Jurnal Kajian Bali
The Jurnal Kajian Bali (Journal of Bali Studies) is an area study journal that specializes in publishing research-based articles about Bali. The topics of articles about Bali that can be published are very diverse including Balinese culture, politics, music, language, architecture, literature, history, mass media, popular culture, tourism, economy, environment, health, law, management, religion, and Balinese customs. The journal would also like to publish articles on Bali with comparative approaches. The Jurnal Kajian Bali (Journal of Bali Studies) is published twice a year, every April and October. Published articles are reviewed in a single blinded manner. The Jurnal Kajian Bali (Journal of Bali Studies) was first published in April 2011 by the Center for Balinese Studies, University of Udayana. Starting from April 2019, the journal is published jointly by the Center for Balinese Studies and the Center of Excellence in Tourism, University of Udayana. However, starting April 2020, the Jurnal Kajian Bali (Journal of Bali Studies) was published by the Center for Cultural Research and the Center of Excellence in Tourism, University of Udayana. This change occurred because of the reorganization of research centers at Udayana University from the end of 2019.
Articles
402 Documents
<![CDATA[Kebaruan gaya ungkap dalam cerpen-cerpen berlatar budaya Bali ]]>
<![CDATA[I Gusti Ayu Agung Mas Triadnyani]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 7 No 2 (2017): BUDAYA EKONOMI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2017.v07.i02.p08
<![CDATA[There are many recurring social conflicts in Bali that originate in customs and cultures such as caste conflict, exclusion (kasepekang), and issues surrounding black magic. These conflicts are often used as inspiration for Balinese writers to write literary works such as novels and short stories. From the setting story on Balinese social conflict, it can be seen how public perception of the conflict and also how the author’s style expresses social conflict through the art of literature. This article aims to find out the various social and cultural issues that inspire literary writers to write works of literature and how they deliver it so as to create works that educate and entertain. Two sets of short stories entitled Padi Dumadi (The Incarnation of Rice, 2007) by Adnyana Ole and Mandi Api (Bathed by Fire, 2008) by Aryantha Soethama, two of Bali’s leading authors. The approach used in this study is structural approach that examines the elements of the text. Analysis shows that there is a tendency of Balinese authors to raise cultural issues with a new style of expression using the element of surprise at the ending of the story.]]>
<![CDATA[Proses Menjadi Indonesia di Bali ]]>
<![CDATA[I Wayan Artika]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 2 No 1 (2012): TANTANGAN TATA RUANG BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[Antara Validitas dan Inspirasionalitas: Wacana Historis Diaspora Minang di Bali ]]>
<![CDATA[Sawirman Sawirman]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 9 No 2 (2019): DUNIA POLITIK DAN HOSPITALITI PEREMPUAN BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2019.v09.i02.p06
<![CDATA[This article describes the historical discourse of Minang diaspora in Bali particularly the discourse that inspired them come to Bali, the history of their arrival, the relationship between Pemecutan Palace in Denpasar and Minang people, and the levels of validity of facts and sources. Data were taken from existing documents, interviews with Minang community leaders in Bali, and meetings held by the Minang community in Bali. The Discourse-Historical Approach (DHA) was used to analyze the data. Several interpretations can be stated. The cultural, survival, and ideological discourses inspired the Minang people come to Bali. These discourses have a collective memory status. A number of discourses with the level of cold facts, individual memories, and inferences are the first arrival of Minang people to Bali and the relationship between Pemecutan Palace and Minang people. Keywords: Minang diaspora, historical discourse, validity, Pemecutan Palace, Bali]]>
<![CDATA[Hibridisasi Seni Kerajinan Patung di Desa Kedisan, Bali ]]>
<![CDATA[Ni Luh Sutjiati Beratha]]>;
<![CDATA[Ni Wayan Sukarini]]>;
<![CDATA[I Made Rajeg]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 6 No 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[This article discusses Balinese handicraft especially statue handicraft produced by craftsmen at Kedisan Village, Tegal-lalang District, Gianyar Residence. The competitiveness of the product is very high in tourism market and has the process of hybridization. The specific target that will be achieved related to the identity maintenance of Balinese culture. Thus the main discussion of this article is the caused of hybridization on statue handicraft in Bali. In the era of globalization the fusion between local and global cultures has already happened and this is a phenomenon of postmodernism because there is relationship of cultural influences. This condition can be comprehended from hybridization phenomenon on statue handicraft in Bali. Theories of globalization and glocalization are applied to analyse the data in this article. Qualitative method is used to achieve the objective and target through the implementation of participated observation technique and in-depth interview. The whole data is analysed descriptively, holisticly, and interpretatively. The Balinese artists on statue have done the changes in the form of statue through hybridization against the statue as the effect of made to order because of internal and external factors.]]>
