Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

E-Journal Of Cultural Studies

ecs
Website

Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

Arjuna Subject : -

Articles 271 Documents

7 8 9 10 11

TOURISM AS REFLECTED IN TRAVELLING WOMEN: A COMPARATIVE CULTURAL STUDY ON THE NOVELS OF DAISY MILLER, A PASSAGE TO INDIA, AND PADA SEBUAH KAPAL Hartiningsih, Sri; Ardika, I Wayan; Kutha Ratna, I Nyoman; Paramartha, I Gde
E-Journal of Cultural Studies Vol. 3, No. 2 Juli 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (47.804 KB)

Travelling has occurred since a long time ago. Travelling is not only done by men butalso by women. In relation to travelling, travelling done by women is examined, especially thelandlady’s environment, as there is a relationship between the host and the guest. The researchproblems are (1) how is reflection of tourism in the travelling women portrayed on the novels ofDaisy Miller, A Passage to India, and Pada Sebuah Kapal?. (2) How are motivating andattracting factors related to tourism as reflected in the travelling women articulated on the novelsof Daisy Miller, A Passage to India, and Pada Sebuah Kapal?. (3) How do cultural barriersoccur in tourism as reflected in the travelling women on Daisy Miller, a Passage to India, andPada Sebuah Kapal novel? In general, this research is to find out the comparison of travellingdone by women. Specifically, it is to discover the reflection of tourism, how the motivating andattracting factors and cultural barriers occur in tourism as reflected in the travelling done bywomen.This research is conducted on three novels, Daisy Miller written by Henry James, APassage To India by E.M. Forster, and Pada Sebuah Kapal by NH. Dini called comparativeliterature showing the continents of America, Europe and Asia. Discussing the three continents,this research is called global literature. Hermeneutic method was used to interpret the content ofthose three novels by employing deconstruction, postcolonial and feminism theories. The maindata were taken from those novels and the location of the research was both at private librariesand state libraries or institutions and websites. To support the main data, secondary data werealso needed, which in this case, were obtained by interviewing the women who have travelledabroad. Then the results were formally and informally presented.The findings show that the reflection of tourism in travelling done by women is representedby family companion, and that the means of transportation to their destinations are indigenousmeans of transportation and that the tourist objects visited are art metamorphosis, travel hyperreality,sacred places and natural and human recreational places. The factors motive ting thewomen to travel are inter personal, cultural, status and prestige. The things making theminterested in travelling are: the Castle of Chillon in Switzerland and the regions’s history, theevening party in Italy as a tradition to welcome new people, the architectures of Caesars’Palaces, the Coliseum and Chandrapore club as a tradition to welcome new people, the bridge party to know the language spoken and dress worn – traditional costumes of India, Koyasan asBuddhist religion and Paris as the centre of dress model. Cultural barriers refer to differentetiquettes, ideologies and moral values resulting in different ways of travelling and theirsolutions.Knowing the culture of the destination that is going to be visited is really needed, at least inorder not to know nothing at all about such a destination; furthermore, it reduces culturalbarriers. That is why cross cultural understanding is really necessarily given not only to thedoers of tourism but also to all institutions in order to reduce misunderstanding and increaseappreciation towards each other.

SPIRITUALITY OF SALUANG SIROMPAK MUSIC IN TAEH BARUAH COMMUNITY, MINANGKABAU Ikhwan, Nil
E-Journal of Cultural Studies Volume 7, Number 4, November 2014
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Saluang sirompak is a type of music which has spiritual strength and is performed at Taeh Baruah, Payakumbuh District, Lima Puluh Koto Regency, Minangkabau, West Sumatra. It is performed to bewitch a girl who has humiliated a young man who would like to propose her. This activity is called Basirompak. The Saluang Sirompak performed in Basirompak is supported by what is called gasiang tangkurak, a chant sung with magic formula and an offering. It is performed at one of the seven tanjungs around Taeh Baruah. The problems of the study are formulated as follows. (1) What is the spirituality of the saluang sirompak music performed at Taeh Baruah, Minangkabau like? (2) What is the spiritual function of the saluang sirompak music performed at Taeh Baruah, Minangkabau?, and (3) what is the meaning and implication of the spirituality of the saluang sirompak music on the customs and traditions and religion of the Taeh Baruah community, Minangkabau? The theory of Deconstruction supported by the theory of Aesthetics and the theory of Semiotics was used in the present study. The data were qualitatively analyzed. It was found that the spirituality of the saluang sirompak music caused the people’s mentality and attitude to change. The fact that the activity of Basirompak had never been performed for the last three decades proved this. That indicates that the people living at Taeh Baruah and around it were aware that they should be polite, behave well and have good character, and solve problems, especially the problems related to the friendship between a girl and a young man, amicably.

