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All Journal English Language and Literature JURNAL ILMU BUDAYA CaLLs : Journal of Culture, Arts, Literature, and Linguistics BASIS (BAHASA DAN SASTRA INGGRIS) ELS Journal on Interdisciplinary Studies in Humanities LINGUISTIK : Jurnal Bahasa dan Sastra PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Journal of Language and Literature Jurnal Ide Bahasa eScience Humanity Journal Jurnal Puan Indonesia JASL - Journal of Applied Studies in Language EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics Jurnal Pengabdian Cendikia Nusantara SCIENTIA JOURNAL : Jurnal Ilmiah Mahasiswa Literasi Bahasa dan Sastra Jurnal
Ambalegin, Ambalegin
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Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Public Health Social Sciences

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Journal : BASIS (BAHASA DAN SASTRA INGGRIS)

 1 
AN ANALYSIS OF THE EXPRESSIVE SPEECH ACTS IN “THE WILLOUGHBYS” MOVIE Aritonang, Roby Octo; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 10 No 2 (2023): J0URNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v10i2.7762

Abstract

This research focuses on identifying the expressive speech acts found in “The Willoughbys” Movie. The research uses the theory of Searle and Vanderveken (1985). The method is observation in collecting the data, and the technique is note-taking. In analyzing the data, the data was examined with the pragmatic identity method and pragmatic competence-in-equalizing technique. The data was taken from the utterances in the movie. There are 67 expressive speech acts found in the movie which are divided into 11 acts. The expressive speech acts with the most occurrences were complaints with 12 occurrences, followed by 6 data of greet, 4 data of apologies, 6 data of compliments, 10 data of protest, 9 data of lament, 3 data of thanks, 3 data of boast, 5 data of praise, 4 data of condole, and 5 data of deplore. The expressive speech acts of congratulate was not found in the movie, because the scene mostly was found in their journey and their adventure that they had to do.
PELANGGARAN MAXIM DALAM FILM “FANTASTIC BEASTS: AND WHERE TO FIND THEM” Erdayani, Erdayani; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 9 No 1 (2022): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v9i1.4590

Abstract

This descriptive qualitative research purposed at finding the types of flouting maxims uttered by the characters in Fantastic Beasts: and Where to Find Them movie. The data were taken from the utterances contained flouting maxims in the movie. The cooperative principle theory by (Grice, 1975) conducted for analyzing the types of flouting maxims. Observational method and non-participatory technique implemented for collecting the data. Furthermore, pragmatic identity method and pragmatic competence- in equalizing technique employed for analyzing the data. The findings revealed that there were 15 utterances contained flouting maxims uttered by the characters in the movie. There were 9 data of flouting maxim of quantity, 1 data of flouting maxim of relation, 4 data of flouting maxim of relation, and 1 data of flouting maxim of manner. Flouting maxim of quantity became the most uttered because the characters frequently flouted the maxim of quantity in the movie.
THE TYPES OF POLITENESS STRATEGY IN “17 AGAIN” MOVIE SCRIPT: PRAGMATIC APPROACH Safitri, Vira; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 9 No 1 (2022): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v9i1.4600

Abstract

Politeness strategy is a language phenomenon that is based on the form and purpose of each. Strategy is needed to deliver communication with meaning and purpose to be conveyed and interpreted properly. This study aimed to identify and analyze the politeness strategy used in the “17 Again” movie script. This study used a qualitative descriptive approach in research. The movie script of “17 Again” is used as a data source in this research. This research used Brown and Levinson theory about the types of politeness strategies. The results of the study found that there were 15 data politeness strategies found in the movie script, which were divided into: positive politeness (4), negative politeness (2), bald-on record (6), and off record (3). This research has significances which are theoretically and practically. This research theoretically is expected to contribute about future research in pragmatics especially for the types of politeness strategy. Practically this research is expected to be a comparison and support for future researchers.
Tindak Ilokusi Deklaratif yang Diucapkan dalam Film “Cruella” Pulungan, Febrina Sanjo; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 9 No 1 (2022): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v9i1.4606

Abstract

This research aimed at finding out the types of declarative illocutionary acts in the “Cruella” movie. The utterances of the characters were taken to be data of this research. It was analyzed by applying the types of declarative. The method of collecting the data was the observational method and non-participatory technique. In analyzing the data, the researchers used the pragmatic identity method and pragmatic competence- in equalizing. The results found out that there were 15 utterances of declarative acts uttered in “Cruella” movie. There were 15 declarative illocutionary acts uttered in the movie. The characters uttered declarative acts of a sentence, excommunicate, approve, and fire. There were some data in the movie, namely one data of sentence, four data of excommunicate, seven data of approve and three data of fire. It was found that the dominant type was the declarative act of approve. It became as dominant type because there were many utterances that needed to be approved by the speaker.
PRAGMATICS ANALYSIS OF COMMIT EXPRESSION ACTED BY CHARACTERS IN “FRACTURED” MOVIE Sihotang, Rintauli; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 9 No 2 (2022): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v9i2.5564

