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Aesthetic Analysis Of Sustainable Design Principles in Modern Residential Interiors Dina Kristiana Seftianingsih; Dian Muhammad Rifai; Nadila Dwi Koes Sumaningtyas; Marwahyudi Marwahyudi
Proceeding of the International Conference on Electrical Engineering and Informatics Vol. 1 No. 1 (2024): January : Proceeding of the International Conference on Electrical Engineering
Publisher : Asosiasi Riset Teknik Elektro dan Informatika Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/iceei.v1i1.45

This study aims to analyze the application of sustainable principles in modern residential interior design and focuses on aesthetic aspects. With increasing attention to environmental sustainability issues, interior design plays an important role in reducing environmental impacts through the selection of environmentally friendly materials, efficient energy use, and space optimization. However, the aesthetic aspect cannot be separated from design, because it plays a role in creating visual comfort and occupant well-being. This study uses a qualitative descriptive method with an interdisciplinary approach, which includes literature reviews, design analysis, and case studies on several interior projects that have successfully combined sustainable and aesthetic principles. The results of the study show that interior design that considers sustainability not only focuses on energy efficiency and the selection of environmentally friendly materials, but also integrates aesthetic elements that enhance the comfort of the space. These findings emphasize the importance of public and designer awareness in creating functional, environmentally friendly, and aesthetic spaces. This study is expected to provide theoretical and practical contributions to the development of interior design that supports sustainability without sacrificing the aesthetic quality and comfort of the space.

Digital literary cartography and colonial space: re-mapping spatial imaginations in Robinson Crusoe and Max Havelaar Fitriya Dessi Wulandari; René Faruk Garzozi Pincay; Dian Muhammad Rifai
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.135

Background: The spatial turn in literary studies and digital humanities highlights the need to reassess how colonial space is constructed through the interaction between narrative and cartographic knowledge. Objective: This study examines how colonial spatial imagination is produced, contested, and differentiated in Robinson Crusoe (1719) and Max Havelaar (1860) through digital literary cartography. Method: Using a qualitative digital humanities design, the research integrates close textual analysis with historical cartographic materials and spatial metadata, focusing on Atlantic navigation maps, West Indies and New England coastal maps, and administrative maps of Java and Bantam. Results: The findings show that Robinson Crusoe aligns with a cartographic logic of enclosure and maritime circulation, reinforced by island, Atlantic, and West Indies maps that normalize spatial mastery. In contrast, Max Havelaar articulates a fragmented administrative geography, revealed through maps of Java and the Dutch East Indies that expose bureaucratic segmentation and ethical tension. Comparative re-mapping demonstrates divergent cartographic epistemologies shaped by exploration versus governance. Implication: Digital literary cartography reveals colonial space as an ideological construct rather than a neutral backdrop. Novelty: The study offers a comparative Global South–oriented cartographic reading that repositions maps as critical epistemic texts in colonial literature.

Pencahayaan dan penghawaan ruang perpustakaan di Monumen Pers Nasional Surakarta: Implikasi bagi pengelolaan dan kenyamanan pengguna Indy Rafia; Dea Syahnas Paradita; Dian Muhammad Rifai
Jurnal Desain Vol 13 No 1 (2025): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v13i1.34

Perpustakaan berperan sebagai pusat informasi yang menjadi penopang utama kemajuan sebuah lembaga, terutama lembaga pendidikan, yang dituntut untuk terus beradaptasi dengan pesatnya perkembangan informasi. Pencahayaan dan penghawaan pada ruang perpustakaan sangat penting untuk kenyamanan pengguna perpustakaan. Tujuan dari penelitian ini adalah untuk menghitung kebutuhan pencahayaan alami dan buatan pada ruang perpustakaan Monumen Pers Nasional Surakarta. Memaparkan pengkondisian udara dengan menghitung jumlah pengkondisian udara yang dibutuhkan untuk ruang perpustakaan Monumen Pers Nasional Surakarta. Penelitian ini menggunakan pendekatan kuantitatif yang berfokus pada pengujian teori melalui pengukuran variabel secara numerik, serta analisis data menggunakan prosedur statistik. Data dikumpulkan langsung dari lapangan untuk mengidentifikasi faktor-faktor, elemen bentuk, dan esensi dari fenomena yang terjadi di masyarakat. Hasil dari penelitian dapat disimpulkan bahwa perpustakaan Monumen Pers Nasional membutuhkan 20 titik lampu dan AC sebesar 9 PK.

