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E-Journal Of Cultural Studies

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Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

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Articles 271 Documents

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ALTERNATIVE DISPUTE RESOLUTION IN BANYUMAS REGENCY: IN THE PERSPECTIVE OF CULTURAL STUDIES Hudijono, Singkir; Sirtha, I Nyoman; Parimartha, I Gde; Suastika, I Made
E-Journal of Cultural Studies Vol. 4, No. 1 Januari 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This study discusses about an Alternative Dispute Resolution in BanyumasRegency as a non-litigation dispute resolution. The problem observed was a breakthroughtaken by the Society in Banyumas Regency in overcoming the so far deadlock of lawenforcement and the attitude of not trusting the justice enforcement. It has been a publicsecret that the dispute resolutions employing the legal centralism paradigm have beendominated by the judicial network. This has caused the acknowledgement of the state lawto decrease, being a commodity that can be traded. The research aims at finding out anddescribing how the alternative dispute resolution (ADR) emerges as an alternativemechanism in deconstructing the legal centralism; interpreting and describing what ismeant by the alternative dispute resolution (ADR) in the development of progressive law.This research was conducted employing qualitative method. In this context, theresearcher explored various pieces of related information with the reason that the societyin Banyumas Regency has chosen the alternative dispute resolution mechanism as themechanism in deconstructing the legal centralism. The research was conducted asfollows: the problems were identified, the theories for analyzing the data were selected,the primary and secondary data were collected, the collected data were analyzed andinterpreted, and finally, the results of the research were written and constructed. Thetheories employed were critical legal studies, deconstruction, and large narration criticismtheories.The results of the research show that: firstly, the alternative dispute resolution hasemerged because of the awakened local knowledge, as the form of anticipation to theineffective formal law domination. With regard to the effect of global intercourse, thealternative dispute resolution has emerged because of the refusal against the culturalhomogeneity. Secondly, the implementation of the alternative dispute resolution hasbecome the preferred mechanism in deconstructing the law centralism because it can beimplemented effectively and efficiently, and ensures the win-win solution. Thirdly,denotatively, the alternative dispute solution reduces the confronting and antagonisticconceptions. Connotatively, the alternative dispute resolution is the legal culture ofBanyumas society. It has functioned as the legal dynamisator creating and implementinglaw.

DAYAK LAWANGAN BALIAN BAWO IN CENTRAL DUSUN, EAST BARITO, CENTRAL KALIMANTAN Liber Sigai, Ervanta Restulita; Kumbara, A.A Ngurah Anom; Cika, I Wayan; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Globalization with all its implications has affected the life of Dayak Lawangan living in Central Dusun. Modernization has caused balian bawo to be getting scarce. The number of the speakers of balian bawo is decreasing, and it seems that no young generation is interested in it, although its existence still functions in various aspects of the Dayak Lawangan community’s life. In addition, the young generation is less interested in becoming balian bawo. This will affect the process of the regeneration of balian bawo. The result of the present study shows that the practice of balian waho is obtained through the myth and process of becoming balian bawo. This causes balian bawo to be the central position in the practice of balian bawo ritual. Balian waho plays an important role in the healing and purifying processes. It functions to prevent both manifest and latent misfortunes. It is the socio-cultural supporting life regulation for Dayak Lawangan. It is made up of religiosity, culture conservation, social life, and aesthetics. The formal education, the discontinuity of the internationalization process in families, the low income earned by those who work as balian bawo, their risky responsibility, the spiritual and physical abilities they need, and their religious and psychological ideologies have caused those who are interested in becoming balian bawo to decrease. The impacts are that the dimensions of time and magic formula as part of the ritual practice will change. In addition, the ideological struggle for the ritual practice of balian bawo, and the change in the population of balian waho will also result from the scarcity of the population of balian waho. As well, the social and solidarity ties will be getting weaker and the funds needed for the ritual will be high enough.