STIGMATIZATION TOWARD TATTOOED BALINESE WOMEN IN DENPASAR Ariantini, Putu Dewi; Anom Kumbara, A.A. Ngurah; Arjani, Ni Luh
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The phenomenon of Tattooed Balinese Woman has been increasingly frequent in public spaces in Denpasar. Tattooed Balinese women want to convey or express their feelings through tattoo on their body, but this is not fully accepted by the society who has different judgement and perception encapsulated in what we call as Stigma. Stigma is viewed as a struggle between dominant and sub-cultural ideology within discourses which may cause marginalization and discrimination of tattooed Balinese woman psycho-socially and culturally. The research is aimed to faind out the forms and implications of stigmatization of tattooed Balinese woman in Denpasar. The data collection method uses observation technique, indepth interview, and document study. The data analysis adopts cultural study approach through reduction, reporting, and verification processes. The researcher uses Power-Knowledge Relation Theory, Stigma Theory, and Identity Theory as theoretical framework. The result of this research concludes that the form of the stigma of tattooed Balinese woman in Denpasar is labeling, stereotyping, separation and discrimination. The implication of the stigma is personal worthlessness and alienation, psychological instability, paradoxical attitudes in relationships and association, and sense of proving oneself as an expression of resistance against the stigma. Keyword: stigma, Balinese Woman, Tattoo, resistance

THE BALINESE WOMEN’S POLITICAL PARTICIPATION IN THE GENERAL ELECTIONS CONDUCTED FROM 1997 TO 2004 (IN THE PERSPECTIVE OF CULTURAL STUDIES) Rahayu, Luh Riniti; Putra Astiti, Tjok. Istri; Suastika, I Made; Parimartha, I Gde
E-Journal of Cultural Studies Vol. 5, No. 2 Juli 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (31.69 KB)

This study discusses the Balinese women’s political participation in thegeneral elections conducted in 1997, 1999 and 2004. During these years, in spiteof being supported by reformation, there was a gap with regard to the Balinesewomen’s participation in politics, which was assumed to result from numerousfactors. Therefore, the problems formulated in this study are (1) how the Balinesewomen politically participated in the general elections conducted in 1997, 1999and 2004; (2) what factors affected their political participation in the generalelections conducted in 1997, 1999 and 2004?; (3) what were the effects andmeanings of their political participation in the general election conducted in 1997,1999 and 2004 viewed from the values of equality in gender? Qualitative methodwith multidisciplinary approach from the perspective of cultural studies wasadopted in this study. Several critical social theories were employed forsharpening the analysis.The results of the study show that the Balinese women’s politicalparticipation in the general election conducted in 1997 was 11.11%; that therecruitment system still referred to the concepts applied in the New Order, that is,through the women’s organizations established by the government with highnepotism. While their political participation in the general election conducted in1999 decreased by 1.62% as a consequence of reformation, in the general electionconducted in 2004 it rose by 7.27%, resulting from the changes in the generalelection regulations. The factors which encouraged the Balinese women toparticipate in politics were that they were influenced by the men who werepoliticians and close to them such as their husbands and fathers, the women’smovements and the general election regulations. As far as the domestic domain isconcerned, their political participation was positive. What is meant is that theywere able to acquire asymmetric relation of power; however, negatively, they hadmultiple responsibilities resulting from the multiple roles they played. In thepolitical domain, they were dominated by men; in addition, their politicalparticipation gave the meanings of equality, being constitutional and beingprestigious.

