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Journal : Jurnal Dimensi Seni Rupa dan Desain

PATUNG SEBAGAI MEDIA REKAM JEJAK TRANSFORMASI POLITIK, SOSIAL, DAN BUDAYA DALAM MUSEUM LIMA GUNUNG: STATUE AS A MEDIUM FOR DOCUMENTING POLITICAL, SOCIAL, AND CULTURAL TRANSFORMATIONS IN MUSEUM LIMA GUNUNG Luqman Wahyudi; Sunarmi; Sarwanto
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 2 (2025): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i2.22188

Abstract

This article discusses the role of sculpture as a medium for documenting political, social, and cultural transformations at the Lima Gunung Museum. The sculptures in this museum not only represent visual beauty, but also function as symbolic reflections on socio-political issues. Case studies of works such as Gus Semar Gunung, Cocot Kencono, Cicak vs Buaya, and Sinar Hati Gus Dur present critiques of phenomena such as pluralism, the post-truth era, power conflicts, and cultural acculturation. Through an aesthetic analysis approach based on AA Djelantik's theory, this article shows how sculpture can be a documentation tool that preserves historical narratives visually, conveys universal social criticism, and triggers dialogue with audiences. Documentation through sculpture provides an important contribution to understanding the dynamics of Indonesian society and politics, making art a bridge between aesthetic values ​​and social messages.
PENDOPO PADEPOKAN TJIPTA BOEDAJA: REPRESENTASI ESTETIKA NUSANTARA DAN RUANG KOLEKTIF DALAM PELESTARIAN SENI TRADISIONAL: PENDOPO PADEPOKAN TJIPTA BOEDAJA: REPRESENTATION OF ARCHIPELAGO AESTHETICS AND COLLECTIVE SPACE IN TRADITIONAL ART PRESERVATION Elianna Gerda Pertiwi; Sunarmi; Sarwanto
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 2 (2025): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i2.22190

Abstract

Padepokan Tjipta Boedaja in Tutup Ngisor Village, Magelang, is a traditional arts centre that has been running since 1937. As a collective space, the pavilion is a place for art preservation, social cohesion, and expression of cultural values. This research explores the aesthetic and social meanings of the pendopo using Y.B. Mangunwijaya's aesthetic theory. Through a qualitative approach and descriptive-analytical method, this research reveals the design elements of the pendopo that reflect the Nusantara philosophy, such as Gupala, Dewi Saraswati, and Yaksa Kala Liman ornaments, as well as the social function of the pendopo as an open and inclusive space. The results show that pendopo not only functions as a physical space, but also as a symbolic medium that strengthens cultural identity, supports art preservation, and builds community solidarity. This study provides a new perspective in understanding spatial design as an integral part of cultural preservation and social life.