Article Per Year (5 Year)
p-Index From 2020 - 2025
2.81
P-Index
This Author published in this journals
All Journal Englisia Journal JADECS (Journal of Art, Design, Art Education and Culture Studies) Journal of Islamic Architecture Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts Visual Heritage: Jurnal Kreasi Seni dan Budaya ARTISTIC : International Journal of Creation and Innovation Jurnal Sosial dan Teknologi INJECT Interdisciplinary Journal of Communication
Sugihartono, Ranang Agung
Unknown Affiliation
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 33 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 1 Documents
Search
Journal : INJECT Interdisciplinary Journal of Communication

 1 
The Panginyongan Film Identity: Narrative and Cinematic Approaches of Local Cinema Ferdinanda; Guntur; Sugihartono, Ranang Agung
INJECT (Interdisciplinary Journal of Communication) Vol. 10 No. 2 (2025)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v10i2.5078

Abstract

This study examines how narrative and cinematic constructions in the short films of Banyumas Raya, Indonesia, contribute to the formation of a distinct Panginyongan film identity. Focusing on three fictional film works, Dolanan Layangan, Pur, and SETAN: Seni Tani, this research employs a qualitative content analysis method grounded in Bordwell's film concept, integrated with theories of realism (Bazin), creative improvisation (Sawyer), and identity representation (Hall). The findings reveal a synergistic construction of identity through three interconnected themes: (1) narratives centered on everyday conflicts resolved through communal values, (2) a realist-improvisational aesthetic using long takes, natural lighting, and non-professional actors to achieve authenticity, and (3) the use of the Ngapak language and local cultural symbols as markers of identity and symbolic resistance. The study concludes that these films function not merely as cultural representations but as active sites of identity negotiation. Furthermore, it proposes a Panginyongan Film Identity Model that synthesizes these elements, offering a framework for understanding similar practices in other Indonesian regional cinemas. This research underscores the significance of local cinema as a vital cultural practice that challenges mainstream aesthetics and contributes to Indonesia's diverse national cinematic landscape.
Co-Authors Afriadi, Dedy Ali, Moh. Mahrush Amelia, Citra Ratna asmoro, purbo Cahyani, Novita Dyah Ayu Wiwid Sintowoko Falasifah, Anna Ferdinanda Guntur Guntur Guntur Irwan Irwan Mikke Susanto Pertiwi, Apsari Azimat Prayogo, Koko Is Ramadhoni, Ayudha Eka Resmiyati, Apriani Dwi Rianto, Jaka Rinaldo, Afrizal Santi Sidhartani Saputra, Iwan Ady Sarwanto Sarwanto Sri Marwati Sulastuti, Katarina Indah Sunardi Sunardi Supiarza, Hery Suyanto Suyanto Tatik Harpawati Taufik Murtono Wiguna, Satria Veriansyah Wulankawukir, Laska Indah Yayah Rukiah