<![CDATA[Sinkretisme Siwa Budha dalam Lontar Candra Bhairawa ]]>
<![CDATA[I Made Dian Saputra]]>;
<![CDATA[I Nyoman Suarka]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 8 No 1 (2018): MODAL BUDAYA PARIWISATA BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2018.v08.i01.p11
<![CDATA[Candra Bhairawa manuscript is a classical literary work which is full of knowledge. It is selected as the object of this study, aimed at a deeper investigation of the meanings of Hinduism teachings in said literary work. Furthermore, this study on Candra Bhairawa manuscript also aimed at identifying the aspects of Siwa-Buddha Ta wa. The Syncretism of Siwa and Buddha has become a way of life, which in turn gave birth to several literary works that have become moral guideline for literary enthusiast in the archipelago. The Hermeneutics theory was used to analyze the aspects of meanings of the text in Candra Bhairawa manuscript. The study shows that the Candra Bhairawa manuscript was based on two contrasting basic conceptions of Siwa and Buddha, which formed a balance aiming at a mutual goal of the deliverance of the soul from worldly ties, known as Moksa. In order to achieve said state, one must go through several stages known as sanyasa, namely the Yoga Sanyasa and the Karma Sanyasa.]]>
<![CDATA[Kajian Dharma Wacana Diaspora Hindu-Bali di Jawa Timur ]]>
<![CDATA[Ni Wayan Sartini]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 5 No 2 (2015): BALI DIASPORA DAN KEARIFAN LOKAL ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstractThe existence of Balinese diaspora in East Java spreads across the districts and cities. Some developments that occurred when the Balinese formed diaspora in East Java, among others include implementing the model of religious activities to inculcate religious teachings such as dharma wacana. This paper aims to describe the structure, rhetorical pattern and linguistic characteristics of dharma wacana delivered in religious events in East Java, especially in Surabaya and Sidoarjo. The analysis suggested that the structure of dharma wacana of Balinese diaspora community consisted of an disclosure, content, and closure. The pattern also indicated that the preacher of dharma wacana had taken a variety of ways and measures for each section and had different communicative purposes as well as used different rhetorical functions. This analysis also suggested that there were some repetitions in pattern and measure such as the repetition of the proposition, quotations, arguments, and solicitation. Another rhetorical characteristic of the text of dharma wacana found in this study was that the preacher relied on references (citations) in the holy verses to justify the importance of the topic of dharma wacana. Linguistic characteristics of dharma wacana includes vocabulary of religious genre and code-mixing between subtle Bali language and Bahasa.]]>
<![CDATA[Pandangan Lokal Versus Barat Tentang Puputan Badung: Ekspansi Imperialisme Modern Belanda dalam Konteks Bali ]]>
<![CDATA[I Ketut Ardhana]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 3 No 1 (2013): PENULISAN SEJARAH BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstractThe Dutch colonial policy in Bali was a rather similar tothose of the colonial policies in the rest of the Indonesianarchipelago, namely from indirect and informal rule to directand formal rule. These were due to the limited Dutch colonialman powers in their colonized regions and also due to thefact that there were many traditional cooperations in order tobe able to implement their powers, particularly in the 18th to19th centuries. Indeed, the Dutch colonial policy implementedthe indirect and informal power as far as possible and thedirect and formal policy if it was necessary in the contextof “Pax Neerlandica”. However, due to the rise of a certainpolitical development not only in Europe, but also in theNetherlands Indies, this policy could not be maintained anylonger. Additionally, the competing situation amongst theEuropean colonial powers was considered to be a threatagainst the Dutch colonial interests in the Netherlands Indies.This was a significant factor behind the reason why the Dutchcolonial rulers expanded to all of the indigenous rulers in theNetherlands Indies, including the Bali traditional rulers in thebeginning of the twentieth century. In Bali, this was called thePuputan, meaning the “end”, in which the traditional Bali rulers were finally defeated. In relation to this, this paper isattempted to show the different perspectives on the idea of Puputan between the local and Dutch. Furthermore, this isexpected to contribute a better understanding on how theBalinese rulers and their people defended their souvereignityfrom the foreign powers.]]>
