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Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal
Published by Universitas Merdeka Malang
ISSN : 20863764     EISSN : 26154951     DOI : -
Core Subject : Engineering,
Civil Engineering, Building, Construction & Architecture
LOCAL WISDOM is a scientific journal in the field of Architecture and the City as a "bridge" between the disciplines of architecture and urban planning and design studies.This scientific journal focusing on research relating to the study of local wisdom. Local knowledge is a potential local characteristic based on a local culture that has been a tradition in public life. A form of local wisdom studies varied widely, ranging from a cultural value system, social system to the physical manifestation of culture in the form of local knowledge, local technologies, as well as the physical form of the built environment. Studies of local wisdom is an effort in order to realize the harmony of the city environment, and sustainable through the use and development of local knowledge, contextual and a participatory approach.
Arjuna Subject : -
Articles 154 Documents
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The Impact of Maritime Culture Assimilation on the Architecture of Gili Iyang Communities Yusran, Yusfan Adeputera; Hilmy, Ayu Nur Izzati; Kusdiwanggo, Susilo
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13032

Abstract

Indonesia's cultural diversity provides a unique backdrop for understanding the dynamics of cultural assimilation, especially on Gili Iyang Island in Sumenep, Madura, where migration has shaped social and architectural aspects. This study explores the influence of cultural adaptation on architecture among the Bugis-Makassar, Buton-Binongko, and Sumenep-Madura communities on Gili Iyang Island. Utilizing a case study method, this research focuses on how these maritime-oriented communities adjust and modify architectural aspects in response to cultural interactions. The findings indicate that the assimilation affecting the architecture of Gili Iyang Island includes: (1) spatial organization and division from east to west and north to south, reflecting a balance between gender aspects and spiritual symbolism; (2) color concepts based on natural elements such as brown (earth), green (sea), blue (sky), and red-orange (fire); (3) ornaments inspired by the surrounding environment including plants, animals, and repetitive geometric patterns; (4) courtyards serving as the focal points for orientation and transition between buildings; (5) buildings that are closely spaced
Padma Flower Ornaments on the Gedhe Kauman Mosque in Yogyakarta and Its Transformation Wiyono, Erina; Damayanti, Nuning Yanti; Destiarmand, Achmad Haldani; Sunarya, Yan Yan
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13170

Abstract

The pride in the identity of a nation which is associated with the long history can be transformed into a valuable asset for both the present and the future. This can be achieved through the development of cultural heritage in the form of the artifacts owned. The diverse traditions associated with past legacies establish an inseparable connection between Indonesia and cultural history. An example of cultural heritage are the buildings that serve as evidence of the activities conducted in the past. Moreover, the influence of cultural, religious, and social systems caused by acculturation is evident in different forms of mosque buildings in Indonesia, specifically on Java Island. This can be observed from the adoption of ornaments in the Western period, starting from the 16th century. An example was the adoption of Padma Flower also known as the Lotus and Red Lotus by mosque buildings during the early introduction of Islam. The flower is also found in the house of worship, the Gedhe Kauman Mosque in Yogyakarta, built in 1773 AD by Sri Sultan Hamengku Buwono 1. Therefore, this research aimed to explain (1) the form of Padma Flower ornaments based on the shape, and (2) the changes in the form with subsequent influence on the present design. A qualitative method with a Visual Adaptation strategy was used to describe and analyze the form of the flower to determine the formulation process. The adaptation of Padma Flower ornaments in different places was expected to assist the process of using motif as a reference in the field of art and design.
Local Wisdom on Urban Tourism : (Surakarta Urban Art Corridor Case Study) Zakiya, Rifda Lushiya; Rini, Erma Fitria; Utomo, Rizon Pamardhi
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13184

