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All Journal Scriptura Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi MediaTor: Jurnal Komunikasi Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Komunikasi Jurnal Ilmu Komunikasi Kanal : Jurnal Ilmu Komunikasi ProTVF Communicatus: Jurnal Ilmu Komunikasi ETTISAL Journal of Communication Jurnal Studi Komunikasi Jurnal Komunikasi Lontar : Jurnal Ilmu Komunikasi Expose: Jurnal Ilmu Komunikasi Jurnal Komunikasi Profesional Jurnal Riset Komunikasi Kajian Jurnalisme Avant Garde The Journal of Society and Media Abdimas Altruis: Jurnal Pengabdian Kepada Masyarakat Scriptura : Jurnal Ilmiah Jurnal Communio: Jurnal Jurusan Ilmu Komunikasi Artinara Jurnal Kawistara MEDIAKOM : Jurnal Ilmu Komunikasi CHANNEL: Jurnal Komunikasi Komunikatif : Jurnal Ilmiah Komunikasi
Nanang Krisdinanto
Universitas Katolik Widya Mandala Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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BINGKAI BERITA KUNJUNGAN KERJA KOMISI A DPRD JATIM KE BELANDA TERKAIT HARI JADI JATIM DALAM LEMBAGA PENYIARAN PUBLIK (LPP) TVRI JATIM DAN LEMBAGA PENYIARAN SWASTA (LPS) LOKAL JTV SURABAYA Melissa, Melissa; Hadi, Ido Prijana; Krisdinanto, Nanang
Scriptura Vol 3, No 1 (2009): JANUARI 2009
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (194.864 KB) | DOI: 10.9744/scriptura.3.1.48-68

Abstract

Media construct and make sense of the reality it serves to its audiences. Reality-construction and sense-making are influenced by internal (reporters, media organization) and external factors (sources, advertisers, others). Thus, news is a product of constructed reality. News is not something that is already out-there for the media to present to its audiences. Media chooses, selects, put emphasis on some details and facts, while (purposedly) overlooks others. The selection and emphasise are called framing. Framing enables the complex, disorganized realities, to be changed into organized, simple, and sensible realities. In this research, the news the A-Committee’s excursion to Netherlands in relation to East Java’s centenary in Public Service Broadcasting TVRI Jatim and Commercial (Private) Broadcast JTV are explored. Since the research intends to see how the media presents, exnominates, and puts emphasis on facts and details to make sense of the reality, this research uses Zhongdang Pan and Gerald M. Kosicki’s framing analysis method. Hence, it was found, TVRI frames reality from the government’s point of view, while JTV frames the reality from the watchdog role’s point of view. The differences lays in historical, legal, and influences on media content. Thus, it was found that either public or commercial broadcasts television produce news according to their bias and interests that are seen through their newsframes.
STEREOTYPING RISMA : PEMBINGKAIAN SOSOK TRI RISMAHARINI DI MAJALAH DETIK DAN TEMPO Burnama, Glandy; Krisdinanto, Nanang; Yoanita, Desi
Scriptura Vol 4, No 1 (2014): JULY 2014
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (509.375 KB) | DOI: 10.9744/scriptura.4.1.1-9

Abstract

Saat ini, dunia politik dan pemerintahan tidak hanya menjadi milik laki – laki, tapi juga perempuan. Banyak perempuan yang terjun ke dalam dunia politik, menjadi politisi, atau bahkan pemimpin pemerintahan. Namun, stereotip yang merujuk pada keraguan publik masih ada. Perempuan dianggap tidak cocok menjadi pemimpin pemerintahan karena dianggap tidak mampu dan feminin. Media massa juga berperan dalam pengukuhan anggapan tersebut. Penelitian ini bertujuan untuk melihat bagaimana media massa, memberitakan atau membingkai sosok pemimpin perempuan, yakni Tri Rismaharini (Walikota Surabaya). Majalah Digital Detik menerbitkan edisi “Risma Super Wali”, sedangkan Majalah Tempo menerbitkan edisi “Bukan Bupati Biasa”. Setelah dianalisis dengan perangkat framing Pan – Kosicki (sintaksis, skrip, tematik, dan retoris), peneliti menemukan masih adanya stereotip berbau gender pada berita – berita tentang sosok Risma, yakni feminin, domestik, emosional, dan tidak memiliki kemampuan politik. Sifat feminin dan emosional Risma terlihat dari berita tentang kepeduliannya kepada warganya dan kecenderungannya menggunakan hati saat bekerja. Adapun sifat domestik Risma terlihat dari berita mengenai kinerjanya dalam merawat dan menjaga kebersihan serta taman – taman di Surabaya. Terakhir, penjelasan mengenai ketidakmampuan Risma dalam hal politik memperkuat stereotip gender bahwa perempuan tidak pantas menjadi pemimpin pemerintahan.
AGAINST ALL ODDS (PERGESERAN STANDAR KECANTIKAN DALAM IKLAN KORPORAT “REAL BEAUTY” DOVE) Emyliani, Tania; Krisdinanto, Nanang; Akhsaniyah, Akhsaniyah
LONTAR: Jurnal Ilmu Komunikasi Vol 7, No 2 (2019): Lontar: Jurnal Ilmu Komunikasi
Publisher : Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30656/lontar.v7i2.2046