Abstract

This research analyzed the types of commissive act in a thrilled movie entitled “Fractured”. The data were commissive acts utterances in the movie. The data were observed by using observational and non-participatory technique. Therefore, the researchers watched the movie to get data. The researchers used pragmatics identity method and competence in equalizing to analyze the data. The researchers equalized the data with types of commissive acts theory proposed by Searle and Vanderveken (1985). The findings discovered 15 utterances showed commissive acts in the movie. Threaten had 1 data, accept had 2 data, promise had 6 data, refuse had 3 data, and offer had 3 data. The commissive acts of promise was found to be the most dominant type because all characters commonly promised to take action in the future to other characters in “Fractured” movie. Also, the type became the dominant because most of the speakers had the intention to do action that brought benefits for the hearers.          
THE USE OF SWEAR WORDS IN LIVE SPEED’S YOUTUBE VIDEO: “LOSE THE GAME, SHAVE YOUR EYEBROWS” lamsahatma; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 10 No 1 (2023): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v10i1.6533

Abstract

This descriptive qualitative research analyzed the swear words utteranced by Speed’s in his YouTube video: lose the game, shave your eyebrows. This research aimed to identify types of swear words based on context and which one the frequenly appears. The data source of the research took video from Live Speed’s YouTube channel who played FIFA game with a kid (30 may 2022). This research used observational methode with non-participatory technique for collecting the data. This research used the referential identity method with technique to analyze the data. Based on finding, there were five utterances types of swear words in Live Speed’s video. Those were 1 data of dysphemism, 3 data of idiomatically, 7 data of abusively, 4 data of emphatically, and 13 data of cathartically. The researchers made a conclusion that the cathartically of swearing is the most frequent utteranced by Speed and kid in his video. In other words, all types of swearing were pronounced to express the feeling to gain the attraction of the viewers without insulting anyone.
EXPRESSIVE ACTS OF CHARACTERS’ UTTERANCES IN THE AFTERMATH MOVIE Hendra, Hendra; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 10 No 1 (2023): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v10i1.6534

Abstract

The researchers conducted the descriptive qualitative research to analyze the expressive acts types. This research used The Aftermath 2019 movie as the data source and data were utterances that characters produced to show their emotions to the hearers. The researchers took the data by using observational method and note-taking. The researchers did not appear in the movie and data were collected by also writing down. In analyzing data, pragmatic identity method and pragmatic competence- in equalizing were used. It was analyzed with the theory of expressive acts by Searle and Vanderveken (1985). The result showed the characters said all expressive acts types. There were 59 data found in the utterances. One data of congratulate, 14 data of apologize, one data of welcome, 15 data of thank, 14 data of greet, seven data of complain, and seven data of compliment. Based on the result, thank was dominant because the characters commonly used this type to show their feelings. The characters frequently expressed gratitude because the speakers got good benefits from the listeners
DEIXIS ANALYSIS OF MAIN CHARACTER IN RAYA THE LAST DRAGON 2021 MOVIE Arfala Norma , Anggi Dwi Arfala Norma; Ambalegin, Ambalegin
BASIS (Bahasa dan Sastra Inggris) Vol 10 No 1 (2023): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v10i1.6700

Abstract

The objective of this research was to figure out how deixis was used in the movie that released in 2021, entitle “Raya and the Last Dragon”. Additionally, this research was also concerned with the type of deixis. The researchers employed a qualitative descriptive research method in this research. The source of data for the research is the movie's main character. The data was gathered using an observational method and a note-taking technique. The pragmatic competence-in-equalizing were implemented to analyse the data. The results obtained from this research define the numerous types of deixis, such as personal deixis, place deixis, temporal deixis, social deixis, and discourse deixis by using Levinson's (1983) theory. According to the findings, the following types of deixis exist: person deixis, place deixis, time deixis, social deixis, and discourse deixis. Person deixis accounted for 11 data, place deixis accounted for 3, time deixis accounted for 1, social deixis accounted for 2, and discourse deixis accounted for 4. Thus, in the movie Raya and the Last Dragon, person deixis was determined to be the most prevalent type of deixis.
Co-Authors Aditya Pratama Ramadhan Afriana, Afriana Arfala Norma , Anggi Dwi Arfala Norma Arianto, Tomi Aritonang, Roby Octo Aslan, Imran Azhari, Chud Radeffy BAGUS WAHYU UTOMO Desica, Desica DEWI SARTIKA Erdayani, Erdayani Farhan Aslam, Muhammad Handayani, Nurma Dhona Hendra Hendra Heraldine, Monica Hulu, Fasaaro Irawan, Nafdi Kartika Yulianti Laila Marfirah lamsahatma Lubna Salsabila Maurarochelle, Valeryan Salsabilla Melly, Melly Muhammad Nasir Nadha Jelang Ramdhany Natanael, Yosua Timotius Nathan, Nixon Randy Nehe, Imeldayanti Panjaitan, Bella Natasia Pijar Omar Piscesco Pulungan, Febrina Sanjo Putri, Sri Lestari Ramadhan, Muhammad Rayhan Ramdhany, Nadha Jelang Ricca, Hery Ricky Ricky Safitri, Ajeng Resva Safitri, Vira Septaria, Herti Nurizka Sihotang, Rintauli Silalahi, lamsahat Simorangkir, Krishna Stevanie Singal, Christian Immanuel Joseph Tami, Triyani Tewarat, Sipri Tewarat, Sipri Hanus Thu, Aung Si Tri Murtini, Dewi Turnip, Santika Virginia, Fanny Zega, Fatizatulo