Article Per Year (5 Year)
p-Index From 2021 - 2026
2.062
P-Index
This Author published in this journals
All Journal Sabda: Jurnal Kajian Kebudayaan Grenek: Jurnal Seni Musik Journal of Urban Society´s Arts Jurnal Sejarah dan Budaya Gelar : Jurnal Seni Budaya Greget Hanifiya: Jurnal Studi Agama-Agama ARTISTIC : International Journal of Creation and Innovation Gesture: Jurnal Seni Tari Global Art Creativity Conference
Widyastutieningrum, Sri Rochana
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences

Published : 16 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 16 Documents
Search

 1   2 
KOREOGRAFI PELUK JIWA KARYA JONET SRI KUNCORO DAN MT. WASI BANTOLO BERSAMA ANAK DISABILITAS TUNA RUNGU Wardanny, Smirna; Widyastutieningrum, Sri Rochana
Greget: Jurnal Kreativitas dan Studi Tari Vol. 22 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v22i2.5983

Abstract

This study describes the process of creation and form of Peluk Jiwa dance. The problems in this study include process of creating Peluk Jiwa dance choreography and form of Peluk Jiwa dance. The choreography of Peluk Jiwa is based on the traditional Surakarta style dance movements that are balanced and adapted to the abilities of the dancers who are deaf children, non-disabled children and physically disabled singers. The dance work Peluk Jiwa tells about social equality between normal people and people with physical disabilities. This study uses a qualitative method that is descriptive analysis. The theory used to solve the problem of the choreography creation process uses a theory with seven stages, namely elements of dance moves, theme selection, technique, exploration, organization, unity, presentation while to dissect the form of the work of Peluk Jiwa Dance using nine main elements including (1) dance title, (2) dance themes, (3) types of dance, (4) dance room, (5) dance moves, (6) dance music, (7) presentation methods, (8) dancers, (9) makeup and clothing. The results of this study indicate that Peluk Jiwa Dance is the work of Jonet Sri Kuncoro and Wasi Bantolo with children hearing impairments who were created through a seven-stage creative process and also added that the form of Peluk Jiwa is a drama dance involving dancers for children with hearing impairments. This work contains a message of social equality between children with hearing impairments and normal children.
PROSES KREATIF DAN BENTUK KARYA TARI GOLEK Prakoso, Restra Bagas; Widyastutieningrum, Sri Rochana
Gesture: Jurnal Seni Tari Vol. 14 No. 1 (2025): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v14i1.64940

Abstract

Karya tari Golek berpijak pada tari tradisi gaya Jawa Timur dengan cerita rakyat Panji Semirang. Konflik dalam cerita Panji Semirang mengenai perebutan hadiah yang diberikan oleh Panji Asmara Bangun kepada Galuh Candra Kirana dan saudara tirinya Galuh Ajeng menjadi ide penciptaan karya tari Golek. Karya tari Golek diciptakan oleh Rastra Bagas Prakoso. Penelitian artistik ini menggunakan pendekatan kualitatif yang mengungkap dua masalah yakni: (1) bentuk tari Golek karya Rastra Bagas Prakoso dan (2) Rangkain penciptaan karya tari Golek oleh Rastra Bagas Prakoso. Adapun teori yang dipakai untuk membahas wujud karya merujuk pada teori Sri Rochana W., sedangkan untuk menjelaskan proses penciptaannya, digunakan teori dari Alma Hawkins. Hasil penelitian menunjukan karya tari Golek terdiri dari bentuk fisik dan ungkap. Bentuk fisik yang digarap berpijak dari gerak tari Jawa Timur yang terinspirasi oleh gerak boneka diwujudkan pada gerak yang patah patah gerak boneka yang lucu, sedangkan bentuk ungkap lebih ke rasa jenaka, lucu, ceria. Iringan musik keroncong dipilih untuk mengiringi kaya tari, proses garap tari golek melalui dari proses yang memaparkan penciptaan karya tari melalui eksplorasi, improvisasi dan komposisi. Eksplorasi lebih banyak dilakukan untuk menciptakan gerak tari kontemporer yang berbasis tradisi dalam betuk visual yang unik.
Estetika Tari Betangas pada Sanggar Sultan Nata di Kabupaten Sintang Provinsi Kalimantan Barat Fauziah, Rizka; Widyastutieningrum, Sri Rochana; Dewi, Maharani Luthvinda
Gesture: Jurnal Seni Tari Vol. 14 No. 2 (2025): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v14i2.67462

