ETTISAL Journal of Communication
ETTISAL Journal of Communication is published by University of Darussalam Gontor in coorporated with ASPIKOM, APJIKI and ISKI. It is published twice in a year every June and December. At March 2016 ETTISAL Journal of Communication registered with P-ISSN serial number 2503-1880, and at December 2017 also registered with E-ISSN serial number 2503-1880.
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<![CDATA[Berbagi Foto Digital: Motif, Faktor Kepribadian, dan Komunikasi Termediasi ]]>
<![CDATA[Hidayanto, Syahrul]]>;
<![CDATA[Zahra, Fina]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.9311
<![CDATA[Media sosial saat ini menjadi platform berbagi foto digital yang diminati mayoritas pengguna internet di dunia. Tujuan diciptakannya media sosial adalah mulai dari sarana komunikasi hingga menjadi wadah untuk berbagi foto. Di media sosial, berbagi foto digital dianggap lebih efektif dalam mengekspresikan diri pengguna dibanding berbagi status lewat teks. Daya tangkap audiens media sosial lebih cepat ketika informasi disampaikan melalui foto digital. Penelitian ini bertujuan untuk memahami bagaimana motivasi pengguna membagikan foto digitalnya di media sosial dan faktor kepribadian yang melatar belakanginya. Berdasarkan kajian literatur, masih jarang dijumpai penelitian yang menghubungkan motivasi berbagi foto digital dengan kepribadian pengguna media sosial. Total empat informan terpilih setelah melalui proses pencarian dan seleksi berdasarkan kriteria. Penelitian ini menggunakan tiga metode pengumpulan data yaitu obeservasi tidak langsung, wawancara semi terstruktur, dan studi literatur. Data penelitian yang sudah terkumpul kemudian diberikan kode dengan tiga tahapan pengkodean yaitu open, axial, dan selective coding. Data hasil pengkodean selanjutnya dianalisis menggunakan analisis tematik. Berdasarkan hasil penelitian, motivasi memori, ekspresi diri, dan pemeliharaan hubungan adalah tiga motivasi teratas seseorang berbagi foto digitalnya di media sosial. Temuan lainnya adalah seseorang yang melakukan aktivitas berbagi foto digital biasanya memiliki karakteristik kepribadian extraversion, openness to experience, dan agreeableness dengan derajat yang cukup tinggi. ]]>
<![CDATA[Communication Ethics in Football Fan Interactions with Blackpink's K-pop Fandom: Etika Komunikasi dalam Interaksi antara Penggemar Sepak Bola dengan Fandom K-Pop Blackpink ]]>
<![CDATA[Anggraeni, Nur Halimah]]>;
<![CDATA[Adiprabowo, Vani Dias]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.10046
<![CDATA[Communication between humans can be established more easily and quickly with the development of advanced technology today. The number of social media that exists at this time, makes the communication process can be done easily. Currently, the communication process has become easier so that we know media communication, namely in this study through Instagram social media. In using social media there are communication ethics that must be considered, so it should not be arbitrary in communicating. This study examined the media behavior of football fans on Blackpink's K-pop fandom on Blackpink's Instagram social media account. The research method in this study uses a qualitative approach. Data collection is carried out by observing a case that is happening through Instagram social media. The data collection method used is by observing and analyzing the ethics in communicating football fans with Blackpink's K-pop fandom on Instagram media through comments shown on the blackpinkofficial Instagram account. The results of this study, we can see that the communication we use on Instagram, over time can reduce the rules contained in it. The reason is, social media is a gathering place for various kinds of human nature, both mature in addressing problems and those who are still childish, causing poor communication ethics of football fans and Blackpink fans.]]>
<![CDATA[Momen Kritis Jurnalisme: Problematika Media Sosial dan Disiplin Verifikasi di Jawa Timur: Journalisms Critical Moment: When Journalism Depends on Social Media and Loses the Discipline of Verification ]]>
<![CDATA[Maria Barbara Apul, Merlina]]>;
<![CDATA[Krisdinanto, Nanang]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.10542