Abstract

Surakarta is a high tourist attraction due to its local wisdom, associated with tangible and intangible cultural heritage. Gatot Subroto-Ngarsopuro corridor in Surakarta is the regional tourism development area (KPPD) and regional tourism strategic area (KSPD) with urban art urban tourism concept. Urban art aims to enhance the beauty of a city by strenghtening the city’s attractiveness and characteristics. The concept of urban tourism has elements that need to be considered, which can be a measure of its success. This paper aims to determine the suitability of urban art in the Gatot Subroto-Ngarsopuro Corridor of Surakarta to the components of urban tourism. This research uses a deductive approach with a quantitative descriptive research type applied with two components of suitability, namely the availability and existence of urban art in meeting the components of urban tourism. Based on the result of suitability scoring, it shows that the percentage of suitability is 86,66%, which indicates that the Gatot Subroto-Ngarsopuro Street Corridor of Surakarta City has very high suitability in its role as urban tourism.  
Cultural Aspects as a Foundation for Sustainable Architecture: Lessons from Vernacular Practices Yusuf Ariyanto; Dyah Kusuma Wardhani; Helen Saphira Wibowo; Joycelyn Sashenka Subagio
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 1 (2026): January 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v18i1.15345

Abstract

Buildings contribute significantly to global energy consumption and carbon emissions, requiring urgent strategies to reduce environmental impacts. International initiatives, such as Local Agenda 21, emphasize sustainable development at the local level as a key approach to addressing global environmental challenges. However, implementing standardized frameworks often ignores local cultural, social and environmental contexts, limiting their effectiveness. This research explores critical aspects of sustainable architecture that must be considered when seeking to reflect the genius loci of a place. Through a systematic literature review, case study analysis, comparative evaluation, and synthesis of findings, this research identifies critical gaps in mainstream sustainability approaches, which often neglect cultural dimensions in favour of environmental, social, and economic factors. The findings show that traditional knowledge and vernacular design principles offer valuable insights for sustainable architecture by maintaining ecological balance, social cohesion, and material efficiency. Lessons from vernacular architecture include communal living, spiritual connection with nature, climate-responsive design, sustainable material cycles, knowledge transfer, and minimal environmental impact. These principles contribute to resource efficiency, biodiversity conservation, energy reduction, and resilience to environmental change. Rather than simply mimicking the physical form of vernacular architecture, contemporary sustainability efforts should explore the underlying principles that govern material use, spatial organization, and environmental adaptation. By bridging local wisdom with global sustainability goals, architects can create culturally rooted designs that are environmentally adaptive and resilient to modern challenges. This research underscores the importance of inclusive and local approaches to sustainability, positioning vernacular architecture as a relevant inspiration model for future architectural practice.
Modeling of Traditional Ceremonial Plants on The Tenggerese Residential House Front Yard Irawan Setyabudi; Mochamad Syarif Hidayatullah; Dian Kartika Santoso
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 1 (2026): January 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v18i1.15548

Abstract

The Tenggerese community in Ngadas Village, Malang Regency, is renowned for its traditional ceremonies that utilize various plant species as ritual media. Over time, continuous use without conservation threatens the sustainability of these plants. This study aims to identify the types, functions, meanings, and growing requirements of ceremonial plants and to propose a front yard landscape model integrating these plants as a form of cultural landscape-based conservation. A descriptive qualitative method was employed through literature review, in-depth interviews with local elders and government representatives, and field observations. The results identified 26 ceremonial plant species, such as Cordyline fruticosa, Imperata cylindrica, and Gigantochloa apus, each with unique symbolic functions. Three typologies of front yard spaces were found: large (6x8 m), medium (3x6 m), and small (1x5 m), serving as the basis for adaptive landscape modeling. The modeling was developed using SketchUp, Lumion, and Adobe Photoshop. The study concludes that integrating ethnobotanical ceremonial plants into residential front yards can promote their conservation while visually reinforcing the cultural identity of the Tenggerese people.
Unveiling Heritage Through Space: A Spatial Analysis of Tourist Behavior in Kampung Kayutangan, Malang Putu Ratih Deandra Putri; Jenny Ernawati; Herry Santosa
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 1 (2026): January 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v18i1.15816

