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All Journal DIKSI Harmonia: Journal of Research and Education Jurnal Penelitian Pendidikan Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Pendekar : Jurnal Pendidikan Berkarakter Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah Jurnal Ilmiah FONEMA : Jurnal Edukasi Bahasa dan Sastra Indonesia Stilistika: Jurnal Pendidikan Bahasa dan Sastra Imajeri: Jurnal Pendidikan Bahasa dan Sastra Indonesia Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Sutasoma : Jurnal Sastra Jawa Piwulang : Jurnal Pendidikan Bahasa Jawa Varia Humanika Lingua Susastra Jurnal Bina Desa Kode : Jurnal Bahasa Terob : Jurnal Pengkajian dan Penciptaan Seni Riwayat: Educational Journal of History and Humanities Jurnal Dharma Indonesia Indonesian Journal of Humanities and Social Sciences Sutasoma : Jurnal Sastra Jawa Jurnal Pendidikan dan Sosial Humaniora
Sucipto Hadi Purnomo
Universitas Negeri Semarang
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Dialektika Kuasa dan Etika Jawa: Analisis Semiotika Wayang Lakon Parikesit Jumeneng Ratu Awalliyah, Dia; Purnomo, Sucipto Hadi
Kode : Jurnal Bahasa Vol 13, No 3 (2024): Kode: Edisi September 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/kjb.v13i3.63702

Abstract

Tujuan penelitian ini mengungkap dialektika kuasa dan etika Jawa dalam wayang lakon Parikesit Jumeneng Ratu. Analisis didasarkan pada semiotika Charles Sanders Pierce yang terdiri atas tahap representamen, object (ikon, indeks, simbol), dan intrepretant. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif. Sumber datanya pergelaran wayang lakon Parikesit Jumeneng Ratu oleh Ki Enthus Susmono. Pengumpulan data dengan teknik simak catat. Hasil penelitian menunjukkan bahwa dalam lakon Parikesit Jumeneng Ratu, kuasa dilegitimasikan berdasarkan keturunan. Keturunan yang dimaksud semestinya berurutan, artinya dimulai dari keturunan tertua. Namun, jika legitimasi kekuasaan seseorang rendah karena bukan keturunan tertua, legitimasi tersebut bisa diperkuat oleh wahyu. Parikesit dalam lakon tersebut bisa memimpin Astina meskipun bukan keturunan tertua Pandawa. Itu karena legitimasi kekuasaannya diperkuat oleh kehadiran Wahyu Cakra Ningrat. Adapun prinsip etika Jawa, terutama rukun, hormat, dan tepa salira, berperan penting dalam menegakkan kekuasaan. Meskipun konflik selalu mewarnai penegakan kekuasaan, etika Jawa tetap menjadi pedoman perilaku bagi tokoh-tokoh yang terlibat. Itu menunjukkan bahwa kuasa dan etika Jawa berjalan beriringan.
Biseksual dalam Kehidupan Keluarga Priayi Jawa: Analisis Semiotika Sinema Kethoprak “Selingkuhan Candhik Ayu” Dwi Cahyanti, Arizki; Hadi Purnomo, Sucipto
Jurnal Ilmiah FONEMA : Jurnal Edukasi Bahasa dan Sastra Indonesia Vol 6 No 2 (2023)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Dr. Soetomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/fn.v6i2.6637

