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All Journal KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA UNEJ e-Proceeding Lentera: Jurnal Ilmiah Kependidikan Warta Pengabdian Semiotika Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Jambura Journal of English Teaching and Literature Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Abdimasku : Jurnal Pengabdian Masyarakat Anaphora: Journal of Language. Literary and Cultural Studies Journal of Community Development Aptekmas : Jurnal Pengabdian Kepada Masyarakat Leksema: Jurnal Bahasa dan Sastra Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Equality Dental Agromedis
Wardani SWW, L. Dyah Purwita
Universitas Jember
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Women’s objectification in Charles Bukowski’s post office Wardani, L Dyah Purwita; Ardiansyah, Mohammad Ridho; Astutiningsih, Irana
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 1 (2023): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v9i1.23097

Abstract

This study aimed to evaluate the discourse of women's objectification as portrayed in Charles Bukowski's Post Office novel. Many problems occur in the story, especially problems that revolve around women. They receive adverse treatment from men, both physically and mentally, and are also sexualized. It is critical to consider how literary work contributes to resolving social problems such as women's objectification, male gaze, sexual harassment, and other forms of abuse. The portrayal of women's objectification is traced through Stuart Hall's theory of representation, notably Michel Foucault's discursive approach. The findings of this study demonstrate how the Post Office novel objectifies women as a type of sexual freedom. The Post Office solely shows the female body's external features, focusing specific attention on the sexual organs. These features of women's unfavorable behavior help to objectify them. Bukowski assumed that women are prepared to be mistreated, particularly as sexual objects, in the name of sexual freedom. The Post Office represents male characters, objectifying female characters. Furthermore, some female characters normalize the way they are sexualized, from self-objectification to condescendingly stigmatizing other women. Female characters in the story face sexual objectification, rape, and sexual abuse in the name of sexual freedom.
Patriarchy Depiction through the Female Main Character’s Relationship in Marie Lu’s The Kingdom of Back Wardani, Leoba Dyah Purwita; Nisrina, Nadia Meivitasari Putri; Salikin, Hairus; Basuki, Imam; Cahyawati, Erna; Murti, Ghanesya Hari
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2024): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v10i1.27955

Abstract

Literary works are reflections of society’s nature in real life, and writers often emerge the issue regarding patriarchy in their literary works. Patriarchy is not a new topic and often depicted in literary works, especially in how women of patriarchy are portrayed. This study aims to determine how the practice of patriarchy is represented through the relationship between characters in The Kingdom of Back. In this qualitative research, Stuart Hall’s representation theory, particularly Michel Foucault’s discursive approach is employed to analyze the data. In addition, Sylvia Walby’s concept of patriarchy strengthens the basic assumption. The findings of this study show how The Kingdom of Back presented patriarchy that limits women's freedom and influences the relationship between the characters, which puts women to bear the damage and stand in an unequal position. The novel portrays a woman’s struggle through male domination, oppression, and exploitation in the relationship as a consequence of her desire to resist patriarchal culture, which barred her from achieving her dreams to leave a legacy through her music and composition. Nannerl finally succeeds to overcome the patriarchy barrier and struggling to live as an composer. Furthermore, as the author and diasporic subject, Marie Lu is still influenced by the deep-rooted value of patriarchy from her home country.
THE ROMANCE FORMULA IN CECELIA AHERN’S LOVE, ROSIE Santoso, Distania; Basuki, Imam; Wardani, Dyah Purwita
Lentera: Jurnal Ilmiah Kependidikan Vol. 12 No. 2 (2019): Lentera
Publisher : STKIP PGRI Bandar Lampung

