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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Segara Widya: Jurnal Penelitian Seni JURNAL PENDIDIKAN TAMBUSAI Abdi Seni Dinasti International Journal of Education Management and Social Science JOURNAL SCIENTIFIC OF MANDALIKA (JSM) Jurnal Ilmiah Wahana Pendidikan International Journal of Social Science Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Jurnal Damar Pedalangan Global Art Creativity Conference
Sudarta, I Gusti Putu
Institut Seni Indonesia Denpasar
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Journal : Lekesan: Interdisciplinary Journal of Asia Pacific Arts

 1 
Tutur Candra Bherawa Pakeliran Theater: A New Process of Creation For Traditional Theater I Gusti Putu Sudarta; Dru Hendro
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 6 No. 2 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v6i2.2362

Abstract

Tutur Candra Bherawa Pakeliran Theatre is a total theatre work that explores and uses the elements of the art in Balinese Traditional theatre. This work uses a song as a means for storytelling, becoming a theatrical music presentation. The melodies and vocals are not only based on Balinese and Javanese traditions but also adapt and transform the styles of qawwali music (Sufi songs) and other spiritual songs. It is presented in the Sangita song form, accompanied by instrumental music and dance. The concept of this work is ngarcana sarining lango, described as bukti-mukti-jiwan mukti. The method of creation utilizes the Gandha Sesa composition technique. Bhasma Sesa is the framework for the play, dramatic plot, play script, and form of presentation.
AESTHETIC STUDY OF GENDING BIMANIYU REPERTOIRE OF GENDER WAYANG STYLE TENGANAN KARANGASEM Hartini, Putu; Sudarta, I Gusti Putu; Muryana, I Ketut
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v8i1.3037

Abstract

The gending Bimaniyu of gender wayang is one of Bali's cultural heritage that needs to be preserved. This research can provide an in-depth understanding of the aesthetics of gending, which can help its preservation efforts. The Uniqueness of the Karangasem Style The Karangasem style in the gender gending of the Bimaniyu puppet has characteristics that distinguish it from other styles. This research can reveal the uniqueness of the aesthetics of this style so that it can enrich the cultural treasures of Bali. The specific purpose of this study is to describe the aesthetics of the Gending Bimaniyu style of Tenganan Karangasem. This research will be carried out within 7 months with unique objectives, including a) aesthetics in Gending Bimaniyu style Karangasem and b) Gending Bimaniyu technique style Karangasem. This research is a qualitative descriptive research. The data source was obtained by recording and reviewing the results of the recording of Gending Bimaniyu using a literature method supported by interviews with Gender Wayang artists. The results of the data analysis used to present the results of data analysis are presented by formal and informal methods. The output of this research is in the form of journals, HKI, and teaching materials, which can be used by students and karawitan artists who graduated from ISI Denpasar in analyzing, reconstructing, and displaying a good, correct, and engaging performance composition structure in the Gender Wayang performance.
“CATUR KARANA” IDA BAGUS GEDE PURWA STUDY OF SANGGIT LAKON (KAWI CARITA) BALINESE SHADOW PUPPET Widnyana, I Kadek; Sedana, I Nyoman; Sudarta, I Gusti Putu; Mawan, I Gede
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 8 No. 1 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v8i1.3174

Abstract

Balinese Wayang kulit contains deep philosophy and aesthetics, with plays that are not only entertaining, but also contain moral teachings and life values. An important element in the structure of the play is the concept of "Catur Karana" created by Ida Bagus Gede Purwa. This research uses a qualitative method with a text analysis and phenomenology approach, involving literature study, interviews with puppeteers, audiences and practitioners of the puppet arts. Data is analyzed through text analysis and semiotics to understand the meaning and structure of the story. The research results show that "Catur Karana" is a basic method in building a new play. Dalang needs to understand the four main elements: swamandala, antakarana, uparengga, and pasiat, which support the structure of the play in Reka Sadana. Catur Karana includes five elements (panca reka) and is equipped with Catur Perakreti and Panca Wilasa materials as raw materials for creating new plays, which is an important method in nynggit plays.Qualitative research methods using text analysis and phenomenology approaches explore the application of the concept of "Catur Karana" in the Balinese Wayang kulit play by Ida Bagus Gede Purwa. The main data analyzed came from the Purwa Wasana text and the Kawi Carita text and their documentation. Data collection, literature study, interviews, and art practitioners. Narrative data analysis of text and play structure. Catur Karana by Ida Bagus Gede Purwa in the Purwa Wasana Textbook. Understand the drupadi competition play from the main play (Ramayana, Mahabharata), memorize the characters, understand the structure of the play, characterization, scenes, building blocks, pedum coral, and understand the theme. Ida Bagus Gede Purwa implemented Catur Karana into a play called the Drupadi Competition. In it, elements of chess karana are explored which are presented as a summary of the story, scenes and scenes.
Co-Authors Bratanatyam, I Bagus Wijna Budayasa, I Made Siman Budiastomo, Denta Mandra Pradipta Danaswara, I Putu Gede Budhi Darmika, Anak Agung Mayun Dru Hendro Dru Hendro, Dru Dwipayana, Anak Agung Putra Fauziah Shahab Gunawan, Gede Putra Arya Bagus Gunayasa, I Wayan I Bagus Wijna Bratanatyam I Dewa Ketut Wicaksandita I Gede Mawan I Gusti Made Darma Putra I Kadek Widnyana, I Kadek I Ketut Sudhana I Komang Sudirga I Nyoman Sadi I Nyoman Sedana I Nyoman Sedana, I Nyoman I Wayan Adnyana Ida Ayu Trisnawati, Ida Ayu Kembaliana, I Wayan Kodi, I Ketut Krisna, Komang Triana Sparsa Lingga Made Marajaya Meliartawan, I Putu Agus Muryana, I Ketut Mutiara Dewi, Kadek Ayu Diah Ni Made Arshiniwati Ni Made Ruastiti Ni Putu Hartini Purnamawati, Ni Diah Putra, I Gusti Made Darma Putriandini, Putu Gita Rahayu Satyani, Ida Ayu Wayan Arya Sudirana, I Wayan Sulistiawan, I Nyoman Nasib Suteja, I Kt. Wisena, I Made Satriadi