THE BARONG LANDUNG PERFORMING ART FROM THE PERSPECTIVE OF CULTURAL ACCULTURATION Cerita, I Nyoman; Wirawan, AA Bagus; Suarka, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The Barong Landung performing art, as the acculturation of the Balinese culture and Chinese culture, has opened the new history of the relationship between the Balinese culture and Chinese culture. The acculturation has also become the peak of the Chinese cultural impact on the Balinese culture in general and the Balinese performing art in particular. Moreover, Balong Landung has also been considered the symbolic appearance of the Balinese King, Sri Aji Jaya Pangus, and his wife, Kang Cing Wie, who governed from 1099 to 1103 Caka Year. The qualitative method was used in the present study and the data were collected through library research. The data were collected through the secondary data source. The primary data were collected through interview, observation, and documentation techniques. The result of the study shows that the barong landung performing art is a traditional Balinese performing art which has been affected by the Chinese culture. It has been strongly integrated into the elements of the people’s performing art and culture in every region of Bali. In Bali it reflects the humanity-oriented culture. It can be classified as the sacred, magical, and religious performing art and is performed as part of the traditional and religious rituals in Bali.

NEWLY-PACKAGED BALI TOURIST PERFORMING ARTS IN THE PERSPECTIVE OF CULTURAL STUDIES Ruastiti, Ni Made; Parimartha, I Gde; Sedyawati, Edi; Suastika, I Made
E-Journal of Cultural Studies Vol. 3, No. 1 Januari 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (28.034 KB)

This research is focused on the newly packaged tourist performing arts; they are anew concept and seem to be different from the general tourist performing arts. They arepackaged from various components of Balinese arts and managed as large scale-touristperforming arts in terms of materials, space, and time of their performances. The researchercalls them new types of Bali tourist performing arts because how they are presented isnew and different from the traditional tourist performing arts which are simply performed.In this research, the newly-packaged performing arts are analyzed in the perspective ofcultural studies.The research was carried out at three palaces in Bali; they are Mengwi Palace inBadung regency, Anyar Palace at Kerambitan, Tabanan regency, and Banyuning Palace atBongkasa, Badung regency. There are three main problems to be discussed: firstly, how dothe tourist performing arts emerge in all the palaces? Secondly, are they related to thetourist industry developed in the palaces?, thirdly, what is the impact and meaning of themfor the sake of the palaces, society, and Balinese culture? The researcher uses a qualitativemethod and an interdisciplinary approach as characteristics of cultural studies. The theoriesused are hegemony, deconstruction, and structuration.The result shows that the tourism development at all the palaces has made the localsociety become more critical. The money-oriented economy based on the spirit of gettingbenefit has made the emergence of comodification in all sectors of life. The emergence oftourist industry at the palaces has led to the idea of showing all of the useful art and culturalpotentials which at the palaces and their surroundings. Theoretically, the palaces can bestated to have deconstructed the concept of presenting the Bali tourist performing arts into anew one, that is, “the newly packaged Bali tourist performing arts”.It has been observed that all the palaces have developed t “Newly packaged Balitourist Performing Arts” but they are different in themes. At Mengwi Palace the theme is‘procession of religious rituals’, at Anyar Palace, Kerambitan, the theme is “ritualprocession of welcoming the kingdom’s guests” and at Banyuning Palace, Bongkasa, thetheme is “ritual procession of wedding”. The differences can be seen in the componentspresented in the performances.

TRANSFORMATION OF KAMASAN PUPPET PAINTING ART IN POSTMODERN ERA Mudana, I Wayan Mudana; Kumbara, A.A. Ngurah Anom; Rai, I Wayan Rai; Dhana, I Nyoman Dhana
E-Journal of Cultural Studies Vol 8 No 3 (2015): Volume 8, Number 3, August 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The Kamasan Puppet Painting Art “Seni Lukis Wayang Kamasan (abbreviated to SLWK)” is a traditional art which grows and develops at Kamasana Village, Klungkung, Bali. Traditionally, it is used as the worshipping media; it is bound to the native puppetry story and is painted collectively and communally. In the modern era SLWK is commercialized by the painters as a profession in order to earn money to support their families. The postmodern era SLWK has been transformed, causing it to change. The data in the present study were taken from in-depth interview, observation, library research, and documentary study. The theory of practice, the theory of commodification, and the theory of postmodern aesthetics were used in the present study. The result of the study shows; first, the things which have caused SLWK to be transformed are (1) economic motivation, (2) self identity, (3) painting creativity, (4) globalization, and (5) tourism. Second, the forms of the transformation of SLWK in the postmodern era are (1) change in production, (2) change in distribution, (3) change in consumption. Third, the implication of the transformation of SLWK in the postmodern era includes (1) the fact that the local traditional values are becoming degraded; (2) improvement in prosperity; (3) the fact that the freedom in painting is becoming shackled; (4) the social consumption and distribution are becoming wider; (5) the fact that female painters have appeared; and (6) the fact that the creative industry is becoming developed.