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Abstract

This research analyzes the romance formula presented in Love, Rosie by discussing thestandard convention of the novel. The romance formula analysis tends to prove what is the socioculturalbackground in 20th century of Ireland society which becomes the cultural background ofthe novel. We discuss the issues among popular culture and also finding out the dominantcomponents of the story which builds the story into a romance story. The discussion is employed theCawelti’s concept and supported by Radway’s theory of romance. This study discusses Romanceformula in Love Rosie is presented by the two dominant elements, those are the romance plotformula and the characters. The inventions of the romance formula in Love Rosie is found in thewriting style of the novel. The novel is written in the form of instant messages and letters that aresent between the hero and heroine. The results of this study indicate that Love, Rosie has twodominant elements that built the story into a romance story. The first element is the story plot andthe second is the main characters of the story whom develops the love relationship in the story,which are the hero and the heroine. The story plot of Love, Rosie can be classified into four stages,those are the first meeting of Alex and Rosie, Alex and Rosie fall in love to each other, Obstacleswhich contain the internal and external conflicts of the hero and heroine, and the ending of thestory
Gerakan Zero Waste: Implementasi Pengelolaan Sampah Plastik Melalui Pemilahan Sampah Rumah Tangga pada Masyarakat Puger Jember Indahyani, Didin Erma; Rahayu, Prehatin Tri; Kusnadi; Negoro, Abdul Haris Suryo; Nurdiansyah, Yanuar; Wardani, L Dyah Purwita; Ganefo, Akhmad; Puspita, Indria Dwi; Sakinah, Wazirotus; Rudianto
Dental Agromedis Vol. 3 No. 1 (2025): Mei
Publisher : Fakultas Kedokteran Gigi, Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/da.v3i1.5971

Abstract

The escalating problem of plastic waste has become a serious environmental concern, particularly in coastal areas such as Puger District, Jember Regency. This community service program aimed to implement a Zero Waste movement through household waste sorting as a fundamental step in community-based waste management. The methods applied included awareness campaigns and waste-sorting training and The results demonstrated a significant increase in public awareness and participation in waste sorting, as well as waste weighing to quantify the amount and types of household waste generated before and after the intervention. Moreover, there was a notable rise in family involvement in household waste management. This initiative proves that educational and participatory approaches can effectively drive behavioral change toward a low-waste lifestyle. The household-based Zero Waste movement offers a promising model for sustainable environmental empowerment in coastal communities.Keywords: zero waste, plastic waste, waste sorting, household, community empowerment, Puger-Jember
Female Subjects Oppressions in George R. R. Martin's A Song of Ice and Fire: A Game of Thrones Wardani, L Dyah Purwita; Pratiwi, Adinia Arum; Supiastutik, Supiastutik
Jambura Journal of English Teaching and Literature Vol 3, No 1 (2022): Jambura Journal of English Teaching and Literature
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (235.219 KB) | DOI: 10.37905/jetl.v3i1.13971

Abstract

Female subjects' oppressions are a significant aspect of the novel entitled A Game of Thrones, published in 1996 by George R. R. Martin. This article aims to discover the discourse of female subjects' oppressions and the critical position of the author. The theory of representation by Stuart Hall and the discursive approach by Michel Foucault are used in this research. The contextual background and the narrations in the novel are collaborated in the analysis process to find the discourse of female subjects' oppressions and the critical position of the author. This research proves that this novel represents the oppression of female subjects in the form of marginalization, powerlessness, violence, and exploitation. Through the narration in the novel and some interviews, Martin, as the author, resists women's oppression.
Cerita Beji Antaboga dalam wacana harmonisasi alam dan antaragama Subaharianto, Andang; Murti, Ghanesya Hari; Cahyawati, Erna; Wardani, Dyah Purwita; Basuki, Imam
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.884

Abstract

The Beji Antaboga tourist site provides a religious atmosphere full of tolerance by building various statues of religious symbols located in a forest in Banyuwangi. The harmony between humans and nature is very well maintained at this location. This nuance is supported by a fictional story that is believed by the local community, namely the Antaboga dragon. However, the place is fully taken care of by Hindus who are indeed attached to protecting the surrounding nature, and their commitment to guard several points of springs. This research aims to measure the inter-religious relations in the area and also to analyze the extent to which folklore as a discourse can be recontextualized as an effort to harmonize the bond of humans with nature. The research method used is qualitative, the first step applies the narrative structure of the story through actantial theory, the second is tracing the hypogram for the Antaboga story which dated back to Hindu’s teaching, and the last is looking at discourse as a power practice to recontextualize the harmonius reality. The finding shows Antaboga story is indeed to legitimise nature as the centre and not humans as the main actors.
Transendentalisme: Arkeologi pengetahuan Asia dalam pemikiran Henry David Thoreau Ghanesya Hari Murti; Erna Cahyawati; L. Dyah Purwita Wardani; Imam Basuki
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 7 No. 1 (2023): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v7i1.24782