Abstract

Di tengah-tengah gencarnya penolakan sebagian masyarakat terhadap praktik biseksualitas, justru hadir karya-karya yang mengelaborasi persoalan biseksualitas. Salah satu karya tersebut adalah sinema ketoprak yang lazim dengan setting kehidupan keluarga priyayi Jawa. Penelitian ini bertujuan mengetahui kehidupan biseksual dalam keluarga priyayi Jawa yang terepresentasikan dalam sinema ketoprak. Penelitian ini menggunakan pendekatan kualitatif dengan analisis semiotika John Fiske yang terdiri atas level realitas, representasi, dan ideologi yang bersumber pada sineprak Selingkuhan Candhik Ayu. Pengumpulan data menggunakan teknik simak dan catat.. Hasil penelitian menunjukkan bahwa sineprak yang berlatar belakang keluarga priyayi Jawa pada masa prakemerdekaan menarasikan misteri kematian yang berkelindan dengan perselingkuhan dan aktivitas biseksual. Biseksual terungkap lewat hubungan tokoh perempuan bernama Candhik Ayu dengan tokoh laki-laki Bintara dan Pilang serta relasi homoseksual Candhik Ayu dengan perempuan bernama Gendhuk. Relasi homoseksual yang berlangsung merupakan relasi kuasa yang tidak sepadan serta tidak sama-sama dikehendaki. Akibat relasi tersebut, muncul rasa takut, benci, cemburu, dan marah hingga lahir mekanisme pertahanan diri yang bersifat agresi sampai berujung pada tindak pembunuhan. Implikasinya, relasi biseksual sebagai relasi yang tidak diterima secara umum oleh khalayak masayarakat, mengalami komplikasi ketika beroperasi dalam modus perselingkuhan.
Ketoprak story of Sultan Agung Tani as a cultural means of resolving inter-subethnic conflicts in coastal and inland Java Purnomo, Sucipto Hadi; Astuti, Eka Yuli; Widodo, Widodo; Yahaya, Samsur Rijal
Diksi Vol. 32 No. 2: DIKSI (SEPTEMBER 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i2.68393

Abstract

The story of Sultan Agung Tani becomes a means of resolving cultural conflicts in Java between inland and coastal subcultures. In Java, the legacy of cultural conflict has never been completely resolved until now due to the impact of the legacy of colonialism that has persisted since the arrival of the VOC in the 17th century. This story was chosen because it depicts the conflict and resolution between two Javanese subethnic groups who have significant differences in culture, values and geographical background. The hermeneutic reading method with a postcolonial approach is used to analyze the story of Sultan Agung Tani which is recorded in audio and video format. The results of this research show that the pattern of conflict resolution between Javanese sub-ethnic groups through stories of Ketoprak performances is able to influence people's cultural mindset. Ketoprak stories that narrate the resolution of Javanese inter-subethnic conflicts, which are staged by Ketoprak groups in coastal areas, especially Pati Regency in Central Java and its surroundings, have a positive social impact on coastal communities who are depicted as inferior by narrative text stories from the interior in babad stories. Through the stories presented, the potential to provide a cultural model of conflict resolution contributes to a conflict resolution formula with dramatic steps provided to become a dish that is enjoyed. This research provides in-depth insight into how the traditional performing art of Ketoprak can act as an important tool in mediating conflict and promoting inter-subethnic reconciliation in Indonesia.
Secret Analysis of Management Strengthening Strategy to Improve the Quality and Efficiency of Dance Studios Mulyani, Sri; hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.85

Abstract

This article analyzes effective management strengthening strategies to enhance the quality and efficiency of dance studios. Using qualitative research methods, including case studies and SWOT analysis, this study identifies key factors influencing studio quality and efficiency. The results indicate that strategic planning, human resource management, operational management, financial management, and marketing are crucial for improving dance studio quality and efficiency. Recommendations include developing strategic plans, optimizing resource management, and enhancing management capabilities. This article contributes to the development of effective and efficient dance studio management.
The Role of Bissu and Their Existence in Modern Bugis Society of South Sulawesi Rahmat, Laodemuh; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.86

