Articles
<![CDATA[Penghilangan dalam Penerjemahan Subtitle Da Vinci’s Demons ]]>
<![CDATA[Rizky Arif Afandi]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ Deskripsi Bahasa Vol 1 No 2 (2018): 2018 - Issue 2 ]]>
Publisher : <![CDATA[Department of Languages and Literature, Faculty of Cultural Sciences, UGM ]]>
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DOI: 10.22146/db.v1i2.333
<![CDATA[Penghilangan dalam penerjemahan subtitle merupakan bagian strategi penerjemahan yang lazim ditemukan. Meskipun telah lazim ditemukan, penghilangan pada penerjemahan, menurut beberapa ahli, masih menimbulkan permasalahan mengenai keutuhan pesan yang disampaikan di dalam teks target dan cenderung dilakukan berdasarkan intuisi penerjemah. Terkait hal ini, pada serial televisi Da Vinci’s Demons ditemukan penghilangan dalam frekuensi yang cukup tinggi dan hal inilah yang menjadi tujuan penelitian ini untuk mengkajinya. Penelitian yang bersifat deskriptif komparatif ini menggunakan teori penghilangan Mona Baker mengenai penghilangan, dan meninjau penghilangan dari konten informasinya. Dari hasil penelitian, ditemukan bahwa penghilangan dalam penerjemahan memang tidak bisa dielakkan karena beberapa alasan, yakni; (1) keterbatasan jumlah karakter dalam subtitle; (2) adanya gambar dan suara yangmewakili penghilangan, dan (3) adanya perbedaan budaya.]]>
<![CDATA[Leksikon dalamTradisi Sib Mimnyen (Cacing Laut/Nyale) di Kabupaten Halmahera Tengah ]]>
<![CDATA[Ashryani Sitinur M. Kamal]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ Deskripsi Bahasa Vol 4 No 1 (2021): 2021 - Issue 1 ]]>
Publisher : <![CDATA[Department of Languages and Literature, Faculty of Cultural Sciences, UGM ]]>
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DOI: 10.22146/db.v4i1.4108
<![CDATA[This research was conducted to explore lexicon naming used in sib mimnyen tradition and the relationship with social values, community beliefs, and social activities. Data were collected using documentation techniques obtained from portraits of daily life and interviews with local communities. The research sample was randomly selected using random sampling technique. The results of this study found that the naming of nyale (marine worms) is influenced by several aspects such as language relation (Patani language in North Maluku - Thai Pattani language in Thailand), and the way of proccessing the worm, cognates vocabulary spesifically the sounds, and marine worm habitat. Furthermore, there were also non-language factors that supported determinism of sib mimnyen tradition consist of geographical location and social activities. ===== Penelitian ini dilakukan dengan tujuan untuk menelisik penamaan leksikon yang digunakan dalam tradisi sib mimnyen dan hubungannya dengan nilai-nilai sosial, kepercayaan masyarakat, dan aktifitas sosial. Data dikumpulkan dengan menggunakan teknik dokumentasi yang diperoleh dari potret kehidupan sehari-hari dan wawancara terhadap masyarakat setempat. Sampel penelitian ini dipilih secara acak menggunakan teknik pengambilan sampel purposif. Hasil penelitian ini ditemukan penamaan nyale (cacing laut) dipengaruhi oleh beberapa aspek seperti hubungan kata antarbahasa (bahasa Patani Maluku Utara – bahasa Pattani Thailand), antarproses pengolahan, antarbunyi kosakata yang serupa (cognates vocabulary), dan habitat cacing laut. Selain itu, ditemukan juga faktor non bahasa yang menopang detrminasi budaya dalam tradisi sib mimnyen diantaranya letak geografis dan aktivitas sosial masyarakat.]]>
<![CDATA[SPEECH ACTS EQUIVALENCE OF AUDIOVISUAL TRANSLATION ON ENOLA HOLMES NETFLIX MOVIE SUBTITLE ]]>
<![CDATA[Violita Violita]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ Journal of English Teaching, Applied Linguistics and Literatures (JETALL) Vol 5, No 2 (2022): JETALL VOLUME 5 NUMBER 2 2022 ]]>
Publisher : <![CDATA[Universitas Lambung Mangkurat ]]>
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DOI: 10.20527/jetall.v5i2.12695
<![CDATA[this research discusses the speech act equivalence involving translation of English-Indonesian subtitle of Enola Holmes Netflix movie. Since pragmatic equivalence is consider as to be the suitable one to be analyzed in Audiovisual Translation (AVT), this research look closely in case of translating the subtitle especially the movie with genre of adventure and mystery. This audiovisual translation research employs qualitative descriptive with the research design of content analysis. The data is taken from the subtitle Netflix movie of Enola Holmes. According to the result of this research, it shows some circumstances firstly the ST that is translated equivalent in its speech act can present the message equivalent with the context of the story. Secondly, the translation that cannot reach the speech act equivalency is less able to bring the context of the story into the TT translation. In addition, the implication exists in utterances present in ST can be conveyed in the TT if the speech act equivalency is achieved. Otherwise, the implication that exists in utterances present in ST cannot be portrayed in TT if the speech act equivalency cannot be achieved.]]>