Abstract

Malang City is renowned for its rich local wisdom and well-preserved colonial-era heritage in East Java. Kampung Kayutangan is a settlement that exemplifies the cultural depth of the city and serves as a significant destination for heritage tourism. This study examines how spatial structures and local knowledge affect tourist experiences by incorporating space syntax analysis with axial and visibility graph analysis to forecast pedestrian movement by evaluating spatial connectivity and visibility, utilizing place-centered mapping results derived from field observations. The findings demonstrate that while syntactic indicators reveal spatial hierarchies and accessibility, visitors are often drawn to culturally meaningful locations, even if these sites possess lower visibility. The study underscores the importance of incorporating local knowledge and historical context into urban spatial planning. By linking analytical methods with grounded cultural insights, this research presents a framework for sustainable heritage management and design that honors the identity and memory of a place. Planning strategies should accommodate cultural assets by enhancing accessibility, signage, and amenities to culturally significant yet spatially disconnected areas and ensuring that local wisdom continues to inform and enrich contemporary urban development.
The Bilbao Effect in Indonesia: Architectural Representation and the New Image of Banyuwangi City Susilo Kusdiwanggo; Alya Lailatul Azizah
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 1 (2026): January 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v18i1.15832

Abstract

This study analyzes the role of architectural representation in the city branding strategy of Banyuwangi Regency, which has undergone a transformation from a mystical city to a cultural city. The objective of this study is to comprehend the process of spatial representation through public architectural design developed during the leadership of Regent Azwar Anas (2010–2021). Utilizing a qualitative narrative approach within a constructivist paradigm and deductive reasoning, this study examines five iconic architectural projects revitalized in Banyuwangi and conducts in-depth interviews with six architects and project managers. A thorough examination of the data, employing open coding, axial coding, and selective coding techniques, revealed that architecture was strategically employed as a medium for transforming the city's identity through three main narratives: the local Bilbao effect shaping visual appeal; the representation of Osing culture through symbolic elements in building design; and the transformation of public perception through the revitalization of public spaces. The discussion establishes a connection between these narratives and the theories of the circuit of culture and urban cultural terraforming, thereby asserting that architectural representation is not merely aesthetic but also political, social, and cultural. These findings contribute to our expanded understanding of city branding as a multidimensional process and generate opportunities for further study on community involvement and the role of spatial policies in the production of urban identity. Keywords: Banyuwangi; Bilbao effect; City branding; City identity; Cultural representation; Iconic architecture; Revitalization of public spaces.
Structure and Meaning of Sabu Traditional Architecture: A Typology-Based Descriptive Anthropological Study Pilipus Jeraman; Reginaldo Christophori Lake; Irwan Muji Hartanto; Novenrius Kornelius Sera; Servatius Rodriques
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 1 (2026): January 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v18i1.16475

