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E-Journal Of Cultural Studies

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Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

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Articles 271 Documents

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SA NGAZA IN RELIGIOUS AND TRADITIONAL RITUALS PERFORMED BY THE NGADA ETHNIC PEOPLE IN FLORES Banda, Maria Matildis; Kusuma, I Nyoman Weda; Ratna, I Nyoman Kutha; Pudentia, Pudentia
E-Journal of Cultural Studies Volume 9, Number 4, November 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This cultural study was conducted based on the primary data kasa’o (the traditional house bestowal of blessing) and wo’soDewa (the church bestowal of blessing). The study was intended to reveal the elements causing the oral tradition Sa Ngaza (TLS) in the traditional ritual ‘ritual adat’ (RA) are still performed in the religious ritual ‘ritual keagamaan’ (RKA), the function and meaning of TLS in RA and RKA, how it has been inherited. The study used the theory of formula, the theory of semiotics, and the theory of practice, especially the practice of capital. The data were collected using the techniques of observation, interview, and documentation. Sa Ngaza is unique in regard to its pattern of formula in the same dimension in general and in the opening and closing formulas in particular. These formulas support the transmission of TLS, causing mori Sa Ngaza (the Sa Ngaza reporter) to be able to maintain the continuity of TLS and its growth in RA and RKA. The opening formula explains the identities of the characters. The thematic formula in RA and RKA reports different contents. TLS in RA emphasizes patadela (the ancestor’s massage); TLS in RKA emphasizes the Biblical massage. The meaning plurality in RA and RKA explains the acculturative relationship between the tradition and religion. In this relationship there is a shift in the identities of the characters, sa’o (the traditional house), and patadela. The hierarchy of leadership in the tradition and religion can save and hamper the oral tradition. Therefore, TLS can be generally inherited based on the role of leadership through families and society, religious institutions, and education.

THE CHANGE IN PERCEPTION OF SUBMITTING CHILDREN TO CHILD WELFARE INSTITUTIONS IN DENPASAR CITY IN THE PERIOD 2006-2014 Westerlaken, Rodney; Ardika, I Wayan; Ardhana, I Ketut; Darma Putra, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Terroristic events, like the Bali bombings in 2002 and 2005, have major effects on a society. Prior research towards those effects have focused on the financial, economic and social economic effects, however this study focuses on the social cultural effect in the aftermath of the terroristic effects. The changed social cultural perception of submitting children to a Child Welfare Institution in the period 2006 to 2014 in Denpasar city, Bali. Sub questions to this problem statement what the reasons are that children are living in Child Welfare Institutions in Denpasar city recently and whether it is possible to connect social cultural perceptions of submitting children to Child Welfare Institutions in Denpasar city to coping mechanisms of the society after the terroristic attacks in 2002 and 2005. This research has used a quantitative approach, interviewing 50 children and 23 parents / familial caretakers. The outcomes have been analysed with help of the computer assisted qualitative data analysis software NVIVO. Research indicates that the trend of submitting children to Child Welfare Institutions, as a coping mechanism, in the first years after the second Bali bombing instigated a change in the social cultural system on Bali. The Balinese kinship system partly fell apart as a result of the Bali bombings, the keluarga besar is less considered to be asked for help and submitting a child to a Child Welfare Institution became an easy solution that currently continues to exist. It is concluded that the ethos, the moral formation as described by Foucault, is victimized by the failing system of aletheia and politeia, but that also ethos itself is victimized by contemporary forms of normalization. Keywords: social cultural change, terroristic attack, coping mechanism, Child Welfare Institutions.