<![CDATA[Pandemi Covid-19 memunculkan situasi yang disebut momen kritis jurnalisme yang bisadilihat dalam lima hal, yaitu titik balik, transformasi, titik awal, akselerasi, dan penghancuran. Padasaat yang sama, perkembangan media sosial yang menjadi kian esensial dalam proses produksiberita atau praktik jurnalistik. Kedua hal ini memunculkan problem yang kompleks dalam prosesproduksi berita, terutama terkait dengan disiplin verifikasi dan posisi media sosial. Penelitian inibertujuan untuk menguraikan pergulatan atau problematika yang dialami jurnalis Surabaya dalammemproduksi berita pada situasi pandemi. Metode yang digunakan adalah studi kasus, dan datadikumpulkan melalui wawancara mendalam, observasi, serta kajian literatur. Temuan penelitian inimerefleksikan terjadinya pergulatan yang dialami jurnalis dalam menjalankan praktik jurnalistikprofesionalnya pada masa pandemi. Momen kritis jurnalisme yang ditimbulkan oleh pandemisemakin mengakselerasi penggunaan media sosial dalam praktik jurnalistik hingga pada tarafketergantungan. Ketergantungan ini menjadi problem dalam jurnalisme mengingat informasimedia sosial yang dijadikan sumber berita merupakan hasil produksi warga yang tidak memilikikompetensi profesional dalam jurnalisme. Selain itu, pandemi juga mengakibatkan terjadinyamomen kritis jurnalisme yang bersifat titik balik (turning point) berupa pengabaian terhadap berbagaiaspek rutinitas di lapangan, atau proses reportase yang dilakukan jurnalis digital di lapanganterutama terkait disiplin verifikasi.]]>
<![CDATA[The Declining Trend of Religious Films in Indonesia: Can They Win Again? Tren Yang Menurun Dari Film Indonesia Bergenre Religi: Apakah Dapat Kembali Unggul Pada Komunitas Muslim? ]]>
<![CDATA[Susilo, Daniel]]>;
<![CDATA[Hidayat, Endik]]>;
<![CDATA[Mujiono]]>;
<![CDATA[Dalangin, John Jerico]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.10569
<![CDATA[This research investigates the prospects of religious films in Indonesian cinemas and OTT streaming platforms in the post-pandemic era. It addresses the decline in viewership of religious films, particularly in the Jakarta, Bogor, Depok, Tangerang, and Bekasi regions. The study aims to identify the loyal consumers of religious films and propose strategies to reinvigorate their appeal and attract a wider audience. The theoretical framework for analysis is derived from Baudrillard's theory of the consumption society. Utilising qualitative methods, supplemented by survey data from film consumers in the Greater Jakarta area, this study examines the distinct market segmentation of religious films, albeit with relatively lower enthusiast numbers compared to other film genres in OTT and electronic cinema. To regain competitiveness, religious films could be creatively blended with other genres, such as religious comedy, to offer a more dynamic and inclusive experience, steering away from a rigid focus on da'wah content.]]>
<![CDATA[Konvergensi Komunikasi dan Inovasi Sebagai Modal Sosial Penanganan Stunting: Convergence of Communication and Innovation as Social Capital for Handling Stunting ]]>
<![CDATA[Kurniawan, Andri]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.10741
<![CDATA[Permasalahan stunting masih menjadi isu krisis global dengan berbagai upaya yang dilakukan oleh sektor pemerintahan. kurangnya literasi masyarakat membuat kasus stunting pada tahun 2022 di Lombok Timur mencapai 35,6%. Berbagai Regulasi yang dilakukan mulai dari Perbup sampai Perdes terkait stunting perlu dikomunikasikan lebih intens dan interaktif. Penelitian ini fokus terhadap pola komunikasi dan inovasi yang dilakukan dalam analisis struktural fungsional, dengan menggunakan metode kualitatif fenomenologi melalui wawancara mendalam, observasi dan dokumentasi. Hasil penelitian menunjukkan bahwa pola komunikasi yang dilakukan adalah pola rantai (chain) atau komunikasi hierarki dan pola komunikasi Y melalui perantara staf atau pihak ketiga dengan model komunikasi Shannon & Weaver dalam proses penyampaian informasi. Inovasi program dilakukan seperti sawer telur oleh UPTD, membentuk PIKR dan Tribina (Bina Keluarga Balita, Lansia dan Remaja) oleh tim pendamping keluarga (TPK). Melalui analisis AGIL Talcott Parsons, keterlibatan semua pihak (integreated action) belum maksimal termasuk tokoh agama (Tuan Guru) dengan pengaruh yang cukup besar di masyarakat.]]>