Abstract

The traditional Sabu house (ammu hawu) represents the cultural values, cosmology, and social structure of the Sabu people who inhabit the dry island environment of East Nusa Tenggara, Indonesia. This study aims to examine the structure, typology, and symbolic meanings of Sabu architecture through a descriptive–anthropological approach integrated with typological analysis. This combined approach allows the Sabu house to be understood not only as a physical entity, but also as a symbolic system that embodies ancestral relations, ecological adaptation, and socio-cultural order. Data were collected through field observations, architectural documentation (2D and 3D), interviews with customary leaders and homeowners, and triangulated with literature on vernacular architecture and ethnographic studies in Eastern Indonesia. Typological analysis was employed to identify formal patterns, the tripartite spatial structure (lower–middle–upper), the taga batu construction system, east–west orientation, and functional variations of the house as a dwelling, ritual house, and storage house. Meanwhile, anthropological analysis was used to interpret the cosmological principles, gendered spatial organization (duru–wui), dualistic symbolism, and the maritime metaphors that underpin the conceptual foundation of Sabu architecture. The findings reveal that the Sabu house constitutes a microcosmic representation of the universe, expressed through its architectural composition. Elements such as tarru duru and tarru wui, the three-tiered spatial hierarchy (roä mengarru–kelaga–damu), ritual orientation, and the sequence of house-building rituals reflect the Sabu worldview regarding life, fertility, and ancestral presence. At the settlement level, the traditional village (rae) exhibits a consistent typology marked by East–West alignment, a central sacred space (telora), and genealogically structured spatial organization. This research contributes new insights through the integrated use of typological and anthropological frameworks, the production of technical 2D–3D visual documentation, and a more comprehensive interpretation of the cosmological and symbolic dualisms that inform the spatial and structural logic of Sabu architecture. This study provides an important contribution to the broader discourse on Indonesian vernacular architecture and offers a conceptual foundation for cultural preservation as well as the development of culturally responsive design practices, particularly in the Sabu-Raijua region.
From Origins to Adaptation: Typologies of Joglo Houses After Translocation in Ngloro Village, Gunungkidul – Yogyakarta Ananda Weningtyas Handoyono; Agung Murti Nugroho; Yusfan Adeputera Yusran
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 2 (2026): July 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The development of the times and the pressure of social change have threatened the survival of vernacular architecture, including the Joglo house as a Javanese cultural heritage. One form of ex-situ preservation carried out by the Ngloro Village community is to move the Joglo house to a new location. This translocation process not only involves the physical movement of the building but also triggers changes in its visual and spatial form. This study aims to identify the typology of post-translocation Joglo houses in Ngloro Village, Gunungkidul Regency, Yogyakarta. The method employed is a qualitative-descriptive approach, utilizing a case study of 14 translocated Joglo houses. Data collection was conducted through direct observation and non-structured interviews, which were then analyzed typologically and contextually using the theory of adaptive reuse. The results of the study indicate that the adaptation process resulting from the translocation of Joglo houses has created new typologies, including changes in roof shape, facade, floor materials, foundations, orientation, building position, and room functions. Roof typology is dominated by a combination of Joglo–Limasan–Pelana roofs, while core structures such as saka guru and tumpang sari are retained. Adaptation to the new location context and functional needs results in a transformation that preserves the fundamental value of the building. Therefore, relocated Joglo houses do not represent heritage degradation but rather the adaptive and sustainable evolution of traditional architecture.
Visual Quality of the Paroki Hati Kudus Yesus Church in the Historical Kayutangan Area of Malang: Visual Quality of the Paroki Hati Kudus Yesus Church in the Historical Kayutangan Area of Malang Wahyuni Eka Sari; Alfia Yufariani
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 18 No. 2 (2026): July 2026
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Gereja Paroki Hati Kudus Yesus atau Gereja Kayutangan adalah salah satu gereja bersejarah yang terletak di Jalan Kayutangan, Kota Malang, Jawa Timur. Gereja Kayutangan merupakan salah satu landmark Kota Malang yang dibangun pada tahun 1930-an, dengan arsitektur Art Deco yang menggabungkan elemen-elemen Eropa dengan karakteristik lokal. Selain berfungsi sebagai tempat ibadah, Gereja Kayutangan juga merupakan situs warisan budaya yang menarik perhatian baik warga lokal maupun wisatawan. Penelitian ini bertujuan untuk mengidentifikasi kualitas visual Gereja Kayutangan. Metode yang digunakan adalah analisis kualitatif dengan pendekatan analisis deskriptif. Langkah-langkah yang dilakukan meliputi observasi lapangan dan analisis urutan foto di sepanjang jalur pejalan kaki. Urutan foto diidentifikasi dan digambar ulang menggunakan CAD, kemudian diproses dan dianalisis menggunakan Excel untuk memperoleh persentase keterlihatan. Hasil penelitian menunjukkan nilai keterlihatan dari jalur pejalan kaki. Dari jalur pejalan kaki, faktor-faktor yang menghalangi pandangan pejalan kaki dapat diidentifikasi, yang berdampak signifikan pada kualitas visual Gereja Kayutangan. Masalah-masalah ini dapat diatasi dengan mengatur penempatan papan reklame dan memangkas cabang-cabang pohon, yang dapat dilakukan oleh pihak berwenang. Paroki Hati Kudus Yesus Church or Kayutangan Church, is one of the historic churches located on Kayutangan Street in Malang City, East Java. Kayutangan Church is a landmark of Malang City, built in the 1930s, and features Art Deco architecture that combines European elements with local characteristics. In addition to serving as a place of worship, Kayutangan Church is also a cultural heritage site that attracts both locals and tourists. This study aims to identify the visual quality of Kayutangan Church. The method used is qualitative analysis with a descriptive analytical approach. The steps taken include field observations and photo sequence analysis along the pedestrian path. The photo sequences are identified and redrawn using CAD, then processed and analyzed using Excel to obtain visibility percentages. The results show the visibility value from the pedestrian path. From the pedestrian path, factors that obstruct the pedestrian’s view can be identified, which have a significant impact on the visual quality of Kayutangan Church. These issues can be addressed by regulating the placement of billboards and pruning tree branches, which can be done by the relevant authorities.

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