“ANGGUN NAN TONGGA”, “MANDI ANGIN”, AND “WAYANG PADANG” AS INDONESIAN POSTMODERN THEATRICAL PRACTICES -, Syafril
E-Journal of Cultural Studies Volume 6, Number 2, Agustus 2013
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This study explored “Anggun Nan Tongga”, “MandiAngin”, and “Wayang Padang” which were produced by Bumi Theatre Padang Group and were regarded as the real Indonesian theatrical practice. The Indonesian postmodern theatrical practices, which are regarded as the real ones, are different from the previous Indonesian modern theatrical practices which are considered the pseudo and false ones, although they were accepted as the real ones. This study was intended to identify the form, the influential factors, and the meaning of the Indonesian postmodern practices produced by the Bumi Theatre Padang Group in the three theatres mentioned above. The results of the study showed ANT, MA, and WP were in the forms of relative art and contextual aesthetic concept. They were decentrally and democratically created. The existence of the viewers was used as the subject. The management of the culture-oriented production activity, group and society.The professionalization of the group and members in the cultural quality and humanity. The influential factors included the ideology of power, hegemony, the failure of becoming the Indonesian theatre, the attempt made to develop Indonesian theatre, the reformation which tended to be postmodern in Indonesia, the change in global postmodern culture. These could be defined as identity, cultural defense, social plurality, the real democracy, the critical and creative productivity, and religiosity.

LIFESTYLE IN KUTUH VILLAGE, SOUTH KUTA, BADUNG, BALI AS IMPLICATION OF LAND SALE Farhaeni, Mutria; Suarka, I Nyoman; Dhana, I Nyoman; Ardjani, Ni Luh
E-Journal of Cultural Studies Volume 10, Number 4, November 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The purpose of this research is to find out the life style in the post-land sale in Kutuh Village, South Kuta District, Badung Regency, Bali. This research begins with an inventory of the people who sell the land and then classified into several lifestyles. The data and information reviewed the lifestyle implications of post-land sales people. This research was conducted by survey and observation method toward the lifestyle of the community after the land sale. Data collection techniques used are in the form of interviews. From the results of the study, it can be concluded that the lifestyle implications of society have been found to describe the existence of lifestyle changes: consumptive society, creative economy society, gender equality in the distribution of land sales and modern household pretext, in addition the people are unable to maintain their ancestral heritage.

LIFE STYLE OF RENTED LAND OWNERS IN UBUD SUBDISTRICT Putra Pemayun, A.A. Gde
E-Journal of Cultural Studies Volume 7, Number 4, November 2014
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This present study was intended to analyze the Life Style of the Rented Land Owners at Ubud Subdistrict. The problems of the study are formulated as follows: (1) what is the characteristic of the rented land owners at Ubud Subdistrict like? (2) How has the process of life style of the rented land owners at Ubud Subdistrict taken place? And (3) what is the implication of the life style of the rented land owners on their lives? Qualitative method was employed in the study. The data were processed using observation, interview and documentary techniques. The workability of the law regulating the demand for land at Ubud Subdistrict motivated the land owners to rent out their land to investors. Apart from that, the internal dimension, which is made up of the economical capital, was the most important element as it could activate small, medium and big enterprises. Another aspect was image which was reflected through perception, cognition, motivation, and attitude of individuals as consumers. As an illustration, they built luxurious houses and showed off luxurious cars to show the image that they were new wealthy people. On the other hand, there was external dimension, namely, the highly rapid development of tourism, which could positively and negatively contribute to the life style of the people living at Ubud Subdistrict. Such an implication could not be avoided. The other aspect was consumerism; the consumers were around the symbol and sign. Mass media were the miracles of the object liturgy; pleasure was defined as the realization of freedom, and the human body was the main object of consumers. The last aspect was the government’s policy which determined that Ubud Subdistrict was a tourist destination. As a result, the local people had the opportunity to rent out their land which was used to expand the industry of tourism and to activate the other economic enterprises.

