledge acquisition, skill value) of craftswomen in Sentra Batik Banyumas in relation to their gender roles. This investigation employs an interdisciplinary approach and a qualitative methodology. Interviews, observation, and documentation were used as data collection methods. Data validity techniques involved the triangulation of sources, methods, and theories. The results show that in the Papringan Banyumas Batik Center, crafters women acquire batik knowledge, values, and skills through a variety of channels, such as hereditary inheritance in the family, formal job training, and interaction with peers. In addition, social media is a significant resource for obtaining information regarding batik techniques and abilities. The knowledge acquired includes practical skills in the production process, aesthetic values, and technical aspects of batik dyeing.
Aesthetic Study on Sakucing's Instagram Channel as an Educational Media for Teenagers Reza Trisnawati, Rossalia; Sugiarto, Eko
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

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Abstract

Cats are one of the most desirable animals to keep because of their cuteness. To get them, people usually buy them from pet shops, animal breeders, or adoption. However, not everyone who keeps them pays attention to the responsibilities and risks involved in keeping them.  Many abandoned cats posted on social media show the lack of awareness and information on animal welfare. Instagram provides an opportunity to deliver these messages effectively and creatively as it is one of the most popular social media platforms in Indonesia. The discussion of visual aesthetics studies is used to deepen the understanding of how visual elements affect perception and interpretation. In this digital age, where visuals play an important role in communication, understanding aesthetics becomes relevant as it is able to make information more attractive and easy to understand.  This research aims to explain the aesthetics and messages contained in Sakucing.id's Instagram content. This research uses descriptive qualitative methods. Data collection techniques were obtained by documenting literature data, artwork data, and content information data. Data analysis is done by analyzing the visual and content analysis of the content, then studying it using Fledman's aesthetic theory. The results show that the visualization of Sakucing content illustrations interprets the invitation to care more about cats by expressing it using a cartoon style as a visual appeal aimed at teenagers.
Character Education Through Traditional Ranup Lam Puan Dance: A Study of Kindergarten Teachers at Almuna Bireuen Rudy Juli Saputra; Novysa Basri; Vinny Aryesha
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v13i2.16258

Abstract

The purpose of this study was to determine character education through the learning process of traditional Ranup Lam Puan dance for teachers of Almuna Bireuen Kindergarten, namely implementing the values ​​of character education contained in the traditional Ranup Lam Puan dance. The type of research used in this study is qualitative interpretative. The researcher in this case describes the reality accurately and factually about the problems raised in the study, namely regarding the implementation of character education through the learning process of Traditional Ranup Lam Puan Dance for teachers at Almuna Bireuen Kindergarten. Data collection in this study consisted of observation, interviews, and document studies. The data analysis technique used interactive model data analysis consisting of data reduction, data presentation, and data verification. The results of the study showed that Almuna Bireuen Kindergarten teachers had implemented character education through traditional Ranup Lam Puan dance well in classroom learning with their students. The form of school or class activities and programs ran well and regularly according to the implementation schedule. So that the Ranup Lam Puan Dance has an impact on the learning process by providing character education to children from the Ranup Lam Puan Dance Movement which can be seen from the behavior of children who respect guests who come to school.
From Ritual to Entertainment: Transformations in Daruet AcehDance in Banda Aceh Basri, Novysa; Alfi Syahrin; Aida Fitri; Novita Hidayani; Umul Aiman; Aris Munandar
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

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Abstract

The purpose of this study is to determine the social changes in the function of the Drop Daruet dance. This study uses a qualitative descriptive method, data collection techniques using the stages of observation, interviews and documentation with the aim of examining social changes in the function of the Drop Daruet Dance. This qualitative study can be used to understand social changes in the function of the Drop Daruet Dance. The results of this study indicate that the form of social change in the function of the Drop Daruet dance at the Cut Nyak Dhien Banda Aceh Studio, which was originally a medium of education and a medium of preaching, has changed into a medium of entertainment for dance performances only and the function of previous cultural values ​​has shifted as a meeting of young people but now it is only as a dance performance for entertainment. While the factors that cause social change in the function of the Drop Daruet dance at the Cut Nyak Dhien Banda Aceh Studio are the rapid development of technology in the current era of Globalization, the mindset of society that continues to develop and is critical, and changes in the tastes of the younger generation. Social changes in the function of the Drop Daruet dance, namely as a medium of education and a medium of preaching, have changed into a medium of entertainment and a medium of performance. This has both good and bad impacts on society.
Elevating Artistic Value and Creativity Through Abstract Batik: Anomart and Pandono Batik As Educational Medium Al Faruq, Moh. Yudik; Juni Amanullah; Muhammad Nasirul Umam
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