Abstract

This study looked at how the matching of signs related to the shift in standard of beauty incorporate advertising "Real Beauty" with Dove's wish image. In seeing this suitability, the author usesthe Semiotics method by Charles Sander Peirce to reveal the sign by grouping it into icons, indices, andsymbols found in corporate advertising. The shift related to beauty standards will be seen in thecorporate advertisements "Real Beauty, Meet Kylee" as the global version and "Real Beauty: Friends" asthe local version (Indonesia). The use of these two advertisements also aims to see whether Dove isconsistent in carrying out the "Real Beauty" campaign. The results of the sign analysis show that theglobal version of the advertisement reflects a shift in the standard of beauty (a new definition of beauty),the feminist movement, gender bias resistance and against social construction. Meanwhile, the signanalysis on the local version of the ad is still fixated on traditional beauty standards, gender bias,patriarchal culture, and the social construction that makes the ad "Real Beauty: Friends" does not reflectthe company's wish image and fails to maintain consistency in campaigning. Dove's failure to maintainthe consistency of the "Real Beauty" campaign with wish image can make Dove experience an identitycrisis that leads to a bad reputation or image for the company, such as the failure of the company's wishimage formation, and failure to reach marketing targets such as Dove expected.
When advertisements are disguised as news: the ethics problem in Indonesian mass media Krisdinanto, Nanang
Jurnal Studi Komunikasi Vol. 5 No. 2 (2021)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v5i2.3527

Abstract

The practice of obscuring news and advertising is still a problem in the Indonesian mass media. This research aimed to unravel journalistic ethics problems, especially those related to advertorials (advertisements delivered in an editorial style). The clear separation between news and advertisements is one of the two pillars of journalistic ethics, apart from separating facts and opinions to maintain journalistic independence. The research approach used was qualitative-descriptive, with data collection techniques through interviews (to journalists), observation and document searches. The results showed that most of the printed mass media studied tended to blur the boundaries between news and advertisements through various means, such as removing or shortening advertorial information.
Gender Taboo di Media Sosial: Analisis Penerimaan terhadap ‘Perlawanan’ Danilla Riyadi di Instagram dan Youtube Clara Ocktarida Sutisna; Nanang Krisdinanto; Brigitta Revia Sandy Fiesta
Jurnal Riset Komunikasi Vol 5 No 1 (2022): Februari 2022
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komuniasi (ASPIKOM) Wilayah Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38194/jurkom.v5i1.404

Abstract

This study focuses on the dynamics of women's acceptance of taboo gender issues on social media on Danilla Riyadi's Instagram and Youtube accounts. Through her social media content, Danilla is recognized as a singer whose behavior in front of the camera often triggers controversy such as smoking, drinking alcohol, showing tattoos, or saying obscene words. In the context of gender, what he does implicitly can be seen as a form of resistance to the gender taboo that confines women. This research looks at how the audience receives or perceives content with sensitive messages like this. The researcher used a qualitative approach, descriptive type, and the acceptance analysis method developed by Stuart Hall. The data was obtained through in-depth interviews with female viewers of Danilla Riyadi's account. The findings show that there are dynamics or diversity in the position of acceptance of the research subject towards Danilla Riyadi's content (dominant, negotiated, opposition). On the one hand, Danilla's content is accepted as a message that rejects gender taboo. But on the other hand, content is accepted as something that is detrimental to women, because Danilla's expression was deemed inappropriate for women.
Chinese Bonek: Reject Racism Through Symbolic Communication Mas Yongky Satria Muhammad Purnomo; Nanang Krisdinanto
Kanal: Jurnal Ilmu Komunikasi Vol 9 No 1 (2020): September
Publisher : Universitas Muhammadiyah Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21070/kanal.v9i1.686