IMPLICATIONS OF THE PRACTICE OF RITUALS OF CAHITELA DEFEMBULA IN MUNA ETHNICITY IN BARANGKA SUBDISTRICT Syukur, La Ode; Ardhana, I Ketut; Anom Kumbara, A.A. Ngurah; Wiasti, Ni Made
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Nowadays, finding traditional existing rituals is something that starts from being eroded by the ages. In Barangka Subdistrict, Muna ethnic still applies the ritual entitle defembula kahitela practice for a long time, it is not only for the plants but also for the sake of the landowners and community around. Thus, this becomes the main reason why most people in Barangka Subdistrict applies the ritual of practice of Javanese defembula. The existing of the defiance began with a practice ritual and accreditation towards the community of ethnic Muna in Barangka Subdistrict. Therefore, they are located in Barangka District consist of eight villages in West Muna Regency. The primary data that is acknowledged is the practice of rituals and the farmers themselves, and others who serve as local information leaders and the secondary data are obtained from the written data and field observation. The data are collected by field interviews with the informants and direct observation in the farm field in Barangka Subdistrict. This study finds that there are three types of implication caused by the rituals of cahitela defembulae; in social integration on how the community intertwined each other, economic on the community are less developed, and technology adaptation related how the community then resist it. Keywords: ritual, cahitela defembula, implication, social integration, economic, technology

ECONOMIC, POLITICAL, AND CIVIL SOCIETIES AT PEMUTERAN VILLAGE, BALI IN COASTAL AND MARINE ENVIRONMENTAL PRESERVATION Mudana, I Wayan
E-Journal of Cultural Studies Volume 6, Number 1, May 2013
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This study was focused on questions (1) what factors caused the economic, political, and civil societies to invest their social capital in the preservation of marine and coastal environments at Pemuteran Village? (2) What was the social capital invested by the economic, political, and civil societies in the preservation of coastal and marine environments at Pemuteran Village like? (3) What was done to discipline the maintenance of the social capital invested in the preservation of the coastal and marine environments at Pemuteran Village? Some critical theories were used to analyze the answers to the problems. Qualitative research method with the approach of cultural studies was employed in this study. The data were collected through observation, in-depth interview, and library research. The data were qualitatively and descriptively analyzed. The result of the study showed that the cooperation among the economic, political, and civil societies to invest their social capital in the preservation of the marine and coastal environments at Pemuteran Village was based on the awareness of the condition of the natural environment, ecological smartness, meaningfulness which was economic, political, sociological, and socio-religious in nature, and developmental policy. The social capital invested by the economic, political and civil societies was in the forms of the ideologies of tri hita karana, nyegara-gunung, menyama braya, kinship system, neighborhood relation, traditional village, and administrative village. It was maintained through cultural socialization process, and physical and spiritual disciplining process.

THE BACKGROUND OF MARKET IDEOLOGY IN THE DEVELOPMENT OF BELADIRI AIKIDO IN BALI Nurita, Wayan; Suarka, I Nyoman; Wirawan, AA Bagus; Dhana, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Quite a lot of Balinese people nowadays are pursuing different martial arts coming from other nations, among others is Aikido. Aikido as one of the martial arts of Japan can be accepted and is growing well in Bali which has the background of market ideology as one of the impacts of globalization. The development process of Aikidoin Bali both in addition to the number of training venues (Dojo) and improving the quality of the participants’ techniques (Aikidoka) under the supervisionof Bali Aikido Master Organization (Bari Aikikai) which has been established since 1997. By questioning what kind of ideology is working in the development of Aikido Martial Arts in Bali, this research is a qualitative research which applies the Hypereality theory of Jean Baudrillard. Result of the research shows that the development of aikido martial arts in Bali both in the development of the dojo and the aikidokaare in the process to reach certain levels. In order to reach both, the allocation of time and funds are required. Bari aikikai is a Japan subordinate of aikidomartial arts organization (Nihon Aikikai). Everything related to the development of aikido martial art in Bali is done through Bari Aikikai. The Japanese as the cultural owner and discourse producer play an important role in relation to the market ideology in it. This condition and realitycan be seen in the development process of aikido martial art in Bali. Both the dojo and aikidoka managers spend a lot of money in terms of training in the form of compulsory dues and other dues payment. This research also found a new paradigm that behind the acceptance and development of aikidomartial artsas the globalization of culture, there is market ideology behind the discourse.