GLOBAL-LOCAL ENVIRONMENT CERTIFICATION AT FIVE STAR HOTELS IN TOURISM AREA OF NUSA DUA, BALI Suci Murni, Ni Gst Nym; Anom Kumbara, AAN; Sirtha, I Nyoman; Mudana, I Gede
E-Journal of Cultural Studies Volume 7, Number 2, May 2014
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (202.062 KB)

The research aims to examine the various form of environment certification, ideology behind the practice of green tourism (global award) and Tri Hita Karana (local award), and the implication of environment practice at five star hotel in Nusa Dua tourism area. The data of the reserach was assessed by postmodern critical theory (theory of discourse regarding power/knowledge, hegemony theory, practice theory, and theory of deep/shallow ecology. The method used in this cultural studies is the qualitative one, where the data collection were obtained through direct observation, in-depth interviews, and related documentation. The sample used 6 five star hotels which practise green award, of 14 established five star hotels (some hotel is not in full operation). The results showed that (1) there are some variation of environment practice in five star hotel, (2) ideology working behind these practices can be seen from global ideology in the form of sustainable development deriving green tourism, and the local ideology, in the form of Tri Hita Karana (THK) used in THK award, (3) implication of global-local invironment practice in tourism area and surrounding.

TRANSFORMATION OF DOL MUSIC IN THE MUSICALITY OF TABOT RITUAL, BENGKULU CITY Parmadi, Bambang; Kumbara, A.A. Ngurah Anom; Wirawan, A.A. Bagus; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Originally, Dol music was used as means of religious musicality to spread Moslem religion in Bengkulu. As time goes by, through the process of acculturation and assimilation, Dol music becomes a sacred musicality to accompany the ritual procession of Tabot, Sipai tribe (Tabot family) in Bengkulu city. Globalization and the interference of power bring the change complexity of Dol musicality as Tabot ritual music in the socio-culture of Bengkulu society. The aim of this research is to understand and explain the occurrence of Dol music transformation and its implication to the socio-cultural system in Bengkulu society. The approach implemented is cultural studies with qualitative analysis technique. It is applied critical and popular culture theories to uncover the focus of the problem in this study. The result shows that Dol music undergoes musical transformation as Tabot ritual music into a secular and profane music, resulting in the expansion of function and form. Therefore, Dol music is legitimized into traditional music icon of Bengkulu, in a wider and freer scale, shifting the Tabot’s popularity and sacred rituals as the “Heritage of the World in The Trust” of Bengkulu’s folk art culture. This has implications for all socio-cultural joints of the people in Bengkulu city, triggering a qualitative change in socio-cultural evolution to the form of divergence. It means that Dol music was originally a sacred/ religious music tradition, developed following the increasingly complex transformation as a mass culture in Bengkulu.

MANAGEMENT OF EMPOWERMENT OF SIDEWALK TRADERS IN WEST DENPASAR SUB DISTRICT DENPASAR CITY: IN THE PERSPECTIVE OF CULTURAL STUDIES Wana Pariartha, I Wayan; Suastika, I Made; Mariyah, Emiliana; Sudibia, I Ketut
E-Journal of Cultural Studies Vol. 5, No. 1 Januari 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (42.134 KB)

Sidewalk traders, as informal economic sector, have been in existence in almost allthe cities in Indonesia. As an impact of migration of people, they have been recognized as astructural phenomenon which will always exist. They will always exist in Denpasar City. InWest Denpasar Sub District, as part of Denpasar City, their existence has been assumed notonly to cause the city to look disorganized but it has also been assumed to create discomfortand to disturb public order. However, as Indonesian citizens, they have the right to haveoccupation and live properly as stated in Article 27 of the 1945 Constitution. Theempowerment management of the sidewalk traders in West Denpasar Sub District refers tothe Local Rules and Regulations (Perda) of number 3 of Year 2000. However, the fact inthe field shows that what has been expected has not been properly coming true yet.Based on this fact, a research was conducted with the problems formulated asfollows: 1) how the government managed the empowerment of the sidewalk traders; 2)what responses were given by the community to the model of such a management ofempowerment; 3) and what were its effects and meanings. As a consequence, this researchaims at 1) identifying the management of empowerment of the sidewalk traders; 2)identifying the responses given by the community to the model of such a management ofempowerment; 3) identifying its effects and meanings. From the aspect of methodology,this research is classified as a qualitative one. The theory of deconstruction, the theory ofhegemony, the theory of response, the theory of motivation and achievement wereemployed for exploring the problems formulated above. The techniques employed forcollecting the data needed were the technique of observation, the technique of interview,the technique of observation and focus discussion group.The findings show that the Local Rules and Regulations (Perda) of Number 3 of2000, which is derived from the Local Rules and Regulations (Perda) of Number 15 ofYear 1993, which is used as the reference of how such a management of empowerment isconducted, does not accommodate the problems related to the sidewalk traders. In fact, ithas been implemented by the government in the following three ways; (1) through the subdistrict governmental agencies; (2) through direct supervision of the municipal, sub district,administrative village and neighborhood governmental agencies; (3) through traditionalvillages (desa pekraman/adat).The responses given by the community varied. The responses given by thecommunity of consumers were negative resulting from lack of socialization. The responsesgiven by the sidewalk traders were negative as well. However, socially, economically and