<![CDATA[Eksistensi Budaya Bali di Tengah Kemajemukan Budaya di Kelurahan Tangkiling, Palangka Raya, Kalimantan Tengah ]]>
<![CDATA[Ni Nyoman Rahmawati]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 10 No 2 (2020): TEKS DAN TRADISI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2020.v10.i02.p07
<![CDATA[This study analyzed forms of social interaction and the existence of Balinese culture in multicultural communities in Tangkiling Village, Palangka Raya City, Central Kalimantan. The issue discussed with intercultural theory interaction with descriptive qualitative method. The results showed that the form of social interaction carried out by Balinese transmigrants in Tangkiling in the religious field was tolerance based on Tat Twam Asi, in the social sector developing a helping attitude, forming a farmer group named Sari Bumi Farmer Group, and actively joined in the membership of the Neighbourhood Security System. Competition and conflict also occur but can be managed properly so that it does not become an open conflict. These affect of Balinese culture existence in the Tangkiling, including the existence of sanggah-shrine, the concept of ngayah (religious volunteer), the tradition of annual giant-idol of ogoh-ogoh parade, and the use of decorated bamboo penjor usage. These make Balinese culture sustainable in the midst of multicultural and religious plurality.]]>
<![CDATA[Power and religion: Geertz position of present-day Bali ]]>
<![CDATA[Ni Wayan Radita Novi Puspitasari]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 7 No 1 (2017): RELASI ETNISITAS DI BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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DOI: 10.24843/JKB.2017.v07.i01.p13
<![CDATA[This article analyzes the changes of religious - political power relations from the mid of 1950’s to present-day Bali. Anthropologist Geertz stated that Balinese Hinduism is a “superstition”, “rhetoric” and “state cult” that had been applied in the Negara as a theatre state. Within the conception of Hinduism by referring to the relation between the Divine God -Tri Murti and Tri Hita Karana, the Balinese society is believed in the relation between Gods, the people and its environment. Although in the post-colonial era, Balinese people are maintaining the power existence of the local kingdoms, mainly the system of warna. Through the accumulation of charisma, Geertz provided a concept that Negara was basically a state created by honor and ceremony. Thus, the democratic governmental system of Indonesia hardly reach the political arena within the Balinese society. As a result, through the self-awareness and the notion on equality, the Sudra could establish their role as an influential Balinese personage.]]>
<![CDATA[Paradise Lost, Sanity Gained: Towards a Critical Balinese Urbanism ]]>
<![CDATA[Alexander R. Cuthbert]]>
<![CDATA[ Jurnal Kajian Bali (Journal of Bali Studies) Vol 2 No 1 (2012): TANTANGAN TATA RUANG BALI ]]>
Publisher : <![CDATA[Pusat Kajian Bali Universitas Udayana ]]>
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<![CDATA[AbstractBali is a global tourist destination having had the added descriptor paradise for most of the last century. But it is now transparent to most visitors that serious problems prevail across the entire local economy and built environment. The incoherence of development is largely to blame. Given the failure to generate a new Balinese architecture that matches the integrity of the old, Balinese urbanists are now caught in a Gordian knot where a unified traditional architecture remains, yet a new architecture is not forthcoming. How to untie the knot is the question. Architecture suffered major discontinuity when traditional building was largely abandoned in the face of progressive urbanization. The problem remains unresolved. The following paper represents a preliminary attempt to expose key issues. It suggests methods of moving forward. But a new momentum demands a new philosophy in the realm of urban theory, the foundation of all professional activity. No significant progress can take place without it. My attention is therefore directed to answering the question how can the transition be made from traditional Balinese architecture emerging from the dynamics of feudalism, to its conscious translation and accommodation within post-modernity, informational capitalism, and globalization? While the problem needs tackled at several levels – education, policy, strategy and enforcement, I suggest in conclusion that these should be framed within generic principles derived from vernacular transformations, a culture of critical Balinese regionalism, and an adaptation of the New Urbanist lexicon to a tropical environment.]]>