ENCULTURATION AND GENDER IN WOVEN FABRICT INDUSTRY AT SUBDISTRICT OF SANGKARAGUNG, DISTRICT OF NEGARA, JEMBRANA Sukardja, Putu; Parimartha, I Gde; Ardika, I Wayan; Suastika, I Made
E-Journal of Cultural Studies Vol. 3, No. 1 Januari 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This research reveals the process of enculturation and gender in the woven fabricindustry at Sangkaragung, district of Negara, Jembrana. The weaving tradition andenculturation process give the women at Sangkaragung a hope to change their ideology ingender and socio cultural construction. This study aims at discussing the factors makingthe women at Sangkaragung do weaving activities, the process of weaving enculturationand the development of gender taking place there, and the impacts and meaning of theweaving enculturation on their socio-cultural life.In analyzing the problems above, the theory of post-structuralism, the theory ofpractice, and the theory of social change were used. To find out the relevant data, aqualitative method was applied in which the data were collected by deep interviews,observation, and documentation.The result shows that the factors making the women do such activities are: mythson women and weaving activities; globalization and socio-cultural changes, and fulfillmentof daily needs. The process of weaving enculturation done through cultural transmissionand socialization in weaving results in acculturation and enculturation which then give adeeper understanding to the society of the pattern and system related to the weavingactivities. The weaving enculturation also causes some forms of changes at Sangkaragungsuch as work division between men and women. The weaving enculturation and thedevelopment of gender have affected the ways in which decisions are made in someaspects of life such as in the context of traditional and religious rituals, the expenditures forprimary family needs, health care, and children’s education. Although the women areacknowledged and appreciated that they have economically contributed to their families,full emancipation has not been given to them due to patriarchal, social and cultural systemswhich are still attached to the society.

POWER OF MEDIA IN INDUSTRIALIZATION OF BALINESE POP MUSIC Ardini, Ni Wayan; Wirawan, A.A Bagus; Suarka, I Nyoman; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Vol 8 No 4 (2015): Volume 8, Number 4, November 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The development of technology, the economic system, and the culture of new music, has caused the Balinese pop music to be industrialized since 1990s. The existence of many recording studios and musicians (composers, singers, and music players) and many other related products all over Bali has also contributed to this. Through the recording products, various types of direct performances and so forth have caused the Balinese pop music to be the commodity of the capitalistic pop culture which is preferred by society. Such industrialization is formed by the power of media (musicians), capitalistic power (the capital owner such as the producer/recording studio owner), and the power of media. This present study was conducted in order to identify the phenomenon of one of three powers in such industrialization, namely, the power of media, especially television. The result of the study shows that the power of television media in the industrialization of the Balinese pop music is the resource which contributes to the distribution of products which are produced for the market or the prospective market in Bali. The television studio which plays the greatest role is the Bali TV. It was established in 2002, namely, the year when the political decentralization in Indonesia started, following the reformation era which started in 1998. Through the regional autonomy, the ethnical local cultures in Indonesia, including the Balinese pop music, were empowered. The Bali TV with “Ajeg Bali” as its ideology has what is called “Klip Bali”, “Tembang Bali” (100% local)”, and “Samatra Artis Bali” programs. The viewers from all over Bali like such programs very much. The more often they are presented (viewed and listened to), the more the Balinese pop music products obtain the promotional and marketing value. A great number of products, including the Balinese pop music, are continuously introduced to the society. The power of media has developed into capitalism and the Balinese community has become the object of its consumption.

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