Page 9 of 28 | Total Record : 271

7 8 9 10 11

Filter by Year

2007 2024

Filter By Issues

All Issue Vol 17 No 3 (2024): Volume 17 Number 3 August 2024 Vol 17 No 2 (2024): Volume 17 Number 2 May 2024 Vol 17 No 1 (2024): Volume 17 Number 1 February 2024 Vol 16 No 4 (2023): Volume 16 Number 4 November 2023 Vol 16 No 3 (2023): Volume 16 Number 3 August 2023 Vol 16 No 2 (2023): Volume 16 Number 2 May 2023 Vol 16 No 1 (2023): Volume 16 Number 1 February 2023 Vol 15 No 4 (2022): Volume 15, Number 4, November 2022 Vol 15 No 3 (2022): Volume 15, Number 3, August 2022 Vol 15 No 2 (2022): Volume 15, Number 2, May 2022 Vol 15 No 1 (2022): Volume 15, Number 1, February 2022 Vol 14 No 4 (2021): Volume 14, Number 4, November 2021 Vol 14 No 3 (2021): Volume 14, Number 3, August 2021 Vol 14 No 2 (2021): Volume 14, Number 2, May 2021 Volume 14, Number 1, February 2021 Volume 13, Number 4, November 2020 Volume 13, Number 3, August 2020 Volume 13, Number 2, May 2020 Volume 13, Number 1, February 2020 Volume 12, Number 4, November 2019 Volume 12, Number 3, August 2019 Volume 12, Number 2, May 2019 Volume 12, Number 1, February 2019 Volume 11, Number 4, November 2018 Volume 11, Number 3, August 2018 Volume 11, Number 2, May 2018 Volume 11, Number 1, February 2018 Volume 10, Number 4, November 2017 Volume 10, Number 3, August 2017 Volume 10, Number 2, May 2017 Volume 10, Number 1, February 2017 Vol 9 No 1 (2016): Volume 9, Number 1, February 2016 Vol 9, No 3 (2016): August 2016 Vol 9, No 2 (2016): May 2016 Volume 9, Number 4, November 2016 Vol 8 No 4 (2015): Volume 8, Number 4, November 2015 Vol 8 No 3 (2015): Volume 8, Number 3, August 2015 Vol 8 No 2 (2015): Volume 8, Number 2, May 2015 Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015 Volume 7, Number 4, November 2014 Volume 7, Number 3, Agustus 2014 Volume 7, Number 2, May 2014 Volume 7, Number 1, February 2014 Volume 6, Number 3, November 2013 Volume 6, Number 2, Agustus 2013 Volume 6, Number 1, May 2013 Vol. 5, No. 2 Juli 2011 Vol. 5, No. 1 Januari 2011 Vol. 4, No. 2 Juli 2010 Vol. 4, No. 1 Januari 2010 Vol. 3, No. 2 Juli 2009 Vol. 3, No. 1 Januari 2009 Vol. 2, No. 1 Mei 2008 Vol. 1, No. 1 Desember 2007 More Issue

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
-

Contact Email
-

Phone
-

Journal Mail Official
-

Editorial Address
-

Location
Kota denpasar,

Bali

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name -

Contact Email -

Phone -

Journal Mail Official -

Editorial Address -

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
-

Contact Email
-

Phone
-

Journal Mail Official
-

Editorial Address
-

Location
Kota denpasar,

Bali

INDONESIA