RITES OF SHIFT PERFORMED BY THE MUNA ETHNIC PEOPLE IN MUNA REGENCY, SOUTHEAST PROVINCE: CONTINUITY AND CHANGE Aso, La Aso; Kusuma, I Nyoman Weda; Ardhana, I Ketut Ardhana; Wiasti, Ni Made Wiasti
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Nowadays the Muna ethnic people who live in Muna Regency, Southeast Sulawesi Province can be divided into two groups; they are the Muna ethnic people who still perform the rite of shift completely, and the Muna ethnic people who perform the rite of shift partially; the letter have modified the rite of shift. The rites which are performed to show the shift in status from the time before a baby is born to the time after it is born, when someone enters childhood and adulthood, when someone is married and when someone is dead. Such rites are referred to as the rites of shift. The problems of the present study can be formulated into three; they are (1) what the rites of shift performed by the Muna ethnic group is like; (2) the factors contributing to the continuity of the rites of shift; and (3) the factors causing the change in the rites of shift performed by the Muna ethnic people to take place. This study is a qualitative study with the paradigm of cultural studies. The theory of semiotics, the theory of hegemony, and the theory of deconstruction were used in the present study. The result of the study shows that there are six forms of the rites of shift performed by the Muna ethnic people; they are the rite of what is locally referred to as kasambu (feeding or eating with the hand), the rite of what is locally referred to as kampua (the hair cutting), the rite of what is locally referred to as kangkilo (circumcision), the rite of what is locally referred to as karia (being secluded), the rite of what is locally referred to as kagaa (marriage), and the rite of what is locally referred to as mate (death). The factors contributing to the continuity of such rites are ideology and belief. And the factors causing such rites to be changed are religion, economy, education, and science and technology.

IDENTITY REPRODUCTION AND IMAGE OF MAHAGOTRA PASEK SANAK SAPTA RSI TOWARD HINDU COMMUNITY IN MATARAM CITY, WEST NUSA TENGGARA Ardhi Wirawan, I Wayan; Ardika, I Wayan; Suastika, I Made; Mariyah, Emiliana
E-Journal of Cultural Studies Vol. 4, No. 1 Januari 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Identity reproduction and image which actualized by soroh (clan) of Pasekorganized in paguyuban (group) of Mahagotra Pasek Sanak Sapta Rsi (MPSSR)toward Hindu community in Mataram City, West Nusa Tenggara has closelyrelation with social religious movement which has the effort to restructurepermanent Hindu practices. This movement has the effort to represent theirancestor practice contemporarily in term of social religious space in whichmonolithic one it is accumulated to restructure the priest symbols. Thisphenomenon is indicated by the struggle in appointing pandita mpu as priestsymbol from MPSSR. Bhisama (spiritual message) deriving from their ancestorsoroh Pasek is based on operational basis of social religious movement actualizedby MPSSR which is explicitly narrated that the ancestor of soroh Pasek hasprevilese to be religious priests. Bhisama also says that the generation of sorohPasek can unite their family binding in term of indigenous relations. Thisphenomenon implies reunification among soroh Pasek for disposition torestructure permanent sidhikara system since the history of Hindu community inMataram city.This social religious of MPSSR is legitimated through the image for theeffort to establish positive image to be distributed toward Hindu community inMataram city. The image creation is conducted by applying investment strategy ofany capitals such a economy, culture, social and symbolic one in accordance withcapital concept proposed by Pierre Bourdieu to explain power relations. Identityreproduction and image of MPSSR toward Hindu community in Mataram citythough the appointment of pandita mpu and reunification of indigenous basiswhere it is closely related with the struggle in reaching symbolic power in Hindupractices.

COMMODIFICATION OF TEKTEKAN CALONGARANG AT BATURITI, KERAMBITAN, TABANAN Sariada, I Ketut; Wirawan, AA Bagus; Kumbara, Anak Agung Ngurah Anom; Ruastiti, Ni Made
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Tektekan Calonarang is a Calonarang drama dance which is performed for a new model of tourism, and is accompanied with what is referred to gamelan tektekan. In general, the Balinese people disagree that a sacred cultural element is performed for tourism. However, those living at Baturiti Village support the commodified Tektekan Calongarang in which what are referred to as sacred barong and rangda are performed. This has led to many questions as such a performing art contrasts with the Balinese people’s attitude in general. The problems of the present study are formulated as follows: why the people living at Baturiti Village, Kerambitan, Tabanan, support the commodified Tektekan Calongarang using the sacred rangda and barong; what was such a commodification like; what was its implication on those who were involved in it, society, and such a performance itself. This present study is a qualitative one in which a number of related critical theories were used such as the theory of deconstruction proposed Jacques Derrida, the theory of social practice proposed by Pierre Bourdieu, and the theory of power/knowledge proposed by Michael Foucault. The result of the study showed that the commodified Tektekan Calonarang in which the sacred barong and rangda were used was performed in the forms of a procession and the Tektekan Calonarang performance. The market ideology, the developmental ideology, the religious ideology, and the conservation ideology inspired the commodified Tektekan Calonarang which involved the sacred barong and rangda performed for tourism. Such a commodification increased the income of those involving in such a performance and the local people (multiplier effects), the perpetuity of the magical strength of such barong and rangda, the market/tourism interest, and strengthened the local people’s social solidarity. The novelty of the present study was that there was no degradation of sacredness although the sacred rangda and barong were commodified for tourism. The reason is that every time such a performance was performed, a ritual was performed to purify such barong and rangda contextually.