Digital literary cartography and colonial space: re-mapping spatial imaginations in Robinson Crusoe and Max Havelaar Fitriya Dessi Wulandari; René Faruk Garzozi Pincay; Dian Muhammad Rifai
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.135

Background: The spatial turn in literary studies and digital humanities highlights the need to reassess how colonial space is constructed through the interaction between narrative and cartographic knowledge. Objective: This study examines how colonial spatial imagination is produced, contested, and differentiated in Robinson Crusoe (1719) and Max Havelaar (1860) through digital literary cartography. Method: Using a qualitative digital humanities design, the research integrates close textual analysis with historical cartographic materials and spatial metadata, focusing on Atlantic navigation maps, West Indies and New England coastal maps, and administrative maps of Java and Bantam. Results: The findings show that Robinson Crusoe aligns with a cartographic logic of enclosure and maritime circulation, reinforced by island, Atlantic, and West Indies maps that normalize spatial mastery. In contrast, Max Havelaar articulates a fragmented administrative geography, revealed through maps of Java and the Dutch East Indies that expose bureaucratic segmentation and ethical tension. Comparative re-mapping demonstrates divergent cartographic epistemologies shaped by exploration versus governance. Implication: Digital literary cartography reveals colonial space as an ideological construct rather than a neutral backdrop. Novelty: The study offers a comparative Global South–oriented cartographic reading that repositions maps as critical epistemic texts in colonial literature.

Digital literary cartography and colonial space: re-mapping spatial imaginations in Robinson Crusoe and Max Havelaar Fitriya Dessi Wulandari; René Faruk Garzozi Pincay; Dian Muhammad Rifai
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: Mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.135

Background: The spatial turn in literary studies and digital humanities highlights the need to reassess how colonial space is constructed through the interaction between narrative and cartographic knowledge. Objective: This study examines how colonial spatial imagination is produced, contested, and differentiated in Robinson Crusoe (1719) and Max Havelaar (1860) through digital literary cartography. Method: Using a qualitative digital humanities design, the research integrates close textual analysis with historical cartographic materials and spatial metadata, focusing on Atlantic navigation maps, West Indies and New England coastal maps, and administrative maps of Java and Bantam. Results: The findings show that Robinson Crusoe aligns with a cartographic logic of enclosure and maritime circulation, reinforced by island, Atlantic, and West Indies maps that normalize spatial mastery. In contrast, Max Havelaar articulates a fragmented administrative geography, revealed through maps of Java and the Dutch East Indies that expose bureaucratic segmentation and ethical tension. Comparative re-mapping demonstrates divergent cartographic epistemologies shaped by exploration versus governance. Implication: Digital literary cartography reveals colonial space as an ideological construct rather than a neutral backdrop. Novelty: The study offers a comparative Global South–oriented cartographic reading that repositions maps as critical epistemic texts in colonial literature.

Digital literary cartography and colonial space: re-mapping spatial imaginations in Robinson Crusoe and Max Havelaar Fitriya Dessi Wulandari; René Faruk Garzozi Pincay; Dian Muhammad Rifai
Lingua Technica: Journal of Digital Literary Studies Vol. 2 No. 1 (2026): Literature and computation: Mapping, modeling, and mediation
Publisher : Asosiasi Relawan dan Pengelola Jurnal LPTNU (ARJUNU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64595/lingtech.v2i1.135

Background: The spatial turn in literary studies and digital humanities highlights the need to reassess how colonial space is constructed through the interaction between narrative and cartographic knowledge. Objective: This study examines how colonial spatial imagination is produced, contested, and differentiated in Robinson Crusoe (1719) and Max Havelaar (1860) through digital literary cartography. Method: Using a qualitative digital humanities design, the research integrates close textual analysis with historical cartographic materials and spatial metadata, focusing on Atlantic navigation maps, West Indies and New England coastal maps, and administrative maps of Java and Bantam. Results: The findings show that Robinson Crusoe aligns with a cartographic logic of enclosure and maritime circulation, reinforced by island, Atlantic, and West Indies maps that normalize spatial mastery. In contrast, Max Havelaar articulates a fragmented administrative geography, revealed through maps of Java and the Dutch East Indies that expose bureaucratic segmentation and ethical tension. Comparative re-mapping demonstrates divergent cartographic epistemologies shaped by exploration versus governance. Implication: Digital literary cartography reveals colonial space as an ideological construct rather than a neutral backdrop. Novelty: The study offers a comparative Global South–oriented cartographic reading that repositions maps as critical epistemic texts in colonial literature.

MORPHOLOGICAL PROCESSES IN THE NAMES OF TRADITIONAL SURAKARTA CULINARY IN INSTAGRAM HASHTAGS DATA Titik Akiriningsih; Dian Muhammad Rifai
Indonesian EFL Journal Vol. 12 No. 2 (2026)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ieflj.v12i2.157

This research analyzes the morphological procedures used in forming the names of traditional Surakarta culinary items as represented in Instagram hashtags. Using a qualitative descriptive approach, data were collected from popular Instagram posts containing hashtags of traditional Surakarta foods. The data were analyzed based on Soeparno’s (2003) theory of morphological procedures. The results reveal two morphological procedures: duplication/reduplication and compounding. Among these, compounding is the most dominant type, accounting for 92,5% (25) data, while duplication/reduplication accounts for 7,5% (2) data. Examples such as gado-gado, arem-arem, cabuk rambak, and sate kere illustrate these morphological patterns. The prevalence of compounding suggests that social media users creatively combine free morphemes to produce meaningful culinary names that reflect both linguistic processes and local cultural identity. This study demonstrates how traditional culinary vocabulary continues to develop and spread through digital communication, highlighting the dynamic relationship between language, culture, and technology.

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