Abstract

Henry David Thoreau merupakan pemikir politik dan lingkungan Amerika yang menggaungkan cara bepikir transendentalisme dalam perjuangannya. Transendentalisme berupaya menghilangkan relasi subjek-objek dalam praktik sosial yang secara tidak langsung tengah mengkoptasi pemikiran Amerika kala itu sehingga melahirkan peperangan, perbudakan dan juga perusakan alam. Tulisan ini lalu ingin memulihkan corak pemikiran transendentalis Asia khususnya Baghavad Gita yang samar samar juga turut membantu membentuk tradisi Amerika. Pemikiran revolusioner demi menolak penindasan justru terlahir melalui gaya transendentalis yang secara metodis menghilangkan relasi subjek dan objek yang tengah populer kala itu. Hilangnya relasi subjek objek secara metodis menghadirkan perspektif bahwa manusia bukanlah subjek untuk memanipulasi alam sebagai objek, menghilangkan hirarki sosial seperti perbudakan karena manusia lain tidak boleh direndahkan karena dianggap objek, dan pemerintahan tidak boleh membungkam warga negara minoritas yang tidak masuk dalam hitungan mayoritas. Meminjam tradisi Foucauldian, tulisan ini secara metodologi pun hendak melacak pemikiran Thoreau yang masih memiliki nuansa Asia. Pelacakan jejak Asia di dalam tradisi pemikiran Thoreau ingin memberikan alternatif bahwa peperangan, perbudakan dan penaklukan adalah pengkhianatan pada cita-cita pembebasan.     Henry David Thoreau is an American political and environmental thinker who echoed the transcendentalist way of thinking in his struggle. Transcendentalism seeks to eliminate subject-object relations in social practices that indirectly co-opted American thinking at the time, resulting in wars, slavery and the destruction of nature. His revolutionary thinking about transcendentalism was actually born through his consumption of eastern discourse, especially Hindhuism with its Bagavad Geeta. The disappearance of subject-object relations presents the perspective that humans are not subjects to manipulate nature as an object, eliminate social hierarchies such as slavery because other humans should not be humiliated because they are considered objects, and the government should not silence minority citizens who are not included in the majority count. This paper methodologically retraces all the Asian thought that anchors Thoreau's thought archaeologically, which seems to have been marginalised in the western tradition. The tracing of Asian views in the tradition of Thoreau's thought wants to provide an alternative that war, slavery and conquest are a betrayal of the ideals of freedom.
Patriarchal Discourse as Seen in Christina Dalcher’s Vox Dyah Purwita Wardani; Intan Permatasari; Yanuaresti Wardhani
EQUALITY: Journal of Gender, Child, and Humanity Studies Vol. 2 No. 1 (2024): Equality: Journal of Gender, Child, and Humanity
Publisher : Pusat Studi Gender dan Anak (PSGA) Universitas Tarbiyatut Tholabah Lamongan, Jawa Timur Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58518/equality.v2i1.3309

Abstract

This study analyzes Christina Dalcher's Vox using the theory of representation by Stuart Hall 1997 and the discursive approach by Michel Foucault is an effective means of comprehending meaning through conversation. This theory analyzes patriarchal discourse experienced by female main characters. This study is categorized as qualitative research. This thesis has two kinds of data to support this research, primary and secondary. The primary data are collected from the dialogues and narration in Vox novel that represent the patriarchal system through the female characters. The secondary data are collected from various journals, books, and internet sources. In Vox novel, women always experience oppression and violence. It makes women’s lives miserable. The result of this study found four patriarchal discourse which cover patriarchal culture, patriarchal sexuality, patriarchal household production, and patriarchal state. Women experience psychological oppression carried out by President and Pure Movement. It begins with President and Pure Movement who control women’s life. This causes gender inequality which can give birth to subordination, marginalization, double burden, and violence. The last result is the ideological position of the author. The ideological position of the author does not support patriarchal system. Dalcher paints an original depiction of the current state of society by implying that women must be granted equal rights in society. Women have essentially the same rights as men, including the right to live an honorable life, to be free from fear, and to have the ability to choose their path in life.
TRANSFORMATIONS IN A LITTLE PRINCESS MOVIE: AN ADAPTATION ANALYSIS L Dyah Purwita Wardani; Fina Rifqiyah; Dina D. Kusumayanti
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 6 No 2 (2021)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v6i2.767

