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Penyajian Teknik Bernyanyi Pada Lagu No’Ufabu’U Karya Vian Waruwu: Indonesia Noverman Lawolo; Manalu, Kartini R. M; Emmi Simangunsong
Visi Sosial Humaniora Vol. 7 No. 1 (2026): Visi Sosial Humaniora Edisi : Juni 2026
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/vsh.v7i1.3270

Abstract

This study examines the presentation of singing techniques in the song No’ufabu’u composed by Vian Waruwu within the context of a recital performance. The purpose of this research is to analyze the application of vocal techniques and interpretative approaches used in performing the song. The study employs a qualitative approach with a descriptive method, utilizing observation, documentation, and reflective analysis of the author’s performative experience during the rehearsal process and the recital performance. The findings indicate that the performance of No’ufabu’u involves the application of various techniques, including both musical and vocal elements. The musical techniques encompass dynamics, tempo, legato, and staccato, while the vocal techniques include phrasing, breathing, and posture. These techniques are interconnected in supporting both the technical and expressive quality of the performance. Furthermore, the study identifies several challenges encountered during the performance process, particularly in breath control when singing high notes in measures 55–56, which require optimal respiratory management. The song No’ufabu’u is presented in a solo vocal format accompanied by a band ensemble consisting of electric guitar, bass guitar, drums, and piano. The success of the performance is not solely determined by the mastery of vocal techniques but also by physical readiness, the ability to maintain vocal quality, and the management of the performer’s health condition. This study is expected to contribute to the development of vocal technique studies, particularly in the presentation of regional songs within the context of musical performance.
Co-Authors Adelina Artauli Sinaga Adella Girsang Apriani Apriani Bangun Munthe Bernike Sinaga Berutu, Kristin Advent J BESLINA AFRIANI SIAGIAN Cindy Cristian Damanik, Yogi Martua David Guth David Mrazek Domilika Panggabean Dusan Jina Elida Gries Simbolon Elza Leyli Lisnora Saragih Emmi Simangunsong Eniman Gea Enzelina Napitupulu Eriska Elgrita Hutabalian Ester Meisy Tarigan Fernando S. H Rajagukguk Fitri Yuneza G. R. Lono Lastoro Simatupang Grendy Mathew Purba Gulo, Rizki Sozanolo Hendrik Leonard Simanjuntak Herlina H. Sianipar Herlina Turnip Hutasoit, Feronika Aprina Jamaluddin Sitorus Jan Tomasov Junita Batubara Karunia Debora Claudia Kristian Gea Lamtiur Verawaty Simbolon Lawolo, Noverman Lenka Křivánková Lenni Yanti Margaret Stevani Martin Maděra Mastaria Simanjuntak Matous Havrlik Melga J Capah Morianus Gowasa Nainggolan, David Nasri Simanjuntak Natalina Simanjuntak Nova Yunita Sari Nove Lastri Situmorang Noverman Lawolo Nyak Ina Raseuki Pardede , Fransius Pontas J. Sitorus Pontas Jamaluddin Sitorus Puspa Realita Gulo Ranita Br. Sitepu Rinatasya Ginting Rinawati Lumbansiantar Rinsofat Naibaho Sagala, Yeremia Yosephina Van Sanggam Pardede Sara Sidabutar Sarma Panggabean Sella Noviyanti Saragih Sherina Debora Simamora Siahaan, Thessa Angelica Sidabutar, Regina Halmin Sihombing, Nielson simanjuntak, andreas Simanjuntak, Hendrik L Simatupang, Rikommen Sinaga, Bobi Sitanggang, Ronaldo Sitohang, Tigor Sri Sulastri Lumban Tobing Susi Era Veri Uton Utomo Waruwu, Happy Majesty Yuni Indah Romaida Simangunsong