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Abstract

Anomart and Pandono Batik are hand-drawn batiks that combine abstract art with traditional batik techniques, creating unique pieces with high artistic value. The resulting abstract batik serves not only as a medium for artistic expression but also as an educational tool to enhance appreciation for art and culture. This study aims to: (1) Understand the artistic value and creativity conveyed through Abstract Batik by Anomart and Pandono as an educational medium for the community at Anomart and Pandono Batik SMEs in Laweyan, Surakarta. (2) Identify the forms of motifs created by the community through the learning model applied in Anomart and Pandono Batik education. The data sources include informants, locations and events, and documents. Data validity is ensured through source triangulation and informant reviews. The data analysis technique used is interactive analysis. Based on the research findings, it can be concluded: (1) The artistic value and creativity conveyed through Abstract Batik by Anomart and Pandono as an educational medium allow for the development of community artistic creativity, provide broader opportunities for artistic appreciation, and produce original works. This approach enables individuals to explore their ideas and emotions freely, creating room for innovation and unique personal interpretation. (2) The forms of motifs created by the community through the learning model applied in Anomart and Pandono Batik education in Laweyan, Surakarta, are hand-drawn batik. As a result, the patterns and motifs of Anomart and Pandono Batik are not bound by specific rules, tend to be abstract, and are consistently unique—this is the hallmark of Anomart and Pandono Batik.
Genealogy Of The Inheritance of Grebeg Sabrang Mask Dance in Sanggar Asmorobangun in The Context of Identity Preservation Hafri Ahsani, Daniar; Hartono Hartono; Agus Cahyono
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

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Abstract

The motivation for this research is the gaps that frequently occur during the process of inheriting cultural arts, particularly among the younger generation, who are beginning to lose touch with traditional values in the face of modernization. From a genealogical standpoint, the objective of this research is to investigate the inheritance process of the Grebeg Sabrang Masked Dance in Sanggar Asmorobangun Kedungmonggo Malang Regency. With family and local community-based inheritance patterns, this dance has been passed down through generations since the era of Mbah Serun until the fifth generation. This research employs qualitative methodologies, including participatory observation, documentation, and in-depth interviews, as data collection techniques. The validity of the data was verified by conducting a triangulation of sources, methods, and theories. This studio was able to adapt to the demands of the times by innovating the duration and function of dance, both as a medium of education and tourism, in addition to ensuring the sustainability of the tradition, as demonstrated by the results. This preservation process entails strategies that are designed to preserve the traditional essence of the performance form, collaborate between generations, and adjust the performance form in accordance with local cultural values. This research's conclusion shows the significance of the genealogical approach in the preservation of traditional art as a local cultural identity and its relevance in the contemporary era.
Elements of Color And Lines in Lawet Dance Costumes As An Expression of The People of Kebumen Regency PARTI, SUPARTI; Syah Naziah Nilda
Catharsis Vol. 13 No. 2 (2024): November 2024
Publisher : Universitas Negeri Semarang

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Abstract

The Lawet Dance is one of the traditional cultural heritages of Kebumen, rich in symbolism reflected through the design of its dancers' costumes. The purpose of this study is to understand how the colors in the Lawet Dance costume reflect the social, cultural, and religious values that exist in the people of Kebumen. The method used is qualitative descriptive analysis with a symbolic approach. The results of the study show that the Lawet Dance costume is not only a tool to beautify the appearance, but also a means to express the cultural values that exist in the Kebumen community. Thus, the costumes in the Lawet Dance become a symbol of culture, ethical, harmony and social meaning as an expression of the community in Kebumen Regency. For example, the use of red with bold vertical lines can reflect the courage of the people of Kebumen in maintaining their culture and traditions in the midst of changing times. Aesthetics and Harmony lies in the gently flowing lines, soothing natural colors such as green that depict the harmony between humans and nature, which is an important value in the life of the people of Kebumen.

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