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All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Hexagone IZUMI Mozaik Humaniora Jurnal Arbitrer IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Journal of Language and Literature RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya BASINDO : jurnal kajian bahasa, sastra Indonesia, dan pembelajarannya Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Bakti Budaya: Jurnal Pengabdian kepada Masyarakat ELS Journal On Interdisciplinary Studies in Humanities Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Journal of English Teaching, Applied Linguistics and Literatures (JETALL) BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Bahasa Indonesia bagi Penutur Asing (JBIPA) ASEAN Journal of Community Engagement JOLLT Journal of Languages and Language Teaching Jurnal Impresi Indonesia Al-Fashahah: Journal of Arabic Education, Linguistics, and Literature Deskripsi Bahasa Global Expert: Jurnal Bahasa dan Sastra Pustaka: Jurnal Bahasa dan Pendidikan SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar AJCD Jurnal bahasa, sastra, seni, dan pengajarannya
Hayatul Cholsy
Department Of Languages And Literatures, Universitas Gadjah Mada
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Kesepadanan Pragmatik Dark Humor Pada Serial TV “Family Guy” Naufal, Muhammad; Cholsy, Hayatul
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 2 (2024): April 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i2.14798

Abstract

Artikel ini bertujuan untuk mengidentifikasi kesepadanan pragmatik pada dark humor dalam penerjemahan takarir dalam serial TV Family Guy. Penelitian ini menggunakan teori kesepadanan pragmatik oleh Mona Baker. Metode deskriptif, komparatif, dan interpretatif digunakan untuk menganalisis data dalam penelitian ini. Pengumpulan data dilakukan dengan menggunakan teknik simak dan catat. Data untuk penelitian ini berupa dark humor berbentuk takarir dalam Bahasa inggris dan Bahasa Indonesia yang didapatkan pada episode-episode dari season terakhir serial TV Family Guy yang dapat ditonton melalui website Disney+ Hotstar. Penelitian ini menemukan beberapa jenis dark humor dari episode-episode pada season akhir serial TV Family Guy, dan ditemukan pula penerjemah melakukan beberapa teknik penerjemahan dalam menerjemahkan dark humor Bahasa inggris ke Bahasa Indonesia, teknik penerjemahan ini dilakukan agar hasil terjemahan sesuai dengan kebudayaan yang berada di Indonesia. Hal ini membuat penyampaian pesan berhasil dipindahkan dari Bahasa target ke dalam Bahasa sasaran, namun karena ini pula, dark humor yang terdapat dalam Bahasa inggris tidak dapat disampaikan secara penuh ke dalam Bahasa Indonesia.
The Translation Forms of First-Person Pronouns in Murder on the Orient Express Ferisa; Hayatul Cholsy
SPHOTA: Jurnal Linguistik dan Sastra Vol. 17 No. 1 (2025): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v17i1.9425

Abstract

This research aims to describe the translation forms of first-person pronouns used as the subject and object from English into Indonesian. This research is descriptive-comparative with a qualitative approach, which explores the nature of first-person pronouns in two novels. The problem of this research is how the equivalent forms are found in translating first-person pronouns from English into Indonesian in the novel “Murder on the Orients Express”. The results show that there are 155 first-person pronouns in the English novel, indicating that the translation of these pronouns, “I” can be aku, ku- kami, and saya, “me” can be kita and sayalah, “we” can be kereta, kami, and kita, and “us” can be kita and kemari. The differences in translation results are due to the different pronoun systems. English does not have an inclusive and exclusive system for “we”, while Indonesian does not have the first-person pronouns in terms of subjects and objects.
The language use on instagram: Sociolinguistic studies on the speech code of netizens in the city of Makassar in buying and selling food through instagram Andi Samsu Rijal; Suhandano Suhandano; Hayatul Cholsy
AMCA Journal of Community Development Vol. 2 No. 2 (2022): AMCA Journal of Community Development
Publisher : AMCA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51773/ajcd.v2i2.143