ECOLOGICAL AND IDEOLOGICAL REPRESENTATION OF KABHANTI PERFORMED BY MUNA COMMUNITY IN MUNA REGENCY, SOUTH EAST SULAWESI -, Hadirman
E-Journal of Cultural Studies Volume 6, Number 3, November 2013
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Kabhanti is one of the oral traditions performed by Muna community. It is performed as part of the traditional ceremony adhered to by Muna community as an amusement and a means of presenting ideas and ideologies, and bequeathing the values which are useful to human life. Specifically, this present study was intended to describe the forms of ecological representation of Kabhanti performed by Muna community, to reveal the ideology it contains, and to interpret the ecological meanings it contains. The theory of ecolingistics, the theory of ideology, and the theory of semiotics were eclectically used in the present study. Qualitative method was used and the data were descriptively and interpretatively analyzed. The present study was conducted at Watumela Village and Latugho Village, Lawa District, Muna Regency. The data were collected through participatory observation, in-depth interview, the informants’ personal experience, and documentary study. The results of the study showed that ecologically the kabhanti performed by Muna community represented natural environment and human environment. All the ecological lexical items and the human ecological lexical items in such a performance reflected the existence of Muna people in their lives. It contained environmental, educational, social and developmental ideologies. The meanings of ecological representation in this present study included the meaning of environment, the meaning of cultural endurance, the meaning of identity, and the meaning of solidarity.

ACTUALIZATION OF MUPUK KEMBANG RITUAL IN CONSERVATION OF LOCAL RICE VARIETIES AND FOOD SOVEREIGNTY IN AREA OF WORLD CULTURAL LANDSCAPE CATUR ANGGA PURA BATUKARU, BALI Wardi, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 4, November 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Since the emergence of the green revolution in Bali around the 1970s to the present day, in a gradation way emerged a variety of environmental changes and subak culture which is quite apprehensive. Among other things, the destruction of genetic resources, especially local rice varieties, and the emergence of concerns about the possible extinction of local rice varieties. This article aims to explore the meaning of wisdom of mupuk kembang ritual in World Cultural Landscape Catur Angga Batukaru, in the context of conservation of local rice varieties and food sovereignty in Tabanan-Bali. The research was conducted through data collection with observation, in-depth interview, focus group discussion, and literature study. The collected data were analyzed in a descriptive-qualitative manner. The result of the study showed that mupuk kembang ritual usually is held towards the end of the pujawali ceremony on the cultural heritage of Catur Angga Pura Batukaru (Pura Muncaksari, Tambawaras, Besikalung, Pucak Petali, and Pura Batukaru) in Penebel District of Tabanan Regency. The mupuk kembang ritual is performed in the early morning (dawn), at around 04.00 - 06.00, where the holy man (pemangku) in trans condition (kerawuhan) put rice (Sri-Sedhana) rice (manik galih) to his people (bhakta) present in the pujawali ritual. Implicitly the ritual hinted rice (Oryza sativa) as a sacred plant or tree of life (kalpataru) and so that villagers, especially farmers (subak), conserve it, especially local rice varieties to be developed as the main source of life. The mupuk kembang ritual also supports government’s development programs in the context of maintaining food sovereignty in Bali.