<![CDATA[Intermediate language in the subtitle translation of Le Grand Voyage film into Indonesian Perjalanan Agung ]]>
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 50, No 2 (2022) ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Negeri Malang ]]>
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DOI: 10.17977/um015v50i22022p165
<![CDATA[Intermediate language in the subtitle translation of Le Grand Voyage film into Indonesian Perjalanan AgungThis study aimed to explore the role of intermediate language in translating the dialogue subtitle of Le Grand Voyage film from French as source language into Indonesian as target language. This study used intermediate language translation theory from Amal Al Shunnaq (2019), which was a translating process from source language into target language through other foreign language. Le Grand Voyage film is a film with religious nuance with the life of maghrébin immigrants in France as the background. The film subtitle in Indonesian were translated from English subtitle which were previously translated from French dialogue. English as the intermediate language had a very important role since it determined the subtitle translation final result in the target language. In addition to economic reasons, the role of an intermediate language was to be able to simplify or make subtitle in target language more concise, therefore it could easily adjust the space and time on the screen display, refine the translation result so that the film subtitle in target language becomes more polite, such as the loss of swear words, and determines the message from source language into target language due to cultural influences and the peculiarities of the intermediate language. Bahasa antara dalam penerjemahan subtitle film Le Grand Voyage ke dalam bahasa Indonesia Perjalanan AgungPenelitian ini bertujuan untuk mengeksplorasi peran bahasa antara dalam penerjemahan subtitle dialog film Le Grand Voyage dari bahasa sumber bahasa Prancis ke dalam bahasa sasaran bahasa Indonesia. Penelitian ini menggunakan teori penerjemahan bahasa antara atau intermediate language dari Amal Al Shunnaq (2019), yaitu proses pengalihbahasaan dari bahasa sumber ke dalam bahasa sasaran melalui bahasa asing lainnya. Film Le Grand Voyage merupakan film yang bernuansa religi dengan latar belakang kehidupan kaum imigran maghrébin di Prancis. Subtitle film dalam bahasa Indonesia diterjemahkan dari subtitle bahasa Inggris yang sebelumnya merupakan hasil terjemahan dari dialog bahasa Prancis. Bahasa Inggris sebagai bahasa antara mempunyai peran yang sangat penting karena menentukan hasil akhir terjemahan subtitle dalam bahasa sasaran. Selain alasan ekonomi, bahasa antara berperan untuk dapat menyederhanakan atau membuat subtitle dalam bahasa sasaran menjadi lebih ringkas sehingga dapat dengan mudah menyesuaikan ruang dan waktu pada tampilan layar; memperhalus hasil terjemahan sehingga subtitle film pada bahasa sasaran menjadi lebih santun, misalnya hilangnya kata umpatan; serta menentukan keakuratan pesan dari bahasa sumber ke dalam bahasa sasaran karena pengaruh budaya dan kekhasan bahasa antara.]]>
<![CDATA[FOREIGN VERSUS INDONESIAN AND LOCAL LANGUANGES IN IDENTITY OF BUSINESS ENTITY’S NAME IN SOSROWIJAYAN TOURISM VILLAGE YOGYAKARTA ]]>
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 15, No 2 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Makassar ]]>
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DOI: 10.26858/retorika.v15i2.30254