Abstract

Instagram was a very popular social media today in Indonesia, especially for millennials. The popularity of Instagram media has been used as a means of promoting food products by culinary traders in the city of Makassar. With the promotion of food products through Instagram, netizens' speech interactions in the comments column started from asking for prices, menus, ordering or reservation systems, to marking each other and inviting their friends to eat together. This study aimed to describe the language variations on Instagram carried out by netizens in Makassar City. This research was a qualitative descriptive study and the research data is in the form of text, namely the speech of buying and selling food in the comments column for uploading advertisements for culinary account users on Instagram. Data collection was carried out from April 2020 to April 2021, during which this period was also marked by the implementation of large-scale social restrictions to minimize the spread of COVID-19. In netizen communication through Instagram, there was code-mixing of Indonesian language codes with foreign languages, regional languages ​​and the mixing of Makassar Malay speech codes. This study found several uses of language variations in the form of words, phrases and sentences. There were various variations of non-standard language in the form of word approaches, abbreviations, and the use of foreign term insertions adopted by speakers. The use of code-mixing and informal language can be interpreted as a form of tertiary oral as well as everyday forms of communication but was carried out in written form through communication media. Communication through social media Instagram has changed the way individuals communicate and has also changed the use of people's language.
Translation Techniques of Legalese Archaisms: Evaluating Human Expertise, Machine Power, and Artificial Intelligence Islakhiyah, Islakhiyah; Cholsy, Hayatul
Humanus Vol 24, No 1 (2025)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v24i1.131545

Abstract

Translation of legalese archaisms considered as a bedrock on comprehending the content of deed agreement in legal documents. Since society has been so close to digitalization, they often use machine translation and artificial intelligence as a tool assisted on translation, resulting in discrepancies of the meaning and nuance contained in the archaisms of source language. Departing from this, this research aims to describe the common inclination used on the translation technique of legalese archaisms in legal documents and its implication. This research uses a qualitative descriptive approach. The data of this research are obtained from three legal documents; Power of Attorney, Deed of Termination, and Memorandum of Understanding. The data collected by using the close observation techniques. Afterwards, the data will be analyzed using the translation techniques by Molina and Albir (2002), and the translation designation theory by Lawrence Venuti (1995) to find out the common inclination on the translation results of these three variables. After conducting a thorough analysis on the translation techniques, the researchers concluded that the translation of the legalese archaisms by machine power and artificial intelligence applied foreignization as the common inclination on the translation process. On the contrary, the translation result of human expertise applied domestication as the common inclination.
Le Phénomène de la Traduction des Onomatopées Incohérent dans la Bande Dessinée les Aventures de Tintin d’Hergé Arviani Fayzaila Ramadhanti; Hayatul Cholsy
HEXAGONE Jurnal Pendidikan, Linguistik, Budaya dan Sastra Perancis Vol. 14 No. 1 (2025): HEXAGONE
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/hxg.v14i1.70102

Abstract

Notre recherche vise à examiner les formes incohérentes dans la traduction des onomatopées dans les bandes dessinées Les Aventures de Tintin d’Hergé lorsqu’elles sont traduites en indonésien par Donna Widjajanto dans les bandes dessinées Petualangan Tintin. Notre recherche décrit les formes d’incohérence de la traduction des onomatopées ainsi que les causes et les facteurs qui les influencent. Les données obtenues à partir de cinq séries de bandes dessinées ont été analysées à l’aide d’une méthode descriptive comparative et d’une approche qualitative. Les résultats de notre recherche montrent que sept formes d’onomatopées françaises sont traduites en 21 formes différentes en indonésien. L’incohérence de la traduction des onomatopées est considérée comme un phénomène linguistique provoqué par l’absence de documentation officielle structurée, telle que des entrées dans un dictionnaire ou un corpus spécialisé d’onomatopées en indonésien. En fin de compte, elle affecte la décision du traducteur dans le choix de la technique de traduction utilisée, qui est dominée par la technique d’adaptation (57,1%) suivie par les techniques de l’équivalent conventionnel (28,6%) et de l’emprunt naturalisé (14,3%) de Molina et Albir (2002). La présence de formes onomatopéiques dans chaque langue n’est pas toujours absolue, mais elle est limitée par le système linguistique existant et par la subjectivité du traducteur, notamment par ses compétences linguistiques et sa créativité, lorsqu’il s’agit de déterminer la forme de traduction appropriée.
Enhancing the Visibility of Traditional Craft Puspa Rinengga Batik Through Online Marketing Approaches Savitri, Mimi; Cholsy, Hayatul; Hasanah, Uswatun
ASEAN Journal of Community Engagement Vol. 8, No. 1
Publisher : UI Scholars Hub