Abstract

This research starts from the phenomenon of the existence of Chinese Bonek (support- ers of the Persebaya Surabaya club who are of Chinese ethnicity) in the city of Surabaya. Although a minority in numbers (compared to Bonek ethnic or Javanese), the existence of Bonek Tionghoa began to be recognized among Bonek. Moreover, they also rou- tinely physically present at the stadium every time Persebaya competed. This study aims to unravel the experiences of the Chinese Bonek in supporting Persebaya, as well as understanding how they interpret that support. That experience is seen through verbal and non-verbal communication that they do, which of course implicitly has its own mean- ing and message. This research uses a qualitative approach, descriptive type, and uses the phenomenological method. Data obtained from in-depth interviews, supported by observation on the field (especially when Persebaya competed in the stadium). The find- ings of this research data show, Chinese Bonek apparently means that their support is not only as support for their favorite football club, but also as an expression of rejection of racism and discrimination that they often experience, both in daily life and in the context of the interaction of fellow supporters. The support is done through verbal communication such as singing (chant) and status or posting on social media, and through non-verbal communication such as direct attendance at the stadium, wearing a Persebaya jersey / costume, and certain gestures.
PIERRE BOURDIEU, SANG JURU DAMAI Nanang Krisdinanto
Kanal: Jurnal Ilmu Komunikasi Vol 2 No 2 (2014): March
Publisher : Universitas Muhammadiyah Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21070/kanal.v2i2.300

Abstract

Pierre Bourdieu built his theoretical orientation as a solution to what he saw as a false opposition between objectivism and subjectivism; to quote Bourdieu: “absurd opposition between individual and society”. Bourdieu offered a point of view that emphasizes on duality in the relationship between agent and structure, as an alternative to the previously existing dualistic views. Bourdieu refers to his theoretical orientation as genetic structuralism, constructivist structuralism or structuralist constructivism. Through the concept of habitus, field, and capital, Bourdieu integrated objectivism (which emphasizes the role of objective structure in social practice) and subjectivism (which emphasizes the role of agent in social practice). Bourdieu formulated the theory of social practice with the equation (Habitus x Capital) + Field = Practice. Practice, in Bourdieu’s mind, is the product of the relationship between habitus and field, wherein within field itself there are powers at stake, especially between people with capital and people without capital.
Desakralisasi film horor Indonesia dalam kajian reception analysis Yohana Debby; Theresia Intan Putri Hartiana; Nanang Krisdinanto
ProTVF Vol 4, No 1 (2020): March 2020
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v4i1.24171

Abstract

Penelitian mendeskripsikan mengenai penerimaan penonton mengenai desakralisasi agama yang tergambarkan dalam film horor Indonesia pasca Orde Baru. Beberapa film yang akan diteliti diantaranya Asih (2018), Danur 2: Maddah (2018), Pengabdi Setan (2017), Ruqyah: The Exorcism (2017), Hantu Jeruk Purut Reborn (2017), dan Hantu Rumah Ampera (2009) menjadi film-film pilihan peneliti. Desakralisasi dalam film tersebut terbagi dalam tiga hal, yakni: tokoh agama, ritual, dan simbol keagamaan. Desakralisasi merupakan penurunan makna dari nilai atau hal-hal yang dianggap sakral dalam kehidupan sosial. Beberapa adegan di film horor Indonesia, menunjukkan desakralisasi, seperti tokoh agama yang kalah dengan setan, diganggu saat beribadah. Sehingga desakralisasi dikatakan sebagai suatu upaya untuk menurunkan sifat religi benda atau hal yang dianggap suci dan mengedepankan rasionalitas dalam menghadapi suatu konflik pada suatu hal. Pemilihan informan didasarkan pada usia, agama, aliran kepercayaan, pendidikan. Penelitian ini dilakukan metode dengan reception analysis, teknik pengambilan wawancara in-depth interview, serta menggolongkan hasil penerimaan informan nantinya ke dalam tiga kategori posisi yang dikemukakan oleh Stuart Hall, yakni: dominan, negosiasi, oposisi. Hasil penelitian menunjukkan bahwa informan memiliki posisi yang berbeda-beda dalam memaknai film horor. Penonton atau informan berada dalam posisi oppositional ketika memaknai desakralisasi ritual keagamaan. Informan cenderung pada posisi oppositional karena dipengaruhi pengalaman dan latar belakang seperti yang pernah melewati ritual pembukaan mata batin, melakukan ritual atau ibadah.
Analisis Semiotika tentang Penggambaran Orang Pedalaman pada Film Indonesia Maria Rosalia; Nanang Krisdinanto; Brigitta Revia Sandy Fiesta
Communicatus: Jurnal Ilmu komunikasi Vol 3, No 2 (2019): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v3i2.6541

