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Journal : SENI

MEMBACA VISUAL MOTIF BATIK SEMARANGAN WARAK NGENDOG Mursidah; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Batik Semarangan has a variety of motives, including architectural motifs (Lawang Sewu, Tugu Muda, Sam Po Kong, and others) and floral fauna motifs (asem, tendrils, fish, etc.). One of batik Semarangan's unique and interesting motifs is Warak Ngendog's motif. Visualization of Warak Ngendog motif is made by referring to the mythological animal of Semarang belief. This journal will discuss the visual motives of Warak Ngendog through the semiotic viewpoint. This viewpoint sees batik motifs not merely images, but as cultural texts in which operate marking practices that lead to the method of reading batik motifs as a text. With this point of view Warak Ngendog's motives will be analyzed by traces of visual detail, how to form visual constructs, and to track his social history. Keyword: Batik Semarang, Warak Ngendog, Signs, Semiotic.
PERANCANGAN MOTIF BATIK EKSPRESIONISME ABSTRAK DENGAN SUMBER IDE SISI EMOSIONAL UNTUK FASHION STYLE BAD GIRL Shafira Nabila; Mursidah; Yustiana Dwirainaningsih
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The most young people didn’t like batik that seems old-fashioned with colors that seems monotonous. This design is a from of innovation to foster like and interest for young people so that batik willn’t be immersed in foreign cultures and will countinue to exist in the future. This design is an innovation that develops abstract contemporary batik with more expressionism in which the depiction displays the emosional side experienced by female figure who became the ideas for this work. In terms of images that are randomly generaled with the appearance of expressions human. In addition, the color ascept is made to show the emosional side. Observation of motifs and colors is done through the media of the books and the internet. This batik is realize using the written batik technique, with the coloring using the dab technique. This batik work is packaged or realized in the form of Bad Girls Style which reflects the figure of feminine girl who became a new, tomboyish personality. The results of this design trial obtained 3 motifs with 7 fashion designs which are illustrated in the from of 3 motifs in 1 design and realized with the chosen motif, namely the Confundo motif on a bad girl outfit. Keyword : Bad Girl, Contemporary Batik, Ekspresionism
EKSPLORASI WARNA ALAM KUNYIT UNTUK PRODUK MUKENA BATIK Mursidah; Dheasari Rachdantia; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Natural dyes are non-toxic alternative dyes refurbished and environmentally friendly. Materials for natural dyes are selected based on its availability in nature and easy to obtain like turmeric (Curcuma domestica Val) which is a native spice and medicinal plant from Asian region. Turmeric is a plant that is commonly used as traditional medicine and herbal medicine. Apart from that, turmeric can also be used as a natural dye for batik cloth. This research aims to make turmeric an environmentally friendly natural dye for batik cloth, and produce a new product design with the idea of ​​providing additional use value to batik mukena products. The method used is qualitative research with a practice-based approach to the creative arts creation process (practice-led research). The results of this research are batik mukena products using the natural dye turmeric. Coloring using a dipping technique of 10 dips using natural turmeric dye with a fixation locking process using a tunjung. Keywords: Batik, Natural Turmeric Color, Mukena batik.