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Abstract

This study addresses the visibility of traditional craft and focuses on developing a strategy to increase its exposure through online marketing platforms. Puspa Rinengga Batik Studio, a small and medium-sized enterprise in Sleman, Yogyakarta, Indonesia, specializes in creating batik with jangkang motifs. Despite their unique craft, the studio struggled with marketing their products, resulting in an imbalance between production and sales. This study explores a strategy to boost sales by leveraging social media for digital marketing. The approach involves empowering the community through workshops and implementing a sustainability program. As a result of this initiative, the studio successfully utilized social media to showcase its batik products to a broader audience, leading to a triple increase in sales. This study demonstrates that strategizing the visibility of traditional craft means popularizing the craft and improving the welfare of the studio’s members, particularly women, reinforcing the local cultural identity, and preserving batik as a cultural heritage.
Intermediate language in the subtitle translation of Le Grand Voyage film into Indonesian Perjalanan Agung Cholsy, Hayatul
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 50, No. 2
Publisher : citeus

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Abstract

This study aimed to explore the role of intermediate language in translating the dialogue subtitle of Le Grand Voyage film from French as source language into Indonesian as target language. This study used intermediate language translation theory from Amal Al Shunnaq (2019), which was a translating process from source language into target language through other foreign language. Le Grand Voyage film is a film with religious nuance with the life of maghrébin immigrants in France as the background. The film subtitle in Indonesian were translated from English subtitle which were previously translated from French dialogue. English as the intermediate language had a very important role since it determined the subtitle translation final result in the target language. In addition to economic reasons, the role of an intermediate language was to be able to simplify or make subtitle in target language more concise, therefore it could easily adjust the space and time on the screen display, refine the translation result so that the film subtitle in target language becomes more polite, such as the loss of swear words, and determines the message from source language into target language due to cultural influences and the peculiarities of the intermediate language.
Realization of French Connected Speech: A Comparative Study between Indonesian FLE Students and Native Speakers Nani Kusrini; Sajarwa Sajarwa; Hayatul Cholsy
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.11196

Abstract

This study aims to explain the realization of French external sandhi, namely liaison, enchaînement, and élision in FLE (French as a Foreign Language) students with Indonesian as their first language (L1), and the factors influencing the realization. To determine the extent of mastery of Indonesian students, this study compared the realization of two groups of Indonesian students with different study hours and the realization of native speakers. This study involved 44 FLE students divided into two groups (27 students in Group I and 17 in Group II) and 11 native speakers. The instrument text for oral reading was compiled considering all these three phenomena theoretically and the students' competence level. It contains sequences of words potentially connected by all three. The data collection technique was carried out by recording the text reading once. The use of PRAAT software supported data analysis. The study results indicate the mastery of Indonesian speakers in élision liaison enchaînement consonantique enchaînement vocalique. The realization level of the students is much lower than that of native speakers. Several factors include the absence of similar phenomena in L1, segmentation ability, use of rhythm, differences in the orthographic systems, and interference, namely the presence of silent consonants and grapheme h, which are not pronounced in French, differences in the transparency of phoneme-grapheme relationship in the two languages and the quality of input.
The Use of Makassar Malay Dialect in Food Buying and Selling Interactions on Instagram Social Media Andi Samsu Rijal; Suhandano Suhandano; Hayatul Cholsy
ELS Journal on Interdisciplinary Studies in Humanities Vol. 6 No. 1 (2023): March
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/elsjish.v6i1.25291

