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All Journal JeLAST : Jurnal Teknik Kelautan , PWK , Sipil, dan Tambang Jurnal khabar: Komunikasi dan Penyiaran Islam Jurnal Ilmu Komunikasi PENDALAS: Jurnal Penelitian Tindakan Kelas dan Pengabdian Masyarakat Communication and Information Journal Gudang Jurnal Multidisiplin Ilmu Jurnal Ilmiah Research and Development Student Jurnal Spektrum Komunikasi Jurnal Ilmu Komunikasi dan Sosial Politik Jurnal As-Syar’i: Jurnal Bimbingan & Konseling Keluarga EduInovasi: Journal of Basic Educational Studies Jurnal Rekam Medis dan Informasi Kesehatan Indonesia
Fakhrur Rozi
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Representasi Makna Kekerasan Verbal pada Kolom Komentar Media Sosial Instagram @Anastasyakh: Analisis Semiotik Roland Barthes Hasan Sentosa Lukito; Muhammad Alfikri; Fakhrur Rozi
Comit: Communication, Information and Technology Journal Vol. 3 No. 1 (2025): Comit: Communication and Information Journal
Publisher : IAI Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/comit.v3i1.2726

Abstract

This study aims to identify and analyze the representation of verbal violence in the comments section of the Instagram account @anastasyakh using a qualitative descriptive approach and Roland Barthes' semiotic analysis. Through this method, the research delves into the denotative and connotative meanings in comments that contain elements of verbal violence, objectification, and coarse sexual views towards the subject, Anastasya Khosasih. The analysis results indicate that these comments not only refer to the subject's physical attributes literally but also reveal demeaning and derogatory stereotypes, creating an unsafe and harmful digital environment. By elucidating the layers of meaning in these comments, this study provides deep insights into the negative impact of harsh and demeaning language in online interactions and underscores the importance of fostering a more respectful and safe communication environment on social media.
Makna Kesehatan Mental Dalam Film Bolehkah Sekali Saja Ku Menangis Analisis Semiotika Roland Barthers Hidayah, Syahla; Fakhrur Rozi
Jurnal Khabar: Komunikasi dan Penyiaran Islam Vol. 7 No. 1 (2025): Juni
Publisher : STAI Bumi Silampari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37092/khabar.v7i1.1214

Abstract

This study aims to analyze the representation of mental health in the film Bolehkah Sekali Saja Ku Menangis using Roland Barthes' semiotic approach. The problem raised is how denotative, connotative, and mythical meanings in the film form a narrative about psychological disorders and the dynamics of character emotions. The film features the main character, Tari, who experiences psychological stress due to family conflict and tries to recover through discussion groups. This study uses a qualitative approach with a case study method. Data collection techniques are carried out through observation and documentation, with analysis focused on ten main scenes in the film. The results of the study show that mental health issues are represented through visual and verbal symbols such as dark rooms, mirrors, silent expressions, and emotional dialogues. The film dismantles social myths about emotional strength, intergenerational trauma, and the role of patriarchal families in forming inner wounds. These representations form a new narrative that is more inclusive and empathetic to mental health issues. Thus, this film is not only artistic but also educational, and contributes as an alternative media in the literacy campaign and reducing the stigma against mental health in Indonesia.
Makna Penggunaan Skincare pada Mahasiswa Laki-Laki Analisis Semiotika Roland Barthes di Universitas Islam Negeri Sumatera Utara (UINSU) Medan Riska Hayati; Rudi Salam; Fakhrur Rozi
EduInovasi:  Journal of Basic Educational Studies Vol. 5 No. 2 (2025): EduInovasi:  Journal of Basic Educational Studies
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/edu.v5i2.7013

Abstract

This study aims to explore the meaning of skincare usage among male students at the State Islamic University of North Sumatra (UINSU) Medan, using a qualitative approach with a descriptive-exploratory design. The study analyzes this social phenomenon through Roland Barthes' semiotic theory, which focuses on how meaning is created and communicated through signs in society. Six key concepts from Barthes' semiotic theory—sign, signifier, signified, denotation, connotation, and myth—are used to analyze how skincare usage is understood within the local context of the students. The research utilizes purposive sampling to select five informants: Imam, Shandy, Iqbal, Septian, and Haikal, all male students at UINSU Medan. Data was collected through in-depth interviews to explore their experiences, motivations, and views on skincare usage, as well as secondary data from literature related to global culture and male skincare. The findings show that the use of skincare among male students at UINSU Medan is influenced by several factors, including beauty standards popularized by the media and global culture, as well as religious values they adhere to. From a semiotic perspective, skincare products can be seen as "signs" representing self-awareness about appearance, with the "signifiers" being products such as facial cleansers, toners, and moisturizers. The "signified" is a shift in the understanding of masculinity, where skincare is no longer seen as feminine but as part of modern male identity. In "denotative" terms, skincare usage is understood as an act of maintaining cleanliness and skin health, while "connotatively," it reflects a change in the concept of masculinity, becoming more flexible. The "myth" that emerges is that self-care is a right for every individual, regardless of gender, and can be practiced by anyone without altering their masculine identity. This study provides insights into how global beauty culture influences the behavior of male students in self-care, considering the local social and cultural context in Indonesia.
Representasi Budaya Islam Kontemporer dalam Kajian Dhuha: Perspektif Semiotika Muhtadiah Hasibuan; Sulaiman RM; Fakhrur Rozi
As-Syar i: Jurnal Bimbingan & Konseling Keluarga  Vol. 7 No. 3 (2025): As-Syar’i: Jurnal Bimbingan & Konseling Keluarga
Publisher : Institut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/as.v7i3.7019

Abstract

 This study aims to analyze the representation of contemporary Islamic culture in the Dhuha program aired on the AW Sumut Channel YouTube, using Roland Barthes' semiotic analysis, which allows the researcher to interpret the symbols and signs used in the program. The findings reveal that Dhuha presents Islamic culture by combining traditional and contemporary symbols, such as the use of colors, clothing, and words in the sermons that are relevant to current social dynamics. Further discussion uncovers that the program not only conveys religious messages but also plays a role in shaping Islamic cultural identity in the digital era, by adjusting visual and narrative elements to attract an audience from diverse backgrounds. In conclusion, the representation of Islamic culture in Dhuha Online reflects the adaptation and modernization of Islamic preaching, which continues to uphold religious values while being tailored to the development of technology and the needs of modern society.
Co-Authors Abdul Rasyid Agustini Elystia Vidia Marselina Gustin Dhea Amelia Br. Siahaan Hasan Sentosa Lukito Hidayah, Syahla Indira Fatra Deni Ismail Misroh Pebrianti Muhammad Alfikri Muhtadiah Hasibuan Nana Novita Pratiwi Putri Oktavia Risa Aulia Riska Hayati Rizky Amelia Rudi Salam SRI WULANDARI Sulaiman RM Vika Andriyani Wulandari, Agustiah