Abstract

In the period before the influence of Islam entered the Bugis Bone kingdom, the Bugis Kingdom was always known for its mabissu tradition. The word bissu itself comes from the word "bessi" or mabesi which means a clean and holy creature. In the ancient Bugis tradition, apart from female bissu, there were also women. male bissu or waria. In Bugis culture in the past, bissu had a high position and were highly respected as well as being mouthpieces for the king and his people, as well as everything that related to the ritual ceremonies of the Bugis kingdom would not take place without bissu. The bissu are also believed to be intermediaries conveying revelations from God to be conveyed to the world. This is possible because the bissu have the ability to master the torilangi language (the language of the sky) where this language can only be known by them and the gods, with this privilege the existence of the bissu is still maintained. among the Bugis tribe to this day. However, in the current era of modernization, many bissu have changed professions to become indoboting (bridal make-up artists) and wedding dressers in order to fulfill their daily needs, because of this profession, many bissu experience social discrimination carried out by people who have minimal knowledge about bissu.
Tracing the Footsteps of Liku: Integration of the Penta Helix Model in Arja Art in Bali Komang David Darmawan, David; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.87

Abstract

This research explores the role of the Liku figure in Arja art, as well as the application of the penta helix model to support the preservation and development of this art. Liku, as a humorous and passionate character, functions as a symbol of rebellion against social norms and creates dynamic interactions with the audience. Through a penta helix approach, which involves collaboration between historians, artists, communities, government and media, this research shows that Arja's artistic desires can be achieved by utilizing the strengths of each element. Qualitative research methods were used to collect data through direct observation and in-depth interviews with artists and community members. The research results reveal that the penta helix integration model not only strengthens the preservation of traditions but also creates space for the younger generation to be actively involved in the arts. Therefore, this article contributes to a deeper understanding of the dynamics of Arja performing arts in Bali and the importance of cross-sector collaboration in preserving cultural heritage. It is hoped that this research will provide insight for artists, historians and the general public regarding the relevance and adaptation of traditional art in the modern era.
Management Of Preservation Of The Rejang Dance As An Intangible Cultural Heritage Of The Province Of Bali Puspawati, Gusti Ayu Made; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.89

Abstract

This research examines the management of preserving traditional Balinese arts, especially the Rejang Dance, which was developed and preserved by the Balinese people. The aim of the research is to understand the form of management carried out by the community in an effort to preserve the Rejang dance in Bali. In this research, the method used is descriptive qualitative and data collection through observation, interviews and documentation. Meanwhile, the results of this research provide various forms of conservation management such as; (1) history of Rejang dance; (2) supporting factors for Rejang dance performances, as well as (3) management efforts to preserve Rejang dance. Management of Rejang Dance performances by the Balinese people includes maintaining the musical instruments that accompany Rejang dance performances (gamelan), consistency in maintaining traditions, readiness for performances in traditional and modern realms, as well as collaborative innovation with other musical performances. In conclusion, efforts to preserve the Rejang Dance involve various parties and strategies, creating continuity of traditional culture in Bali.
Art Asset Management in Traditional Arts Organizations: A Case Study of Sanggar Cahaya Art, Denpasar, Bali Lanus, I Ketut; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.91

Abstract

Art empowers to see artists, art, and society as assets that encourage critical thinking, feeling, and rereading the problems. Artists, art, and society are art assets that have not been understood as important aspects that are interrelated, especially in traditional art organizations. This paper seeks to strengthen art assets as a way to obtain holistic and sustainable art management in traditional art organizations. Data were collected using in-depth observations of the management of art assets in the studio. In-depth interviews were conducted to collect primary data from sources who understand both in terms of knowledge and are actors in the art space. In addition, the data was confirmed and strengthened using previous studies. The results show that there is an art studio institution in the form of an art studio that presents art activities in the form of training, creation of works of art, and performances of traditional art. In addition, in this traditional art institution there is active public (community) involvement in the art space.
Sanggit Lakon Carangan: Semiotic Analysis of Bagong Figures in the Ki Seno Nugroho Puppet Show Widagdo, Sungging; Hadi Purnomo, Sucipto; Supriyanto, Teguh; Balighah Nur Fitriyati , Hikmatun
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 1 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i1.26094