Abstract

The Makassar Malay dialect is a variation of Indonesian Langauge. The use of the Makassar Malay Dialect arose because of the contact of languages both in orality and also in social media. This dialect was found in situations of buying and selling food interactions through Instagram social media. This article aimed to described the characteristics of the use of the Makassar Malay Dialect and the factors of the use of code mixing the Indonesian Makassar Malay Dialect with other codes in the interaction of buying and selling food through Instagram social media carried out by netizens in Makassar City. The data of this qualitative research focused on speech interactions in of buying and selling food through Instagram social media. This speech was contained in the comments column for uploading food advertisements to culinary Instagram accounts. There were various language codes used by participants such as the Indonesian language with the Makassar Malay dialect, regional and foreign language codes. The use of Makassar Malay dialect was in the form of words and affixes. The use of these dialects was in the form of code mixing, namely internal code mixing and outer code mixing. The use of the Makassar Malay dialect because of language contact and as the result of language adaptation.
Tuturan Diaspora Indonesia dalam Konten Media Sosial Youtube: Campur Kode dan Faktornya Endang Mawarti; Hayatul Cholsy
Jurnal Impresi Indonesia Vol. 5 No. 7 (2026): Jurnal Impresi Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jii.v5i7.7954

Abstract

balisasi dan perkembangan komunikasi digital telah memperkuat kontak bahasa pada komunitas diaspora Indonesia yang tinggal di luar negeri. Pemanfaatan YouTube sebagai ruang representasi budaya mendorong penutur diaspora menggunakan pola komunikasi multibahasa, khususnya melalui praktik campur kode. Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk campur kode serta menganalisis faktor sosiolinguistik yang memengaruhi tuturan diaspora Indonesia dalam konten YouTube. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan perspektif sosiolinguistik. Data penelitian diperoleh dari 15 video YouTube terpilih yang diproduksi oleh keluarga diaspora Indonesia melalui teknik purposive sampling. Analisis data dilakukan melalui klasifikasi bentuk campur kode berdasarkan teori Muysken serta interpretasi faktor sosial yang melatarbelakangi penggunaan bahasa. Hasil penelitian menunjukkan bahwa campur kode paling dominan terjadi antara bahasa Indonesia dan bahasa asing sebesar 79%, diikuti bahasa Indonesia dan bahasa daerah sebesar 17%, serta campur kode ganda sebesar 4%. Bentuk dominan berupa penyisipan unsur leksikal, terutama kata benda, kata sifat, dan kata kerja. Faktor penyebab campur kode meliputi tren media digital, kebutuhan teknis akibat keterbatasan kosakata, identitas budaya, lingkungan geografis, interaksi keluarga multibahasa, kebiasaan penggunaan bahasa, dan topik pembicaraan tertentu. Penelitian ini menyimpulkan bahwa campur kode pada diaspora Indonesia bukan sekadar bentuk keterbatasan bahasa, melainkan strategi multilingual adaptif untuk mempertahankan identitas budaya, membangun komunikasi efektif, dan melakukan negosiasi identitas dalam ruang digital transnasional.
Co-Authors andri, la ode Aprilia Firmonasari Aprillia Firmonasari Arviani Fayzaila Ramadhanti Ascalonicawati, Adinda Prasty Ashryani Sitinur M. Kamal B.R. Suryo Baskoro B.R. Suryo Baskoro Dhamalia Lantika Endang Mawarti F.X Nadar Farah Fatihah Ferisa Gina Aulia Griselda Felicia Fredyryna Tumbole Hana Nafisah Hanun Alya Husna Himmatul Ngaliyah I Dewa Putu Wijana Islakhiyah, Islakhiyah Jihan Salsa Biela Fatin La Ode Andri Mimi Savitri Muhammad Naufal, Muhammad Nani Kusrini Pujiharto Pujiharto Retno Wulandari Rijal, A. Samsu Rizky Arif Afandi Rount Maulero Suhandano Suhandano Suhandano Suhandano Syuqaira El Humaira Tesya Imanisa Setiadi Uswatun Hasanah Violita Violita Violita Violita Wening Udasmoro Yuniarti Sibuea