<![CDATA[Cancel Culture: Mempromosikan Keadilan ataukah Pembungkaman Kebebasan Berpendapat? Budaya Pembatalan: Mempromosikan Keadilan ataukah Penindasan? ]]>
<![CDATA[Rianto, Puji]]>;
<![CDATA[Sulkhan, Khumaid Akhyat]]>;
<![CDATA[Marantika, Nurhana]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.10844
<![CDATA[Budaya pembatalan (cancel culture) telah menjadi perhatian di antara ilmuwan sosial dalam lebih satu dekade belakangan, dan telah menimbulkan perdebatan luas di antara ilmuwan sosial. Di Indonesia, fenomena ini telah sering terjadi, tetapi sayangnya belum diinvestigasi secara mendalam. Pengetahuan tentangnya juga masih sangat terbatas. Penelitian ini dilakukan untuk mengkaji fenomena cancel culture dan dampaknya bagi kebebasan berpendapat. Penelitian ini dilakukan secara kualitatif dengan menggunakan netnografi. Hasil penelitian ini menunjukkan bahwa dampak-dampak budaya pembatalan terhadap kebebasan berpendapat sangatlah kontekstual. Dalam kasus Lutfi Agizal, budaya pembatalan mempunyai dampak negatif bagi kebebasan berpendapat. Emosionalitas lebih mengemuka dibandingkan debat rasional. Sebaliknya, dalam kasus Gofar Hilman, jika kekerasan seksual memang terjadi maka budaya pembatalan memberikan kontribusi positif dalam memperjuangkan keadilan. Sebaliknya, jika kekerasan seksual tidak terjadi, maka budaya pembatalan menciptakan pembungkaman dan pengucilan. Cancel culture berdampak negatif terhadap Arawinda Kirana karena tiadanya budaya reflektif di antara para netizen. Oleh karena itu, penelitian ini menyarankan pentingnya melihat kasus demi kasus dalam melihat dampak-dampak budaya pembatalan.]]>
<![CDATA[Storynomic Tourism Strategy of Kebo Ketan Ceremonial Art as a Form of Marketing Communication for Eco-Tourism : Storynomic Tourism Strategy of Kebo Ketan Ceremonial Art as a Form of Marketing Communication for Eco-Tourism ]]>
<![CDATA[Parani, Rizaldi]]>;
<![CDATA[Hubner, Ira Brunchilda]]>;
<![CDATA[Juliana, Juliana]]>;
<![CDATA[Purba, Herman]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.11127
<![CDATA[Kebo Ketan celebration held in Sekaralas village, Ngawi by Kraton Ngiyom non-governmental organization (NGO). The myth contained in this ceremonial art is a narrative related to concern for the culture, ecology and economy of the Sekaralas village community. This ceremonial art presenting a giant statue of a water buffalo and symbolic objects such as sticky rice, brown sugar, and musical instruments as well as sacred dances. The aim of this ceremonial art is to convey messages related to preserving the natural environment around the Sekaralas village area, and encouraging increased social cohesiveness of village residents. This research intends to describe and analyze how the storynomic tourism strategy is used through the Kebo Ketan ceremonial art as a form of marketing communication for eco-tourism in Sekaralas village, which can depict the power of culture through myths and rituals, packaged in a narrative form to attract tourists. This research used qualitative approach, with the ethnographic method. Primary data were collected through semi-structured interviews with five informants and also complemented by observation results. The research results show that storynomics has the potential to encourage eco-tourism in Sekaralas village, which can be done mainly through the use of digital media. However, the village residents have not fully understood the meaning of the messages conveyed through the Kebo Ketan ceremonial art, especially regarding environmental conservation and the encouragement to develop the village.]]>
<![CDATA[a Model Of Adolescent Ethics In Mobile Diffusion On The Use Of Cellphones And Social Media In Semarang City ]]>
<![CDATA[Pertiwi Putri, Arfika]]>;
<![CDATA[Siregar, Nadia Itona]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.11501