Abstract

The purpose of this study was to analyze the aesthetic value of Betangas dance at Sanggar Sultan Nata in Sintang Regency. Betangas dance is a new creative dance created by Musliyadi in 2014. Betangas dance uses basic Malay dance movements. This study is a qualitative study with an ethnochoreology approach and descriptive analysis method. Data collection techniques: observation, interviews, and literature studies. The aesthetic value in Betangas dance can be seen in the elements of movement, dance music, floor patterns, costume makeup and properties. The dance movements are inspired by the movements during the Betangas ceremony, the music uses Malay music, uses corrective makeup and costumes based on the Sintang Malay traditional dress, the properties used are woven pandan leaf mats and sarongs or tapeh. The aesthetics of Betangas dance are related to the life value of the Malay community, especially in Sintang Regency.
A Study of Dakwah Pattern on Dramatic Text and Its Transformation From Serat Menak Lare Literature to the Choreography Text of Srimpi Dance Pramutomo, R.M.; Widyastutieningrum, Sri Rochana; Kuncoro, Jonet Sri
Hanifiya: Jurnal Studi Agama-Agama Vol. 3 No. 1 (2020): Hanifiya: Jurnal Studi Agama-Agama
Publisher : Program Studi Studi Agama-Agama Pascasarjana UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hanifiya.v3i1.8031

Abstract

The Srimpi dance is a Javanese dance which is presented by four female dancers. Usually, the Srimpi dancers are four female teenagers. The dance itself is based on literature. On the Srimpi Menak lare variation, the dance is performed by four child dancers, specifically by two boys and two girls. The Srimpi Menak Lare dance was inspired from the childhood tale of Tiyang Agung Jayengrana or Amir Ambyah, one of the uncles of Prophet Muhammad on a play by R.Ng. Yosodipuro I. The dramatical transformation in said play, when choreographically visualized, becomes a topic of discussion. This article will examines a study of dance elements which is pattered by da’wah in Islamic point of view. Based on said discussion, the creation of Srimpi Menak Lare dance is a research-based dance creation from the idea forming, exploration, concept building, and the forming of the dance itself. The methodological application in this artistic research refers to the analitycal form of the innovative choreography of the Srimpi Menak Lare dance. Through this specific term of da’wah pattern this article applied an exploration of elements of dance creation related to the contens of da’wah in Islamic values.
Theme Of The Festival And Student Interest In Participating In The Student Film Setyawan, Deddy; Widyastutieningrum, Sri Rochana; Handriyotopo, Handriyotopo
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.10988

Abstract

This research aims to analyze the relationship between film festival themes and students' interest in participating in the Jogja Student Film Festival (FFPJ). On the one hand, the theme of a film festival provides guidance about the films that will be competed in the festival, on the other hand, the theme can also limit students' freedom in expressing ideas or ideas through film works. Restrictions on a theme may reduce interest in participating in the festival. This research uses descriptive qualitative methods. Data was taken from interviews and FFPJ documents from 2010 - 2021. Data analysis was descriptive qualitative. The research results show a clear pattern trend, namely the relationship between themes and the number of film works included in FFPJ. When FFPJ has a free theme, the number of film works tends to increase. When FFPJ has a theme determined by the organizer, the number of films included in FFPJ decreases. Students seem to prefer making films to express their ideas or concepts according to their themes rather than having to make films according to the themes desired by the organizers.
The Artistic Meaning of Isolo Tradition of Sentani Tribe, Papua in Indonesia's Sustainable Maritime Culture Peradantha, Ida Bagus Gede Surya; Widyastutieningrum, Sri Rochana; Soewarlan, Santosa; Triguna, Ida Bagus Gde Yudha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose of this study is to uncover the aesthetic meaning in the Sentani Tribe's Isolo tradition in Lake Sentani, Papua. The study focused on how the artistic aspects of Isolo represent essential creative meanings and what the important implications of artistic meanings in the Isolo tradition are for the development of the archipelago's sustainable maritime culture. This study employs a qualitative technique based on Roland Barthes' semiotic theory. Data was gathered through observation of Isolo performances during the 2023 Lake Sentani Festival, interviews, and literature searches. The following are the study's findings: First, creative components such as dance moves, singing, clothes, property, and body painting motifs demonstrate symbolic connotations of natural prosperity, patriotism, spirituality, and fraternity. Second, the key meanings in Isolo derive from the concept of Rokhabia, a sense of brotherhood of one womb that is deeply established in Sentani tradition. Third, the implications of the Isolo tradition might build Sentani tribe social relationships through the meaning of the elements in its artistic representation. This study contributes significantly to expanding the horizon of the Sentani Tribe's Isolo heritage in preserving Indonesia’s sustainable maritime culture.
Co-Authors Ajidarma , Seno Gumira Angga Eka Karina Aris Setiawan Bambang Sunarto Deddy Setyawan Dewi, Maharani Luthvinda Firdaus Noor Handriyotopo Handriyotopo HERNA HIRZA Ida Bagus Gde Yudha Triguna Indra Gunara Rochyat Kuncoro, Jonet Sri Lambangsari, Sonia Pangesti Peradantha, Ida Bagus Gede Surya Prakoso, Restra Bagas R.M. Pramutomo Rizka Fauziah Sari, Anggi Wulan Soewarlan, Santosa Sunarmi Sunarmi Sutrisno , Mudji Wardanny, Smirna