COMMODIFICATION OF TUTURANGIANA ANDALA RITUAL PERFORMED BY COMMUNITY OF FISHERMEN, BAUBAU CITY, MAKASAR ISLAND, SOUTHEAST SULAWESI PROVINCE Syahrun, Syahrun Syahrun; Kembara, A.A. Ngurah Anom; Cika, I Wayan Cika; Sukarja, Putu Sukarja
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Tuturangiana andala ritual is a tradition of floating offerings which have been performed from generation to generation by the community of fishermen in Makassar Island. It used to be simply performed; however, being commodified, it had been performed more lively than before. The government of Baubau City had modified it; everything had been transformed into commodities. The problems arised were analyzed using the theory of semiotics, the theory of rites, and the theory of discourse of power and knowledge. The data were obtained through interview, observation, and documentation. The result of the study shows: first, the process of commodification could not be separated from the process of production, the process of distribution and the process of consumption of the tuturangiana ritual. What was produced for the performance of the tuturangiana andala ritual was the place where it was performed, the things needed for the offerings, the clothing, the dance and the music instrument. The commodified tuturangiana andala ritual was distributed through media and direct communication. It was consumed by the people living in Makassar Island and the local government for tourism. Second, the commodified tuturangiana andala ritual contained (1) the philosophical meaning, (2) the economic meaning, (3) the political meaning, (4) the cultural conservation. Third, the commodified tuturangiana ritual affected the components of the social cultural system of the community of fishermen in Makassar Island such as the common ideology, religion, art, politics, social stratification, technology, economy, and ecology.

CHARACTER EDUCATION VALUES AS REFLECTED BY GATOTKACA DRESS PROPERTIES IN SURAKARTA PUPPETRY STYLE Rendra Vayoga, Brahmana; Suyanto, Suyanto; Subiyantoro, Slamet
E-Journal of Cultural Studies Volume 12, Number 1, February 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The purpose of this study are: (1) To understand the character of Gatotkaca characters in wayang kulit Surakarta style. (2) To investigate the symbolic meaning of Gatotkaca fashion clothing in Surakarta style puppetry. This study uses qualitative descriptive to present the existing data in the field by way of describing and interpreting. Technique of collecting data is done by interview and direct observation. The results of this study are: (1) Gatotkaca figure represents a humble character, and he has a high spirit of nationalism, (2) Gatotkaca has dress properties such as of Caping Basunanda, Kotang Antra Kusuma, and Trompah Padakacarma, which represent as the key values in character education. Gatotkaca’s personal characteristics and his dress property have a deep meaning and values that can be precious for character education. Keywords: Gatotkaca, puppet, character education.

MARGINALIZATION OF DEPARTMENTS OF SOCIAL SCIENCES AND LANGUAGES IN SENIOR HIGH SCHOOL IN DENPASAR Winaja, I Wayan
E-Journal of Cultural Studies Volume 6, Number 1, May 2013
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Learning should be focused on the social and cultural development of intellectual ability, and encourage the learner’s comprehension and knowledge in order to produce intelligent and educated society. From the data collected from Public Senior High School 1 Denpasar and Dwijendra Senior High School Denpasar, it was found that the departments of social sciences and languages were seriously marginalized, indicated by the time allocated for social sciences and languages. The time allocated for Natural Sciences such as chemistry, physics, and biology averaged three hours a week. The additional ‘extra’ time allocated for Natural Sciences made the overall time allocated for them double the overall time allocated for Social Sciences such as economics, history sociology, and geography. Furthermore, the time allocated for one of them was one hour a week. The knowledge presented by the books of Natural Sciences was highly “instrumentalist-positivistic”; unlike the books of social sciences which only provided academic normative information. The modernity contained in “instrumentative positivism” was the philosophy which gave more priority to practical things and hard work with financial success as the main criterion. It was concluded that the marginalization of the departments of social sciences and languages in Public Senior High School 1 Denpasar and Dwijendra Senior High School Denpasar resulted from modernism, the culture of image, and the image that natural sciences were more advantageous than social sciences and languages.

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