<![CDATA[The Central Statistics Agency (BPS) notes that in 2022 as many as 67.88% of Indonesia's population aged over 5th years have a mobile phone. Meanwhile, in the same year, it was recorded that 65.15% of the people of Central Java Province owned cell phones. Some factors play an essential role in shaping adolescents' ethical views regarding mobile phones and social media use. This study aimed to analyze the factors that influence ethics by using mobile phones and social media in adolescents aged 13-15 years in Semarang. This study uses a quantitative method with Partial Least Squares (PLS) analysis. The theory used in this study is the theory of Uses and Gratification, Diffusion Innovation of Technology, and Ethical Systems. Primary data was obtained by distributing questionnaires to 100 respondents. The sampling technique used with the method of accidental sampling. The study results show a relationship between adolescents' mobile phone use and social media use by adolescents with the social interaction they receive. Active involvement in online interactions can have an impact on adolescent ethics, this is reflected in aspects of self-satisfaction. Besides that, emotional satisfaction factors such as feelings of pleasure and satisfaction in online interactions affect the formation of adolescent ethics. This study also reveals that the ethical model of adolescents is influenced by two main dimensions, namely fairness and utilitarian ethics. The implications of these findings can be used for the development of better educational approaches in teaching youth about ethics and responsibility in using technology and interacting in a digital environment.]]>
<![CDATA[Power Struggle and New Media Actor Contestation in Indonesia during the Post Pandemic ]]>
<![CDATA[Santoso, Didik Haryadi]]>;
<![CDATA[Budianto, Heri]]>;
<![CDATA[Haq, Naziful]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.11622
<![CDATA[In the new media space, narratives and discussions about covid-19 are still ongoing. Virtual audiences debate each other over the discourse that occurs. Research on the Covid-19 discourse has been carried out by many international researchers and Indonesian researchers. However, it is still not clear to the public who and how these actors fight in new media. How is the power struggle and contestation between the actors and those involved? This research uses the web crawler’s method and the SNA (Social Network Analysis) method in collaboration with astramaya.id. Data research is limited to 2019 to 2021 considering and considers the high number of narratives, discourses, and discussions about Covid-19. The results of the study show that the contestation of actor networks in the Covid-19 pandemic discourse is divided into three main actor clusters, namely the government cluster, the scientist and buzzer cluster, and the popular scientific info provider actor cluster. The power struggle occurs in 3 (three) lines, namely the state, the media industry, and social media actors. The fight occurred instantly and pragmatically and, in the end, gave birth to hegemonic discourse and hegemonic actors in the discourse on the post pandemic.]]>
<![CDATA[Does The Sexual Violence The Fault Of Man Or The Fault Of Woman's Stupidity? When Religious Commodification and Offensive Marketing Go Hand in Hand ]]>
<![CDATA[Kusumastuti, Retno Dyah]]>;
<![CDATA[Istiyanto, S. Bekti]]>
<![CDATA[ ETTISAL : Journal of Communication Vol. 8 No. 2 (2023): ETTISAL : Journal of Communication ]]>
Publisher : <![CDATA[Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo ]]>
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DOI: 10.21111/ejoc.v8i2.11643
<![CDATA[Religious commodification, especially Islamic commodification has been rampant in modern times. This phenomenon also emboldens brands with religious symbolism to conduct offensive marketing, namely Rabbani. This research further investigates the integration of religious commodification and offensive marketing conducted by the Rabbani brand. This research utilized a qualitative and descriptive approach through the case study of Rabbani offensive marketing. The findings of this research are Rabbani has benefitted from religious commodification practices. This in turn emboldens Rabbani to engage in offensive marketing by attacking Muslim women who did not wear the veil. This research implies that religious commodification could also bring a negative impact, especially if this practice is coupled with offensive marketing. Thus, consumers need to be more critical and not easily convinced by the offerings of products that rely on religious commodification, especially if these products use unethical marketing practices such as offensive marketing.]]>