<![CDATA[The language used in business’ name in the Sosrowijayan tourism village is varied, including the inevitably use of foreign language. This study aims to examine the use of foreign language compared to Indonesian and regional languages in business’ name. The research questions whether the name used shows Javanese and Indonesian identity as a tourism area that represents Yogyakarta. The data is collected through satellite image in Google Maps and in-depth interview with the business’ owner. The names collected are classified according to its form related to the structure and the meaning of business’ name. After that, the data of the business’ name, which relates to its identity, is interpreted using social and cultural approach to understand the strategies used by the meaning of business’ name. The result of this study shows that business’ name as an identity has a purpose to target certain consumers and it is also adjusted to the owners’ identity who are culturally influenced by local, national and international environment.]]>
<![CDATA[Interferensi fonologis pada tuturan bahasa Indonesia pemelajar BIPA dengan bahasa pertama bahasa Prancis ]]>
<![CDATA[Dhamalia Lantika]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ Jurnal Bahasa Indonesia bagi Penutur Asing Vol 5, No 1 (2023): Jurnal Bahasa Indonesia bagi Penutur Asing (JBIPA) ]]>
Publisher : <![CDATA[Badan Pengembangan dan Pembinaan Bahasa ]]>
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DOI: 10.26499/jbipa.v5i1.6096
<![CDATA[Interference is the effect of language learners' first language on their production of the language they are learning. It is a phenomenon that cannot be avoided by a second language learner. One of the most frequent interferences is phonological interference, as it happened to BIPA students with French as their first language. The purpose of this research is to show and explain why the phonological interference happens to them. This research is a qualitative research. The data were obtained using the free method of listening to engagement and recording techniques. The data were transcribed phonemically and phonetically, then analyzed in two ways, namely contrastive analysis and comparative descriptive analysis. Based on this research, it was found that BIPA students tend to eliminate the sound [h] which is at the beginning, middle and end of words, pronounce the sound /r/ with [R] uvular, cut syllables in Indonesian words with the syllable system in French, sometimes eliminating sound /s/, pronounce the sound /g/ with [ʒ] inconsistently, and still use the nasal vowel system in their Indonesian. It was also found that the learner's Indonesian speech was better if they spoke another foreign language with a phonological system similar to Indonesian.]]>
<![CDATA[Facultative Liaison as a Formal Register Marker in French Oral Communication ]]>
<![CDATA[Nani Kusrini]]>;
<![CDATA[Sajarwa Sajarwa]]>;
<![CDATA[B.R. Suryo Baskoro]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ JURNAL ARBITRER Vol. 10 No. 1 (2023) ]]>
Publisher : <![CDATA[Masyarakat Linguistik Indonesia Universitas Andalas ]]>
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DOI: 10.25077/ar.10.1.19-23.2023
<![CDATA[Language variations based on the level of formality in spoken communication are not only determined by particular words or morphosyntax but also phonological elements. The concept of formality itself is considered the most important dimension of the variety of styles or registers. This study aims to describe the forms of facultative liaison in present-day French communication and liaison consonants formed by the linking process, to explain whether facultative liaison is still a marker of formal variety, and to reveal the factors that influence its use. This research is a sociolinguistic study with qualitative data using 15 recorded speeches by several politicians (formal) and 21 vlogs from French YouTubers (informal) with a total duration of 6 hours. The results of this study show that facultative liaison is used much more in formal than non-formal communication. Most forms of facultative liaison are a series of verbs être + determinant, auxiliary verbs être/avoir + participe passé (past participle), noun + adjective. It can be concluded that the more formal the communication, the more facultative liaisons are used. The liaison consonant [t] appears the most often, and the dominant factors in the use of facultative liaison are stylistics including formality, shared knowledge, etc, the sensitivity of formality, and the linguistic intuition of the speaker.]]>
<![CDATA[Speech Acts Equivalence of Audiovisual Translation on Enola Holmes Netflix Movie Subtitle ]]>
<![CDATA[Violita Violita]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 10 No. 1 (2022): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite ]]>
Publisher : <![CDATA[Institut Agama Islam Negeri Palopo ]]>
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DOI: 10.24256/ideas.v10i1.2589