Abstract

Wayang kulit rose and became the prima donna through the play of the character Bagong by Ki Seno Nugroho on social media. This article aims to analyze the role and meaning of Bagong in the play of wayang kulit by Ki Seno Nugroho through a semiotic approach. Ki Seno Nugroho can bring the character of Bagong to life, not only playing a comedic role but also voicing social criticism and the values of people's wisdom. Roland Barthes' semiotic analysis method examines data in the form of signs and meanings formed in dialogues, gestures, expressions, and scenes involving Bagong. This method consists of two levels, namely denotation (literal meaning) and connotation (cultural and ideological meaning). The semiotic approach was chosen because of its relevance in unraveling the layers of meaning of a cultural text to reveal deeper cultural and ideological implications as well. The data source was taken from the video documentation of Ki Seno Nugroho's performance on the Dalang Seno YouTube channel with the plays Bagong Ratu and Semar Mbangun Kayangan. The results of the analysis show that (1) Bagong plays a role as a representation of the common people, (2) Bagong serves as a medium of symbolic resistance to social inequality, and (3) Bagong serves as a communicative and entertaining conveyor of local wisdom. This study confirms the position of Punakawan as an important narrative device in the play of Javanese puppetry.
Representasi Sabda Pandhita Ratu Raja Jawa dalam Wayang Purwa Lakon Kresna Duta Candra, Rio; Purnomo, Sucipto Hadi
Riwayat: Educational Journal of History and Humanities Vol 8, No 3 (2025): July, Social Studies, Educational Research and Humanities Research.
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v8i3.46610

Abstract

Sabda pandhita ratu (the decree of a sage-king) is a principle upheld by a king. However, in wayang kings are often depicted as violating this principle. This study aims to reveal the representation of the sabda pandhita ratu concept in Javanese kings within the wayang purwa stories. The research employs a qualitative approach with a semiotic method. The data consist of signs and symbols found in wayang purwa performances. The primary data source is a wayang purwa performance featuring the Kresna Duta play by Ki Anom Suroto. Data collection was conducted using the observation and note-taking technique and analyzed through Charles Sanders Peirce's semiotic model, which includes the representamen, object, and interpretant. The findings indicate that in the Kresna Duta play, the sabda pandhita ratu in Javanese kingship is upheld by Kresna and Karna, then rejected by Duryudana. Duryudana's denial of the sabda pandhita ratu is driven by greed, pressure, and political interests. This rejection leads to negative political consequences and tarnishes a leaders integrity.
Co-Authors Agus Maladi Irianto Angelica, Wina Vinola Anggun Sila Falentina Astuti, Tri Marhaeni Awalliyah, Dia Balighah Nur Fitriyati , Hikmatun Cahyaningtyas, Annisa Dwi Dinda, Dinda Fitri Nurul Pramesti Dwi Cahyanti, Arizki Fachriz, Retma Inayati Gusti Ayu Made Puspawati Hartono Hartono Hayati, Meyla Nur Hendy Rifki Hidayat I Ketut Lanus Ida Fariha Imani, Asri Nur Khoirunisa, Milu Komang David Darmawan, David Latifah Nur Baeti Lestari Handayani listiadah, Siti inzali Lutfi Sindu Saputri Meishinta Alvionita Junia Mirantika Muhamad Hilmi Zamzami Muhammad Luthfi Mujimin - Nabilla Dewi Kanaya Putri Naimah, Lailatun Ningsih, Santini Ayu Nur Afandi Pangestu Widya Ningrum Pramudito, Sinatrya Farhan Putri Fania Rahmat, Laodemuh Rio Candra, Rio Siti Hasnaningtiyas Sri Mulyani Sungging Widagdo Syamsiar, Syamsiar Teguh Supriyanto Tita Sapriyanti Toni Hartanto Tristyesha, Lekas Widodo Widodo Wina Vinola Angelica Yahaya, Samsur Rijal Yusro Edy Nugroho Zain, Intan Syara