Abstract

A Little Princess is a novel written by Frances Hodgson Burnett (1905). This novel has been adapted several times into film, one of which is Alfonso Cuaron's (1995) work produced by Warner Bross Picture. This film was released in 1995 with the same title, "A Little Princess". This article focuses on the motives and ideologies of the adaptation process from novel to film. The changes that occur are a consequence of using media that change from text to screen scenes. This study will compare the intrinsic elements contained in novels and films. This research will also discuss how the transformation from novel adaptation to film and the motives. The adaptation theory by Linda Hutcheon (2006) was used to analyze the motives of adapting novels to films and will be supported by the theory of Mythology by Roland Barthes' (1957) to find ideology. Barthes' semiotic analysis helps the writer find the hidden ideology in the adaptation work, leading us to find the motive of the transformation process. As a result, the adaptation work of Alfonso Cuaron shows the existence of an ideology of feminism and American values. This ideology exists because of the cultural and political motives of the filmmaker to gain benefit from the process of adaptation. Keywords : adaptation, ideology, myth, motives.
When the Beast is Not the Enemy: Myths and Ecology World-Making in Comparative Literature Ghanesya Hari Murti; Andang Subaharianto; Erna Cahyawati; Dyah Purwita Wardani; Imam Basuki
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol. 26 No. 1 (2026): Parafrase Vol. 26 No. 1 Mei, 2026
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v26i1.6252

Abstract

Myth is an important context for societies to negotiate the relationship between humans, nature and values, based on a comparative literary analysis of mythological animals in Eastern and Western Traditions. In Eastern (Asian) traditions mythological figures such as Antaboga, Nyai Roro Kidul and Barong are considered ontological mediators and manifestations of the living ecological order. In Western traditions, by contrast, they are constructed as enemies, monsters or as existential threats to civilization in opposition. In these stories, mythological creatures are ecological boundaries, not hostile boundaries. Such traditions are diametrically opposed to the dominant Western literary paradigm, Beowulf, Moby-Dick and Argonaut, which prioritizes the conquest of monsters and the realization of narrative closure through conquest and control. Within the theoretical framework of this article, carefully grounded in literary form, temporality and the development of the literary canon, legendary creatures serve as vehicles for diverse perceptions of nature. One is founded on dominance and abstraction, the other on reciprocity and moderation. Eastern stories are structured in cycles. Nature’s balance is a dynamic and fragile process. There is no ultimate victory, and it must always be preserved. Meanwhile Western stories are linear and teleological and move toward a definitive end (such as possession or accumulation of wealth) once ecological barriers are removed.
Co-Authors Abul Haris Suryo Negoro Agus Sariono Andang Subaharianto Aqlia Nur Fahma Ardiansyah, Mohammad Ridho Ayu Lestari, Vony Rizka Berlian Ayu Pangestu Didik Suharijadi Didin Erma Indahyan Didin Erma Indahyani Dina D. Kusumayanti Edy Hariyadi Erna Cahyawati Erna Cahyawati Fina Rifqiyah Ganefo, Akhmad Ghanesya Hari Murti Ghanesya Hari Murti Hairus Salikin Heru S.P. Saputra Imam Basuki Imam Basuki Imam Basuki Indah Dwi Lestari Indria Dwi Puspita, Hery Intan Permatasari Irana Astutiningsih Kusnadi Kusnadi Muhammad Zamroni Naila Kumala Negoro, Abdul Haris Suryo Nisrina, Nadia Meivitasari Putri Nurul Islamiyah Pratiwi, Adinia Arum Prehatin Trirahayu Ningrum Puspita, Indria Dwi Rahayu, Prehatin Tri Rudianto Rudianto Santoso, Distania Supiastutik Supiastutik Suwargono, Eko Titik Maslikatin Wazirotus Sakinah Yanuar Nurdiansyah, Yanuar Yanuaresti Wardhani Zahratul Umniyyah Zaindy Roby Hilaldo