<![CDATA[This research discusses the speech act equivalence involves in audiovisual translation of English-Indonesian subtitle on Enola Holmes Netflix movie. Since pragmatic equivalence is consider as to be the suitable one to be analyzed in Audiovisual Translation (AVT), this research look closely in case of translating the subtitle especially the movie with genre of adventure and mystery. This audiovisual translation research employs qualitative descriptive with the research design of content analysis. Also, there is involvement of analysis contrastive to be able to figure out the speech act equivalency. The data is taken from the subtitle Netflix movie of Enola Holmes. According to the result of this research, it shows some circumstances firstly the ST that is translated equivalent according to the speech act type can present the message equivalent with the context of the story. Secondly, the translation that cannot reach the speech act equivalency is less able to bring the context of the story into the TT translation. In addition, the implication exists in utterances present in ST can be conveyed in the TT if the speech act equivalency is achieved. Otherwise, there are also found that implication which exists in utterances present in ST cannot be portrayed in TT if the speech act equivalency cannot be achieved.]]>
<![CDATA[Pola Kehadiran Suara Penerjemah Dalam Terjemahan The Rainbow Troops Dari Novel Laskar Pelangi ]]>
<![CDATA[La Ode Andri]]>;
<![CDATA[Hayatul Cholsy]]>
<![CDATA[ PUSTAKA: Jurnal Bahasa dan Pendidikan Vol. 4 No. 2 (2024): April : Jurnal Bahasa dan Pendidikan ]]>
Publisher : <![CDATA[BADAN PENERBIT STIEPARI PRESS ]]>
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DOI: 10.56910/pustaka.v4i2.1179
<![CDATA[The translator’s voice does not appear explicitly in form of text whic is difficult to identify it’s presence. The research aims to invent the presence of translator’s voice and the pattern of it’s constructed in the text of The Rainbow Troops whic is translated from novel Laskar Pelangi. This research is a descriptive and qualitative reserach whics uses the data gathered from translated text. we focus on the “widening segment narrtive text” in translated version. Through an analysis of technique discursive creation, the widening segment of narrtive text represents the translator’s voice presence. Overall, we find that the translator’s voice presences could be categorized into character category (ibu muslimah, lintang dan pak harfan), non-character category (SD Muhammadiyah dan Sekolah PN), inanimate category (Geografis dan Demografi Sejarah) and entity intrarelation (PN-kemiskinan PN-SD dan SD-Samadikun). Moreover, the the translator’s voice presence through translator’s creativity in producing the new widenign form of text has bridged the gap of context between source text and the foreign reader linguistically and culturally. By this presence the emotion and situation of source text could be caught by foreign readres.]]>
<![CDATA[Strategi Taboo for Taboo pada Penerjemahan Kata-Kata Tabu dalam Novel Where There’s Smoke ]]>
<![CDATA[Ngaliyah, Himmatul]]>;
<![CDATA[Cholsy, Hayatul]]>
<![CDATA[ Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol. 23 No. 1 (2024): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 23 Nomor 1 Januari 2024 ]]>
Publisher : <![CDATA[Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta ]]>
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DOI: 10.21009/bahtera.231.05
<![CDATA[The purpose of this research is to analyze taboo for taboo strategy and factors that influence in translating taboo words in the novel Where There's Smoke into Indonesian. The data for this research are taboo words in the novel Where There's Smoke and its translation in Indonesian entitled Pencarian which uses the taboo for taboo strategy in its translation. The taboo for taboo strategy maintains taboo from the source language (SL) into the target language (TL). Data collection techniques are carried out by reading and taking notes. The data analysis in this research is based on Davoodi’s theory (2009). From the research results, it was found that the taboo for taboo strategy can translate taboo words at the same taboo level as SL and taboo for taboo strategy with a lower taboo level than SL. Factors that influence the taboo for taboo strategy are the use of the same function of taboo words between SL and TL, the message and meaning conveyed are the same, the difference language systems of SL and TL, the translator's understanding of the culture of SL, the readers of the target text, translator's sociolinguistic abilities, and editor’s role.]]>