Abstract

This study was conducted to see the depiction of inland people who became minorities in Indonesian films. Since the 2000s, Indonesian films have tended to portray minorities as a group that still lags behind. This is seen from the two film categories selected in this study, namely educational and social-themed films. This study was conducted to see how inland people were described using Ferdinand de Saussure's semiotic method. As a knife of analysis will be used the concept of blackness developed by Ed Guerrero to see aspects of behavior, intelligence, and emotions of the minority groups depicted in the film. The films analyzed are Sokola Rimba and Lost in Papua. The results showed that Indonesian films with the theme of education and social always attached minorities with the impression of being stupid, primitive and backward. In the category of behavior (behavior), inland people tend to be displayed close to backwardness (primitive) or evil. While intelligent (intelligence), they are described as having low intelligence or stupid, and emotionally (emotionally) are described as people close to violence and unable to find a solution if a problem occurs. Such images can form prejudices in the minds of the public, which then crystallize into stereotypes that are considered true.Kajian ini dilakukan untuk melihat penggambaran orang pedalaman yang menjadi kaum minoritas dalam Film-film Indonesia. Sejak tahun 2000-an, film-film Indonesia memiliki kecenderungan menggambarkan kaum minoritas sebagai kelompok yang masih tertinggal. Hal ini dilihat dari dua kategori film yang dipilih dalam penelitian ini, yakni film bertema pendidikan dan sosial. Kajian ini dilakukan untuk melihat bagaimana orang-orang pedalaman digambarkan dengan menggunakan metode semiotika milik Ferdinand de Saussure. Sebagai pisau analisis akan digunakan konsep blackness yang dikembangkan Ed Guerrero untuk melihat aspek perilaku, kecerdasan, dan emosi dari kelompok minoritas yang digambarkan dalam film. Film yang dianalisis adalah Sokola Rimba dan Lost in Papua. Hasil penelitian menunjukkan, film Indonesia yang bertema pendidikan dan sosial selalu melekatkan kaum minoritas dengan kesan bodoh, primitif dan terbelakang. Dalam kategori tingkah laku (behavior), orang-orang pedalaman cenderung ditampilkan dekat dengan keterbelakangan (primitif) atau jahat. Sementara secara intelligent (kecerdasan), mereka digambarkan memiliki kecerdasan rendah atau bodoh, dan secara emotional (emosi) digambarkan sebagai orang-orang dekat dengan kekerasan dan tidak mampu mencari penyelesaian jika terjadi persoalan. Gambaran-gambaran seperti ini bisa membentuk prasangka di benak khalayak, yang kemudian mengkristal menjadi stereotip yang dianggap benar.
WORKSHOP PUBLIC SPEAKING BAGI WARGA PAROKI JUANDA SIDOARJO Anastasia Yuni Widyaningrum; Agatha Winda Setyarinata; Yuli Nugraheni; Nanang Krisdinanto
ABDIMAS ALTRUIS: Jurnal Pengabdian Kepada Masyarakat Vol 3, No 1 (2020): April 2020
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.631 KB) | DOI: 10.24071/aa.v3i1.2944

Abstract

Co-Authors ., Akhsaniyah Agatha Winda Setyarinata Ali Djamhuri Anastasia Yuni Widyaningrum Astari, Yohana Ayu Atma Amanda Putri Brigitta Revia Sandy Fista Budiman Budiman Chandra Sari, Rohmah Nia Chandra, Christopher Clara Carolina Wiyanto Clara Ocktarida Sutisna Daros Airlangga, Muhammad Hafidz Desi Yoanita Emyliani, Tania Fiaji, Noveria Anggraeni Finsensius Yuli Purnama Glandy Burnama Ido Prijana Hadi Jennifer Riona Kanthy Mayangsari Kristy, Amelya Maria Barbara Apul, Merlina Maria Rosalia Mas Yongky Satria Muhammad Purnomo Melissa Melissa Merlina Maria Barbara Apul Monica Trivena Nainggolan Muhammad Hafidz Daros Airlangga Nainggolan, Monica Trivena Nirra Swastika Noveria Anggraeni Fiaji Putra Aditya Lapalelo Putri, Atma Amanda Rachmat Kriyantono Rafika Rezky Reza Safitri Rohmah Nia Chandra Sari Santoso, Zha Zha Elenita Setyarinata, Agatha Winda Shanice Priscilla Octavia Theresia Intan Theresia Intan Putri Hartiana Theresia Intan Putri Hartiana Vergiana Lestari Widyaningrum, Anastasia Yuni Wijanarko, Wisnu Wisnu Widjanarko Yohana Ayu Astari Yohana Debby Yuli Nugraheni Zha Zha Elenita Santoso